Violin and orchestra

SKU: LM.JJ10043

Composed by Philippe Boesmans. Classical: 20th Century (Contemporary). Score. Editions Jobert #JJ10043. Published by Editions Jobert (LM.JJ10043).

ISBN 9790230810043.

Violin and orchestra

SKU: LM.JJ11699

Composed by Felix Ibarrondo. Classical: 20th Century (Contemporary). Score. Editions Jobert #JJ11699. Published by Editions Jobert (LM.JJ11699).

ISBN 9790230811699.

Violin and orchestra

SKU: LM.JJ07265

Composed by Andre Casanova. Classical. Score. Editions Jobert #JJ07265. Published by Editions Jobert (LM.JJ07265).

ISBN 9790230807265.

Violin and Orchestra

SKU: HL.50485236

Composed by Ludwig van Beethoven. Classic. EMB. Solo & Concerto. Book [Softcover]. Op. 61. Editio Musica Budapest #Z40060. Published by Editio Musica Budapest (HL.50485236).

ISBN 9790080400609. A/5 (14,2x20) inches. Gabor Darvas.

Though some themes of the D major Violin Concerto appear fragmentarily among Beethoven's earlier drafts, the score received its final shape - according to the autograph manuscript - in 1806 only. The first performance took place on December 23 of the same year in Vienna, the violon solo was played by Franz Clement. The concerto met with a rather cold reception: this critic of the Wiener Theaterzeitung admitted 'some beauty' in it but for the rest he found that '...the coherence often seems totally broken and the endless repetitions of some commonplace sections can easily become tedious.' The performance may have not been totally satisfying, it is certainly surprising that the setof parts published in 1808 is dedicated to Stephan von Breuning instead of Clement. It is not impossible that Beethoven lost faith in the value and future of his work, too, - his later attempt to change it into a piano concerto can be interpreted in this way.

Violin and orchestra

SKU: LM.JJ10173

Composed by Tolia Nikiprowetzky. Classical. Score. Editions Jobert #JJ10173. Published by Editions Jobert (LM.JJ10173).

ISBN 9790230810173.

Violin and orchestra

SKU: LM.JJ07157

Composed by Serge Nigg. Classical: 20th Century (Contemporary). Score. Editions Jobert #JJ07157. Published by Editions Jobert (LM.JJ07157).

ISBN 9790230807157.

Violin and Orchestra

SKU: BT.EMBZ40060

Composed by Ludwig van Beethoven. EMB Study Scores. Solo & Concerto. Book Only. Editio Musica Budapest #EMBZ40060. Published by Editio Musica Budapest (BT.EMBZ40060).

Though some themes of the D major Violin Concerto appear fragmentarily among Beethoven's earlier drafts, the score received its final shape - according to the autograph manuscript - in 1806 only. The first performance took place on December 23 of the same year in Vienna, the violon solo was played by Franz Clement. The concerto met with a rather cold reception: this critic of the Wiener Theaterzeitung admitted 'some beauty' in it but for the rest he found that '...the coherence often seems totally broken and the endless repetitions of some commonplace sections can easily become tedious.' The performance may have not been totally satisfying, it is certainly surprising that the setof parts published in 1808 is dedicated to Stephan von Breuning instead of Clement. It is not impossible that Beethoven lost faith in the value and future of his work, too, - his later attempt to change it into a piano concerto can be interpreted in this way.

Violin and Orchestra

SKU: BT.PWM11195

Composed by Henri Wieniawski. Score Only. Polskie Wydawnictwo Muzyczne #PWM11195. Published by Polskie Wydawnictwo Muzyczne (BT.PWM11195).

Violin and Orchestra

SKU: BT.SCHEE661

Classical. Set (Score & Parts). 24 pages. Simrock #SCHEE661. Published by Simrock (BT.SCHEE661).

This arrangement is for violin with a piano reduction of the original orchestral score. Cadenzas by Joseph Joachim.

Violin and orchestra

SKU: BO.B.3340

Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340).

ISBN 9788480207591.

Engl ish comments:
My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author

Comentari os del Espanol:
A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor.

Violin and Orchestra

SKU: HL.14029986

Composed by Jean Sibelius. Music Sales America. Classical. Score. Composed 2002. 18 pages. Edition Wilhelm Hansen #WH25513. Published by Edition Wilhelm Hansen (HL.14029986).

ISBN 9788759852408. 8.25x11.75x0.09 inches.

Work for Violin Solo and Orchestra.

Violin and Orchestra

SKU: HL.14028022

Composed by Poul Ruders. Music Sales America. Classical. Set. 80 pages. Edition Wilhelm Hansen #WH30180. Published by Edition Wilhelm Hansen (HL.14028022).

ISBN 9788759861615. 12.0x16.5x0.52 inches.

Ruders writes: My second concerto for violin and orchestra is a 'reverse' cousin of Polydrama the cello concerto. The former starts out extremely slow and speeds up gradually and the latter progresses in exactly the opposite way, but whereas the cello concerto is composed as one, uninterrupted stretch, the violin concerto is formally completely different: there are 4 movements, each of them combined via a 'ritornello', a solo-cadenza which appears 4 times (the works conclude with a solo) in almost the shape, i.e. the length varies from time to time.

Violin and Orchestra

SKU: HL.14013430

Composed by Pelle Gudmundsen-holmgreen. Music Sales America. 20th Century. Score. 130 pages. Music Sales #KP01589. Published by Music Sales (HL.14013430).

ISBN 9788759869857. 12.25x16.5x0.678 inches. English-Danish.

Sco re.

Violin and orchestra

SKU: FG.55011-261-2

Kuusi humoreskia. Composed by Jean Sibelius. This edition: urtext. Spiral-bound. Score. 161 pages. Published by Fennica Gehrman (FG.55011-261-2).

ISBN 9790550112612.

Base d on the composer's manuscripts, this Urtext edition has an extensive preface and commentary shedding light on the genesis of the work and correcting many misprints and misinterpretations in the previous editions. The edition also includes the early version of Humoresque No. 1, now published for the first time.

Violin and Orchestra

SKU: BT.SCHEE659

Composed by Joseph Joachim. Classical. Set (Score & Parts). Composed 2003. 39 pages. Simrock #SCHEE659. Published by Simrock (BT.SCHEE659).

Violin, Piano. Mozart, Wa.

Violin and Orchestra

SKU: HL.14019472

Composed by Bent Lorentzen. Music Sales America. Classical. Score. 90 pages. Edition Wilhelm Hansen #WH30608. Published by Edition Wilhelm Hansen (HL.14019472).

ISBN 9788759811900. English.

Violin and Orchestra

SKU: BT.F-37024

Composed by Josef Gabriel Rheinberger. Solo & Concerto. Part. Composed 2005. Forberg Edition #F 37024. Published by Forberg Edition (BT.F-37024).