Eine kleine Nachtmusik' '... written with ease, but skillfully refined' 'Eine kleine NachtMusick' is how Mozart entered the Serenade in G major in his personal catalogue of works on 10 August 1787. It was written without any known incentive or commission during the time that Mozart was composing 'Don Giovanni', a time when he was celebrating his greatest success as an opera composer. The work is one of the jewels of Mozart's output, combining bright radiance and a natural simplicity with brilliant refinement. Similarly, the autograph manuscript of this perfect masterpiece is captivating because of its balanced clarity and beautiful handwriting. The manuscript was inaccessible to the public for almost half a century, but now Bärenreiter has received exclusive permission to produce a new facsimile of Mozart's original. The edition reproduces the facsimile pages as individual sheets and leaves, reflecting the way the original copy has survived. These pages ' in high-quality colour printing, each trimmed individually ' are presented in a handsome box. This is accompanied by a booklet with an introductory text by Wolfgang Rehm including information on the genesis of the composition and the various aspects of the autograph manuscript. 'The fact that it's all over town does not alter anything in the quality of this occasional piece written with ease but skillfully refined.' (Wolfgang Hildesheimer) BÄRENREITER FACSIMILE The seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms. The distinguishing features include: - a facsimile in high-quality colour printing - scholarly commentary 'Facsimile of the autograph score KV 525 'Introduction: 'I. 1787: The work. Its background, genesis, significance and impact 'II. The Autograph. Its clear, its twisted paths 'Notes and References 'Einführung: 'I. 1787: Das Werk. Sein Umfeld, seine Entstehung, Bedeutung und Wirkung 'II. Das Autograph. Seine eindeutigen, seine verschlungenen Pfade 'Anmerkungen 'Watermark No. 55 'Facsimile of the autograph fragment KV 525a Edition no.: BVK 2282 ISBN: 9783761822821 Volume / Series: Documenta musicologica II/46 / Bärenreiter Facsimile Editor: Rehm, Wolfgang Language(s) of work: German, English Product format: Facsimile Binding: in a case Pages / Format: 38 S. - 25,4 x 34,0 cm

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication of the Beethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. - A new reference set of Beethoven's Symphonies for students, conductors and libraries Edition no.: BA 9000 ISMN: 9790006540952 Editor: Del Mar, Jonathan Language(s) of text: German, English Product format: Score, Anthology, Urtext edition Includes the following individual parts: Orchestra Binding: in a slipcase Pages / Format: 1186 S. - 32,2 x 25,0 cm

Par BEETHOVEN LUDWIG VAN. With final chorus 'An die Freude' (Ode to Joy) Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widelyused publication of the Beethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. Full scores, study scores and complete performance material to Beethoven’s Nine Symphonies are available for sale. Full score & performance material (BA9009), study score format 22. 5 x 16. 5cm (TP909) & vocal score (BA9009-90) available for sale/ Répertoire / Orchestre

Par BEETHOVEN LUDWIG VAN. Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven 's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No. 9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication of theBeethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. Full scores, study scores and complete performance material to Beethoven's Nine Symphonies are available for sale./ Répertoire / Orchestre

Par BEETHOVEN LUDWIG VAN. Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven 's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven 's Symphonies culminating in the Choral Symphony (No. 9) which came down to the publisher in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication ofthe Beethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. Full scores, study scores and complete performance material to Beethoven ’s Nine Symphonies are available for sale./ Répertoire / Orchestre

Scored for large orchestra The Keening was only the second of MacMillan's orchestral works, written between 1985-87 when he was a student of John Casken at the University of Durham. The composer explains that 'keening' is a form of vocal lament associated with mourning, found in folk traditions of Ireland, northern Scotland and other cultures. Much of this work is based on the Gaelic lament tune 'Great is the Cause of My Sorrow', often known as 'Murt Ghlinne Comhann' (The Lament for Glencoe).This 25-minute score was withheld by the composer until 2010, and it received its first performance in 2014, with the BBC Scottish Symphony Orchestra under the composer's direction. A significant addition to the orchestral repertoire by one the leading composers of today. / Orchestre

Par HAYDN JOSEPH. Only eleven of the over one hundred symphonies by Joseph Haydn are composed in a minor key. Written in the early 1770s, the Symphony Hob.I:52 in C minor bears some similarities to the slightly earlier Symphony in E minor Hob.I:44 (?Mourning?, BA 10988), not only because they both are composed in a minor key but also because they both feature a pair of horns tuned at different pitches. Haydn seems to have experimented with differently tuned horns inspired by an article in Johann Adam Hiller?s journal ?Musikalische Nachrichten und Anmerkungen? of July 1770, which suggested to tune the horns a minor third apart in order to expand the total horn range. While Haydn followed this recommendation just like that in the E-minor symphony, he chose to have the horns tuned a major sixth apart (high C and E-flat) in the outer movements of the C-minor symphony Hob. I:52, resulting in an unusual horn sound within the orchestral texture. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition ?Joseph Haydn Works? published by G. Henle Verlag. - Urtext of the Complete Edition ?Joseph Haydn Works? published by G. Henle Verlag - Orchestral parts in a large format (25.5 cm x 32.5 cm) / Date parution : 2022-11-08/ Répertoire / Orchestre

Studienpartitur. Par MOZART WOLFGANG AMADEUS. Premièred at the Vienna Hoftheater on 1 May 1786, Wolfang Amadeus Mozart?s and Lorenzo Da Ponte?s Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was not entirely due to Mozart?s music: on the contrary, because of the extraordinary demands it placed on the orchestra (especially the woodwinds), the music even posed an obstacle to the work?s spread outside the German-speaking countries. At least equally responsible for the opera?s success was the librettist Lorenzo Da Ponte, who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it isamusing. Many of the sources for Mozart?s first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the ?New Mozart Edition? volume was published. These include the autograph scores of acts 3 and 4, now held at the Biblioteka Jagiello ka in Kraków, significant portions of the original sets of parts and acts 2 to 4 of the conductor?s copy from the first performance of 1786. These original sources, now available again, offer compelling solutions to several previously unresolved questions. Edition based on the Urtext of the ?New Mozart Edition? reflecting the latest musicological research With findings from original sources now available again Detailed foreword (Ger/Eng) Full score (BA4565-01), Vocal score (BA4565-92), study score format 22. 5 x 16. 5cm and Facsimile (BVK1882) available for sale V43 Performance material (BA4565-72) available to hire/ Répertoire / Partition de Poche

2nd Movement. Par BEETHOVEN LUDWIG VAN / MEYER RICHARD (Arr.) . This theme and variations from Beethoven's Seventh Symphony is one of the most famous slow movements in the entire symphonic repertoire. Because of its somber minor key and quiet rhythmic pulse, it has been likened to a procession through the catacombs. Your students will love the wide variety of emotions included here in Richard Meyer's arrangement. Every section plays an integral role in the slow and mysterious unfolding of Beethoven's masterpiece. Percussion parts for four players have been tastefully added to the original. / Date parution : 2022-10-12/ Répertoire / Orchestre