Deluxe Score-Written for a 1995 Boston Symphony Orchestra concert at Tanglewood celebrating the birthdays of Seiji Ozawa Yo-Yo Ma Itzhak Perlman and Leon Fleischer.

Purcell composed six of his finest odes to honour the birthdays of Queen Mary in successive years from 1689. Celebrate this festival (1693) contains writing on all scales, from eloquent chamber music to joyous choruses with strings, Trumpet and Oboes. This authoritative performing edition is prepared by the leading Purcell expert, Robert King.

Par CAMPO REGIS. Un trailer per Cajkovskij (en italien : 'une bande-annonce pour Tchaikovsky') est une pièce ludique en forme d'hommage au grand compositeur russe, commandée par l'Orchestre symphonique de Turin. Cette oeuvre réjoint plusieurs de mes oeuvres orchestrales comme Lumen, Lumen II, Ouverture en forme d'étoiles, ma Symphonie #2 'Moz'Art' ou le petit Happy birthday qu'avait créé Felicity Lott et l'Ensemble Orchestral de Paris au théâtre des Champs-Elysées à Paris en 2003. La formation instrumentale, déjà fixée, du concert m'a permis étrangement (mais avec grande joie !) d'utiliser un célesta, un cor, tous les bois, les cordes. L'oeuvre fait des allusions thématiques (mais pas de citations textuelles) à certaines oeuvres majeures de ce compositeur, comme Casse-Noisette ou bien ces dernières symphonies que j'affectionne particulièrement. Régis Campo / contemporain / Répertoire / Orchestre

Kurtág's newest orchestral work, the Petite musique solennelle, was commissioned by the Lucerne Festival on the occasion of Pierre Boulez's 90th birthday. It was first performed on 23 August 2015 by the Lucerne Festival Academy Orchestra under the direction of Matthias. This orchestral score was first published March 2016. Duration 7'30'. / Orchestre

Full Score. Par OTT DAVID. Written with the same intent as Benjamin Britten's The Young Person's Guide to the Orchestra, this piece of educational music serves as something new for conductors to program for young audiences. An abridged version is also available for rent from the publisher to accommodate different programming needs. Commissioned for the Des Moines Symphony in celebration of Music Director Joseph Giunta's 50th birthday. / Date parution : 2022-03-15/ Répertoire / Orchestre

Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most ?important and ?popular concert overtures.This overture in its ?first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new B?renreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today.In the new B?renreiter Urtext edition of “Die sch?ne ?Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die sch?ne Melusine” marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood

Edited by Gerald FinziA collection that includes some of the liveliest and most attractive orchestral music by any 18th-century English composer - edited by a 20th-century composer who pioneered a reappraisal of Boyce's achievement. Most of the pieces are drawn from New Year and Royal Birthday Odes. Performing material for rental is available for eight of the Overtures. First published in 1957.

Orchestral & Instrumental Carol & Hymn Accompaniments-John Rutter's Christmas Lullaby for SATB and Piano/small Orchestra. Christmas Lullaby was commissioned in 1989 by the Bach Choir in celebration of the seventieth birthday of its conductor Sir David Willcocks. The haunting melody of the verses and the reflective refrain of 'Ave Maria' have made this an immensely popular carol.

Og for large Ensemble was composed by Pelle Gudmundsen-Holmgreen. Programme Note:The work was composed for the 200th Birthday of Søren Kierkegaard in 2013.Kierkegaard’s special interest in the music of Mozart – in particular the opera Don Juan – is reflected in the music of OG. The title refers to S.K’s book entitled Enten Eller (Either Or) a title I initially wanted to comment on by using for my title And Also (or: Both .....And / As WellAs) – but eventually I found that too “corny” - and all that remained was the word OG (“and”). The word“og” is also used in mathemathics in addition which is one of the principles used in the composition.Pelle Gudmundsen-Holmgreen

Concerto For Orchestra is a beautiful composition by Thomas Simaku. This fantastic composition was the award winning work of the international competition for Witold Lutos awski’s 100th birthday. Thomas Simaku's Concerto For Orchestra is truly a stunning piece. This fantastic score is the perfect addition to any advanced Orchestra's repertoire.

Exit Music for Orchestra was composed by Bent Sørensen in 2006-07. Exit Music was commissioned by the Bergen International Festival for the Bergen Philharmonic Orchestra and is dedicated to Per Nørgård on the occasion of his 75th birthday.Programme note It began with a dream as it always does when I compose. I dreamt that I was standing in an open doorway on a hill in an otherwise open landscape. I do not know what was behind the door but in front of it - towards the landscape - I 'saw' my music disappearing. I stood looking for the music and started to hear it to remember it in time with its disappearance.The dream continued to recur as strange pictures in my daydreams and I continued to try to write down the music that had vanished. It was also the dream that gave the piece its title- Exit Music. Exit Music is based on three simple songs (the songs that vanish through the doorway): a little lullaby which continues to reappear in fragments; a strange polyphonic pop song that refers to a section of my opera Under the Sky; and a passionate little love song which concludes the piece on the strings very quietly and in unison. These simple songs are then constantly overpainted by enervating repeated motes in fairly simple rhythms which push the songs out of the room. (Bent Sørensen)

This year the entertainment world pays tribute to one of its very best honoring the 80th birthday of composer Charles Strouse. Some of the most memorable songs from stage and film are included in this musical montage skillfullyarranged for orchestra by Ted Ricketts. Includes: Put on a Happy Face (Bye Bye Birdie) Once Upon a Time (All American) Tomorrow (Annie) Applause and Theme from Golden Boy. Dur: 5:00

German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set areparts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set areparts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass

German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute(the part has been adapted from lute tablature to modern notation) and guitar (capotasto). German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute(the part has been adapted from lute tablature to modern notation) and guitar (capotasto).