Score-Although in its own way an example of 'continuous' music Shaker Loops differs from most other works of its kind because it sees so much change within a relatively short amount of time. Also it avoids the formal and temporalpurity of much 'minimal' music by not adhering to a single unbending tempo throughout allowing for a freer movement from one level of energy to another.The 'loops' are melodic material assigned to the seven instruments each of a different length and which when heard together result in a constantly shifting play amongst the parts. The four sections although they meld together evenly are really quite distinct each being characterised by aparticular style of string playing. The outside movements are devoted to 'shaking' - fast tightly rhythmicised motion of the bow across the strings. The 'slews' of Part 2 are slow languid glissandi heard floating within analmost motionless pool of stationary sound whereas Part 3 is essentially melodic with cellos playing long lyrical lines (also loops) against a background of muted violins.

Uses: General RevivalScripture: Romans 5:20; Romans 16:20; John 9:25Some of the most famous gospel hymns are wedded in this pleasing package of praise. Celebrating the gift of grace these“evergreens” always top the list of beloved hymns. From the bouncy brightness of At the Cross and Wonderful Grace of Jesus to the sweeping confidence of Grace Greater Than Our Sin and AmazingGrace this medley has everything needed for a revival of spirit and faith.

Full Score-These remarkable cantatas from Menotti's later period spring from his profound devotion to the Catholic tradition and feature texts by two of the Church's best-loved poets St. Teresa of Avila and St. John of the Cross. Includes“Muero porque no muero” (for soprano chorus and orchestra) and “Oh llama de amor viva” (for baritone chorus and orchestra).