Orchestra - Grade 2.5 SKU: AP.47471 Composed by Anthony Granata. Performa...(+)
Orchestra - Grade 2.5
SKU: AP.47471
Composed by Anthony
Granata. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Halloween;
Light Concert. Score and
Part(s). 124 pages.
Duration 2:41.
Highland/Etling
#00-47471. Published by
Highland/Etling
(AP.47471).
UPC:
038081544809.
English.
Written in
the eerie key of F-sharp
natural minor that
attracts young students,
this sound defines our
scary monster called
Stretch. Each section
gets important melodic
and countermelodic
material. With two
separate sections (slow
and fast), a legato
middle section, a jaunty
pizzicato section, and a
forceful coda, every
section will be
challenging. The work
features simple rhythm
patterns to make it more
accessible and allow the
student to focus on the
three sharps.
Orchestra - Grade 2.5 SKU: AP.47471S Composed by Anthony Granata. Perform...(+)
Orchestra - Grade 2.5
SKU: AP.47471S
Composed by Anthony
Granata. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Halloween;
Light Concert. Score. 12
pages. Duration 2:41.
Highland/Etling
#00-47471S. Published by
Highland/Etling
(AP.47471S).
UPC:
038081544816.
English.
Written in
the eerie key of F-sharp
natural minor that
attracts young students,
this sound defines our
scary monster called
Stretch. Each section
gets important melodic
and countermelodic
material. With two
separate sections (slow
and fast), a legato
middle section, a jaunty
pizzicato section, and a
forceful coda, every
section will be
challenging. The work
features simple rhythm
patterns to make it more
accessible and allow the
student to focus on the
three sharps.
Orchestra SKU: AP.1-ADV40021 For Soloist and String Orchestra. Com...(+)
Orchestra
SKU:
AP.1-ADV40021
For
Soloist and String
Orchestra. Composed
by Mike Curtis.
Performance Music
Ensemble; Single Titles;
String Orchestra. Advance
Music. Multicultural.
Score. Advance Music
#01-ADV40021. Published
by Advance Music
(AP.1-ADV40021).
UPC:
805095400212.
English.
Sketches
of China features mostly
original writing and five
highly descriptive
movements. The solo part
in C treble clef is
playable by oboe or
flute, and the string
parts incorporate a
variety of arco,
pizzicato, and spiccato
techniques.
Titles include:
Good Earth * Dance *
Birds * River Song *
Pagoda.
Procession of the Sardar Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
From Caucasian Sketches. By Mikhail Mikhaylovich Ippolitov-Ivanov. Arranged by M...(+)
From Caucasian Sketches.
By Mikhail Mikhaylovich
Ippolitov-Ivanov.
Arranged by Merle J.
Isaac. By
Ippolitov-Ivanov / arr.
Merle Isaac. For Full
Orchestra. Full
Orchestra. Concert Full
Orchestra. Level: 3.5
(grade 3.5). Conductor
Score and Parts. 176
pages. Published by
Alfred Publishing.
American Sketches Orchestre [Conducteur et Parties séparées] - Facile Hal Leonard
((based on Little David, Play Your Harp)). By James Curnow. For Orchestra (Score...(+)
((based on Little David,
Play Your Harp)). By
James Curnow. For
Orchestra (Score and
Parts). Easy Music For
Strings. Grade 2-3.
Published by Hal Leonard
.
Orchestra SKU: AP.1-ADV40020 For Soloist and String Orchestra. Com...(+)
Orchestra
SKU:
AP.1-ADV40020
For
Soloist and String
Orchestra. Composed
by Mike Curtis.
Performance Music
Ensemble; Single Titles;
String Orchestra. Advance
Music. Multicultural.
Score and Part(s).
Advance Music
#01-ADV40020. Published
by Advance Music
(AP.1-ADV40020).
UPC:
805095400205.
English.
Sketches
of China features mostly
original writing and five
highly descriptive
movements. The solo part
in C treble clef is
playable by oboe or
flute, and the string
parts incorporate a
variety of arco,
pizzicato, and spiccato
techniques.
Titles include:
Good Earth * Dance *
Birds * River Song *
Pagoda.
Orchestra SKU: PR.41641530L For Suona And Orchestra. Composed by N...(+)
Orchestra
SKU:
PR.41641530L
For
Suona And Orchestra.
Composed by Narong
Prangcharoen. Large
Score. 58 pages. Duration
15 minutes. Theodore
Presser Company
#416-41530L. Published by
Theodore Presser Company
(PR.41641530L).
UPC:
680160625925.
The
Respiration of the Earth
is inspired by the
breathing motion. The
music focuses on the
tension of the air of
breathing. There are many
different types of
breathing such as slow
breath, long breath,
short breath, holding
breath, uneven breath,
etc. The shape of the
music is created by the
inhale and exhale motion.
The piece starts with a
long holding breath,
gradually create a
tension until one can't
hold that breath and
release the air out. The
Suona is acting as the
motion of the air so the
orchestra has to follow.
This piece ends with the
chaotic motion so the
audiences can feel the
tension as if they are
running out of breath.
It's a main concern about
the environment of the
Earth so this piece is a
message to people to keep
the environment clean so
the Earth can breath for
a longer time.
Respiration of the Earth
is commissioned and
dedicated to Mr. Shi
Haibin with the gracious
support from John Simon
Guggenheim
Foundation. The
Respiration of the Earth
is inspired by the
breathing motion. The
music focuses on the
tension of the air of
breathing. There are many
different types of
breathing such as slow
breath, long breath,
short breath, holding
breath, uneven breath,
etc. The shape of the
music is created by the
inhale and exhale motion.
The piece starts with a
long holding breath,
gradually create a
tension until one
can’t hold that
breath and release the
air out. The Suona is
acting as the motion of
the air so the orchestra
has to follow. This piece
ends with the chaotic
motion so the audiences
can feel the tension as
if they are running out
of breath. It’s a
main concern about the
environment of the Earth
so this piece is a
message to people to keep
the environment clean so
the Earth can breath for
a longer time.Respiration
of the Earth is
commissioned and
dedicated to Mr. Shi
Haibin with the gracious
support from John
SimonGuggenheim
Foundation.
Divertimento teatrale
in one act. Operetta for
four voices. Composed
by Antonio Salieri.
Edited by Adrian La
Salvia and Thomas
Betzwieser. This edition:
Edition of selected
works, Urtext edition.
Linen. Spectrum of
European Music Theatre in
Separate Editions 1.
Edition of selected
works, Score, Critical
commentary, USB flash
drive. Duration 1 hour,
15 minutes. Baerenreiter
Verlag #BA08811_00.
Published by Baerenreiter
Verlag (BA.BA08811).
ISBN 9790006539840.
33.1 x 26.5 cm inches.
Text Language: Italian.
Preface: Betzwieser,
Thomas. Text:
Giambattista
Casti.
A memorable
musical competition
commissioned by the
emperor Joseph II took
place on 7 February 1786
as part of a festival in
the orangery of the
Schönbrunn palace. A
German Singspiel ensemble
performed Mozart’s
“Schauspieldirektor
†whilst Antonio
Salieri’s
“Prima la musica e
poi le parole†was
performed by the Italian
court singers and
musicians. This charming
opera satire belongs to
the genre of
“metamelodrammaâ
in which the opera
itself becomes the
subject of the action.
The people who are part
of an opera production,
for example the
librettist, composer and
prima donna, appear as
characters on the stage
and are presented in a
humorous self-reflection.
In this ‘theatre
about theatre’
Salieri parodies the
music from Giuseppe
Sarti’s
“Giulio
Sabino†in his
insert arias, thus
playing on the music
which was totally
familiar with the
audience of the time. By
reflecting on the
musical-dramatic style of
that period and
discussing whether
‘the word’
or ‘the
music’ should take
priority, this
masterpiece is considered
to be an early forerunner
to Richard
Strauss’s
“Capriccioâ€.<
br> The new edition of
the score is published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€.
There are several
alterations regarding the
libretto text, stage
directions, articulation,
ornamentation, etc. which
have been incorporated
into this newly engraved
vocal score. Furthermore,
all appendix numbers from
the score which concern
the quotations from
Giuseppe Sarti’s
“Giulio
Sabino†have also
been
incorporated.
â
¢ Urtext vocal score
based on the
historical-critical
hybrid score published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€
edited by Thomas
Betzwieser (music
edition) and Adrian La
Salvia (text
edition). •
Original Italian libretto
with singable German
translation •
Comprehensive bilingual
foreword (Ger/Eng) on the
genesis and reception of
the work, on
metamelodramma and
intertextuality
etc. • Includes
an extensive appendix to
the quotations taken from
Giuseppe Sarti’s
“Giulio
Sabino†•
Idiomatic piano
reduction
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra SKU: HL.14023201 Composed by Erik Norby. Music Sales America. C...(+)
Orchestra
SKU:
HL.14023201
Composed
by Erik Norby. Music
Sales America. Classical.
Score. Composed 2002. 48
pages. Edition Wilhelm
Hansen #WH29353.
Published by Edition
Wilhelm Hansen
(HL.14023201).
ISBN
9788759860250.
International (more than
one
language).
Orchestr
ation: 3(pic)(2afl).+
pic.3+ca.3+bcl.3+cbn/6.4.
4.1/timp.perc/hp/pf/str
THE RAINBOW SNAKE is an
Indian legend about how
the rainbow came into
being. It is said that a
snake heard the Indians
grieving over a very long
drought and the
unfruitfulness of the
land, so it wound itself
into a ball and wasthrown
high into the air. It
unwound itself again and
grew longer and longer
until b And since then -
every time it rains while
the sun is shining - the
snake has stretched its
supple body across the
sky.
Orchestra SKU: SU.27020085 For Orchestra. Composed by Graham Gordo...(+)
Orchestra
SKU:
SU.27020085
For
Orchestra. Composed
by Graham Gordon Ramsay.
Orchestra. Study Score.
Subito Music Corporation
#27020085. Published by
Subito Music Corporation
(SU.27020085).
Jacob vs. Angel
is a piece about crisis
of conscience, ambiguity,
and misinterpretation
expressed through the
depiction of a major
battle, the goal of which
is never made entirely
clear. Based on the
biblical story, the work
is highly programmatic,
with each of the six
movements reflecting a
corresponding stanza from
the titular poem by Alice
Weaver Flaherty. The
piece was originally
composed as a vehicle for
virtuoso organist
Heinrich Christensen, and
later orchestrated. The
first movement introduces
the main musical
material--a five note
motive, the intervals of
which are reorganized to
create melodic and
harmonic development
throughout the piece. The
second, third, and fourth
movements depict the
brutal fight between
Jacob and the angel, and
lead one to the next
without pause. The fifth
movement is about the
post-battle scene, and
the final movement is an
epilogue, reframing the
ideas from the previous
movements. The music
elucidates various
actions from the Flaherty
poem—sand
skittering across the
desert, aggressive acts
of violence and
sensuality between the
protagonists, the beating
of wings, feathers
blowing in the wind, etc.
But beyond the music's
more literal elements,
the work is designed to
express an abstract state
of mind, a sense of
unease, and anticipation
of what is yet to come.
—Graham Gordon
Ramsay2(2) 1,1 2 2; 2221;
7perc, hp, cel; stgs
Duration: 24'Composed:
2023 Published by:
Distributed Composer
Jacob vs Angel was
composed originally as a
solo concert organ work
in 2007; the orchestral
version was completed in
2023. A live performance
of the organ version can
be seen at. Performance
materials available on
rental:.
Orchestra - Grade 2.5 SKU: AP.48086 A Pirate's Tale. Composed by A...(+)
Orchestra - Grade 2.5
SKU: AP.48086
A
Pirate's Tale.
Composed by Anthony
Granata. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Light Concert.
Score and Part(s). 62
pages. Duration 1:40.
Highland/Etling
#00-48086. Published by
Highland/Etling
(AP.48086).
UPC:
038081554372.
English.
Not to be
confused with the
nautical term Ahoy!, the
phrase All hands hoay!
actually means all hands
on deck for some serious
work! In other words,
string players, it's time
to get those fingers
moving with this simple,
rugged, and modal
seafaring melody. Written
in the often-inaccessible
key of F-sharp natural
minor, this fun musical
pirate's tale will have
your students' little
fingers stretching
nonstop. The melody is
evenly passed around,
with a middle section
featuring your violas and
a jaunty contrapuntal
ending. Younger
orchestras will have a
blast with this exciting
original, All Hands Hoay!
by Anthony Granata, as
they get right down to
work! (1:40) This title
is available in MakeMusic
Cloud.
Orchestra SKU: SU.32040140 For Orchestra. Composed by Amy Riebs Mi...(+)
Orchestra
SKU:
SU.32040140
For
Orchestra. Composed
by Amy Riebs Mills.
Orchestra. Full Score.
Subito Music Corporation
#32040140. Published by
Subito Music Corporation
(SU.32040140).
2222; 4331;
timp, 2 perc, pno; stgs
Duration: 13'30 Composed:
2016 Published by: Amy
Mills Music, LLC Like a
modern Pictures at an
Exhibition…. Ha
Shamayim is an original
piece for orchestra that
was inspired by
photographs taken by the
Hubble space telescope.
Each section is inspired
by one photo; the title
of each section is the
title that NASA gave to
the photograph. The words
Ha Shamayim are Hebrew
for The Heavens. They are
written in Genesis 1:1,
In the beginning God
created the heavens and
the earth. The words are
also seen in Psalm 19.
Section I: Warped Edge-On
Galaxy ESO 510-G13
The piece begins in outer
space with its glistening
stars. Glissandi are used
to depict the strange but
beautiful warp seen in
the photograph. Section
II: Galaxy Fires at
Neighboring Galaxy
Suddenly the piece erupts
as one galaxy fires blue
gas at its neighbor. They
engage in a cosmic
battle. Section III:
Youthful-looking Galaxy
May Be an Adult The
adolescent galaxy is
personified by a
humorous, gawky melody
reminiscent of teenage
boys who walk on feet
that are still too big.
Occasionally there is an
argument with an
authority figure, but the
joy of exploring the
universe quickly returns.
Section IV: Star Birth in
Galaxy M83 The
dramatic photograph looks
like a womb with veins.
The music begins on one
note, then it begins to
explore the initial
swelling and stretching.
It morphs into an
energetic fast theme,
still growing. Ultimately
it becomes glorious and
expansive, like the new
star. Section V: String
of ‘Cosmic
Pearls’ Surrounds
an Exploding Star The
first theme is a happy
circle dance inspired by
the circle of white dots
in the photograph. The
second theme is noble and
joyful. It is reminiscent
of the melody in the
famous chorus in
Haydn’s The
Creation with the words
from Psalm 19, The
heavens are telling the
glory of God. The music
then has flashbacks to
the earlier sections, and
ends in triumph. The five
sections in Ha Shamayim
are continuous with no
breaks. Difficulty Level:
5 (Advanced/Professional)
See composer website for
audio sample. Performance
materials available on
rental only:.
Orchestra - Grade 2.5 SKU: AP.47470S Composed by Richard Meyer. MakeMusic...(+)
Orchestra - Grade 2.5
SKU: AP.47470S
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Halloween.
Score. 16 pages.
Highland/Etling
#00-47470S. Published by
Highland/Etling
(AP.47470S).
ISBN
9781470656645. UPC:
038081541990.
English.
This ode
to the Wild West begins
with a mysterious
introduction using the
folk song All the Pretty
Little Horses in an eerie
setting that will send
shivers up the spines of
performers and audience
members alike. Brief
solos for violin, viola,
and cello are heard. The
pace then picks up as we
hear the driving and
energetic theme of the
Ghost Stallion riding
through the moonlit
countryside. The repeated
galloping rhythm
(eighth/two sixteenths)
appears in stretches and
is designed to improve
your students' abilities
to perform this
all-important bowing
pattern. This picturesque
and educationally sound
selection by Richard
Meyer is sure to capture
the imagination and
improve the technique of
everyone in both
intermediate and more
advanced orchestras. This
title is available in
MakeMusic Cloud.
Orchestra - Grade 2.5 SKU: AP.48086S A Pirate's Tale. Composed by ...(+)
Orchestra - Grade 2.5
SKU: AP.48086S
A Pirate's Tale.
Composed by Anthony
Granata. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Light Concert.
Score. 12 pages. Duration
1:40. Highland/Etling
#00-48086S. Published by
Highland/Etling
(AP.48086S).
UPC:
038081554389.
English.
Not to be
confused with the
nautical term Ahoy!, the
phrase All hands hoay!
actually means all hands
on deck for some serious
work! In other words,
string players, it's time
to get those fingers
moving with this simple,
rugged, and modal
seafaring melody. Written
in the often-inaccessible
key of F-sharp natural
minor, this fun musical
pirate's tale will have
your students' little
fingers stretching
nonstop. The melody is
evenly passed around,
with a middle section
featuring your violas and
a jaunty contrapuntal
ending. Younger
orchestras will have a
blast with this exciting
original, All Hands Hoay!
by Anthony Granata, as
they get right down to
work! (1:40) This title
available in MakeMusic
Cloud.
Orchestra (2.2.2.2. - 2.2.3.0. - timp - str) SKU: BR.PB-5207 The Unfin...(+)
Orchestra (2.2.2.2. -
2.2.3.0. - timp - str)
SKU: BR.PB-5207
The Unfinished -
Urtext. Composed by
Franz Schubert. Edited by
Peter Gulke. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). This
edition is extremely
thorough and explanatory
notes are clear making
this a good place to
start a study of the
work. (Sheet Music).
Symphony; Romantic. Full
score. 108 pages.
Duration 22'. Breitkopf
and Haertel #PB 5207.
Published by Breitkopf
and Haertel (BR.PB-5207).
ISBN 9790004209394. 10
x 12.5
inches.
Franz
Schubert wrote the two
movements of the
Unfinished Symphony in
October 1822. The torso
has since been posing
riddles to posterity,
which first learned of
the existence of this
masterpiece in 1865
through the simultaneous
first edition and
world-premiere
performance. There seems
to have been no external
reason for its creation.
Did Schubert really
consider the piece only
as an experiment that did
not warrant any
continuation? It should
be noted, however, that
Schubert sketched the
Scherzo up to the
beginning of the Trio,
and even fully
orchestrated nine
measures of this
movement.
Orchestra (2.2.2.2. - 2.2.3.0. - timp - str) SKU: BR.PB-5247-07 The Un...(+)
Orchestra (2.2.2.2. -
2.2.3.0. - timp - str)
SKU: BR.PB-5247-07
The Unfinished -
Urtext. Composed by
Franz Schubert. Edited by
Peter Gulke. Softbound.
Partitur-Bibliothek
(Score Library).
This
edition is extremely
thorough and explanatory
notes are clear making
this a good place to
start a study of the
work. (Sheet Music)
Symphony; Romantic. Study
Score. 104 pages.
Duration 22'. Breitkopf
and Haertel #PB 5247-07.
Published by Breitkopf
and Haertel
(BR.PB-5247-07).
ISBN
9790004209622. 6.5 x 9
inches.
Franz
Schubert wrote the two
movements of the
Unfinished Symphony in
October 1822. The torso
has since been posing
riddles to posterity,
which first learned of
the existence of this
masterpiece in 1865
through the simultaneous
first edition and
world-premiere
performance. There seems
to have been no external
reason for its creation.
Did Schubert really
consider the piece only
as an experiment that did
not warrant any
continuation? It should
be noted, however, that
Schubert sketched the
Scherzo up to the
beginning of the Trio,
and even fully
orchestrated nine
measures of this
movement.
SKU: SU.00120043 Orchestra. CD Set (PDF Scores). CD Sheet Music #00120043...(+)
SKU: SU.00120043
Orchestra. CD Set (PDF
Scores). CD Sheet Music
#00120043. Published by
CD Sheet Music
(SU.00120043).
AVAILABLE FOR
SALE TO U.S. CUSTOMERS
ONLY Complete set of
Harp, Keyboard (Piano,
Organ, etc.) and
auxiliary parts for
The Orchestra Musician's
CD-ROM Libraryâ?¢,
Volumes 1-5, 7-12 [11
CD-ROMs]. Parts for over
700 orchestral works in
thestandard repertoire
from the 18th through
early 20th centuries. If
these parts were
purchased separately,
this collection could
cost several thousand
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Visit for
more
information
Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
(from Psalm 19).
Composed by Benedetto
Marcello. Arranged by
Vernon Leidig. Full
Orchestra; Masterworks;
Performance Music
Ensemble; Single Titles.
Highland/Etling Full
Orchestra. Form: March.
Baroque; Masterwork
Arrangement. Score and
Part(s). 104 pages.
Highland/Etling #00-4319.
Published by
Highland/Etling
(AP.4319).
UPC:
038081026176.
English.
From the
masterful pen of Vernon
Leidig comes this special
orchestration of
Marcello's well-known
majestic march. Scored
with today's
multipleability large
groups in mind (alternate
string and wind parts,
etc.), the piece is
adaptable to virtually
any performance
situation, including
combined festival
orchestra. Your young
group will sound full and
mature with this
excellent
arrangement.
(from Psalm 19).
Composed by Benedetto
Marcello. Arranged by
Vernon Leidig. Full
Orchestra; Masterworks.
Highland/Etling Full
Orchestra. Baroque;
Masterwork Arrangement.
Score. 20 pages.
Highland/Etling
#00-4319S. Published by
Highland/Etling
(AP.4319S).
UPC:
038081027319.
English.
From the
masterful pen of Vernon
Leidig comes this special
orchestration of
Marcello's well-known
majestic march. Scored
with today's
multipleability large
groups in mind (alternate
string and wind parts,
etc.), the piece is
adaptable to virtually
any performance
situation, including
combined festival
orchestra. Your young
group will sound full and
mature with this
excellent
arrangement.
Capriccio Espagnol Orchestre [Conducteur et Parties séparées] - Facile Alfred Publishing
By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Richard Meyer. By Nikolay Ri...(+)
By Nikolay Andreyevich
Rimsky-Korsakov. Arranged
by Richard Meyer. By
Nikolay Rimsky-Korsakov /
arr. Richard Meyer. For
Full Orchestra. Full
Orchestra. First
Philharmonic. Level:
Grade 2.5. Conductor
Score and Parts.
Published by Alfred
Publishing.
Composed by Helmut
Lachenmann. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library). Music
post-1945; New music
(post-2000). Full score.
Composed 2003/04. 108
pages. Duration 25'.
Breitkopf and Haertel #PB
5435. Published by
Breitkopf and Haertel
(BR.PB-5435).
ISBN
9790004212820. 11.5 x
16.5 inches.
Meine
eigene neue
Orchesterkomposition hat
den Titel ,,SCHREIBEN.
Die praktische Aktion des
Schreibens, als
mechanisches Einwirken
per Hand, Stift, Pinsel,
auf eine Flache (Papier,
Pergament, Stein etc.),
ausgelost und gesteuert
von einem kommunikativen
Bedurfnis und, bei aller
Spontaneitat, beherrscht
durch die Regeln von
Schrift und Sprache, ist
fur mich einer der
geheimnisvollsten
Vorgange im
zwischenmenschlichen
Alltag, bei dem
menschlicher Geist und
tote Materie einander
begegnen: Gedanken bzw.
Gedachtes werden auf
einer Flache - Papier,
Pergament, Stein -
festgehalten, ihr
sozusagen anvertraut. Und
auf diesem Umweg uber
Sprache, Schrift und
Gravur begegnen sie dem
Geist des lesenden oder
entziffernden
Mitmenschen. Als
Komponist aber frage ich:
gibt es auch einen
anderen
Kausalitatszusammenhang,
gibt es z. B. ein
,,autonomes Schreiben,
eine sinn-freie
Zeichengebung, durch
entfesselte, losgelassene
Fortbewegung der
schreibenden Hand, wo der
Schreibende seinem
eigenen Schreiben nur
noch staunend zusieht?
Werden nicht in Japan
Bilder, auch ,,abstrakte,
geschrieben??? (In einem
Underground-Film der
70er-Jahre uber den
jungen Mozart sieht sich
der Zuschauer versetzt in
ein Zimmer eines
italienischen Gasthauses,
in dem der junge
durchreisende Mozart am
Tisch eilig die
Rezitative einer seiner
italienischen Opern zu
Papier bringt. Mehr als
eine Viertelstunde lang
sind wir dabei, horen
nicht die entstehende
Musik, sondern das
nervose Kratzen der Feder
auf dem groben
Notenpapier in
nachmittaglicher Stille -
nur der gleichmassige
Pendelschlag der Wanduhr
ist noch zu horen -, und
wir erleben diese
sekundare Klangwelt kaum
weniger intensiv als
nachher andere Horer die
dabei stumm entstehende
Musik.) Das Orchester in
meinem Stuck ,,schreibt.
Es fugt Strich zu Strich,
versteht sich selbst als
eine Art vielfaltiges
,,Schreib-Gerat. Wir als
Horer lesen nicht das
,,Geschriebene, aber wir
horen den Vorgang des
Schreibens, den
Bogenstrich, die Bewegung
des scharrenden Holzstabs
auf Fell oder Tamtam, und
wir beobachten dessen
Imitation bzw.
Transformation durch -
zeitweise auch tonlos -
sich zu linearen
Gestalten verbindende
Blasinstrumente als eine
Art klingender
Schreib-Zeremonie. Es
ergibt sich eine Musik,
die gelegentlich ihren
gedanklichen
Ausgangspunkt vergisst
und sich als autonome
Klang-Situation
fortentwickelt und
verwandelt, und die
schliesslich im hochsten
Register eine Art
,,Kantilene be-schreibt.
Wer das deutsche Wort
,,Schreiben (engl. ,,to
write) schreibt, der
schreibt dabei auch
unweigerlich das Wort
,,Schrei (engl. ,,shout),
und er schreibt auch das
Wort ,,reiben (engl. ,,to
rub). So emotional der
erste Begriff gedacht
werden kann, so
nuchtern-praktisch ist
der zweite. Von beiden
Aspekten, samt ihrer
Gegensatzlichkeit, ist
mein Stuck gepragt.
(Helmut Lachenmann,
2003)
SKU: CL.016-1015-00 Romance. Composed by King. Orchestra. American...(+)
SKU:
CL.016-1015-00
Romance. Composed
by King. Orchestra.
American Concert
Orchestra Series (15).
Score and set of parts.
Composed 1925. C.L.
Barnhouse #016-1015-00.
Published by C.L.
Barnhouse
(CL.016-1015-00).
#15 NOTE: This
is a vintage orchestra
publication, designed for
the small theater
orchestras of the very
late 1800s and early
1900s – whose
instrumentation varies
considerably from a
modern full orchestra
work. Parts for standard
string instruments are
included, along with wind
and percussion parts as
scored by the musical
judgment of the composer
or arranger. Be cautioned
that published parts
might include less
familiar transpositions,
such as Clarinet or
Cornet in A, Horn in Eb,
etc. Please contact us
with any specific
instrumentation
questions.
SKU: CL.016-9389-00 Overture. Composed by Mustol. Orchestra. Ameri...(+)
SKU:
CL.016-9389-00
Overture. Composed
by Mustol. Orchestra.
American Concert
Orchestra Series (31).
Score and set of parts.
Composed 1927. C.L.
Barnhouse #016-9389-00.
Published by C.L.
Barnhouse
(CL.016-9389-00).
#31 NOTE: This
is a vintage orchestra
publication, designed for
the small theater
orchestras of the very
late 1800s and early
1900s – whose
instrumentation varies
considerably from a
modern full orchestra
work. Parts for standard
string instruments are
included, along with wind
and percussion parts as
scored by the musical
judgment of the composer
or arranger. Be cautioned
that published parts
might include less
familiar transpositions,
such as Clarinet or
Cornet in A, Horn in Eb,
etc. Please contact us
with any specific
instrumentation
questions.
SKU: CL.016-1019-00 March. Composed by Russell. Orchestra. America...(+)
SKU:
CL.016-1019-00
March. Composed by
Russell. Orchestra.
American Concert
Orchestra Series (30).
Score and set of parts.
Composed 1925. C.L.
Barnhouse #016-1019-00.
Published by C.L.
Barnhouse
(CL.016-1019-00).
#30 NOTE: This
is a vintage orchestra
publication, designed for
the small theater
orchestras of the very
late 1800s and early
1900s – whose
instrumentation varies
considerably from a
modern full orchestra
work. Parts for standard
string instruments are
included, along with wind
and percussion parts as
scored by the musical
judgment of the composer
or arranger. Be cautioned
that published parts
might include less
familiar transpositions,
such as Clarinet or
Cornet in A, Horn in Eb,
etc. Please contact us
with any specific
instrumentation
questions.
SKU: CL.016-1023-00 Sacred Fantasie. Composed by Buys. Orchestra. ...(+)
SKU:
CL.016-1023-00
Sacred Fantasie.
Composed by Buys.
Orchestra. American
Concert Orchestra Series
(32). Score and set of
parts. Composed 1928.
C.L. Barnhouse
#016-1023-00. Published
by C.L. Barnhouse
(CL.016-1023-00).
#32 NOTE: This
is a vintage orchestra
publication, designed for
the small theater
orchestras of the very
late 1800s and early
1900s – whose
instrumentation varies
considerably from a
modern full orchestra
work. Parts for standard
string instruments are
included, along with wind
and percussion parts as
scored by the musical
judgment of the composer
or arranger. Be cautioned
that published parts
might include less
familiar transpositions,
such as Clarinet or
Cornet in A, Horn in Eb,
etc. Please contact us
with any specific
instrumentation
questions.
Orchestra SKU: HL.14028038 Composed by Poul Ruders. Music Sales America. ...(+)
Orchestra
SKU:
HL.14028038
Composed
by Poul Ruders. Music
Sales America. Classical.
Score. 95 pages. Music
Sales #KP00294. Published
by Music Sales
(HL.14028038).
ISBN
9788759854730.
12.0x16.5x0.3 inches.
English.
The word
GONG is saturated with
associations: the
splendour of the Orient,
mysticism, drama, loud
metallic clangour,
violent impact, etc. The
present piece draws upon
all those connotations,
but it is primarily a
symphonic drama about the
life and behaviour of the
sun, our closest star and
prime source of life on
Earth. Describing the sun
in music is not a new
idea, of course; during a
visit to Greece, Carl
Nielsen was inspired by
the orbit of the sun and
its very un-Danish
ferocity and thus wrote
the Helios Overture. GONG
is a Helios Overture too,
of sorts, albeit more
abstract. Recent
astronomical research
shows, that the surface
of the sun reverberates
like a gong, in four
different, simultaneous
tempi (not directly
depicted in the score,
though); the sun looks
like a GONG, - the O in
the written work looks
like the sun; there is
even a solar research
group called GONG (Global
Oscillation Network
Group). Formally the
composition follows the
life and fate of the sun,
from the initial
explotional birth through
the hyper-activity as
energy source as we know
it today to the final,
predicted flaring up and
collapse into a so-called
white dwarf. But - being
a musical composition,
not an astrophysical
thesis - GONG is brought
to its compositional
conclusion by a real
concert-ending, a chord
taken from the middle of
the piece and sustained
over several bars, from
virtual nothingness to
full force.