St John Passion Orchestre [Conducteur d'étude / Miniature] Boosey and Hawkes
Baritone, Choral, Orchestra (Study Score) SKU: HL.48024806 The Passion...(+)
Baritone, Choral,
Orchestra (Study Score)
SKU: HL.48024806
The Passion of our
Lord Jesus Christ
according to John Study
Score. Composed by
James Macmillan. Boosey &
Hawkes Scores/Books.
Classical, Sacred.
Softcover. 380 pages.
Boosey & Hawkes
#M060134470. Published by
Boosey & Hawkes
(HL.48024806).
ISBN
9781784543792. UPC:
888680978648. 8.25x11.75
inches.
Scored for
baritone solo, small
'narrator' chorus, large
chorus and orchestra,
MacMillan's first Passion
setting was composed in
2007. Lasting 87 minutes
the work is divided into
two parts, with 10
movements overall. As
Paul Spicer has
commented, “The
originality of the St
John Passion lies in
MacMillan's ability to
mix old with new, rather
in the manner of Bach in
his day. There are
passages of sumptuous
polyphony and there is a
fresh look at the text
where passages of Latin
are interspersed with the
Gospel story in English.
In movement seven ('Jesus
and his Mother'),
MacMillan introduces not
only part of the Stabat
Mater but also his own
words ('Lully, lulla, my
dear darling'). The final
movement, which is purely
orchestral, is a kind of
via doloroso march with a
Scots lament over quite
brass chords. The string
writing here, with its
elegiac cello lines, is
deeply reminiscent of the
early 20th-century
English school. This
should be the War Requiem
of the 21st
century.&rdquo.
American Fiddle
Tune. Arranged by Bob
Phillips. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Fiddle. Score.
Alfred Music #00-50830S.
Published by Alfred Music
(AP.50830S).
ISBN
9781470668617. UPC:
038081587493. English.
Traditional Fiddle
Tune.
This easy
tune features all
sections with clever
rhythmic variations.
Readily accessible and as
easy to put together as
any Bob Phillips fiddle
tune arrangement, the
traditional melody
appears in all sections
and may be taught
aurally. Though its
origin is unknown,
Spotted Pony appears to
have roots in the Ozarks
in Missouri, Arkansas, or
Texas. Fiddlers in the
early 20th century claim
to have learned it from
their grandparents'
generation, so it most
likely has been played
since the late 19th
century or earlier.
(2:20) Correlates to
Sound Innovations, Book
1, Level 4.
American Fiddle
Tune. Arranged by Bob
Phillips. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Fiddle. Score
and Part(s). Alfred Music
#00-50830. Published by
Alfred Music (AP.50830).
ISBN 9781470668600.
UPC: 038081587486.
English. Traditional
Fiddle Tune.
This
easy tune features all
sections with clever
rhythmic variations.
Readily accessible and as
easy to put together as
any Bob Phillips fiddle
tune arrangement, the
traditional melody
appears in all sections
and may be taught
aurally. Though its
origin is unknown,
Spotted Pony appears to
have roots in the Ozarks
in Missouri, Arkansas, or
Texas. Fiddlers in the
early 20th century claim
to have learned it from
their grandparents'
generation, so it most
likely has been played
since the late 19th
century or earlier.
(2:20) Correlates to
Sound Innovations, Book
1, Level 4.
Orchestra (Study Score) SKU: HL.49045788 Suite for Orchestra 1919 Edit...(+)
Orchestra (Study Score)
SKU: HL.49045788
Suite for Orchestra
1919 Edition Eulenburg
No. 1475. Composed by
Igor Stravinsky. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Writing music to
heighten dramatic
situations, such as
battle and crisis, was a
speciality of Igor
Stravinsky. In his
ballet, The Firebird,
premiered in 1910, the 27
year old composer
surpassed many of today's
film composers by
depicting a breathtaking
ba. Classical. Softcover.
Composed 1919. 124 pages.
Duration 1200 seconds.
Schott Music #ETP1475.
Published by Schott Music
(HL.49045788).
ISBN
9783795714567. UPC:
888680747985.
6.0x8.75x0.309 inches.
Edition Eulenburg No.
1475.
Igor
Stravinsky's musical
setting of the Slavic
fable The Firebird is one
of the most
ground-breaking
orchestral works of the
early 20th century. The
reviews of the world
premiere of the ballet at
the Theatre National de
l'Opera in Paris lauded
Stravinsky's 'dazzling
music in all shades of
colour'; as a
consequence, he composed
two orchestral suites of
his ballet. The version
of 1919 is now published
as a new edition with a
modern notation and new
orchestral material.
La Mer Orchestre [Partie séparée] Breitkopf & Härtel
Composed by Claude Debussy (1862-1918). Edited by Peter Jost. This edition: urte...(+)
Composed by Claude
Debussy (1862-1918).
Edited by Peter Jost.
This edition: urtext.
Orchester-Bibliothek
(Orchestral Library).
Early 20th Century.
Individual part. 16
pages. Published by
Breitkopf and Haertel
(BR.OB-5399-16).
Study score. Composed by Jean Sibelius (1865-1957). Partitur-Bibliothek (...(+)
Study score.
Composed by Jean Sibelius
(1865-1957).
Partitur-Bibliothek
(Score Library). Early
20th Century. Study
score. 40 pages.
Published by Breitkopf
and Haertel
(BR.PB-5195-07).
Study score. Composed by Johann Nepomuk David (1895-1977). Partitur-Bibli...(+)
Study score.
Composed by Johann
Nepomuk David
(1895-1977).
Partitur-Bibliothek
(Score Library). Early
20th Century. Study
score. 128 pages.
Published by Breitkopf
and Haertel
(BR.PB-3809-07).
Study score. Composed by Jean Sibelius (1865-1957). Partitur-Bibliothek (...(+)
Study score.
Composed by Jean Sibelius
(1865-1957).
Partitur-Bibliothek
(Score Library). Early
20th Century. Study
score. 72 pages.
Published by Breitkopf
and Haertel
(BR.PB-3326-07).
SKU: BR.SON-621 Composed by Jean Sibelius. Edited by Anna Pulkkis. Linen....(+)
SKU: BR.SON-621
Composed by Jean
Sibelius. Edited by Anna
Pulkkis. Linen. Complete
Works.
Chamber music
by Jean Sibelius - a
welcome addition to the
chamber music repertoire
for strings with
piano.
Late-romantic;
Early modern. Complete
Works. 352 pages.
Breitkopf and Haertel
#SON 621. Published by
Breitkopf and Haertel
(BR.SON-621).
ISBN
9790004803233. 9 x 12
inches.
This volume
presents partly less
known, but undoubtedly
interesting and highly
welcome additions to the
chamber music repertoire
for violinists and
cellists in the reliable
Urtext of the Complete
Edition. The violin was
Sibelius's instrument. He
was active as a violinist
mainly during his studies
at the Helsinki Music
Institute from 1885-1889
and for a short time
thereafter. The present
volume contains Jean
Sibelius's opus-numbered
works for violin or cello
and piano, 36
compositions in total.
Most of the works of this
volume were created at
the beginning of the 20th
century and remained
unpublished until the
early 1920s. Sibelius
composed far less music
for the cello than for
the violin. Malinconia
(Op. 20), published in
1911, remained his only
opus-numbered work
exclusively for cello and
piano. This volume also
includes Two Pieces (Op.
77) and Four Pieces (Op.
78) as versions for
violin with piano and for
cello with
piano.
Chamber
music by Jean Sibelius -
a welcome addition to the
chamber music repertoire
for strings with
piano.
Choral; Orchestra (Score) SKU: HL.49045957 Schoenberg Complete Works -...(+)
Choral; Orchestra (Score)
SKU: HL.49045957
Schoenberg Complete
Works - Band 17 Oratorium
(Fragments) Score.
Composed by Arnold
Schoenberg. Edited by
Ulrich Krä and mer.
Edition Schott. 20Th
Century, Classical.
Hardcover. 128 pages.
Schott Music #AS101710.
Published by Schott Music
(HL.49045957).
Arnold
Schonberg is the central
figure in the musical
world of this century.
His musical significance
was already apparent
during his life-time, but
his posthumous influence
has increased immensely.
His work paved the way
for ground-breaking
changes in musical
perception. This complete
edition aspires to be
equally indispensable for
research as well as for
performance. The edition
is published in two
series: series A in folio
format contains all
completed works, all
piano scores prepared by
the composer himself and
all unfinished works
suitable for performance;
also fragments (large
scores) which are better
suited to be printed in
such a format. Series B,
in quarto format,
contains early versions,
sketches, ideas and
fragments as well as
genesis and a Critical
Commentary.
Ouverture JS 145,
Baletscen JS 163.
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Linen. Complete
Works. Late-romantic;
Early modern. Complete
Works. 196 pages.
Breitkopf and Haertel
#SON 627. Published by
Breitkopf and Haertel
(BR.SON-627).
ISBN
9790004803295. 10 x 12.5
inches.
In 1998, at
the end of the 20th
century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts … are models
of scholarly editions,
and should be required
reading for all
bibliography and
music-editing courses.
… In sum, the JSW
is a remarkable project:
the scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. … For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. … JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Scenes
historiques op.25,
op.66. Composed by
Jean Sibelius. Edited by
Kari Kilpelainen. Linen.
Complete Works.
Late-romantic; Early
modern. Complete Works.
228 pages. Breitkopf and
Haertel #SON 625.
Published by Breitkopf
and Haertel (BR.SON-625).
ISBN 9790004803271. 10
x 12.5 inches.
In
1998, at the end of the
20th century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts ... are models of
scholarly editions, and
should be required
reading for all
bibliography and
music-editing courses.
... In sum, the JSW is a
remarkable project: the
scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. ... For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. ... JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Orchestra SKU: BR.SON-511 Orchestermusik. Composed by Hanns Eisler...(+)
Orchestra
SKU:
BR.SON-511
Orchestermusik.
Composed by Hanns Eisler.
Edited by Knud Breyer.
Hardback. Complete Works.
Early modern; Music
post-1945. Complete
Works. 248 pages.
Breitkopf and Haertel
#SON 511. Published by
Breitkopf and Haertel
(BR.SON-511).
ISBN
9790004803448. 10 x 12.5
inches.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
Orchestra SKU: BR.SON-506 Kammersymphonie op.69. Composed by Hanns...(+)
Orchestra
SKU:
BR.SON-506
Kammersymphonie
op.69. Composed by
Hanns Eisler. Edited by
Tobias Fasshauer.
Hardback. Complete Works.
Early modern; Music
post-1945. Complete
Works. 148 pages.
Breitkopf and Haertel
#SON 506. Published by
Breitkopf and Haertel
(BR.SON-506).
ISBN
9790004802779. 10 x 12.5
inches.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
Orchestra SKU: BR.SON-508 Filmmusik zu The Grapes of Wrath/Hangmen Als...(+)
Orchestra
SKU:
BR.SON-508
Filmmusik zu The
Grapes of Wrath/Hangmen
Also Die. Composed by
Hanns Eisler. Edited by
Johannes C. Gall.
Hardback. Complete Works.
Early modern; Music
post-1945. Complete
Works. 156 pages.
Breitkopf and Haertel
#SON 508. Published by
Breitkopf and Haertel
(BR.SON-508).
ISBN
9790004803301. 10 x 12.5
inches.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
Orchestra SKU: HL.14020052 Composed by Ernest John Moeran. Music Sales Am...(+)
Orchestra
SKU:
HL.14020052
Composed
by Ernest John Moeran.
Music Sales America.
Classical. Book
[Softcover]. 18 pages.
Music Sales #NOV950528.
Published by Music Sales
(HL.14020052).
10.25x14.5x0.43
inches.
Moeran
based Lonely Waters on
the fragment of a song
from the Broads of East
Norfolk. This flowing,
atmospheric work is
dedicated to Ralph Vaughn
Williams, and recalls
Moeran's Norfolk boyhood
and the folksongs he
collected from East
Anglia.E J Moeran was a
20th century British
composer of Anglo-Irish
background who spent his
early years in Norfolk.
Influences of folksong
and programmatic elements
can be easily heard in
this composer's main body
of work. Moeran tended
toward the smaller
ensembles in his
composition which gave an
appropriate frame for his
great lyric gifts.
Country Song Orchestre - Intermédiaire Highland/Etling
Orchestra - Grade 4 SKU: AP.41265S From Two Songs Without Words, Op...(+)
Orchestra - Grade 4
SKU: AP.41265S
From Two Songs
Without Words, Op. 22,
No. 1. Composed
by Gustav Holst. Arranged
by Robert Sieving.
MakeMusic Cloud;
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Form:
Transcription. 20th
Century; Folk; Masterwork
Arrangement; Romantic.
Score. 16 pages.
Highland/Etling
#00-41265S. Published by
Highland/Etling
(AP.41265S).
UPC:
038081480800.
English.
This
beautiful folk melody
will capture the hearts
of students and
audiences. Originally
scored for large
orchestra, this string
arrangement captures the
essential qualities often
heard in the English
style of chamber music
for strings from the late
nineteenth and early
twentieth centuries.
Holst's melody, with its
simple pentatonic
folksong theme, receives
the kind of mystical
transformation we often
associate with British
composers' treatments of
their indigenous
wellspring---the
folksong. All sections
share in the melodic
themes while passages for
a quartet of soloists add
textural interest. This
title is available in
MakeMusic Cloud.
Chamber orchestra (Study Score) SKU: HL.49019239 For 'classical' orche...(+)
Chamber orchestra (Study
Score)
SKU:
HL.49019239
For
'classical'
orchestra. Composed
by Edward Cowie. This
edition: Saddle
stitching. Sheet music.
Study Score. Softcover.
Composed 1981-1982/2010.
114 pages. Duration 25'.
Schott Music #ED13480.
Published by Schott Music
(HL.49019239).
ISBN
9790220133282.
8.25x11.75x0.342
inches.
Leonardo
was originally written
for television. During
the early 1980s, I became
involved in a BBC project
to make a film about
Leonardo da Vinci, with
particular attention to
his influence on 20th
century technology and
philosophy. As a visual
artist, but one who was
originally trained as a
physicist, any individual
who's life-work spans and
conjoins the arts with
sciences is fascinating
to me. Edward Cowie
2010.
Orchestra SKU: BR.SON-509 Filmmusik zu Nuit et brouillard. Compose...(+)
Orchestra
SKU:
BR.SON-509
Filmmusik zu Nuit et
brouillard. Composed
by Hanns Eisler. Edited
by Knud Breyer and Oliver
Dahin. Hardback. Complete
Works. Early modern;
Music post-1945. Complete
Works. 156 pages.
Breitkopf and Haertel
#SON 509. Published by
Breitkopf and Haertel
(BR.SON-509).
ISBN
9790004803318. 10 x 12.5
inches.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
For Orchestra.
Composed by Michael
Abels. Orchestra.
Harpsichord. Study Score.
Composed 1999. Duration
12'. Subito Music
Corporation #90110140.
Published by Subito Music
Corporation
(SU.90110140).
Early Baroque
themes served in a late
20th-Century puree
Instrumentation: 2(1) 22;
2200; timp, hpschd; str
Duration: 12' Composed:
1999 Full Score & Parts:
available on rental
Published by: Subito
Music Publishing.
Orchestra SKU: HL.14019121 For Orchestra. Composed by Magnus Lindb...(+)
Orchestra
SKU:
HL.14019121
For
Orchestra. Composed
by Magnus Lindberg. Music
Sales America. 20th
Century. Book
[Softcover]. Composed
2003. 84 pages. Chester
Music #CH61348. Published
by Chester Music
(HL.14019121).
ISBN
9781844492954.
9.0x12.0x0.303
inches.
Commissione
d by the first Sibelius
Conductor's Competition
held in Helsinki in May
1995, as an obligatory
piece to be rehearsed by
all the competitors,
Arena was performed in
its totality at the
annual Avanti! Chamber
Orchestra's festival in
Porvoo (Finland).
Thematic thinking has
never been a main feature
in Lindberg's music, but
here horizontal lines
(one would not yet dare
to call them melodies)
gain some independence,
for example in ornamental
figures and in the
intense cello solo around
the middle of the piece.
Arena also reveals some
clearly new material -
Lindberg has talked about
Beethoven-like formal
thinking, referring to a
passage where the sense
of movement seems to
accelerate to an extreme
so that finally one
perceives only a
motionless surface.
Another new element -
which was already used to
some extent at the warmly
hovering ending of Aura -
is the almost romantic
sound world and the
suspension of the
harmonies in the final
climax, which can make
one think of Mahler and
Berg, or Lindberg's grand
predecessor and
compatriot, Sibelius.
This is the Score,
published by Chester
Music; the duration of
the pieces is
approximately 16
minutes.