Voila! Violas! Orchestre [Conducteur et Parties séparées] - Facile Kendor Music Inc.
String Orchestra string orchestra (88555) with opt. 3rd Violin/Viola TC 3 and pi...(+)
String Orchestra string
orchestra (88555) with
opt. 3rd Violin/Viola TC
3 and piano - Grade 2.5
SKU: KN.36920
Composed by Susan H. Day.
Solo or Ensemble. Voyager
String Orchestra. Score
and set of parts. Kendor
Music Inc #36920.
Published by Kendor Music
Inc (KN.36920).
UPC:
822795369205.
Viola
s take center stage in
this lovely piece, which
emphasizes expressive
legato playing in the key
of G minor. Violas have
the melody throughout!
Duration 3:10.
Arranged by
Albert Wang. Solo or
Ensemble. Voyager String
Orchestra. Score and set
of parts. Duration 3
minutes, 15 seconds.
Kendor Music Inc #9121.
Published by Kendor Music
Inc (KN.9121).
UPC:
822795091212.
Origi
nating as a peasant dance
in the Dauphine region of
southeastern France and
requiring dancers to
raise rather than slide
their feet, the gavotte
became popular in
European courts during
the Baroque era. In this
setting of Gossec's
famous Gavotte In D,
simple rhythms and
interesting ornaments
make it perfect for any
concert program. Duration
3:15. Available in
SmartMusic.
Orchestra SKU: CA.4076707 Composed by Wolfgang Amadeus Mozart. Mozart; Kl...(+)
Orchestra
SKU:
CA.4076707
Composed
by Wolfgang Amadeus
Mozart. Mozart; Kleinere
Kirchenwerke, Exsultate
Jub. Hymns, Praise and
thanks, Tantum ergo.
Study score. Composed
1773. Carus Verlag #CV
40.767/07. Published by
Carus Verlag
(CA.4076707).
ISBN
9790007087395.
Scor
e available separately -
see item CA.4076700.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Orchestra SKU: SU.91580100 For Orchestra. Composed by Steven Mercu...(+)
Orchestra
SKU:
SU.91580100
For
Orchestra. Composed
by Steven Mercurio.
Vocal/Choral, Opera. CD
(Audio). Subito Music
Corporation #91580100.
Published by Subito Music
Corporation
(SU.91580100).
A Grateful Tail
- Movement by Movement
Siriusly, Dog Star
Sirius, the brightest
star in the night sky,
has been used by
travelers and navigators
for thousands of years as
a guiding star and so it
is here as the opening
movement for the
symphony. Sirius, the
cornerstone to the
constellation Canis
Maggiore or Big Dog sits
at the foot of Orion, the
hunter, leading the way.
Highly cinematic, the
movement evokes both a
musical and visual sense
of the mythological and
mysterious elements of
Sirius and its Dog
Godstar secrets. From the
clarion call of the
opening, Sirius theme,
the sound is buoyant and
frisky emulating the
nature of doggy playtime.
Puppy pleasures abound as
a doggy four-step, my
turn on the traditional
American two-step dance,
is introduced. The
movement transforms into
an actual orchestrated
frolic of small, large
and medium dog barks
beginning with the winds
(smaller dogs) and
ultimately, the big dog,
brass. The movement
climaxes with the coda
or, Dog Park, where the
winds and the brass bark
and play together over
the, doggy ostinato
four-step rhythm,
culminating with the
final call of the Sirius
theme. Let Sleeping Dogs
Lie, Peacefully It's all
in a dog's day and life.
Tranquility presides over
this supremely gentle,
intermezzo-like movement.
After a day of play,
every dog needs rest. Let
Sleeping Dogs Lie, is a
lyrical andante inspired
by the profound serenity
and beauty of a dog at
rest. The Last Will and
Testament of Silverdene
Emblem O'Neill Based on a
powerful piece of prose
written by the American
playwright, Eugene
O'Neill this text was
intended as a consolation
piece for Carlotta, his
wife, who had become
grief-stricken over the
loss of their beloved
dog, the Dalmatian known
as Blemie.Written for a
singing actor who
personifies the role of
Blemie, a dog at the end
of his life, the movement
plays like a one act,
musical drama as we
follow Blemie through a
wonderfully
three-dimensional,
emotional and
psychological journey
writing his Last Will and
Testament, for those who
have loved him. Wagging
the Tail: Ossia Fido's
Lament A life-affirming
rumba/samba using
Blemie's final words from
O'Neill's text, this
final movement employs
the most unique American
musical invention, the
gospel choir. In order to
make the dances come
alive, this movement also
calls upon the colors of
a rhythm section.
Creating the spirit of an
Irish Funeral, the
movement is a joyful and
revival-like celebration
of a dog's life as its
spirit lives on forever
in the hearts and minds
of dog lovers everywhere.
Remember Me, remember me!
My spirit is wagging a
grateful tail. Published
by: Subito Music
Publishing Release Date:
July 9, 2013.
Soloists [Tbar], Mixed Choir and Orchestra SKU: BT.BH6400907 Incidenta...(+)
Soloists [Tbar], Mixed
Choir and Orchestra
SKU: BT.BH6400907
Incidental Music.
By Sir Thomas Beecham. By
Frederick Delius. Score
Only. 212 pages. Boosey &
Hawkes #BH6400907.
Published by Boosey &
Hawkes (BT.BH6400907).
Orchestra - Grade 2.5 SKU: AP.48076S Composed by Richard Meyer. MakeMusic...(+)
Orchestra - Grade 2.5
SKU: AP.48076S
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Multicultural;
Novelty. Score. 16 pages.
Duration 3:00. Alfred
Music #00-48076S.
Published by Alfred Music
(AP.48076S).
ISBN
9781470658793. UPC:
038081554341.
English.
Take your
orchestra on a trip
around the world with
this fun medley of some
of the most famous
melodies ever written in
A Musical Passport by
Richard Meyer. Using 22
tunes from 17 different
countries, this is the
ultimate multi-cultural
experience for your
students and your
audience! The melodies
are tossed from section
to section so all the
instruments get a chance
in the spotlight, and the
quickly changing styles
will keep everyone on
their toes.
Songs
that are included in A
Musical Passport by
Richard Meyer are:
America, the Beautiful
(U.S.A.) * Rule,
Britannia (England) * The
Irish Washerwoman
(Ireland) * Scotland the
Brave (Scotland) * Roll
Out the Barrel
(Czechoslovakia/Germany)
* Funiculi, Funicula
(Italy) * Frere Jacques
(France) * Dark Eyes
(Russia) * Jasmine Flower
Song (China) * Arirang
(Korea) * Sakura (Japan)
* Obwisana (Ghana) *
Siyahamba (We Are
Marching) (South Africa
[Zulu]) * Waltzing
Matilda (Australia) * La
Cumparsita (South America
[Uruguay]) * Las
Chiapanecas (Mexico) *
Cielito Lindo (Mexico) *
O Canada (Canada) * Oh!
Susanna (U.S.A.) *
Camptown Races (U.S.A.) *
America, the Beautiful
(U.S.A.) * Home, Sweet
Home (U.S.A.) * The
Star-Spangled Banner
(U.S.A.) * America, the
Beautiful (U.S.A.).
Correlates with Sound
Innovations for String
Orchestra, Book 2, Level
6. (3:00) This title
available in MakeMusic
Cloud.
Orchestra - Grade 2.5 SKU: AP.48076 Composed by Richard Meyer. MakeMusic ...(+)
Orchestra - Grade 2.5
SKU: AP.48076
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Multicultural;
Novelty. Score and
Part(s). 140 pages.
Duration 3:00. Alfred
Music #00-48076.
Published by Alfred Music
(AP.48076).
ISBN
9781470658786. UPC:
038081554334.
English.
Take your
orchestra on a trip
around the world with
this fun medley of some
of the most famous
melodies ever written in
A Musical Passport by
Richard Meyer. Using 22
tunes from 17 different
countries, this is the
ultimate multi-cultural
experience for your
students and your
audience! The melodies
are tossed from section
to section so all the
instruments get a chance
in the spotlight, and the
quickly changing styles
will keep everyone on
their toes.
Songs
that are included in A
Musical Passport by
Richard Meyer are:
America, the Beautiful
(U.S.A.) * Rule,
Britannia (England) * The
Irish Washerwoman
(Ireland) * Scotland the
Brave (Scotland) * Roll
Out the Barrel
(Czechoslovakia/Germany)
* Funiculi, Funicula
(Italy) * Frere Jacques
(France) * Dark Eyes
(Russia) * Jasmine Flower
Song (China) * Arirang
(Korea) * Sakura (Japan)
* Obwisana (Ghana) *
Siyahamba (We Are
Marching) (South Africa
[Zulu]) * Waltzing
Matilda (Australia) * La
Cumparsita (South America
[Uruguay]) * Las
Chiapanecas (Mexico) *
Cielito Lindo (Mexico) *
O Canada (Canada) * Oh!
Susanna (U.S.A.) *
Camptown Races (U.S.A.) *
America, the Beautiful
(U.S.A.) * Home, Sweet
Home (U.S.A.) * The
Star-Spangled Banner
(U.S.A.) * America, the
Beautiful (U.S.A.).
Correlates with Sound
Innovations for String
Orchestra, Book 2, Level
6. (3:00) This title is
available in MakeMusic
Cloud.
Soprano, baritone, spoken
voice, mixed choir
(SSSSAAAATTTTBBBB, and 9
boys' voices, S/A) and
orchestra (Score) -
difficult
SKU:
HL.49006187
(The
Raft of the Medusa).
Composed by Hans Werner
Henze. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed
1968/1990. 168 pages.
Duration 70'. Schott
Music #ED6326. Published
by Schott Music
(HL.49006187).
ISBN
9790001067270. UPC:
884088099282.
8.25x11.75x0.41 inches.
German - English.
Dances Of Transylvania Orchestre [Conducteur d'étude / Miniature] EMB (Editio Musica Budapest)
Orchestra (Study Score) SKU: HL.50510086 Score. Composed by Bela B...(+)
Orchestra (Study Score)
SKU: HL.50510086
Score. Composed by
Bela Bartok. 20th
Century. EMB. Pocket
score. 26 pages. Duration
5'. Editio Musica
Budapest #Z40071.
Published by Editio
Musica Budapest
(HL.50510086).
ISBN
9790080400715. UPC:
073999621211.
5.5x8.0x0.091 inches.
Hungarian, English,
German. Bela
Bartok.
'Dances of
Transylvania is the
orchestral version of
'Sonatina' (1915). In
Sonatina, Bartok had
arranged Romanian
instrumental (chiefly
bagpipe) music. The three
movements of the work,
'Bagpipers', 'Bear Dance'
and 'Finale' comprise
five melodies. Bartok
explained that each of
the two melodies of the
first movement had been
played by two pipers, the
second by a peasant
violinist using the lower
strings of the instrument
to reproduce the sounds
of a bear, and the two
melodies of the 'Finale'
again by two violinists.
In the orchestral version
Bartok was out to
reproduce the original
sonority created by the
peasants.' (HCD 32505
Bartok New Series Vol. 5,
Virag Buky).
Dedication Orchestre Edward B. Marks Music Company
Orchestra (Full Score) SKU: HL.1283364 For Orchestra. Composed by ...(+)
Orchestra (Full Score)
SKU: HL.1283364
For Orchestra.
Composed by William
Bolcom. Arranged by
Edmund Cionek. LKM Music.
Classical. Softcover.
Duration 480 seconds.
Edward B. Marks Music
#MP077085. Published by
Edward B. Marks Music
(HL.1283364).
UPC:
196288166641.
Dedic
ation for chamber
orchestra by William
Bolcom was written in
2021-2022, especially for
the ROCO Chamber
Orchestra. The commission
was the result of a
meeting between Alecia
Lawyer and the composer
at a Great American
Songbook concert, hosted
by Arthurand Shelley
Gottschalk. Dedication is
a concise but dramatic
work. Its threepart is
determined by tempo and
motif. The work begins
with Intro: Moderato.
After a very soft
ostinato sounds from the
depths of the orchestra,
two melodies emerge: the
first in the Piccolo and
Eb Clarinet, the second
in the English Horn and
Bassoon. They are
complemented by strings
in close harmony and
lyrical muted brass. This
is followed by Feroce!
which engages the tutti
ensemble in a cascade of
brilliant fortissimo
block harmonies. The next
section, Allegro molto,
is characterized by
agile, virtuosic passage
work and brash chords.
Tempo I returns with
familiar motifs wrapped
in six sharps. Marked
espressivo e cantabile,
tutti strings provide an
incandescent conclusion.
Then soft string
glissandi allow the music
to fade back from
wherever it came.
Dedication is
orchestrated by his
former student Edmund
Cionek.
Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD...(+)
Orchestra - all
SKU:
PR.816600040
Composed
by Wolfgang Amadeus
Mozart. CD Sheet Music
(Version 1). Full Scores
to all of the major works
for orchestra by Mozart -
parts not included.
Classical Period. CD
Sheet Music. 2000
printable pages.
Published by Theodore
Presser Company
(PR.816600040).
UPC:
680160600045. 5.5x5
inches.
This disk
contains study scores of
all 41 of Mozart's
Symphonies, as well as
Concertos for Winds and
Strings (Piano Concertos
are on a companion
CD-ROM), Serenades, Opera
Overtures, Divertimentos,
and other works.
About CD Sheet
Music (Version
1)
CD
Sheet Music (Version 1)
was the initial CD Sheet
Music series distributed
by Theodore Presser. The
CDs include thousands of
pages of music that are
viewable and printable on
Mac or PC. Version 1
titles are a great value
at 40% off, as we make
room in our warehouse for
the newly enhanced CD
Sheet Music (Version 2.0)
series.
Orchestra (Study Score) SKU: HL.49044525 Opera in One Act - Study Scor...(+)
Orchestra (Study Score)
SKU: HL.49044525
Opera in One Act -
Study Score. Composed
by Huw Watkins. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Wenn wir den
Ausgangspunkt von Thomas
Hardy Geschichte
betrachten, fuhlen wir
uns in die Gegenwart, zu
einem heutigen Blick auf
die Novelle
transportiert. Diese
Sicht verdeutlicht,
welche Macht der
menschliche Geist uber
die Handlungen einer
Person hat. E. Classical,
Contemporary, Opera.
Softcover. Composed
2011-2012. 156 pages.
Duration 45'. Schott
Music #ED13780. Published
by Schott Music
(HL.49044525).
ISBN
9790220135569. UPC:
888680080495.
8.25x11.75x0.388 inches.
English.
Taking
Thomas Hardy's short
story as its starting
point, we are transported
to the present for a
contemporary take on the
novella which explores
the power the mind can
have over that person's
actions. A closed door
sparks an obsession so
strong that the
boundaries between
reality and fantasy begin
to blur.Ella and her
high-finance husband
Stephen rent a room in a
holiday home on the
coast, owned by Susan.
Ella discovers that a
locked room in the house
is rented by a poet - Ben
Pascoe - whose work holds
a deep fascination for
her. The room is held for
Pascoe, though he visits
rarely.Ella's obsession
with Pascoe grows in
parallel with the
progress of Stephen's
biggest City deal. She
begins by imagining the
poet's voice as she reads
his work, but this
quickly grows to
fantasised encounters
with Pascoe in his locked
room. Stephen returns
from the City and makes
love to Ella, but it is
not him she wishes for.
We see the real Pascoe
only once, with Susan.As
Stephen's financial
dreams are realised and
Ella's fantasy consumes
her, she learns of
Pascoe's death. Despite
her changed
circumstances, Ella
chooses to stay in her
new world.
Orchester-Ballade.
Composed by Leos Janacek.
Edited by Jarmil
Burghauser and Radomil
Eliska. This edition:
complete edition, urtext
edition. Linen. Complete
Critical Edition of the
Works of Leos Janacek
D/6. Complete edition,
Score. Composed
1912-1914. Duration 12
minutes. Baerenreiter
Verlag #BA06848_00.
Published by Baerenreiter
Verlag (BA.BA06848).
ISBN 9790006483303.
34.4 x 27 cm inches.
Text: Svatopluk
Cech.
Over the
years Janácek’s
uvre has increasingly
received the recognition
it so richly merits and
performances of his works
are becoming more and
more frequent. This
development is, however,
offset by a manuscript
tradition so disorderly
that some of
Janácek’s works
continue, as before, to
be played in versions
which are heavily
adapted, corrupt or
otherwise contrary to the
composer’s
intentions. Thus, a
critical edition of
Janácek’s music
is indispensable for
scholars and performers
alike.
This editon
presents an authentic
printed text based on all
available sources for
each work. In addition to
the musical text, each
volume also contains a
critical report (Czech /
German), a rendition of
deleted or rejected
versions, and a
comprehensive appendix of
facsimiles.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra SKU: HL.14033079 Composed by Per Norgard. Music Sales America. ...(+)
Orchestra
SKU:
HL.14033079
Composed
by Per Norgard. Music
Sales America. Classical.
Score. 164 pages. Music
Sales #KP01073. Published
by Music Sales
(HL.14033079).
ISBN
9788759858332.
Danish.
There were
wild oatsAnd the soil was
blackBut sparkledWhen the
sun was outThe air sharp
in the nostrilsHard to
defineSomewhere between
knife and coal andAcid
and that special light
and sweetWhiteness
thornbushes exhaleIt was
nothing specialBecause
everything was
special...Thus the
opening line of the poem
TERRAINS VAGUES by Klaus
Rifbjerg, the Danish
Poet. I chose to adopt
this title for my
orchestral work, because
of its closeness in
associations: an
indeterminable, often
polarized, state of
rhythmic and tonal
ambiguity.The expression
seems created by the
Franch author, Victor
Hugo:And here lies the
fascination: in the kinds
of terrains vagues, which
are simultaniously
bizarre and ugly, as if
created by two alien
species of nature. To
watch the suburb is like
observing and amphibium:
trees vanish, roofs
appear, grass vanish,
cobble stones appear,
ploughing fields vanish,
shops appear, beaten
tracks vanish - passions
appear; the murmur of
Nature Divine ends, the
noise of Mankind takes
over. (Victor Hugo)Still,
the atmosphere as well as
the material of TERRAINS
VAGUES have its origin,
in my SYMPHONY NO. 6
(1999), the last minute
of which, cut up rough,
appears as the start of
my new work. The music of
TERRAINS VAGUES
subdivides itself,
without breaks, into
three sections, or
shades:I: TERRAINS - II:
VAGUES (Waves) III:
TERRAINS VAGUES.Per
Norgard, March 2001.
Arranged by Sandra
Dackow. Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Folk; World. Score. 8
pages. Alfred Music
#00-33643S. Published by
Alfred Music (AP.33643S).
UPC: 038081394268.
English. Bulgarian Folk
Dance.
Bulgarian
folk music is noted for
irregular rhythms, but
not in this arrangement.
The rhythms are
straightforward but the
phrases fall in groups of
three measures rather
than four. Easy double
and triple stops make the
instruments ring. This
simple and happy tune
provides the basis for
contrast and variation.
Correlated to Orchestra
Expressions, Book 2.
About
Orchestra
Expressions
<
p>Play great songs such
as Over the Rainbow,
Batman, This Land Is Your
Land, and Star Wars (Main
Title). Listen to and
play a variety of styles
of music: popular,
traditional, classical,
folk and patriotic. Read
and write music; compose
and improvise. Perform in
a concert and play for
your family and friends.
Be a conductor of the
orchestra. Learn about
composers, such as
Antonin Dvorak, Johann
Pachelbel, Jacques
Offenbach, Pytor Ilyich
Tchaikovsky, Giuseppe
Verdi, George M. Cohan,
George Frideric Handel,
Ludwig van Beethoven,
Johann Sebastian Bach,
Wolfgang Amadeus Mozart,
Giacomo Puccini, Georges
Bizet, Neal Hefti, and
John Williams. Discover
how music and art are
related. Learn about a
variety of musical
ensembles including
string orchestra, full
orchestra, mariachi band,
steel drum band,
dixieland jazz band, rock
band, and more. Play
music from around the
world, including North
America, Europe, Latin
America, Asia, and
Africa.
Orchestra SKU: SU.32040140 For Orchestra. Composed by Amy Riebs Mi...(+)
Orchestra
SKU:
SU.32040140
For
Orchestra. Composed
by Amy Riebs Mills.
Orchestra. Full Score.
Subito Music Corporation
#32040140. Published by
Subito Music Corporation
(SU.32040140).
2222; 4331;
timp, 2 perc, pno; stgs
Duration: 13'30 Composed:
2016 Published by: Amy
Mills Music, LLC Like a
modern Pictures at an
Exhibition…. Ha
Shamayim is an original
piece for orchestra that
was inspired by
photographs taken by the
Hubble space telescope.
Each section is inspired
by one photo; the title
of each section is the
title that NASA gave to
the photograph. The words
Ha Shamayim are Hebrew
for The Heavens. They are
written in Genesis 1:1,
In the beginning God
created the heavens and
the earth. The words are
also seen in Psalm 19.
Section I: Warped Edge-On
Galaxy ESO 510-G13
The piece begins in outer
space with its glistening
stars. Glissandi are used
to depict the strange but
beautiful warp seen in
the photograph. Section
II: Galaxy Fires at
Neighboring Galaxy
Suddenly the piece erupts
as one galaxy fires blue
gas at its neighbor. They
engage in a cosmic
battle. Section III:
Youthful-looking Galaxy
May Be an Adult The
adolescent galaxy is
personified by a
humorous, gawky melody
reminiscent of teenage
boys who walk on feet
that are still too big.
Occasionally there is an
argument with an
authority figure, but the
joy of exploring the
universe quickly returns.
Section IV: Star Birth in
Galaxy M83 The
dramatic photograph looks
like a womb with veins.
The music begins on one
note, then it begins to
explore the initial
swelling and stretching.
It morphs into an
energetic fast theme,
still growing. Ultimately
it becomes glorious and
expansive, like the new
star. Section V: String
of ‘Cosmic
Pearls’ Surrounds
an Exploding Star The
first theme is a happy
circle dance inspired by
the circle of white dots
in the photograph. The
second theme is noble and
joyful. It is reminiscent
of the melody in the
famous chorus in
Haydn’s The
Creation with the words
from Psalm 19, The
heavens are telling the
glory of God. The music
then has flashbacks to
the earlier sections, and
ends in triumph. The five
sections in Ha Shamayim
are continuous with no
breaks. Difficulty Level:
5 (Advanced/Professional)
See composer website for
audio sample. Performance
materials available on
rental only:.
Orchestra (Study Score) SKU: HL.49010337 Waltz for Orchestra. Comp...(+)
Orchestra (Study Score)
SKU: HL.49010337
Waltz for
Orchestra. Composed
by Johann Strauss. Edited
by Viktor Keldorfer.
Arranged by Viktor
Keldorfer. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical, Romantic.
Study Score. Composed
1869. Op. 333. 46 pages.
Duration 7'. Eulenburg
Edition #ETP866.
Published by Eulenburg
Edition (HL.49010337).
ISBN 9783795771645.
UPC: 841886012967.
5.25x7.5x0.165
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Orchestra SKU: HL.14022842 Composed by Carl August Nielsen. Music Sales A...(+)
Orchestra
SKU:
HL.14022842
Composed
by Carl August Nielsen.
Music Sales America.
Classical. Score.
Composed 2002. Edition
Wilhelm Hansen
#WH29605AG. Published by
Edition Wilhelm Hansen
(HL.14022842).
Summer Dances Orchestre [Conducteur et Parties séparées] - Intermédiaire/avancé FJH
Composed by Brian Balmages. For symphony orchestra. Orchestra. FJH Symphony Orch...(+)
Composed by Brian
Balmages. For symphony
orchestra. Orchestra. FJH
Symphony Orchestra. Grade
4.5. Score and set of
parts. Duration 6
minutes. Published by The
FJH Music Company Inc
Composed by Brian Balmages. For symphony orchestra. Orchestra. FJH Symphony Orch...(+)
Composed by Brian
Balmages. For symphony
orchestra. Orchestra. FJH
Symphony Orchestra. Grade
4.5. Score only. Duration
6 minutes. Published by
The FJH Music Company Inc
Orchestra (picc.2.2.cor
ang.2.B-clar.2.dble bsn -
4.3.3.1. - timp.perc(3) -
hp - cel - str)
SKU:
BR.PB-5105-07
Study score.
Composed by Jurg Baur.
Softbound.
Partitur-Bibliothek
(Score Library).
World
premiere: Bremen,
February 1, 1982
Symphony; Music
post-1945. Study Score.
Composed 1981. 68 pages.
Duration 17'. Breitkopf
and Haertel #PB 5105-07.
Published by Breitkopf
and Haertel
(BR.PB-5105-07).
ISBN
9790004208557. 9 x 12
inches.
Gesualdo,
Don Carlo, Furst von
Venosa (1560-1613) gehort
zu den eigenwilligsten
italienischen
Madrigal-Komponisten der
Spatrenaissance. Seine
ungewohnlich kuhne,
selbst fur heutige Ohren
modern klingende
Harmonik, seine
chromatischen
Stimmfortschreitungen,
seine ubersteigerte
expressive Tonsprache
regten mich schon vor
Jahren zu einer grosseren
Orgelkomposition an und
inspirierten mich 1981 zu
den >>Sinfonischen
Metamorphosen<<. Dieses
Werk ist eine
vielgestaltige
weitausgesponnene
Fantasie. Sieben
choralartige typische
Klangbeispiele aus
Gesualdos spaten
funfstimmigen Madrigalen
(4., 5. u. 6. Band)
werden teils streng,
teils frei zitiert und
von Holz- oder
Blechblasern intoniert.
Diese Zitate gliedern,
als formale und
inhaltliche Schwer- und
Ruhepunkte, den Verlauf
des gesamten Werks. Jedes
Zitat steht zu Beginn
eines neuen
Satzabschnitts; die
darauffolgenden
>>Metamorphosen<<
entwickeln sich als
rhapsodische
kontrastreiche
Charakterstucke. Im
>>Preludio<< werden aus
den vertonbaren
Buchstaben vom Namen
>>Gesualdo<< (G - E - Es
- A - D) schwebende
Klangflachen,
rezitativische Gedanken
und ein pragnantes
rhythmisches Paukenthema
gebildet. Diese
,,Grundelemente
(Grundstrukturen) tauchen
im Verlauf des Stucks
immer wieder
leitmotivisch auf. Im
zweiten Abschnitt stehen
sich lineare
Streicher-Episoden und
dichte
Blaser-Klangballungen
kontrastierend gegenuber.
Der dritte Teil lauft als
Passacaglia (Thema ist
der Bass eines
Gesualdo-Zitats) in
mehreren Variationen ab.
Im vierten Abschnitt
dominiert lebhafte
Streicherbewegung,
kontrapunktiert von
tiefen Blaser-Signalen.
Der funfte Teil steigert
sich- nach kantablem
Beginn- zum ekstatischen
Trauermarsch. Abschnitt
sechs stellt sich als
>>Rondello<< dar, mit um
sich selbst kreisenden
Klangfiguren (in
verschiedenen Tongruppen
(zwei, drei, funf). Im
siebten und letzten Teil
wird die
verhalten-resignierende
Stimmung des Anfangs
beschworen, ehe eine
knappe Stretta in den
hymnischen Schluss
mundet. In den Textender
ausgewahlten Zitatstellen
geht es meist um
Todessehnsucht,
Liebesqual und
Verzweiflung. z. B. 1.
und 2. Zitat: Moro lasso,
al mio duolo (Ich sterbe,
matt, an meiner Qual) (6.
Buch) 3. Zitat: Gia
piansi nel dolore; o
dolorosa Sorte (Schon
weinte ich in Schmerzen,
oh schmerzliches
Geschick) (6. Buch) 4.
Zitat: Ahi gia mi
discolero (Ach schon
entfarbte ich mich)
(Wehe, der Tod kommt) (4.
Buch) 5. Zitat:
Dolcissima mia vita (Mein
allerliebstes Leben)
(Dich zu lieben oder zu
sterben) (5. Buch) 6.
Zitat: lo moro (Ich
sterbe) (5. Buch) Dem
Werk liegen zwar eine
Reihe von
dodekaphonischen
Strukturen zugrunde (die
teilweise von Gesualdos
Klangzitaten abgeleitet
wurden), doch sind die
einzelnen Abschnitte
auf,,tonale Pfeiler (G -
E - A - D) gegrundet; das
Stuck beginnt in G und
endet aufD, ist also
ubergeordnet tonal
konzipiert, - der Versuch
einer Synthese moderner
Ausdrucksmittel von
Vergangenheit und
Gegenwart. Die
>>Metamorphosen<< sind
ein Stuck Bekenntnismusik
- Bekenntnis zum Leben
und Schaffen Gesualdos,
eines Mannes, der vom
Schicksal gezeichnet war,
denn der Chronik Neapels
bekannt war durch die
Ermordung seiner ersten
Frau und ihres
Liebhabers. Dieser
eminente Musiker war
zugleich ein Mensch von
ubertriebener
Sensibilitat und wilder
ekstatischer Heftigkeit:
,,Er wurde von einer
Horde von Damonen
heimgesucht, die ihm
keine Ruhe gaben, heisst
es in einem
zeitgenossischen Bericht.
Seine Kunst und sein
Leben stand unter dem
Gesetz der inneren
Zerrissenheit, zwischen
Auflehnung und
Resignation (Verzweiflung
und Hoffnung), zwischen
Zartheit und
Leidenschaft. Davon will
meine Musik etwas
aussagen. (Jurg
Baur)CD:Sinfonieorchester
des Westdeutschen
Rundfunks, cond. Rudolf
BarschaiCD Thorofon CTH
2270Bibliography:Abels,
Robert: Studien zur
Gesualdo-Rezeption durch
Komponisten des 20.
Jahrhunderts (= Studien
zur Musik 20), Leiden u.
a.: Wilhelm Fink 2017,
pp. 277-345,
485-489.Wallerang, Lars:
Die Orchesterwerke Jurg
Baurs als Dialog zwischen
Tradition und Moderne,
Koln: Dohr 2003.
Orchestra - Grade 1 SKU: CF.BAS63F Arranged by Larry Clark. Carl Fischer ...(+)
Orchestra - Grade 1
SKU: CF.BAS63F
Arranged by Larry Clark.
Carl Fischer Beginning
String Orchestra Series.
Full score. With Standard
notation. 8 pages.
Duration 3 minutes, 7
seconds. Carl Fischer
Music #BAS63F. Published
by Carl Fischer Music
(CF.BAS63F).
ISBN
9780825894909. UPC:
798408094904. 9 x 12
inches.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
The Shifting Song.
Composed by Bob Phillips.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Programmatic.
Score and Part(s). 140
pages. Duration 3:10.
Alfred Music #00-48075.
Published by Alfred Music
(AP.48075).
UPC:
038081557083.
English.
Teach
shifting with this
beautiful melody by Bob
Phillips. Shifting Sands
is also perfectly suited
for the concert stage.
The moderate, lyric tempo
provides students in the
early stages of
practicing shifts the
time they need to make
the shifts successfully.
Musically, this piece is
very accessible so
students can focus on the
shifts. Violins will
practice 3rd position on
the D, A, and E strings.
Violas will practice 3rd
position on the D and A
strings. Cellos will
practice 3rd and 4th
positions on the D and A
strings. Basses will
practice 3rd, 4th, and
5th positions on the D
and G strings. Shifts for
all instruments are
introduced by moving the
first finger in a sliding
(portamento) motion from
1st position up to 3rd
position and back again,
then progresses to
shifting. Correlated to
Sound Innovations for
String Orchestra, Book 2,
Level 3. (3:10) This
title is available in
MakeMusic Cloud.
The Shifting Song.
Composed by Bob Phillips.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Score. 16
pages. Duration 3:10.
Alfred Music #00-48075S.
Published by Alfred Music
(AP.48075S).
UPC:
038081557090.
English.
Teach
shifting with this
beautiful melody by Bob
Phillips. Shifting Sands
is also perfectly suited
for the concert stage.
The moderate, lyric tempo
provides students in the
early stages of
practicing shifts the
time they need to make
the shifts successfully.
Musically, this piece is
very accessible so
students can focus on the
shifts. Violins will
practice 3rd position on
the D, A, and E strings.
Violas will practice 3rd
position on the D and A
strings. Cellos will
practice 3rd and 4th
positions on the D and A
strings. Basses will
practice 3rd, 4th, and
5th positions on the D
and G strings. Shifts for
all instruments are
introduced by moving the
first finger in a sliding
(portamento) motion from
1st position up to 3rd
position and back again,
then progresses to
shifting. Correlated to
Sound Innovations for
String Orchestra, Book 2,
Level 3. (3:10) This
title available in
MakeMusic Cloud.
Orchestra (Full Score) SKU: HL.48022892 Full Score. Composed by Fr...(+)
Orchestra (Full Score)
SKU: HL.48022892
Full Score.
Composed by Fredrik
Pacius. Boosey & Hawkes
Scores/Books. Classical,
Contemporary. Softcover.
Fennica Gehrman
#M550111288. Published by
Fennica Gehrman
(HL.48022892).
Volume No. 2 in
the Pacius series The
Complete Works of Musical
Drama. Full score.
Orchestra - Grade 2 SKU: AP.33649S Arranged by Rob Grice. Performance Mus...(+)
Orchestra - Grade 2
SKU: AP.33649S
Arranged by Rob Grice.
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Christmas;
Light Concert; Novelty;
Secular; Winter. Score. 8
pages. Belwin Music
#00-33649S. Published by
Belwin Music (AP.33649S).
UPC: 038081379968.
English.
Imagine
spending the Christmas
holidays in an old wild
west town, with cowboys
and Indians, wagon rides,
gunfights, and, of
course, a visit from Old
St. Nick. Based on Jingle
Bells with snippets of
other well-loved
Christmas tunes woven in,
this piece is sure to
make the audience smile
as they experience
Christmas and the Old
West in a new way!