Orchestra Voice

SKU: AP.12-057154309X

Composed by George Benjamin and Martin Crimp. This edition: Limited. Full Orchestra; Larger Works; Performance Music Ensemble. Form: Opera. Living Composer. Book; Score. 112 pages. Faber Music #12-057154309X. Published by Faber Music (AP.12-057154309X).

ISBN 9780571543090. English.

Picture a Day Like This is the fourth operatic collaboration between George Benjamin and Martin Crimp, whose acclaimed partnership produced Written on Skin, Lessons in Love and Violence, and Into the Little Hill. This limited edition of the full score is one of only 150, presented in a cloth-bound hard cover. It is signed by George Benjamin and Martin Crimp and includes facsimile reproductions of pages from the manuscript, sketches by Benjamin and Crimp, and a photograph of Benjamin, Crimp, and directors Daniel Jeanneteau and Marie-Christine Soma in rehearsal at the Aix-en-Provence Festival.

In this bittersweet fable of grief and renewal. Benjamin and Crimp tell the story of a woman who has lost her child: if, before nightfall, she meets one truly happy person and cuts a button from their sleeve, her child will live again. In her search she meets a pair of lovers, a composer and their assistant, an artisan, collector, and, in a beautiful garden, the mysterious Zabelle.

Benjamin proves with this taut, sharp miniature that he is the finest opera composer of today…a work of depth of feeling, humanistic artistry, and expressive rigor…a drama that is miraculously condensed.
-- Süddeutsche Zeitung (Reinhard J. Brembeck) 9 July 2023.

Orchestra - Grade 2

SKU: AP.50771

Composed by Neil Hannon, Paul King, and Simon Farnaby. Arranged by Michael Story. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Movie; Pop. Score and Part(s). Duration 2:30. Alfred Music #00-50771. Published by Alfred Music (AP.50771).

ISBN 9781470669386. UPC: 038081588209. English.

This showstopper from the movie Wonka is sure to be a crowd-pleaser! This terrific arrangement has many teachable moments, including swinging eighth notes, dynamic shifts, rhythmic interplay, independence, and more. Full of energy and excitement, this expertly scored arrangement by Michael Story is the perfect choice for your next concert. (2:30).

Orchestra - Grade 2

SKU: AP.50771S

Composed by Neil Hannon, Paul King, and Simon Farnaby. Arranged by Michael Story. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Movie; Pop. Score. Duration 2:30. Alfred Music #00-50771S. Published by Alfred Music (AP.50771S).

ISBN 9781470669393. UPC: 038081588216. English.

This showstopper from the movie Wonka is sure to be a crowd-pleaser! This terrific arrangement has many teachable moments, including swinging eighth notes, dynamic shifts, rhythmic interplay, independence, and more. Full of energy and excitement, this expertly scored arrangement by Michael Story is the perfect choice for your next concert. (2:30).

Composed by Camille Saint-Saens (1835-1921). Edited by Michael Stegemann. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 78, No. 3. Baerenreiter Verlag #BA07896. Published by Baerenreiter Verlag (BA.BA07896).

Composed by Camille Saint-Saens (1835-1921). Edited by Michael Stegemann. This edition: urtext. Stapled. Organ part. 16 pages. Published by Baerenreiter Verlag (BA.BA7896-67).

As recorded by Bruno Mars. Composed by Christopher Brown, Jeremy Reeves, Jonathan Yip, Bruno Mars, Philip Lawrence, James Fauntleroy, Ray Romulus, and Ray McCollough II. Arranged by Michael Story. Full Orchestra; Score. Pop Intermediate String/Full Orchestra. Light Concert; Pop; Pop/Rock; Radio; Rock. 12 pages. Published by Alfred Music

Orchestra - Grade 2

SKU: AP.49455S

Composed by Cameron Bartolini, Joshua Cole, Shane Pittman, and Walker Hayes. Arranged by Patrick Roszell. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Country; Light Concert; Pop; Radio. Score. Duration 2:00. Alfred Music #00-49455S. Published by Alfred Music (AP.49455S).

ISBN 9781470660765. UPC: 038081577555. English.

Fancy Like was a surprise smash, becoming Walker Hayes's first number-one country hit. This chart-topper will be a success with your ensemble and audience! (2:00).

Orchestra - Grade 2

SKU: AP.49455

Composed by Cameron Bartolini, Joshua Cole, Shane Pittman, and Walker Hayes. Arranged by Patrick Roszell. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Country; Light Concert; Pop; Radio. Score and Part(s). Duration 2:00. Alfred Music #00-49455. Published by Alfred Music (AP.49455).

ISBN 9781470660758. UPC: 038081577548. English.

Fancy Like was a surprise smash, becoming Walker Hayes's first number-one country hit. This chart-topper will be a success with your ensemble and audience! (2:00).

Orchestra

SKU: FG.706309-52-1

Composed by Olli Koskelin. Score. Published by Fennica Gehrman (FG.706309-52-1).

ISBN 979-0-706309-52-1.

A work in three movements that can also be performed individually. Koskelin wrote this piece in 1992-93.

Often Referred to as the African-American National Anthem . Composed by J. Rosamond Johnson, words by James Weldon Johnson. Arranged by Bob Phillips. This edition: with Chorus. Part(s); Score; String Orchestra. Sound Innovations for String Orchestra. Folk; Multicultural. 80 pages. Published by Alfred Music (AP.44827).

Orchestra - Grade 2

SKU: AP.35980S

Wedding March. Composed by Alexandre Glazunov. Arranged by Bob Lipton. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: March; Transcription. 20th Century; Masterwork Arrangement; Romantic. Score. 12 pages. Highland/Etling #00-35980S. Published by Highland/Etling (AP.35980S).

UPC: 038081414898. English.

Though originally written for full orchestra, with a majestic processional opening and a sentimental and beautiful slower middle section, this arrangement lies so well for strings it makes it sound like this was Glazunov's intention all along.

Full orchestra

SKU: LO.30-3768MD

Choral collection. Sacred Choral, Eastertide, General, Lent. Orchestral score and CD with printable parts. Medallion Music #30/3768MD. Published by Medallion Music (LO.30-3768MD).

UPC: 000308155624.

Study Score. By Johannes Brahms. This edition: HN9855. Henle Music Folios. Softcover. Published by Henle.

By Ralph Ford. By Ralph Ford. For Full Orchestra. Full Orchestra. Belwin Intermediate Full Orchestra. Level: 2.5 (grade 2.5). Conductor Score and Parts. 236 pages. Published by Alfred Publishing.

Orchestra (2 Fl, 2 Ob, 2 clarinet, clarinet-B, 2 bassoon, 3Hn, 2 Trp, 3trombone, Tb, harp, timpani, percussion, Str)

SKU: BA.BA06848

Orchester-Ballade. Composed by Leos Janacek. Edited by Jarmil Burghauser and Radomil Eliska. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek D/6. Complete edition, Score. Composed 1912-1914. Duration 12 minutes. Baerenreiter Verlag #BA06848_00. Published by Baerenreiter Verlag (BA.BA06848).

ISBN 9790006483303. 34.4 x 27 cm inches. Text: Svatopluk Cech.

Over the years Janácek’s uvre has increasingly received the recognition it so richly merits and performances of his works are becoming more and more frequent. This development is, however, offset by a manuscript tradition so disorderly that some of Janácek’s works continue, as before, to be played in versions which are heavily adapted, corrupt or otherwise contrary to the composer’s intentions. Thus, a critical edition of Janácek’s music is indispensable for scholars and performers alike.

This editon presents an authentic printed text based on all available sources for each work. In addition to the musical text, each volume also contains a critical report (Czech / German), a rendition of deleted or rejected versions, and a comprehensive appendix of facsimiles.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

An American Cantata for Baritone, Chorus, and Orchestra. By William Schuman. Text: Richard P. Wilbur. Orchestra. This edition: full score. Classical. Full Score - Study. 147 pages. Duration 40:00:00. Published by Theodore Presser Company.

String Orchestra string orchestra (88555) with opt. 3rd Violin/Viola TC 3 and piano - Grade 1

SKU: KN.8277

Composed by Lorie Gruneisen. Accent String Orchestra. Score and set of parts. Duration 2 minutes. Kendor Music Inc #8277. Published by Kendor Music Inc (KN.8277).

UPC: 822795082777.

This lively piece focuses on three concepts: note-reading on the G string, combined quarter and eighth note rhythm patterns, and dynamic changes. Written in echo style, it's lots of fun to play and hear. Duration 2:00. Available in SmartMusic.

Eulenburg Audio Score Series, Vol. 96 Study Score/CD Pack. Composed by Johann Sebastian Bach (1685-1750). Edited by Richard Clarke. This edition: Paperback/Soft Cover. Sheet music with CD. Eulenburg Audio Score. Classical. Study score CD, Softcover with CD. Composed 1738. 196. 76 pages. Duration 24'. Eulenburg Edition #EAS196. Published by Eulenburg Edition (HL.49045341).

Orchestra - Grade 3

SKU: AP.49939S

Composed by Adrian Gordon. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 12 pages. Duration 3:35. Highland/Etling #00-49939S. Published by Highland/Etling (AP.49939S).

ISBN 9781470662271. UPC: 038081579474. English.

A Tender Moment in Time, by Adrian Gordon, is a beautiful original work that will warm the hearts of audience members and players alike. This piece wonderfully captures the sincerity of human emotions in life's most delicate moments. An expressive melody set in the key of C floats on colorful harmonies designed to make a developing orchestra sound full. (3:35).

Orchestra - Grade 3

SKU: AP.49939

Composed by Adrian Gordon. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score and Part(s). Duration 3:35. Highland/Etling #00-49939. Published by Highland/Etling (AP.49939).

ISBN 9781470662264. UPC: 038081579467. English.

A Tender Moment in Time, by Adrian Gordon, is a beautiful original work that will warm the hearts of audience members and players alike. This piece wonderfully captures the sincerity of human emotions in life's most delicate moments. An expressive melody set in the key of C floats on colorful harmonies designed to make a developing orchestra sound full. (3:35).

Orchestra

SKU: CF.PO192S

On We Wish You a Merry Christmas. Composed by Robert B. Brown. Condensed score. Carl Fischer Music #PO192S. Published by Carl Fischer Music (CF.PO192S).

ISBN 9781491157367. UPC: 680160915927.

Progr am note: Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas. The Composer: Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation. At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee. To the Conductor: You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability.  .
Program note:Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas.The Composer:Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation.At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee.To the Conductor:You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability. .

Orchestra

SKU: CF.PO192F

On We Wish You a Merry Christmas. Composed by Robert B. Brown. Full score. Carl Fischer Music #PO192F. Published by Carl Fischer Music (CF.PO192F).

ISBN 9781491157374. UPC: 680160915934.

Progr am note: Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas. The Composer: Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation. At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee. To the Conductor: You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability.  .
Program note:Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas.The Composer:Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation.At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee.To the Conductor:You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability. .

Orchestra - Grade 1.5

SKU: AP.49019

Composed by Katie O'Hara LaBrie. 5 or More; MakeMusic Cloud; Performance Music Ensemble; Single Titles; Solo Small Ensembles; String Orchestra. Belwin Beginning String Orchestra. Light Concert; Programmatic. Score and Part(s). 91 pages. Duration 2:45. Belwin Music #00-49019. Published by Belwin Music (AP.49019).

ISBN 9781470645403. UPC: 038081563985. English.

This title features Alfred Music's String Orchestra FLEX options. That means that every part in this set is now transposed into every other part, so you can play this title with any combination of like- or mixed-string ensemble. After purchasing this set, decide what additional parts you need to meet the unique needs of your ensemble, then download and print them for free at alfred.com/supplemental-- -free of charge.

Imagine riding through Camelot on a quest to save the kingdom. Every player will be the hero in this medieval inspired tune, Camelot Quest by Katie Katie O'Hara LaBrie. Written in E minor, students will be introduced to D-sharps through low 1st finger as well as dotted-quarter rhythms in every part. Students and audiences alike will love the mixed energy of marcato ostinato patterns vs. the legato melodies. The journey concludes with a joust-like battle, adding excitement to any concert or festival program. Optional percussion adds to the medieval flair. (2:45) This title is available in MakeMusic Cloud.

Orchestra - Grade 1.5

SKU: AP.49019S

Composed by Katie O'Hara LaBrie. 5 or More; MakeMusic Cloud; Performance Music Ensemble; Single Titles; Solo Small Ensembles; String Orchestra. Belwin Beginning String Orchestra. Light Concert. Score. 12 pages. Duration 2:45. Belwin Music #00-49019S. Published by Belwin Music (AP.49019S).

ISBN 9781470645410. UPC: 038081563992. English.

This title features Alfred Music's String Orchestra FLEX options. That means that every part in this set is now transposed into every other part, so you can play this title with any combination of like- or mixed-string ensemble. After purchasing this set, decide what additional parts you need to meet the unique needs of your ensemble, then download and print them for free at alfred.com/supplemental-- -free of charge.

Imagine riding through Camelot on a quest to save the kingdom. Every player will be the hero in this medieval inspired tune, Camelot Quest by Katie Katie O'Hara LaBrie. Written in E minor, students will be introduced to D-sharps through low 1st finger as well as dotted-quarter rhythms in every part. Students and audiences alike will love the mixed energy of marcato ostinato patterns vs. the legato melodies. The journey concludes with a joust-like battle, adding excitement to any concert or festival program. Optional percussion adds to the medieval flair. (2:45) This title available in MakeMusic Cloud.

Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding