| Time Et Again (MURAIL
TRISTAN) En Français Orchestre [Partition] Lemoine, Henry
Par MURAIL TRISTAN. Time and Again tente de rompre, partiellement, avec l'esthé...(+)
Par MURAIL TRISTAN. Time and Again tente de rompre, partiellement, avec l'esthétique qui domine dans mes oeuvres précédentes, une esthétique de la continuité où la forme est structurée par des processus se déroulant en un flot presque ininterrompu. Ici, la forme musicale cherche à créer une architecture du temps plus complexe, qui joue de flash-backs, prémonitions, boucles..., comme si l'on se trouvait dans une sorte de machine à remonter le temps.
Pour néanmoins préserver une sorte de continuité sous-jacente, j'ai d'abord imaginé une structure 'linéaire' pour la pièce, comportant des évolutions progressives et logiques, et j'ai parfois réalisé des fragments de cette pièce virtuelle, puis, un peu comme un cinéaste, j'ai 'monté' la structure de la pièce, en coupant, dupliquant, insérant, collant.
A peu près aux deux tiers de la pièce, le temps s'inverse et s'écoule deux fois plus vite - on repasse, plus symboliquement que textuellement, par toutes les étapes des deux premiers tiers, avec parfois des superpositions, des inserts ou des raccourcis.
L'orchestration n'est pas tout à fait conventionnelle - les vents et la percussion sont en nombre habituel, mais les cordes sont réduites à environ la moitié de l'effectif normal. J'ai cherché ainsi une qualité particulière du son des cordes moins volumineux, mais plus intense. Les cordes jouent le plus souvent des parties individuelles. Leur emploi principal consiste à colorer ou distordre les sons joués par les autres instruments, ou à construire des spectres sonores complexes.
L'orchestre est enrichi par un synthétiseur (un Yamaha DX7) qui a deux principales fonctions. Grâce à son aptitude à synthétiser des sons par modulation de fréquence, il peut émettre directement des spectres riches identiques à ceux que j'utilise dans mon écriture orchestrale. La composition de cette pièce a donc impliqué d'abord la programmation des sons sur le synthétiseur (un seul son peut produire une texture très riche et n'est souvent utilisé qu'une seule fois). Dans d'autres cas, je l'utilise comme un complément de la section des percussions et du piano, le synthétiseur ayant la tâche d'émettre les sons non tempérés.
Time and Again est une commande du 'John Feeney Charitable Trust' pour le City of Birmigham Symphony Orchestra, et a été créé à Birmingham le 21 janvier 1986 par cet orchestre, sous la direction de Simon Rattle. La pièce était destinée à être jouée en première partie de la Turangalila Symphonie d'Olivier Messiaen, pour une série de concerts en Angleterre. Cela explique qu'un auditeur attentif trouvera peut-être quelques allusions à cette symphonie dans Time and Again...
Tristan Murail
Enregistrement:
1 CD Montaigne/Naïve, MN782175
Désintégrations - Gondwana - Time and again
Ensemble L'Itinéraire, Orchestre National de France, Yves Prin (direction) - Orchestre Beethoven Halle de Bonn, Karl Anton Rickenbacher (direction) / contemporain / Date parution : 1985-01-01/ Répertoire / Orchestre
28.40 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Tom Myron: O Speak Again
Bright Angel: Orchestra:
Full Score Orchestre Lauren Keiser Music Publishing
O Speak Again Bright Angel
44.99 GBP - vendu par Musicroom GB |
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| Tom Myron: O Speak Again
Bright Angel: Orchestra:
Study Score Orchestre Lauren Keiser Music Publishing
O Speak Again Bright Angel
29.99 GBP - vendu par Musicroom GB |
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| Symphony No. 3 Op. 78
(SAINT-SAENS CAMILLE) Orchestre [Conducteur] - Intermédiaire/avancé Barenreiter
Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] ...(+)
Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth, this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London, where itreceived its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of “Camille Saint-Saëns - Complete Edition of the Instrumental Works”. This performing Urtext edition is based on volume BA 10303 from that series. - First scholarly-critical edition of this famous symphony based on “Camille Saint-Saëns – Complete Edition of the Instrumental Works”- Now with separate parts for all winds- Orchestral parts in a large format (25. 5 cm x 32. 5 cm) ; In this work I gave everything I had to give. [… ] What I did here I will never do again. Camille Saint-Saë ns was justifiably proud of his Symphony No. 3 in C minor Op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called ; Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marksthe launch of a large-scale project: the publication of Camille Saint-Saë ns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saë ns & Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25. 5 cm x 32. 5 cm) / Niveau : 5 / Répertoire / Orchestre
66.12 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Le Nozze Di Figaro Kv 492
(Les Noces de Figaro) Orchestre [Conducteur d'étude / Miniature] Barenreiter
Studienpartitur. Par MOZART WOLFGANG AMADEUS. Premièred at the Vienna Hoftheate...(+)
Studienpartitur. Par MOZART WOLFGANG AMADEUS. Premièred at the Vienna Hoftheater on 1 May 1786, Wolfang Amadeus Mozart?s and Lorenzo Da Ponte?s Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was not entirely due to Mozart?s music: on the contrary, because of the extraordinary demands it placed on the orchestra (especially the woodwinds), the music even posed an obstacle to the work?s spread outside the German-speaking countries. At least equally responsible for the opera?s success was the librettist Lorenzo Da Ponte, who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it isamusing. Many of the sources for Mozart?s first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the ?New Mozart Edition? volume was published. These include the autograph scores of acts 3 and 4, now held at the Biblioteka Jagiello ka in Kraków, significant portions of the original sets of parts and acts 2 to 4 of the conductor?s copy from the first performance of 1786. These original sources, now available again, offer compelling solutions to several previously unresolved questions. Edition based on the Urtext of the ?New Mozart Edition? reflecting the latest musicological research With findings from original sources now available again Detailed foreword (Ger/Eng) Full score (BA4565-01), Vocal score (BA4565-92), study score format 22. 5 x 16. 5cm and Facsimile (BVK1882) available for sale V43 Performance material (BA4565-72) available to hire/ Répertoire / Partition de Poche
65.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Franz Berwald: Concerto:
Violin: Score Orchestre [Partition] Barenreiter
FRANZ BERWALD (1796-1868) is regarded today not only as one of Sweden's most imp...(+)
FRANZ BERWALD (1796-1868) is regarded today not only as one of Sweden's most important composers but also due to his symphonies and his chamber music as a leading figure in the history of Northern European music of the 19th century. His compositions include in addition to four symphonies and the chamber music tone poems for orchestra concertos operas ('Estrella di Soria' and 'The Queen of Golconda') cantatas solo songs with piano accompaniment piano music and much more.Berwald's violin concerto in C sharp minor is the work of a young composer. The autograph score bears the date 1820; Berwald was 24 years old at the time.After the firstperformance the violin concerto fell into oblivion and was as far as we know never again performed in Berwald's lifetime. It was not brought to light again until 1903 when on May 19 the first movement was performed at the Annual Celebration of the Academy of Music of Stockholm.Urtext of the Berwald Complete EditionFull score (BA4905) and Violin & Piano reduction (BA4905-90) available for salePerformance material (BA4905-72) available for hire
72.50 GBP - vendu par Musicroom GB |
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| Enya: May It Be: String
Ensemble: Score & Parts Orchestre Hal Leonard
From the blockbuster movie The Lord of the Rings: The Fellowship of the Ring com...(+)
From the blockbuster movie The Lord of the Rings: The Fellowship of the Ring comes this hauntingly beautiful ballad sung by Enya. This easy setting by Larry Moore captures the simple effectiveness of Enya's music and your stringorchestra will want to play this again and again.
53.50 GBP - vendu par Musicroom GB |
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| Joseph M. Martin:
Petition of Praise:
Orchestra: Parts Orchestre Shawnee Press
This may be the quintessential opening to any worship service. Using choir cong...(+)
This may be the quintessential opening to any worship service. Using choir congregation and orchestra to call the service to purpose this inspiring octavo will be performed again and again to encourage the faithful.Incorporating the beloved hymn “Come Christians Join to Sing ” your choir and congregation will resonate immediately with this towering anthem of praise.
49.99 GBP - vendu par Musicroom GB |
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| Harry Gregson-Williams:
The Chronicles of Narnia:
Prince Caspian:
Orchestra: Orchestre Hal Leonard
Moviegoers are once again enthralled with the new installment of this series ag...(+)
Moviegoers are once again enthralled with the new installment of this series again with a dramatic and evocative score by composer Harry Gregson-Williams. Familiar themes from the first film are intertwined with powerful newmusic that musically tells the engaging story of fantasy and wonderment. Dur: 6:40
79.99 GBP - vendu par Musicroom GB |
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| Sieben frühe Lieder
(BERG ALBAN) Orchestre [Conducteur] Universal Edition
Par BERG ALBAN. Composed by a young Berg, while studying with Schoenberg, these ...(+)
Par BERG ALBAN. Composed by a young Berg, while studying with Schoenberg, these Seven Early Songs would be revisited and reworked ten years later, and then again ten years after that. Perhaps influenced by Mahler, Berg created orchestral settings of these songs, in addition to the voice and piano versions./ Répertoire / Voix Haute et Orchestre
33.85 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Om Lys Og Lethed Orchestre [Conducteur] Wilhelm Hansen
Par GLERUP RUNE. My violin concerto would never have been written if I had not m...(+)
Par GLERUP RUNE. My violin concerto would never have been written if I had not met Isabelle Faust. At a time when I had not written a single note for several months, doubting if I would ever write anything again, her interest and energy was the cause of new inspiration. Just as important was her special way of playing - with intellect, heart and a rare, delicate sensibility. Her personality and musicianship struck a chord in me, in my music, which gave my thoughts a new direction.
The violin concerto marks a change in my music towards a simpler and lighter expression. An expression that also contains detached glimpses from my childhood's endless summers by the North Sea. Birds, high and slow on a blue sky, and the evening quietly descending. The special light, the distant sounds. But also the confusion, repetitions and dead ends of the world. An expression that, more than in my previous music, is 'About Light and Lightness.'
- Rune Glerup, 2021 / Date parution : 2023-10-31/ Répertoire / Orchestre
50.05 EUR - vendu par LMI-partitions Délais: Sur commande |
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| More Cool And Easy Riffs
And Tunes - Cool Stuff
For Mad Dogs (RADANOVICS
MICHAEL) Orchestre [Partition] - Facile Doblinger
5 Sehr Einfache Stücke F. Variable Besetzung - Mittelstimme In F (Horn) - Extra...(+)
5 Sehr Einfache Stücke F. Variable Besetzung - Mittelstimme In F (Horn) - Extrastimme. Par RADANOVICS MICHAEL. Seems So Long Ago / Sunflowers, Pinks and Roses / I'm Flying again / Feeling Cosy / The Sands Are Runnig / Niveau : Facile / Répertoire / Orchestre
6.50 EUR - vendu par LMI-partitions Délais: Sur commande |
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| DVORAK A. - SYMPHONIE
N°9 OP.95 SYMPHONIE DU
NOUVEAU MONDE -
CONDUCTEUR Orchestre [Conducteur d'étude / Miniature] Barenreiter
Dvorák, Antonín Symphony no. 9 in E minor op. 95 New World - Groun...(+)
Dvorák, Antonín Symphony no. 9 in E minor op. 95 New World - Groundbreaking Urtext edition taking new sources into consideration - Offers solutions for controversial musical questions - With an informative Foreword (Eng/Cz/Ger) and a detailed Critical Commentary (Eng) The ?New World? Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition. Yet again Jonathan Del Mar has managed to untangle a complex network of surviving sources, some of which have never been taken into account before. Among them are several musical examples in Dvorák?s hand known to have been used in a lecture he held at Columbia University shortly after the première given by the New York Philharmonic under the baton of Anton Seidl. Del Mar thus sheds light, for example, on the frequently debated rhythm of the horn entrance in measure 4 of the opening movement and illuminates Dvorák?s vague instructions on the use of mutes in movement 2. / Partitions classique / Ensemble et orchestre / Conducteur / BARENREITER
97.10 EUR - vendu par Woodbrass Délais: Sur commande |
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| L'Invisible (REIMANN
ARIBERT) Orchestre Schott
Par REIMANN ARIBERT. Aribert Reimann?s ?Trilogie lyrique? is based on three play...(+)
Par REIMANN ARIBERT. Aribert Reimann?s ?Trilogie lyrique? is based on three plays by Maurice Maeterlinck:
In L? Intruse, a family is sitting at the table with their blind grandfather. They are waiting for the doctor to arrive and tend to his daughter who is lying ill in bed after having given birth: her new-born son has not yet made a single sound. The old man senses that something is wrong due to the uneasy atmosphere in the room. ?Who is sitting in our midst'? he asks. He is the only one who can see the presence of death.
Intérieur: Once again a family is gathered round the table in the evening, but this time we observe the action from outside, looking through the window with the grandfather and a stranger: no sound can be heard. Outside the house, the stranger reports that the eldest daughter has drowned and that he has pulled her out of the river. Although the corpse is already being carried through the village to the family, the grandfather cannot bring himself to destroy this idyll.
La Mort de Tintagiles: The young Tintagiles is told a story about a mysterious castle and the aged queen who has all potential heirs to the throne murdered. His siblings sense that Tintagiles has been summoned to the castle to be murdered, but nobody openly expresses this fact. It is the sinister messengers of death from the interludes, now visible as the queen?s servants, who ful'l her demand and snatch the sleeping boy from his sisters? arms. / Date parution : 2022-07-20/ Répertoire / Orchestre
65.49 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Gloria In Excelsis Deo
(BACH JOHANN SEBASTIAN) Orchestre [Partition] Carus Verlag
Kantate zum Weihnachtsfest. Par BACH JOHANN SEBASTIAN. The Christmas cantata Glo...(+)
Kantate zum Weihnachtsfest. Par BACH JOHANN SEBASTIAN. The Christmas cantata Gloria in excelsis Deo BWV 191, which has always presented researchers with many challenging problems, is among the few works to Latin words set by Johann Sebastian Bach. It consists of three sections - a finely-woven duet flanked by two festive choral movements - which we are to encounter again almost note for note in the world-famous Mass in B minor./ Répertoire / Orchestre
93.11 EUR - vendu par LMI-partitions Délais: Sur commande |
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| More Cool And Easy Riffs
And Tunes - Cool Stuff
For Mad Dogs (RADANOVICS
MICHAEL) Orchestre [Partition] - Facile Doblinger
5 Sehr Einfache Stücke F. Variable Besetzung (Mindestens 3 Bis Beliebig Viele I...(+)
5 Sehr Einfache Stücke F. Variable Besetzung (Mindestens 3 Bis Beliebig Viele Instr.). Par RADANOVICS MICHAEL. Seems So Long Ago / Sunflowers, Pinks and Roses / I'm Flying again / Feeling Cosy / The Sands Are Runnig / Niveau : Facile / Répertoire / Orchestre
6.50 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Joseph M. Martin: The
Rose of Calvary:
Orchestra: Parts Orchestre Shawnee Press
Orchestration-The Rose of Calvary is the greatly anticipated sequel to the best-...(+)
Orchestration-The Rose of Calvary is the greatly anticipated sequel to the best-selling cantata The Winter Rose. Using the same beautiful imagery the work tells the story of Jesus's ministry passion death on the cross and histriumphant resurrection. This creative work has nine new anthems and contains opportunities for soloists and narrators. Written to function as either a work for Holy Week or with the optional ending as a joyful celebration of theresurrection this musical offers maximum flexibility to the director. Brant Adams reprises his role as orchestrator and Pamela Martin once again provides thoughtful and meaningful narration. Spectacular!
324.99 GBP - vendu par Musicroom GB |
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| Joseph M. Martin Pamela
Martin: Legacy of Faith:
Orchestra: Parts Orchestre Shawnee Press
Legacy of Faith is a powerful musical presentation that celebrates the foundatio...(+)
Legacy of Faith is a powerful musical presentation that celebrates the foundations of the church and God's redemptive work among us. Joseph and Pamela Martin have again teamed with orchestrator Brant Adams to provide afresh and compelling work suitable for any time of the year. Churches will find this uplifting new cantata to be a work of scope and vision that will prove especially useful for church heritage events founding anniversaries andAll Saints' Day services. Legacy of Faith pays homage to the past but delivers a strong message of hope for the future. Make Legacy of Faith a part of your church's history.
229.99 GBP - vendu par Musicroom GB |
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| Rued Langgaard: Danmarks
Radio: Orchestra: Score Orchestre [Partitions] - Intermédiaire/avancé Rued Langgaard Edition
Fanfarer-Danmarks Radio for Orchestra BVN 351 was composed by Rued Langgaard i...(+)
Fanfarer-Danmarks Radio for Orchestra BVN 351 was composed by Rued Langgaard in 1948. Instrumentation: 3.2.2.2/4.3.3.1/timp/2 perc/org/str. Parts are available on hire: hire@ewh.dk This extremely short orchestral piece was composed 7 May1948 in Ribe. Exactly between 5:45 and 6:45 in the morning(“normal time”). Rued Langgaard indicates the time of dayin both the sketch for the composition and the fair copy of thescore. Fair-copying of the score took place on 10 May 4:30 to6:00 in the morning (“summertime”) after it should be noted Langgaard had taken his obligatory morning constitutional inRibe (he suffered from insomnia and arose in the early morninghours). After the work’s final measure Langgaard wrote:“Short razor-sharp line of thought in music excluding allextraneous ‘developmental’ fussiness and with lightning fastmovement in all the parts”. The same day 10 May he sent thescore as program suggestion to the State Broadcasting Servicein Copenhagen under the title Denmark’s Radio Fandfare forGrand Orchestra – “fandfare” as a sarcastically meant spellingmistake with an allusion to “the Devil” (fanden = the Devil inDanish). Langgaard had as is known an ambivalent relationshipwith the State Broadcasting Service. The work was not acceptedand the score was therefore returned to Langgaard whonevertheless submitted it again. The State Broadcasting Serviceclearly regarded the piece as a joke from the composer’s side.When Langgaard died in 1952 the unperformed score was tobe found in broadcasting corporation’s music
10.95 GBP - vendu par Musicroom GB |
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| Camille Saint-Saëns:
Symphony No.3 In C Minor
Op.78: Orchestra: Part Orchestre [Partie séparée] Barenreiter
“In this work I gave everything I had to give. […] What I did here ...(+)
“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
21.00 GBP - vendu par Musicroom GB |
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| John Luther Adams: Become
Ocean: Orchestra: Score Orchestre Chester
Full Score-John Luther Adams' Become Ocean for Orchestra (Full score) 'Become O...(+)
Full Score-John Luther Adams' Become Ocean for Orchestra (Full score) 'Become OceanOver the years my orchestral music has become simpler and more expansive. Clouds of Forgetting Clouds of Unknowing (1991-95) contains four different musical textures. In the WhiteSilence (1998) has three. For Lou Harrison (2002) reduces this to just two. In Dark Waves (2007) I finally got to one. When Ifirst heard that piece I began to wonder if I could sustain asimilar sound for a longer span of time. The result is Become Ocean a meditation on the vast deep and mysterious tides of existence.Thetitle is borrowed from a mesostic verse that John Cage wrote in honor of Lou Harrison's birthday. Likening Harrison's music to a river in delta Cage writes: LiStening to it we becOme oceaN. Lifeon this earth first emerged from the sea. And as the polar ice melts and sea level rises we humans find ourselves facing the prospect that once again we may quite literally become ocean.' – John Luther Adams
49.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Camille Saint-Saëns:
Symphony No.3 In C Minor
Op.78 - Organ: Orchestra:
Part Orchestre [Partie séparée] Barenreiter
“In this work I gave everything I had to give. […] What I did here ...(+)
“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
10.50 GBP - vendu par Musicroom GB |
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| Erik Norby: The Rainbow
Snake: Orchestra: Score Orchestre [ ] Wilhelm Hansen
Orchestration: 3(pic)(2afl).+ pic.3+ca.3+bcl.3+cbn/6.4.4.1/timp.perc/hp/pf/strTH...(+)
Orchestration: 3(pic)(2afl).+ pic.3+ca.3+bcl.3+cbn/6.4.4.1/timp.perc/hp/pf/strTHE RAINBOW SNAKE is an Indian legend about how the rainbow came into being. It is said that a snake heard the Indians grieving over a very long drought and the unfruitfulness of the land so it wound itself into a ball and wasthrown high into the air.It unwound itself again and grew longer and longer until b
26.99 GBP - vendu par Musicroom GB |
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| Joy to the World (from
Morning Star): Orchestra:
Parts Orchestre Shawnee Press
Perhaps the most celebrated carol of them all Joy to the World has never sounde...(+)
Perhaps the most celebrated carol of them all Joy to the World has never sounded so rich and wonderful. This festive approach has it all and you will be able to use this glorious version over and over again. Don't miss addingthis one to your permanent music library. The orchestration is amazing!
64.99 GBP - vendu par Musicroom GB |
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| Camille Saint-Saëns:
Symphony No.3 In C Minor
Op.78: Orchestra: Parts Orchestre [Set de Parties séparées] - Intermédiaire/avancé Barenreiter
“In this work I gave everything I had to give. […] What I did here ...(+)
“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
208.00 GBP - vendu par Musicroom GB |
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| Joseph M. Martin: Morning
Star: Orchestra: Parts Orchestre Shawnee Press
From the composers of The Winter Rose and A Time for Alleluia comes a work that ...(+)
From the composers of The Winter Rose and A Time for Alleluia comes a work that celebrates the birth of Jesus ? the Light of the world the bright and morning star. Joseph and Pamela Martin once again provide acantata rich with beautiful melodies and evocative narration. Using familiar carols as well as other anthems this dynamic work creates the perfect blend for seasonal programs. Brant Adams joins the Martins' creative team providing brilliant orchestrations and festive tracks for church performance. Let ?Morning Star? shine its beauty this Christmas for a resplendent and meaningful worship experience.
324.99 GBP - vendu par Musicroom GB |
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| Camille Saint-Saëns:
Symphony No.3 In C Minor
Op.78 - Organ: Orchestra:
Score Orchestre Barenreiter
?In this work I gave everything I had to give. [?] What I did here I will never ...(+)
?In this work I gave everything I had to give. [?] What I did here I will never do again?. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven?s Ninth this so-called ?Organ Symphony? was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns ? Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
382.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| The Holy City: Orchestra:
Parts Orchestre Shawnee Press
Mark Hayes does it again in his stellar adaptation of a true sacred evergreen. M...(+)
Mark Hayes does it again in his stellar adaptation of a true sacred evergreen. Mark's colorful orchestrations are highly imaginative and there is liberal use of solo voice making this piece not only a great choral moment but ashowcase for solo voice as well. The Holy City is destined to become an instant classic!
69.99 GBP - vendu par Musicroom GB |
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| Camille Saint-Saëns:
Symphony No.3 In C Minor
Op.78: Orchestra: Part Orchestre [Partie séparée] Barenreiter
“In this work I gave everything I had to give. […] What I did here ...(+)
“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
42.00 GBP - vendu par Musicroom GB |
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