By Lloyd Larson. Arranged by Victor C Johnson. For orchestration (2 flutes, oboe, 2 clarinets, bassoon, 2 horns, 3 trumpets, 2 trombones, tuba, 2 percussion, harp, piano, 2 violins, viola, cello, bass). Cantatas. Christmas, Sacred. Full score, set of part

By Mark Hayes. Orchestra. For SATB divisi Choir, Solo Quartet, flute/piccolo, oboe/english horn, clarinet, bassoon, horn, trumpet, percussion, harp, piano (for rehearsal only), violin 1 and 2, viola, cello, bass (with optional orchestra: Flute/Piccolo, Oboe/English Horn, Clarinet, Bassoon, Horn, Trumpet, Percussion, Harp, Piano (for rehearsal only), Violin 1 and 2, Viola, Cello, Bass). Christmas, General. Orchestral Score and Parts. Published by Roger Dean Publishing

Orchestra (1.2.0.0/2.0.0.0,(timp),s tr,bassoon solo)

SKU: TM.00933SET

Composed by Franz Danzi. Edited by Muenster. Set Type: D. Set of parts. Lucks Music Library #A7942. Published by Lucks Music Library (TM.00933SET).

Solo bsn in set. Ed. by Muenster.

Orchestra (2.2.2.2/3.0.3.0,timp,str ,bassoon solo)

SKU: TM.00757SET

Composed by Edward Elgar. Set Type: D. Set of parts. Lucks Music Library #A6346. Published by Lucks Music Library (TM.00757SET).

Melodie and Serenade Espagnole; solo/pf.

Orchestra (cem,str,bassoon solo)

SKU: TM.01811SET

Composed by Christoph Graupner. Set Type: B. Set of parts. Lucks Music Library #A3199. Published by Lucks Music Library (TM.01811SET).

Solo in set.

Orchestra (cem,str,bassoon solo)

SKU: TM.00785SET

Composed by Christoph Graupner. Edited by Noack. Set Type: B. Set of parts. Lucks Music Library #A7073. Published by Lucks Music Library (TM.00785SET).

Solo in set. Cembalo in sc. Ed. by Noack.

Orchestra (2.2.0.2/2.2.0.0,timp,str ,bassoon solo)

SKU: TM.00802SET

Composed by Carl M. von Weber. Set Type: D. Set of parts. Lucks Music Library #A2267. Published by Lucks Music Library (TM.00802SET).

Solo (no pf). Clothbound score. Transposed: Cl 1+2, Tpt 1+2. Original Hns in F.

Orchestra (Fl-Picc, 2 Fl, 2 Ob, 2 clarinet, bassoon1, bassoon2 , bassoon-Co, 4Hn, 3Trp, 3trombone, Tb, timpani, 2 percussion, harp, Str, im 3. Satz:Fl-Picc, Fl, Ob, clarinet)

SKU: BA.BA06729

Composed by Gunter Bialas. Stapled. Study score. Composed 1977. 68 pages. Duration 17 minutes. Baerenreiter Verlag #BA06729_00. Published by Baerenreiter Verlag (BA.BA06729).

ISBN 9790006482221. 27 x 20.9 cm inches.

Clarinet used in soloist function and positioned apart (in movt. 3).

A Ballet - for Chorus, Solo Bass, and Piano (or Orchestra) - Score. By William Grant Still. Orchestra. For Flute I, Flute II, Piccolo I, Piccolo II, Oboe I, Oboe II, English Horn, Clarinet (in Eb), Clarinet I, Clarinet II, Bass Clarinet, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Tenor I, Tenor II, Tuba, Timpani, Percussion. Soft Cover. 47 pages. Published by Carl Fischer.

Orchestra (cem,str,solo recorder and bassoon)

SKU: TM.00910SET

Composed by Georg Telemann. Arranged by Angerhoefer. Set Type: D. Set of parts. Lucks Music Library #A7770. Published by Lucks Music Library (TM.00910SET).

Solo/pf. Cello/Bass.

By Gioachino Rossini. Edited by Tommy J. Fry. Arranged by Erik W. G. Leidzen. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Trumpet IV, Horn I, Horn II, Horn III, Horn IV, Tenor I, Tenor II, Tenor III, Euphonium, Tuba, Contrabass, Timpani, Snare Drum, Xylophone, Triangle, Suspended Cymbal, Bass Drum. Carl Fischer Classic Band Editions. Level: Grade 6. Score and Set of Parts. 79 pages. Duration 3:15. Published by Carl Fischer.

Orchestra

SKU: BP.BP2196B

Composed by Craig Courtney. Band & orchestra. Full score and parts. Beckenhorst Press #BP2196B. Published by Beckenhorst Press (BP.BP2196B).

Full score and parts for solo flute, solo oboe, B-flat clarinet I, II, bassoon I, II, horn in F I, II, trombone I, II, bass trombone, tuba, suspended and crash cymbals, harp, violin I, II, viola, cello and contrabass.

Orchestra

SKU: BP.BP2197B

Composed by Craig Courtney. Band & orchestra. Full score and parts. Beckenhorst Press #BP2197B. Published by Beckenhorst Press (BP.BP2197B).

Full score and parts for solo flute, solo oboe, B-flat clarinet I, II, bassoon I, II, horn in F I, II, trombone I, II, bass trombone, tuba, suspended and crash cymbals, harp, violin I, II, viola, cello and contrabass.

Orchestra

SKU: BP.BP2195B

Composed by Craig Courtney. Band & orchestra. Full score and parts. Beckenhorst Press #BP2195B. Published by Beckenhorst Press (BP.BP2195B).

Full score and parts for solo flute, solo oboe, B-flat clarinet I, II, bassoon I, II, horn in F I, II, trombone I, II, bass trombone, tuba, suspended and crash cymbals, harp, violin I, II, viola, cello and contrabass.

Orchestra (0.2.0.0/0.0.0.0,str,solo bsn)

SKU: TM.00733SET

Composed by Johann Christian Bach. Edited by Wojciechowski. Set Type: D. Set of parts. Lucks Music Library #A6815. Published by Lucks Music Library (TM.00733SET).

Solo (no pf) in set; P/C in set. Solo/pf sold separately.

Orchestra - intermediate

SKU: HL.49001988

Set of Solo Parts. Composed by Joseph Bodin de Boismortier. Edited by Hugo Ruf. Sheet music. Concertino (Chamber Orchestra). Classical. Set of solo parts. Op. 34/3. 18 pages. Duration 6'. Schott Music #CON 32-71. Published by Schott Music (HL.49001988).

ISBN 9790001021586. 8.25x11.75x0.053 inches.

3 melodic instruments (violins, flutes, oboes) or string orchestra and basso continuo (harpsichord, piano); cello (viola da gamba, bassoon) ad lib.

Orchestra - intermediate

SKU: HL.49001985

Set of Solo Parts. Composed by Joseph Bodin de Boismortier. Edited by Hugo Ruf. This edition: CON31-71. Sheet music. Concertino (Chamber Orchestra). Classical. Set of solo parts. Op. 34/6. 18 pages. Duration 6'. Schott Music #CON 31-71. Published by Schott Music (HL.49001985).

ISBN 9790001021555. UPC: 073999778748. 9.0x12.0x0.131 inches.

3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; harpsichord (piano), violoncello (viola da gamba, bassoon) ad lib.

By Pietro A. Yon (1886-1943). Arranged by Mark Hayes. For Orchestra (Score and Parts). Shawnee Press. Shawnee Press #LB5768. Published by Shawnee Press

Orchestra (cem,str,bsn solo)

SKU: TM.11746SET

Composed by Antonio Vivaldi. Set Type: D. Set of parts. Lucks Music Library #A2216. Published by Lucks Music Library (TM.11746SET).

Edited by Beck. Score: Barenreiter; Set: Barenreiter Reprint.

(Prelude to the Afternoon of a Faun). By Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. For orchestra (3 flutes/2 oboes/english horn/2 clarinets/2 bassoons/4 horns/cymbal/2 harps/2 violins/viola/cello/doubl e bass). This edition: Stapled, Urtext edition. Score. Text Language: English/French/German. 44 pages. Duration 10'. Published by Baerenreiter Verlag

Orchestra (2 Soprano Voice Solo, 2 Bass Voice Solo, 2 Ob, 2 clarinet, 2 bassoon, 2 Hn, 2 Trp, 2 V, Va, Basso, Continuo)

SKU: BA.BA08811

Divertimento teatrale in one act. Operetta for four voices. Composed by Antonio Salieri. Edited by Adrian La Salvia and Thomas Betzwieser. This edition: Edition of selected works, Urtext edition. Linen. Spectrum of European Music Theatre in Separate Editions 1. Edition of selected works, Score, Critical commentary, USB flash drive. Duration 1 hour, 15 minutes. Baerenreiter Verlag #BA08811_00. Published by Baerenreiter Verlag (BA.BA08811).

ISBN 9790006539840. 33.1 x 26.5 cm inches. Text Language: Italian. Preface: Betzwieser, Thomas. Text: Giambattista Casti.

A memorable musical competition commissioned by the emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. A German Singspiel ensemble performed Mozart’s “Schauspieldirektor ” whilst Antonio Salieri’s “Prima la musica e poi le parole” was performed by the Italian court singers and musicians. This charming opera satire belongs to the genre of “metamelodrammaâ� � in which the opera itself becomes the subject of the action. The people who are part of an opera production, for example the librettist, composer and prima donna, appear as characters on the stage and are presented in a humorous self-reflection. In this ‘theatre about theatre’ Salieri parodies the music from Giuseppe Sarti’s “Giulio Sabino” in his insert arias, thus playing on the music which was totally familiar with the audience of the time. By reflecting on the musical-dramatic style of that period and discussing whether ‘the word’ or ‘the music’ should take priority, this masterpiece is considered to be an early forerunner to Richard Strauss’s “Capriccio”.< br>
The new edition of the score is published as part of “opera – Spectrum of European Music Theatre in Separate Editions”. There are several alterations regarding the libretto text, stage directions, articulation, ornamentation, etc. which have been incorporated into this newly engraved vocal score. Furthermore, all appendix numbers from the score which concern the quotations from Giuseppe Sarti’s “Giulio Sabino” have also been incorporated.

â� �¢ Urtext vocal score based on the historical-critical hybrid score published as part of “opera – Spectrum of European Music Theatre in Separate Editions” edited by Thomas Betzwieser (music edition) and Adrian La Salvia (text edition).
• Original Italian libretto with singable German translation
• Comprehensive bilingual foreword (Ger/Eng) on the genesis and reception of the work, on metamelodramma and intertextuality etc.
• Includes an extensive appendix to the quotations taken from Giuseppe Sarti’s “Giulio Sabino”
• Idiomatic piano reduction

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Derek Bourgeois (1941-). For Soloist(s) with Full Orchestra (Flute 1, Flute 2, Oboe 1, Oboe 2, Bb Clarinet 1, Bb Clarinet 2, Bassoon 1, Bassoon 2, Horn 1, Horn 2, Horn 3, Horn 4, trumpet 1, Trumpet 2, Trumpet 3, Trombone 1, Trombone 2, Trombone 3, Tuba, Timpani, Percussion (snare drum, suspended cymbal, bass drum, ). Orchestra Music. Score and parts. Duration 20:00. Published by C. Alan Publications

Orchestra (Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, timpani, 2 V, Va, double bass, Vc)

SKU: BA.BA10980

Composed by Franz Joseph Haydn. Edited by Andreas Friesenhagen. This edition: urtext edition. Stapled. Score. Hob. I:88. Duration 23 minutes. Baerenreiter Verlag #BA10980_00. Published by Baerenreiter Verlag (BA.BA10980).

ISBN 9790006562831. 31 x 24.3 cm inches. Key: G major. Text Language: German, English. Preface: Andreas Friesenhagen.

This edition clarifies a performance aspect of Haydn’s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument parts are marked “solo”, indicating that they play important motifs or themes and ought to stand out.
Contrary to other editions, the “solo” marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather, the cellos should play as a section so as to stand out all the more clearly.

Continuin g the collaboration between Bärenreiter and the Henle publishing company in large-scale choral works, operas and symphonies, this edition is based on the Henle Complete Edition of the “Works of Joseph Haydn”. The complete performance material for several “Sturm und Drang” symphonies and all of the London and Paris symphonies is now available from Bärenreiter.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding