A Comprehensive Method-Written by the internationally-acclaimed mandolinist and ...(+)
A Comprehensive Method-Written by the internationally-acclaimed mandolinist and tutor Marilynn Mair The Complete Mandolinist is the most comprehensive American Mandolin method to be published in nearly a century. This bookpresents a logical approach to Mandolin technique that builds on the methods devised by America's pioneering Mandolin tutors of the early 20th century. Starting with the very basics - a foundation in technique and musicreading the book progresses in the course of its 224 pages through scales arpeggios tremolo position work shifting rhythm studies picking techniques and duo-style with carefully selected exercises and musical examplesthat range from fiddle tunes and Brazilian choro to Vivaldi concertos and Beethoven sonatinas. This method reflects the wealth of musical knowledge Marilynn Mair has acquired over the course of her distinguishedcareer and she has compiled it here for you to encourage the versatility and intelligent musicianship you will need to become an experienced mandolinist. Accompanying audio tracks are included to download online.
For The Modern Mandolinist - Volume 1-Theory and Improvisation for the Modern Ma...(+)
For The Modern Mandolinist - Volume 1-Theory and Improvisation for the Modern Mandolinist is a two book series that teaches improvisation in many musical styles along with theory concepts and how they apply to the mandolin. Each book provides access to differentbacking tracks and solo examples to help you learn. Every chapter includes scales presented in a variety of common formats: standard notation tablature and fretboard charts. Volume 1 Building a Foundation only requiresthat the reader can play notes and simple chords. It presents basic skills necessary for improvising over chord progressions found in all types of music. Sample solos and progressions are included at the end of each chapter topractice. Whether you play bluegrass rock pop or jazz this book will take your solos to the next level. Includes access to online audio.
With Online Audio-Originating from the 17th century the Mandolin has a fascinat...(+)
With Online Audio-Originating from the 17th century the Mandolin has a fascinating and varied history. This versatile instrument was a favourite of Mozart's and has been used extensively in classical and traditional music around the world forgenerations. In recent years the Mandolin has enjoyed renewed popularity thanks to artists such as Jack White Muse The Lumineers Mumford And Sons and Arcade Fire. 50 Tunes For Mandolin contains 50Bluegrass Old Time and Celtic tunes that are perfect for ensembles families or individuals. The Mandolin classics in this collection vary in difficulty from simple to advanced providing players with an enjoyable repertoire thatwill grow with them as they refine their musical technique. The pieces in this book are designed for flatpicking on the Mandolin. This style of playing prevalent in Celtic and Bluegrass music features fast soloing with asingle flat pick. All parts are written in both Mandolin tablature and standard notation. 50 Tunes For Mandolin includes access to online audio tracks featuring every tune in the book recorded by a fullband.
For The Modern Mandolinist - Volume 1. Theory and Improvisation for the Modern M...(+)
For The Modern Mandolinist - Volume 1. Theory and Improvisation for the Modern Mandolinist is a two book series that teaches improvisation in many musical styles along with theory concepts and how they apply to the mandolin. Each book provides access to different backing tracks and solo examples to help you learn. Every chapter includes scales presented in a variety of common formats: standard notation, tablature and fretboard charts. Volume 1, Building a Foundation, only requires that the reader can play notes and simple chords. It presents basic skills necessary for improvising over chord progressions found in all types of music. Sample solos and progressions are included at the end of each chapter to practice. Whether you play bluegrass, rock, pop or jazz, this book will take your solos to the next level. Includes access to online audio./ Tablatures / Mandoline
Arranged For Mandolin. This book contains the first three of J. S. Bach's solo v...(+)
Arranged For Mandolin. This book contains the first three of J. S. Bach's solo violin Sonatas and Partitas arranged for mandolin. The goal of the material is to make learning these challenging pieces easier. Mandolin tablature is included throughout the book. Mandolinists who have little or no experience reading standard notation will find this to be an essential learning tool. For good reason, there has been widespread interest in learning these pieces in the mandolin community. The pieces were originally written for violin. As a result, Bach's use of string crossing patterns and open-string pedals work brilliantly on the mandolin. Also, as solo works they are a useful addition to anyone's performingrepertoire. Lastly, even if never performed, learning all or some of these is wonderful for building mandolin technique. Violinists often say that if you can play the Bach Solo Sonatas and Partitas you can play anything-the same is certainly true for mandolinists. This book contains the first three of J. S. Bach 's solo Violin Sonatas and Partitas arranged for Mandolin. The goal of the material is to make learning these challenging pieces easier. Mandolin tablature isincluded throughout the book. Mandolinists who have little or no experience reading standard notation will find this to be an essential learning tool. For good reason, there has been widespread interest in learning thesepieces in the Mandolin community. The pieces were originally written for Violin. As a result, Bach 's use of string crossing patterns and open-string pedals work brilliantly on the Mandolin. Also, as solo works theyare a useful addition to anyone's performing repertoire. Lastly, even if never performed, learning all or some of these is wonderful for building Mandolin technique. Violinists often say that if you can play the Bach SoloSonatas and Partitas you can play anything-the same is certainly true for Mandolinists./ Recueil / Mandoline
Start - Up Mandoline[Partition] - Débutant Amsco Wise Publications
Learning to play the Mandolin is a highly rewarding experience, but getting star...(+)
Learning to play the Mandolin is a highly rewarding experience, but getting started can be a challenge! Here at last is a book that helps you choose the right instrument and accessories and then gets you playing - fast! Full colour pictures, clear diagrams and genuinely practical advice combine to make Start-Up Mandolin do exactly what is says on the cover. You'll start off on the right track and that makes everything else come more easily. Contents include: Parts of the Mandolin How to hold the Mandolin Tuning Playing chords Bluegrass chords and techniques Reading tablature Playing melodies A timeless selection of folk and bluegrass songs for you to play / Mandoline
Par JESPER RUBNER-PETERSEN. A new book on improvisation is now available for blu...(+)
Par JESPER RUBNER-PETERSEN. A new book on improvisation is now available for bluegrass mandolin players. Based on the concept of learning by playing, this 200 page book covers a wide range of improvisation tools and how to implement them in your playing. A large number of examples are presented in both tablature and standard notation, so that a theoretical background is not required. The small amount of theory needed is simply presented and easily learned step by step. A series of exercises designed to help the player develop improvisational skills are included in the book. As an instruction tool, the book can easily be combined with the instructor's individual philosophy or by a student wishing to study alone. The subject matter is varied in difficulty and can be used by both the beginner and more advanced player as an instructional guide and reference book. The major-themes in the book are: The pentatonic sound, scale and major-chord based improvising with any Bluegrass-Tune, Double-stop improvisation, Minor chords and Keys, The blues sound, Melody oriented improvisation, How to use: Monroe Style, Cross picking, Hot licks, how to simplify a lick, and more. MP3 CD accompanies book featuring all examples. Click to hear the author discuss the book. / Niveau : Débutant à Intermédiaire / Bluegrass - Improvisation / Tablatures / Mandoline Tablatures
Never be at loss for a chord again! Over 1,100 chords presented with standard no...(+)
Never be at loss for a chord again! Over 1,100 chords presented with standard notation and diagrams that illustrate the fingering, inversion, and scale degrees for every chord. Several chord forms in different positions are given for common chords. This is the ultimate chord reference book for all mandolinists. / Mandoline
A Collection of Cakewalks, Rags, Slow Drags, and Foxtrots from the Gilded Age. P...(+)
A Collection of Cakewalks, Rags, Slow Drags, and Foxtrots from the Gilded Age. Par . The popularity of the mandolin in the United States between 1885-1915 led to the formation of many regional mandolin orchestras and mandolin clubs across the country, particularly in the urban areas of the Northeast and Midwest, but also as far west as San Francisco and as far south as New Orleans, e.g., the Tulane University Mandolin Club. In fact, Scott Joplin dedicated one of his early rags, The Entertainer, to his local mandolin club in Sedalia, Missouri, i.e., to Mr. James Brown and his mandolin club. So tune up your mandolin and enjoy playing the music that would have been heard in the neighborhood dance halls and feel like you're back in the Gilded Age! Each song in this collection is arranged for mandolin in staff notation and mandolin tablature with chord symbols. / Date parution : 2023-06-01/ Recueil / Mandoline
Alfred's Basic Mandolin Method 1 features clear, well-paced instruction that mak...(+)
Alfred's Basic Mandolin Method 1 features clear, well-paced instruction that makes learning the mandolin easy and fun. This book covers all the basics, including how to hold your mandolin, tuning your mandolin, right- and left-hand techniques, reading music, chords, strumming patterns, songs, and how to read TAB. The DVD provides visual lessons and demonstrations of songs and examples from the book. / Mandoline
Par BAXTER JOHN. This encyclopedia is designed to provide mandolin players with ...(+)
Par BAXTER JOHN. This encyclopedia is designed to provide mandolin players with a wide variety of chords in different voicings. This book is intended as both a starting point of learning chord voicings and patterns, as well as a dictionary of common mandolin chords. Each key section includes the first position scale for that key, as well as the chord formula and notes for each chord. If you want to learn to be a bluegrass rhythm player it helps to have a guide or 'map' to take you through the initial learning stage. This book provides a small but powerful set of starter chords used in this style of music. Once these chords are learned, you'll be able to jam with other musicians in no time. These are the same chords used by greats like Bill Monroe, Doyle Lawson, David Grisman and hundreds of other bluegrass players in this genre. While there are only a few chords presented in the 'map' section, they form the foundation of bluegrass mandolin and with them you can play literally thousands of songs in every key. Chords are presented by key. / Niveau : Débutant / All Styles - Chord Book / Etude / Mandoline
The quickest, easiest, most enjoyable method for learning to play the mandolin! ...(+)
The quickest, easiest, most enjoyable method for learning to play the mandolin! Alfred's Basic Mandolin Method is one of the many new additions to the Alfred's Basic family of methods, featuring clear, well-paced instruction. Learning to play has never been easier or more fun than with Alfred's Basic Mandolin Method---the best choice for today's beginning mandolin students. Book 2 features: * New major and minor scales and keys * Solos and duets including American, German, Irish, Italian, Mexican, and Scottish folk songs * Power chords, double unisons, and palm muting * Additional chords and strumming patterns * How to transpose * Triplets, swing rhythms, and blues soloing * Accents and staccato (chop) articulations* Photos and diagrams * Songs that include 'The Entertainer,' 'Tarantella,' 'Greensleeves,' and many others * Great-sounding performances of lessons and examples on the CD. / Mandoline
Mandolin Solos. Par BRUCE DIX. This book and accompanying audio are an essential...(+)
Mandolin Solos. Par BRUCE DIX. This book and accompanying audio are an essential compilation of songs, solos, and techniques that every Mandolin player should know. The book is aimed at beginning and intermediate mandolinists, and contains 40 Mandolin solos of all-time favorite Bluegrass, Old-Time and Gospel songs./ Recueil / Mandoline
Par WAYNE BENSON. In more than ten years with bluegrass super group IIIrd Tyme O...(+)
Par WAYNE BENSON. In more than ten years with bluegrass super group IIIrd Tyme Out, Wayne Benson has established himself as one of the most unique and gifted stylists among today's bluegrass mandolinists. In addition, he was featured on seven very popular recordings from Pine castle Records, the Bluegrass Annual series (Bluegrass 1995 -2001). A number of Wayne's tunes from those CDs are taught on this DVD, plus some important and effective techniques that will benefit anyone pursuing a serious study of the mandolin for bluegrass music. A booklet with both tab and standard notation for each song is also included. / Niveau : Débutant à Intermédiaire / Bluegrass - Solos / Accessoire / Mandoline
Folks, we are proud to say that we have a new DVD hot off the press, entitled Bi...(+)
Folks, we are proud to say that we have a new DVD hot off the press, entitled Bill Monroe Style Mandolin. On it our son Chris, who is 25 and a mighty fine picker, teaches five Monroe-style tunes literally note-by-note: Big Mon, Bluegrass Breakdown, Raw Hide, Wheel Hoss, and also a terrific, bluesy break to Man of Constant Sorrow. Chris teaches the four Monroe compositions very close to the recorded versions, and in fact on Wheel Hoss he's practically mirroring every note of what Monroe played. These lessons are all taught carefully note-by-note, showing every pick stroke and naming every note, all the way through each tune. No Tab. DVD. / Mandoline / niveau : Intermédiaire/Avancé / Dvd - Format: 7,5 X 5,25
If you've heard jazz guitarists like Joe Pass play chord melody you may think t...(+)
If you've heard jazz guitarists like Joe Pass play chord melody you may think that the style requires an encyclopedic knowledge of music theory musical super-powers or making a deal with the devil. But fear not! This bookwill show you how to create your own satisfying chord melody arrangements on the Mandolin...and will do so in a practical applicable way.'Aaron Weinstein has many musical accomplishments. I am very proud to have playeda small part with some of them. When he was only 12 he made his first recordings and asked me to play Mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling andJoe Venuti style jazz. Not long after that Aaron became interested in the Mandolin and chords and he came by every so often to play and discuss voicings improvisation and the like. I showed him some of the Jethro Burns chordmelody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself!Fast forward a few more years and Aaron has a Berklee degree traveled the worldplaying hot Violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah one other thing: he took the art of chord-melody Mandolin style to an entirely new level! The rich harmonies of the standard jazz and showtune repertoire the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style thanks to his great ear open mind and gift at locating thingson the fretboard. And now Aaron has documented explained and shared his discoveries and approach with all of us in this book. Thank you Aaron!This is truly a step-by-step method that you will enjoy. You'll findyourself saying 'oh of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and
The book Método de Mandolina begins at the very beginning of learning to play...(+)
The book Método de Mandolina begins at the very beginning of learning to play the mandolin starting with the basic tuning of the instrument how to sit position one?s head and hold one?s hands. There are many pages of exercises that lead to easy pieces and more difficult short works all in Spanish style.In this age of the Guitar it is remarkable to know that the mandolin was the most popular instrument throughout the Western world at the turn of the last century at the time of the publication of this book. For the most part at that time the virtuosi were considered to be Italian and the best instruments from Italian makers though many other companies were involvedin the production of many forms of the mandolin. This is ironic however as it is frequently asserted that the earliest form of lute or mandolin entered Europe with the Moors onto the Iberian peninsula in the shape of the oud. In the late 19th and early 20th centuries serious composers included lute parts in their major works and wrote pieces expressly for mandolinists and for the thousands of mandolin Orchestras that sprang up throughout Europe and in the New World. That Método de Mandolina remains available is a testament to its usefulness and the expertise of its author in giving teachers and students a volume from which to teach and learn.
The non-jazz improvisation series is a concept that germinated in Dick Weissman'...(+)
The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune Cripple Creek and wanted the trombone totake a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart Dick realized that - in addition to the many musicians who do not improvise - there are even jazzmusicians who don't know how to improvise outside the limits of their own stylistic backgrounds. The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in manymusical styles including; Blues Country American folk Latin-American World music including South American Eastern European and Asian Odd meters (playing in a variety of time signatures) New Age Classical Folk-Rock In short the books are an encyclopedia of virtually every musical style excluding jazz.
Media Type : Book/CD Set Level : Advanced Musical Genre : Acoustic Music Number ...(+)
Media Type : Book/CD Set Level : Advanced Musical Genre : Acoustic Music Number of pages : 128 The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds. The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including; * Blues * Country * American folk * Latin-American * World music including South American, Eastern European and Asian * Odd meters (playing in a variety of time signatures) * New Age * Classical * Folk-Rock In short, the books are an encyclopedia of virtually every musical style, excluding jazz.
Mandolin Play-Along Volume 8-The Mandolin Play-Along Series has been specially c...(+)
Mandolin Play-Along Volume 8-The Mandolin Play-Along Series has been specially created to help you to play your favourite songs quickly and easily. Just follow the written music listen to the audio to hear how the Mandolin should sound and then play along using the separate backing tracks. Standard notation and tablature are both included in the book. This volume also comes with Playback+ a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right!This volume includes 8 film and TV favourites: Arrivederci Roma (Goodbye to Rome) The Godfather (Love Theme) Never onSunday Over the Rainbow Spanish Eyes That's Amoré (That's Love) Theme from “Zorba the Greek” and Somewhere My Love.
Mandolinists who wish to expand their improvisational vocabulary and spice up th...(+)
Mandolinists who wish to expand their improvisational vocabulary and spice up their rhythm accompaniment are invited to try some Jazz Mandolin Appetizers.This book and accompanying audio prepared by chef Don Stiernberg include a batch of etudes that address the challenges every improvising mandolinist faces. These include common issues such as selecting notes that sound good with chord progressions and finding them on the fretboard. In the firstsection new melodies are presented for chord progressions that are often played at swing and jazz jam sessions. These tunes will benefit players of any style. Concepts are discussed at the beginning of each tune such as harmonicanalysis and the effects of certain intervals (useful groups of tones). The tablature suggests fingerings for the melodies. The chordal section shows how chords and progressions can be made more interesting by adding color tension and movement. Chord substitution is also demonstrated. Working through this section will prepare the player with commonly played progressions and will expand their chord voicing vocabulary up and down the neck. Lastly astudy of chord-melody style playing is presented. Playing the melody and harmony at the sametime yields full sounding solo arrangements.Don Stiernberg is a leading proponent of the jazz Mandolin style. He has eightavailable recordings performs coast to coast and abroad writes a column for Mandolin Magazine and teaches at several Mandolin events. Audio download available online.
Media Type : Book/CD Set Level : Beginning Musical Genre : Bluegrass Series : Fi...(+)
Media Type : Book/CD Set Level : Beginning Musical Genre : Bluegrass Series : First Jams Number of pages : 24 The First Jam series was created to give children and beginners of all ages a book of simple, common tunes to learn. These are standard Jamâ? tunes in the Bluegrass/Old Time music styles. All the books in this series are written in the same keys; they can all be played together without any problems. So get your friends or family who play guitar, mandolin, banjo, ukulele, dulcimer or Dobro together, grab these books and start jamming. Improvisation â?? Another idea behind writing the First Jam series was to provide a number of tunes that were easy to learn, but that are also a great to begin working on improvising. Each books offer the melody for that particular instrument as well as back-up chords for another instrument to accompany you. Each song is represented in Tab, notation and chord symbols. The accompanying CD has two tracks for each song. The first playing the song with the melody line, the second track offers just the backup so you can play the melody over it or even improvise. Tunes include: Cripple Creek, Old Joe Clark, Arkansas Traveler, Will the Circle Be Unbroken and many more.
The First Jam series was created to give children and beginners of all ages a bo...(+)
The First Jam series was created to give children and beginners of all ages a book of simple common tunes to learn. These are standard ???Jam??? tunes in the Bluegrass/Old Time music styles. All the books in this series are writtenin the same keys; they can all be played together without any problems. So get your friends or family who play guitar mandolin banjo ukulele dulcimer or Dobro together grab these books and start jamming. Improvisation Another idea behind writing the First Jam series was to provide a number of tunes that were easy to learn but that are also a great to begin working on improvising. Each books offer the melody for that particular instrument aswell as back-up chords for another instrument to accompany you. Each song is represented in Tab notation and chord symbols. The accompanying CD has two tracks for each song. The first playing the song with the melody line thesecond track offers just the backup so you can play the melody over it or even improvise. Tunes include: Cripple Creek Old Joe Clark Will the Circle Be Unbroken and many more.
This is a beginning Mandolin method the contents of this book present the funda...(+)
This is a beginning Mandolin method the contents of this book present the fundamentals of playing Mandolin in a sequence making the material logical and easy to learn.The primary difference between this method and manyothers is that this book is written for seniors wanting to learn to play the Mandolin. While many would say that getting on in years is only a state of mind the fact is that some of the body parts (including the eyes) don'tfunction quite the same as they did in younger years. With this in mind the font has purposely been enlarged. Care has been taken to select repertoire familiar and appealing to a more mature audience and attention has been givento the pacing of the material. Includes access to online audio containing all songs taught in the book.
Examine the development of country mandolin performance during the 1930s with th...(+)
Examine the development of country mandolin performance during the 1930s with this book by Joseph Weidlich. During that decade the mandolin became a featured solo instrument requiring players to quickly develop a new style of playing in order to give vocalists a break from singing particularly in the popular brother act format. As the decade progressed numerous idiomatic techniques were tested discarded and refined leading to instrumental solos that were eventually based more on playing over chord changes than on the actual melody itself. The techniques outlined here based on period recoridngs clearly establish the roots of that new solo approach which blossomed in thelooser ensemble format of early 1940s bluegrass music.
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