Violin and orchestra

SKU: BO.B.3340

Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340).

ISBN 9788480207591.

Engl ish comments:
My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author

Comentari os del Espanol:
A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor.

For Wind Orchestra and opt. Solo Fiddle. Composed by Johan De Meij. Amstel Music. Irish, Folk. Softcover. 46 pages. Amstel Music #AM143-140. Published by Amstel Music (HL.4005098).

Violin and Orchestra

SKU: HL.14028022

Composed by Poul Ruders. Music Sales America. Classical. Set. 80 pages. Edition Wilhelm Hansen #WH30180. Published by Edition Wilhelm Hansen (HL.14028022).

ISBN 9788759861615. 12.0x16.5x0.52 inches.

Ruders writes: My second concerto for violin and orchestra is a 'reverse' cousin of Polydrama the cello concerto. The former starts out extremely slow and speeds up gradually and the latter progresses in exactly the opposite way, but whereas the cello concerto is composed as one, uninterrupted stretch, the violin concerto is formally completely different: there are 4 movements, each of them combined via a 'ritornello', a solo-cadenza which appears 4 times (the works conclude with a solo) in almost the shape, i.e. the length varies from time to time.

Orchestra; Violin (Study Score)

SKU: HL.49003321

Study Score. Composed by Gavin Bryars. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 2000. 44 pages. Duration 18'. Schott Music #ED 12681. Published by Schott Music (HL.49003321).

ISBN 9790220119804. UPC: 073999369168. 8.0x11.75x0.184 inches.

I did not want to write a virtuoso show-piece, but rather to draw on the orchestra's alertness as an ensemble. The solo part is essentially lyrical and there is no cadenza as such. But I was also conscious of the fact that, as with a baroque concerto, the soloist may also direct the work and does so here. (G. Bryars).

For Violin. Classical (orchestral). Includes a high-quality printed music score and a compact disc containing a complete version with soloist, in split-channel stereo (soloist on the right channel); then a second version in full stereo of the orchestral accompaniment, minus you, the soloist.

Orchestra; Violin (Study Score)

SKU: HL.49010208

Composed by Giovanni Battista Viotti. Edited by Alfred Einstein. Arranged by Alfred Einstein. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. 92 pages. Eulenburg Edition #ETP756. Published by Eulenburg Edition (HL.49010208).

ISBN 9783795768256. UPC: 841886018198. 5.25x7.5x0.266 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra; Violin (Study Score)

SKU: HL.49010216

Composed by Wolfgang Amadeus Mozart. Edited by Rudolf Gerber. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1775. 54 pages. Duration 22'. Eulenburg Edition #ETP 763. Published by Eulenburg Edition (HL.49010216).

ISBN 9790200206647. 5.25x7.5x0.148 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra; Violin (Study Score)

SKU: HL.49010217

In D Major. Composed by Wolfgang Amadeus Mozart. Edited by Rudolf Gerber. Arranged by Rudolf Gerber. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. 40 pages. Duration 22'. Eulenburg Edition #ETP764. Published by Eulenburg Edition (HL.49010217).

ISBN 9790200206654. UPC: 073999377996. 5.25x7.5x0.11 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra; Violin (Study Score)

SKU: HL.49010220

Study Score. Composed by Johann Christian Bach. Edited by Fritz Stein. Arranged by Fritz Stein. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. 56 pages. Duration 25'. Eulenburg Edition #ETP 768. Published by Eulenburg Edition (HL.49010220).

ISBN 9790200206692.

For two violins and orchestra.

Study Score. By Georg Philipp Telemann. Schott. 22 pages. Published by Eulenburg.

Solo Violin and Full Orchestra. By Sheldon Harnick, Jerry Bock. Arranged by John Williams. (Score and Parts). John Williams Signature - String. Published by Hal Leonard.

By Henry Mancini. Arranged by William Zinn. For 1st Violin. String Orchestra Collection. Book. 16 pages. Published by Alfred Publishing.

Solo Violin and Orchestra (V-solo,2Fl,2Ob,2Clar-iA, 2bassoon,2Hn,2Trp,Timp,2V ,Va,Vc,Db)

SKU: BA.TP00394

Composed by Felix Bartholdy Mendelssohn. Edited by Clive Brown and R. Larry Todd. This edition: urtext edition. Paperback. Barenreiter Urtext. Late version 1845. Study score. Opus 64. Duration 00:26:00. Baerenreiter Verlag #TP00394_00. Published by Baerenreiter Verlag (BA.TP00394).

ISBN 9790006203086. 22.5 x 16.5 cm inches. Key: E minor. Preface: Todd, R. Larry / Brown, Clive / Sutcliffe, Richard.

This standard work of the cello literature has been extracted from volume II of the Complete Works for Violoncello and Pianoforte (BA 9096 and BA 9097) which was published in 2016. Mendelssohn scholar R. Larry Todd edited the scholarly-critical edition ofSong without Words.

This work is not based on the surviving autograph manuscript, which could not have been the basis for the posthumous first edition, but rather on the only plausible source: the German first edition itself. This was published in 1868 as op. 109 and is unquestionably based on an untraceable complete final manuscript, perhaps once previously owned by the dedicatee, French cellist Lisa Barbier Cristiani.

The publication is free from editorial amendments and modern performance instructions and provides an excellent basis for musical interpretation.

About Barenreiter Urtext

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MUSICOLOGICA LLY SOUND
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- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
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By Earl Kim. Orchestra. For 3 Flutes (3rd Doubles Piccolo), 2 Oboes, 3 Clarinets in Bb (3rd Doubles Bass Clarinet), 2 Bassoons, 3 Horns, 3 Trumpets in Bb, 3 Trombones (3rd Doubles Bass Trombone), Percussion [Susp. Cymbals, High Conga Drum, Small Bass Drum, Covered Drum ('pitch' Shou. World Premiere: New York Philharmonic, I. Perlman, violin, Zubin Mehta, conductor; Avery Fisher Hall, New York. Contemporary. Full score (large). Standard notation. 68 pages. Duration 22 minutes. Published by Theodore Presser Company