SKU: HL.50485236

ISBN 9790080400609. A/5 (14,2x20) inches. Gabor Darvas.

Though some themes of the D major Violin Concerto appear fragmentarily among Beethoven's earlier drafts, the score received its final shape - according to the autograph manuscript - in 1806 only. The first performance took place on December 23 of the same year in Vienna, the violon solo was played by Franz Clement. The concerto met with a rather cold reception: this critic of the Wiener Theaterzeitung admitted 'some beauty' in it but for the rest he found that '...the coherence often seems totally broken and the endless repetitions of some commonplace sections can easily become tedious.' The performance may have not been totally satisfying, it is certainly surprising that the setof parts published in 1808 is dedicated to Stephan von Breuning instead of Clement. It is not impossible that Beethoven lost faith in the value and future of his work, too, - his later attempt to change it into a piano concerto can be interpreted in this way.

SKU: HL.49045166

ISBN 9790220135002. UPC: 888680724214. 8.25x11.75x0.276 inches.

Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the 'journey' of the piece. The work's straightforward formal scheme consists of three movements (roughly fast-slow-fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centers on a twofold search. First there is the ongoing pursuit to recapture the simple melodic material stated by the solo violin - accompanied by thar harp's bass register - during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue. The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabas Kelemen and the Halle.

SKU: BT.EMBZ40060

Though some themes of the D major Violin Concerto appear fragmentarily among Beethoven's earlier drafts, the score received its final shape - according to the autograph manuscript - in 1806 only. The first performance took place on December 23 of the same year in Vienna, the violon solo was played by Franz Clement. The concerto met with a rather cold reception: this critic of the Wiener Theaterzeitung admitted 'some beauty' in it but for the rest he found that '...the coherence often seems totally broken and the endless repetitions of some commonplace sections can easily become tedious.' The performance may have not been totally satisfying, it is certainly surprising that the setof parts published in 1808 is dedicated to Stephan von Breuning instead of Clement. It is not impossible that Beethoven lost faith in the value and future of his work, too, - his later attempt to change it into a piano concerto can be interpreted in this way.