Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchester-Ballade.
Composed by Leos Janacek.
Edited by Jarmil
Burghauser and Radomil
Eliska. This edition:
complete edition, urtext
edition. Linen. Complete
Critical Edition of the
Works of Leos Janacek
D/6. Complete edition,
Score. Composed
1912-1914. Duration 12
minutes. Baerenreiter
Verlag #BA06848_00.
Published by Baerenreiter
Verlag (BA.BA06848).
ISBN 9790006483303.
34.4 x 27 cm inches.
Text: Svatopluk
Cech.
Over the
years Janácek’s
uvre has increasingly
received the recognition
it so richly merits and
performances of his works
are becoming more and
more frequent. This
development is, however,
offset by a manuscript
tradition so disorderly
that some of
Janácek’s works
continue, as before, to
be played in versions
which are heavily
adapted, corrupt or
otherwise contrary to the
composer’s
intentions. Thus, a
critical edition of
Janácek’s music
is indispensable for
scholars and performers
alike.
This editon
presents an authentic
printed text based on all
available sources for
each work. In addition to
the musical text, each
volume also contains a
critical report (Czech /
German), a rendition of
deleted or rejected
versions, and a
comprehensive appendix of
facsimiles.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Conductor's Score - Fascile of the Composer's Manuscript). By Steven Stucky (19...(+)
(Conductor's Score -
Fascile of the Composer's
Manuscript). By Steven
Stucky (1949-).
Orchestra. For Flute I,
Flute II, Flute III,
Piccolo, Oboe I, Oboe II,
Oboe III, English Horn,
Clarinet I, Clarinet II,
Clarinet III, Bass
Clarinet, Bassoon I,
Bassoon II, Bassoon III,
Contra Bassoon, Horn I,
Horn II, Horn III, Horn
IV, Trumpet I, Trumpet
II, Trumpet II. First
performance: Philadelphia
Orchestra, Riccardo Muti
conducting, October 29,
1988. Full Score - Study.
Standard notation. 104
pages. Published by
Theodore Presser Company
Bass/Keyboard Orchestra SKU: HL.49006361 Music from the Last Movement ...(+)
Bass/Keyboard Orchestra
SKU: HL.49006361
Music from the Last
Movement of the Ninth
Symphony
Bass/Keyboard.
Composed by Ludwig van
Beethoven. Arranged by
Herbert von Karajan. This
edition: ED6488-15. Sheet
music. Edition Schott.
Classical. Individual
part. 1 pages. Duration
2' 15''. Schott Music #ED
6488-15. Published by
Schott Music
(HL.49006361).
ISBN
9790001068925. UPC:
073999351286.
8.25x11.75x0.004
inches.
The
European Hymn is the hymn
not only of the European
Union but of Europe in a
broader sense. The melody
has been taken from the
Ninth Symphony by Ludwig
van Beethoven from
1823.In the last movement
of this symphony
Beethoven set music to
the 'Ode to Joy' by
Friedrich von Schiller
from 1785. This poem
sprang from Schiller's
idealistic vision of men
who become brothers - a
vision Beethoven shared
with him.In 1972 the
Council of Europe adopted
Beethoven's 'Ode to Joy'
as its anthem. The
well-known conductor
Herbert von Karajan was
commissioned to arrange
three instrumental
versions - for solo
piano, wind orchestra and
symphony orchestra.
Without words, in the
universal language of
music, the anthem is an
expression of the
idealistic values of
freedom, peace and
solidarity which Europe
stands for.In 1985 the
heads of state and
government adopted the
hymn as the EU's official
anthem. It does not
replace the national
anthems of the member
states, but rather
celebrates common values
as well as unity in
diversity.The score of
this offical anthem is
exclusively available
from the Schott
publishing house.
Orchestra (Orchestra) SKU: BA.BA04558-01 Composed by Wolfgang Amadeus Moz...(+)
Orchestra (Orchestra)
SKU: BA.BA04558-01
Composed by Wolfgang
Amadeus Mozart. Edited by
Christoph Hellmut Mahling
and Friedrich Schnapp.
This edition: complete
edition, urtext edition.
Linen. New Mozart Edition
(Neue Mozart Ausgabe -
NMA) Series IV, Volume
11, No. 6. Klassik
(Classical). Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA04558_01.
Published by Baerenreiter
Verlag (BA.BA04558-01).
ISBN 9790006450619. 33
x 26 cm inches.
The
New Mozart Edition offers
researchers a
musicologically
unimpeachable text based
on all the available
sources (first and
foremost Mozart's
autograph manuscripts).
At the same time, it also
serves as an aid to
authentic
performances.
The
principal Series I to IX,
containing Mozart's
actual oeuvre, appeared
between 1956 and 1991.
They are regarded as a
supreme achievement of
Mozart scholarship in our
time; modern performances
of Mozart's music are
unthinkable without them.
The important
supplementary volumes
shed fresh and
illuminating light on
neglected aspects of
Mozart's creative work,
such as his activities as
a teacher or as an
arranger of other
composer's works.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Orchestra) SKU: HL.48184896 Composed by Olivier Messiaen. Ledu...(+)
Orchestra (Orchestra)
SKU: HL.48184896
Composed by Olivier
Messiaen. Leduc.
Classical. Softcover. 162
pages. Alphonse Leduc
#AL28226. Published by
Alphonse Leduc
(HL.48184896).
UPC:
888680859565.
9.5x12.5x0.471
inches.
Olivier
Messiaen (1908-1992) is
known for his unique
composition style.
Incorporating complex
rhythms, harmony,
melodies and his passion
for ornithology, his
Illuminations of the
Beyond for Orchestra is
no exception to the
composer's popular,
distinctive style.
Composed between
1987-1991, Illuminations
of the Beyond was one of
the composer's last
works, with the premiere
occuring six months after
his death. The work
includes Messiaen's
popular compositional
techniques, such as his
modes of limited
transposition, and the
use of birdsong.
Messiaen's piece for
orchestra is divided in
to eleven movements and a
typical performance lasts
about one hour.
Illuminations of the
Beyond is essential to
all advanced orchestras
seeking to expand and
vary their
repertoire..
Coronation Anthem for
Choir and Orchestra.
Composed by George
Frideric Handel. Edited
by Damian Cranmer. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1727. 18 pages.
Duration 3'. Eulenburg
Edition #ETP1702.
Published by Eulenburg
Edition (HL.49009666).
ISBN 9790200211412.
UPC: 073999354386.
5.25x7.5x0.095 inches.
English.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Composed by Poul Ruders.
Music Sales America.
Classical. Set. 86 pages.
Edition Wilhelm Hansen
#WH29830. Published by
Edition Wilhelm Hansen
(HL.14027994).
ISBN
9788759864593.
New
York is the city which
fascinates and inspires
Ruders. Time and again he
goes back there to work.
'Manhattan Abstraction'
(1982) subtitles - a
symphonic skyline for
large orchestra - was
conceived there. Ruders'
Brittish colleague Oliver
Knussen defines the piece
as: - a performance of an
extraordinary
Morden-Times-like
construction. It is a
sort of symphonic
sculpture, which in the
composer's own words
words propels forth from
one particular
inspiration: the New York
profile, as seen from
Liberty Island, one icy
cold January day with
it's open, clear sky and
dazzling sun light.
'Manhatten Abstraction'
appears as an amalgam of
some of the
compositorical habits
found in present pieces.
For instance, are present
here compositorical ideas
and melodic loans from
'Capriccio Pian'e Forte',
2nd String Quartet(1979),
'Four Compositions'
(1980), and 2nd Piano
Sonata(1982). The
question at hand is
mainly concerned with the
enhanced elaboration of
Ruders' use of the
classic English
change-ringing system: a
permuting method
pre-determining the order
of tone-appearances and
/or tone groups; a serial
technique in other words.
In spite of the rigidly
fixed material, Ruders
somehow manages to chisel
out a personal expression
by way of emphasising
contrasting elements
already existing within
the material itself. The
spiky, repetitive
sections form a
counterpart to a more
human violin-solo. This
dialectical tension is -
as hinted by the title -
a symphonic abstraction
of a fascinating
metropolis; the most
beautiful and the
ugliest. The subtitle: a
symphonic skyline
reflects the musical
erection of the Manhattan
profile, which under the
clear sky, materializes
into the most powerful
and compelling man-made
sculpture on earth. Thus
'Manhattan Abstraction'
is a homage to, as well
as a vision of, this
giant contraption of
concrete, glass, and
chrome.
Orchestra SKU: HL.14020998 Composed by Sir Peter Maxwell Davies. Music Sa...(+)
Orchestra
SKU:
HL.14020998
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical. Book
[Softcover]. Composed
1999. 8 pages. Chester
Music #CH60356. Published
by Chester Music
(HL.14020998).
ISBN
9780711930766. UPC:
884088435059. 5.5x7.5
inches.
A short
piece for small
orchestra, written in
1989 when the composer
heard of Michael Vyner's
death. Premiered in
October 1989 at
Glyndebourne Sussex, by
the London Sinfonietta
and conducted by the
composer just six days
after Vyman's death.
Approximately six minutes
in duration, it is based
on the plainsong 'Cor
meum et caro mea
exultaverunt in Deum
vivum' and is scored for
two oboes, two bassoons,
two horns, two trumpets,
timpani and strings.
(Feast Overture / Festouverture). Composed by Peter Ilyich Tchaikovsky (1840-189...(+)
(Feast Overture /
Festouverture). Composed
by Peter Ilyich
Tchaikovsky (1840-1893).
Edited by Polina Vajdman.
For orchestra. This
edition: Urtext. Full
score. 72 pages.
Published by Breitkopf
and Haertel
Orchestra SKU: HL.14028514 Composed by Kaija Saariaho. Music Sales Americ...(+)
Orchestra
SKU:
HL.14028514
Composed
by Kaija Saariaho. Music
Sales America. Classical.
Score. Composed 2002. 80
pages. Duration 1080
seconds. Chester Music
#CH62700. Published by
Chester Music
(HL.14028514).
ISBN
9780711997813. UPC:
888680744199.
8.25x11.75x0.26
inches.
Concerto
for flute and orchestra.
Study score edition.
First performed at the
Flanders Festival in
Brussels 12th October
2001. Composer's Notes: I
have been very familiar
with the flute since my
earliest pieces. I like
the sound in which
breathing is ever present
and with timbral
possibilities that befit
my musical language: the
instrument's body makes
it possible to write
phrases that go through
grinding textures
coloured with phonemes
whispered by the flutist
which gradually go
towards pure and smooth
sounds. Kaija Saariaho
Duration 18 minutes. Solo
part is also available on
sale. Conductor's score
and orchestral parts are
available on hire
only.
Orchestra SKU: HL.49009576 Battle Symphony. Composed by Ludwig van...(+)
Orchestra
SKU:
HL.49009576
Battle
Symphony. Composed by
Ludwig van Beethoven.
Edited by Hans-Werner
Kuethen. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Op. 91. 96 pages.
Eulenburg Edition #ETP
1367. Published by
Eulenburg Edition
(HL.49009576).
ISBN
9783795762490. UPC:
841886011908.
5.25x7.5x0.263
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Composed by John Parker. Arranged by Mark Hayes. For choir and full orchestra. S...(+)
Composed by John Parker.
Arranged by Mark Hayes.
For choir and full
orchestra. Sacred Anthem.
Orchestral score and
parts. Lorenz Publishing
Company #30/3180L.
Published by Lorenz
Publishing Company
Full orchestra SKU: LO.30-1493L An Easter Cantata For Choir And Worshi...(+)
Full orchestra
SKU:
LO.30-1493L
An
Easter Cantata For Choir
And Worship Leader.
Composed by Gregg Sewell.
Choral, cantatas.
Eastertide, Sacred.
Orchestration. Lorenz
Publishing Company
#30/1493L. Published by
Lorenz Publishing Company
(LO.30-1493L).
UPC:
000308074642.
John'
s Gospel is the basis for
an innovative new musical
setting of the timeless
Easter story. The
composer weaves striking
new melodies and
traditional hymn tunes
together to produce a
vibrant, energetic work
of meditation and praise.
The congregation is
called on to sing with
the choir in a sensitive
setting of When I Survey
the Wondrous Cross and a
rousing arrangement of
Crown Him With Many
Crowns. New settings of
What Wondrous Love Is
This? and O Sacred Head,
Now Wounded are
ingeniously intertwined
with new anthems. An
inspirational and deeply
moving experience for
choir and congregation
alike. Performance time:
approx. 25 minutes. Flute
1 & 2, Violin 2, Viola,
Cello, Double Bass, Oboe
1 & 2, Horn, Trumpet 1 &
2, Trombone 1 & 2, Tuba,
Percussion (Windchimes,
Suspended Cymbal)
Glockenspiel,Triangle,Chi
mes, Snare Drum,Timpani,
Harp, Violin 1.
Full Orchestra (Print) Choir (Orchestra Accompaniment) SKU: HL.35032262 C...(+)
Full Orchestra (Print)
Choir (Orchestra
Accompaniment)
SKU:
HL.35032262
Composed
by Heather Sorenson and
Joseph M. Martin. Shawnee
Sacred. Advent, Cantata,
Christmas,
Christmas/Advent Sacred,
General Worship, Sacred.
Softcover. Duration 3360
seconds. Published by
Shawnee Press
(HL.35032262).
ISBN
9781540027139. UPC:
888680746728.
9.0x13.5x2.261 inches.
Joseph M. Martin/Heather
Sorenson.
The
Christmas story is told
with fresh perspective in
this collaborative
cantata from Joseph
Martin and Heather
Sorenson. Throughout
time, God has touched and
motivated hearts through
dreams and visions.
Christmas Dreams visits
these moments in
scripture and connects
the experiences of
ancient times with our
modern journey of faith,
pointing to Christ, in
whose birth the hopes,
yearnings and dreams of
all the world are
fulfilled. Using
traditional carols, newly
composed seasonal
selections and thoughtful
narration, this rich work
delivers a tapestry of
sound and emotion. Share
this cantata with your
people and help them
discover God's graceful
touch in their lives!
Songs include: Christmas
Dreams Overture; Advent
Dreams; The Promise and
the Prayer; A New Morning
of Promise; Zechariah's
Song; Mary's Dream; All
Through the Night; Hark!
The Herald Angels Sing;
The Magi's Epiphany;
Christmas Dreams; A
Gentle Christmas
Blessing.
The Fairy Queen Orchestre [Conducteur d'étude / Miniature] Eulenburg
Orchestra (Study Score) SKU: HL.49010354 Two Suites from the Opera...(+)
Orchestra (Study Score)
SKU: HL.49010354
Two Suites from the
Opera. Composed by
Henry Purcell. Edited by
William Leonard Reed.
Arranged by William
Leonard Reed. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
20 pages. Duration 15'.
Eulenburg Edition
#ETP891. Published by
Eulenburg Edition
(HL.49010354).
ISBN
9790200207613. UPC:
073999921113.
5.25x7.5x0.075
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Orchestra (Study Score) SKU: HL.49009570 For Orchestra. Composed b...(+)
Orchestra (Study Score)
SKU: HL.49009570
For Orchestra.
Composed by Franz Liszt.
Edited by Robert Collet.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed
1859-1860. 102 pages.
Eulenburg Edition #ETP
1361. Published by
Eulenburg Edition
(HL.49009570).
ISBN
9783795764869. UPC:
841886011687.
5.25x7.5x0.315
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Orchestra (Study Score) SKU: HL.49010337 Waltz for Orchestra. Comp...(+)
Orchestra (Study Score)
SKU: HL.49010337
Waltz for
Orchestra. Composed
by Johann Strauss. Edited
by Viktor Keldorfer.
Arranged by Viktor
Keldorfer. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical, Romantic.
Study Score. Composed
1869. Op. 333. 46 pages.
Duration 7'. Eulenburg
Edition #ETP866.
Published by Eulenburg
Edition (HL.49010337).
ISBN 9783795771645.
UPC: 841886012967.
5.25x7.5x0.165
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Orchestra SKU: HL.14021025 Composed by Sir Peter Maxwell Davies. Music Sa...(+)
Orchestra
SKU:
HL.14021025
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical. Book
[Softcover]. Composed
2002. 48 pages. Chester
Music #CH61838. Published
by Chester Music
(HL.14021025).
ISBN
9780711986138.
5.5x7.5x0.164
inches.
Miniature
Score. This work was
commissioned by the Royal
Philharmonic Orchestra.
It was first performed on
13th May 1998 London.
This piece is based on a
genuine old tune
'Maxwell's Strathspey'
which the composer found
in an 1824 collection of
Scottish melodies, and
which unfolds at the
start of the piece on
solo cello. Variations
and a bold up-tempo to
the quick dance we know
as a reel ultimately
yield to the magic that
has been promised right
at the start: the
northern lights take over
at the end of the piece.
Its inspiration comes
from a walk to a
community event in Hoy
Hall, during which Davies
saw the lights in the sky
pulsing in and out of
time with the sounds
coming from the hall.
Duration 12 minutes.
Conductor's score and
orchestral parts are
available on hire.
Composed by George Benjamin. This edition: For Countertenor, Women�...(+)
Composed by George
Benjamin. This edition:
For Countertenor,
Women�s
Voices and Orchestra.
Full Orchestra;
Masterworks; Score. Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music
(AP.12-0571538878).
Orchestra (Study Score) SKU: HL.49009584 Suite from the Opera for Orch...(+)
Orchestra (Study Score)
SKU: HL.49009584
Suite from the Opera
for Orchestra.
Composed by Nikolay
Andreyevich
Rimsky-Korsakov. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Study Score.
144 pages. Duration 24'.
Eulenburg Edition #ETP
1377. Published by
Eulenburg Edition
(HL.49009584).
ISBN
9790200211009. UPC:
073999596618.
5.25x7.5x0.36
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Composed by Lloyd Larson. For full orchestra. Choral. Sacred Anthem, Advent, Chr...(+)
Composed by Lloyd Larson.
For full orchestra.
Choral. Sacred Anthem,
Advent, Christmas.
Orchestration. Exaltation
Publications #30/1965L.
Published by Exaltation
Publications
Overture. Composed
by Gioachino Rossini.
Edited by Lionel Salter.
Arranged by Lionel
Salter. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical, Opera,
Romantic. Study Score. 72
pages. Duration 10'.
Eulenburg Edition #ETP
686. Published by
Eulenburg Edition
(HL.49010137).
ISBN
9783795771997. UPC:
841886015173.
5.25x7.5x0.219
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Orchestra SKU: HL.49009992 Symphonic Poem. Composed by Cé an...(+)
Orchestra
SKU:
HL.49009992
Symphonic Poem.
Composed by Cé and
sar Franck. Edited by
Andre Coeuroy. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
56 pages. Eulenburg
Edition #ETP 523.
Published by Eulenburg
Edition (HL.49009992).
ISBN 9790200204483.
5.25x7.5x0.183
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Orchestra SKU: HL.14020999 Composed by Sir Peter Maxwell Davies. Music Sa...(+)
Orchestra
SKU:
HL.14020999
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical.
Studyscore. Composed
2001. 40 pages. Chester
Music #CH61358. Published
by Chester Music
(HL.14020999).
ISBN
9780711983823.
7.0x10.0x0.141
inches.
Study Score
of Throstle's Nest
Junction for orchestra.
This work was
commissioned by the BBC,
first performed on 16th
November 1996, by the BBC
Philharmonic, conducted
by the composer. Duration
c. 15 minutes.
Conductor's score and
orchestral parts are
available on hire.
Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD...(+)
Orchestra - all
SKU:
PR.816600040
Composed
by Wolfgang Amadeus
Mozart. CD Sheet Music
(Version 1). Full Scores
to all of the major works
for orchestra by Mozart -
parts not included.
Classical Period. CD
Sheet Music. 2000
printable pages.
Published by Theodore
Presser Company
(PR.816600040).
UPC:
680160600045. 5.5x5
inches.
This disk
contains study scores of
all 41 of Mozart's
Symphonies, as well as
Concertos for Winds and
Strings (Piano Concertos
are on a companion
CD-ROM), Serenades, Opera
Overtures, Divertimentos,
and other works.
About CD Sheet
Music (Version
1)
CD
Sheet Music (Version 1)
was the initial CD Sheet
Music series distributed
by Theodore Presser. The
CDs include thousands of
pages of music that are
viewable and printable on
Mac or PC. Version 1
titles are a great value
at 40% off, as we make
room in our warehouse for
the newly enhanced CD
Sheet Music (Version 2.0)
series.
(Suite For Orchestra) Composed by John Williams. For flute I (alto flute, piccol...(+)
(Suite For Orchestra)
Composed by John
Williams. For flute I
(alto flute, piccolo),
flute II (piccolo),
piccolo (flute, alto
flute), oboe I,II,
english horn (oboe), Bb
clarinet I (A clarinet),
Bb clarinet II (A
clarinet, Bb bass
clarinet), Bb bass
clarinet (Bb clarinet, Eb
piccolo clarinet),
bassoon I,II, contra
bassoon, F horn I-IV,
trumpet I-III, trombone
I-III, tuba, timpani,
percussion I,II, harp,
piano (celesta), violin
I,II, viola, cello,
cornet and contrabass.
From the motion picture
"Harry Potter And The
Sorcerer's Stone".
Format: full score
(spiral-bound). Movies.
Series: John Williams
Signature Edition. 86
pages. 10.5x14 inches.
Duration 16m26s.
Published by Hal Leonard.
Composed by Brendan
Mcbrien. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Score. 16
pages. Highland/Etling
#00-38492S. Published by
Highland/Etling
(AP.38492S).
UPC:
038081433653.
English.
With the
same sparkle and energy
of its predecessor,
Adra's Dance, this new
companion piece adds a
touch of maturity as
Adra's creator, the
composer's daughter, has
grown into a young lady.
Celebrate where we are,
where we're going, and
how thankful we are to
have this one life to
live, love, and grow as
your students and
audiences enjoy the
optimism and joy in this
music.
(A Journey Through the Lord's Prayer). Composed by Pepper Choplin. For Choral (O...(+)
(A Journey Through the
Lord's Prayer). Composed
by Pepper Choplin. For
Choral (ORCHESTRATION ON
CD-ROM). Brookfield
Choral Series. CD-ROM.
Published by Brookfield
Press