By Jean Sibelius. For Full Orchestra. Full Orchestra (Full Score). Masterwork. Full Score. Published by Dover Publications.

Orchestra

SKU: TM.00597TPS

Composed by Jean Sibelius. Transposed Score. Lucks Music Library #A2044. Published by Lucks Music Library (TM.00597TPS).

Solo/pf.

Orchestra

SKU: TM.07682TPS

Composed by Jean Sibelius. Transposed Score. Lucks Music Library #A2048. Published by Lucks Music Library (TM.07682TPS).

P/C in set.

Orchestra

SKU: TM.06642TPS

Composed by Jean Sibelius. Transposed Score. Lucks Music Library #A2047. Published by Lucks Music Library (TM.06642TPS).

Orchestra (2.2.2.2/4.2.3.0,timp,str ,violin solo)

SKU: TM.00597SET

Composed by Jean Sibelius. Set Type: D. Set of parts. Lucks Music Library #A2044. Published by Lucks Music Library (TM.00597SET).

Solo/pf. Trans: Tpt 1-2, Tbn 1-2. Clarinets and Horns already in modern keys. Solo edited by Francescatti.

Orchestra (2.2.2.2/4.3.3.0,timp,str )

SKU: TM.08462SC

Composed by Jean Sibelius. Score. Lucks Music Library #A8187. Published by Lucks Music Library (TM.08462SC).

All instruments in modern keys/clefs. Clothbound Score.

Orchestra (2D2.2.2.2/4.3.3.1,timp,p erc,hp,str)

SKU: TM.06642SC

Composed by Jean Sibelius. Score. Lucks Music Library #A2047. Published by Lucks Music Library (TM.06642SC).

Transposed: cl 1+2, hn 1-4, tpt 1-3. Clothbound score.

Orchestra (2.2.2.2/4.2.3.0,timp,str ,violin solo)

SKU: TM.00597SC

Composed by Jean Sibelius. Score. Lucks Music Library #A2044. Published by Lucks Music Library (TM.00597SC).

Solo/pf. Trans: Tpt 1-2, Tbn 1-2. Clarinets and Horns already in modern keys. Solo edited by Francescatti.

Orchestra (2.2.2.2/4.3.3.1,timp,str )

SKU: TM.07682SET

Composed by Jean Sibelius. Set Type: D. Set of parts. Lucks Music Library #A2048. Published by Lucks Music Library (TM.07682SET).

Transposed: Cl 1+2, Tpt 1-3, Hn orig in F, Tbn orig in Bass Clef. Typeset. Clothbound score.

Orchestra (2.2.2.2/4.2.3.0,timp,str )

SKU: TM.05247SET

Composed by Jean Sibelius. Set Type: D. Set of parts. Lucks Music Library #A2049. Published by Lucks Music Library (TM.05247SET).

Chorus I = S; Chorus II = TB. See #R16497 for Ricordi score and vocal score.

Orchestra (pf,str)

SKU: TM.09758SET

Composed by Jean-Baptiste Lully. Arranged by Brown. Set Type: B. Set of parts. Lucks Music Library #A5706. Published by Lucks Music Library (TM.09758SET).

Gavotte, Air, Sarabande, Hornpipe, Menuet Cibel; piano in score.

Orchestra (pf,str)

SKU: TM.09758SC

Composed by Jean-Baptiste Lully. Arranged by Brown. Score. Lucks Music Library #A5706. Published by Lucks Music Library (TM.09758SC).

Gavotte, Air, Sarabande, Hornpipe, Menuet Cibel; piano in score.

Orchestra (2D2.2.2.2/4.3.3.1,timp,p erc,hp,str)

SKU: TM.06642SET

Composed by Jean Sibelius. Set Type: D. Set of parts. Lucks Music Library #A2047. Published by Lucks Music Library (TM.06642SET).

Transposed: cl 1+2, hn 1-4, tpt 1-3. Clothbound score.

Orchestra (cem,str,violin solo)

SKU: TM.11102SC

Composed by Jean M. LeClair. Score. Lucks Music Library #A7944. Published by Lucks Music Library (TM.11102SC).

Solo-no PF reduction. Solo and Cem sold separately from set.

Orchestra (2.2.2.2/4.2.3.0,timp,per c,str)

SKU: TM.08642SC

Composed by Jean Sibelius. Score. Lucks Music Library #A6353. Published by Lucks Music Library (TM.08642SC).

P/C in set.

Orchestra (2.2.2.2/4.3.3.0,timp,str )

SKU: TM.08462SET

Composed by Jean Sibelius. Set Type: D. Set of parts. Lucks Music Library #A8187. Published by Lucks Music Library (TM.08462SET).

All instruments in modern keys/clefs. Clothbound Score.

Orchestra (2.2.2.2/4.3.3.1,timp,str )

SKU: TM.07682SC

Composed by Jean Sibelius. Score. Lucks Music Library #A2048. Published by Lucks Music Library (TM.07682SC).

Transposed: Cl 1+2, Tpt 1-3, Hn orig in F, Tbn orig in Bass Clef. Typeset. Clothbound score.

Orchestra (2.2.2.2/4.2.3.0,timp,per c,str)

SKU: TM.08642SET

Composed by Jean Sibelius. Set Type: D. Set of parts. Lucks Music Library #A6353. Published by Lucks Music Library (TM.08642SET).

P/C in set.

Orchestra (2.2.2.2/4.2.3.0,timp,str )

SKU: TM.05247SC

Composed by Jean Sibelius. Score. Lucks Music Library #A2049. Published by Lucks Music Library (TM.05247SC).

Chorus I = S; Chorus II = TB. See #R16497 for Ricordi score and vocal score.

Orchestra (2.1.2.1/2.2.3.0,timp,per c,str)

SKU: TM.08780SET

Composed by Gabriel Pierne. Edited by Jean Mouton. Set Type: D. Set of parts. Lucks Music Library #A3644. Published by Lucks Music Library (TM.08780SET).

Menuet Vif, Intermezzo, Tarantelle Ed. by Mouton.

Orchestra (cem,str,violin solo)

SKU: TM.11102SET

Composed by Jean M. LeClair. Set Type: D. Set of parts. Lucks Music Library #A7944. Published by Lucks Music Library (TM.11102SET).

Solo-no PF reduction. Solo and Cem sold separately from set.

Orchestra

SKU: BR.SON-626

Luonnotar Faksimile. Composed by Jean Sibelius. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 88 pages. Breitkopf and Haertel #SON 626. Published by Breitkopf and Haertel (BR.SON-626).

ISBN 9790004803288. 10 x 12.5 inches.

A main work by Sibelius as facsimile edition The large orchestral song Luonnotar is considered as one of the boldest works of Jean Sibelius. This alone would be reason enough to print the autograph sources (full score and piano reduction) as a color facsimile for the Sibelius Anniversary Year 2015. In addition, the autograph score also has a special significance for the transmission: it ensured the survival of the entire work after World War II; the source material for the printer compiled by Breitkopf & Hartel had been destroyed in an air-raid bombing in 1943. The meticulously elucidated volume is the first complete facsimile edition of an orchestral work by Jean Sibelius - a milestone in Sibelius editorial history that meaningfully supplements the complete edition Jean Sibelius Werke as a truly special volume.

Orchestra

SKU: BR.SON-627

Ouverture JS 145, Baletscen JS 163. Composed by Jean Sibelius. Edited by Tuija Wicklund. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 196 pages. Breitkopf and Haertel #SON 627. Published by Breitkopf and Haertel (BR.SON-627).

ISBN 9790004803295. 10 x 12.5 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts … are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. … In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. … For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. … JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Orchestra

SKU: BR.SON-625

Scenes historiques op.25, op.66. Composed by Jean Sibelius. Edited by Kari Kilpelainen. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 228 pages. Breitkopf and Haertel #SON 625. Published by Breitkopf and Haertel (BR.SON-625).

ISBN 9790004803271. 10 x 12.5 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts ... are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. ... In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. ... For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. ... JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Orchestra

SKU: BA.BA08891

Composed by Jean-Philippe Rameau. Edited by Sylvie Bouissou and Érik Kocevar. This edition: urtext edition. Paperback. Symphonies from Daphnis et Eglé RCT 34 / Les Sibarites RCT 57. Score, anthology. Composed 1753. Baerenreiter Verlag #BA08891_00. Published by Baerenreiter Verlag (BA.BA08891).

ISBN 9790006564149. 33 x 24 cm inches. Preface: Sylvie Bouissou.

Christoph Willibald Gluck's opera in four acts about the Curse of the House of Atreus is based on a tragedy by the classical Greek dramatist Euripides. The mythological plot about the siblings Iphigenia and Orestes is characterized by hatred, ritual sacrifice, and murder and was especially popular during the 18th century. The premiere of Gluck's opera in 1779 was immensely successful.

Barenr eiter now presents a carefully edited and corrected piano reduction that was newly set to meet Barenreiter's current quality standards. An informative preface (Ger/En/Fr) supplements the edition, which also includes all appendices of the score volume the edition is based on, as contained in the Gluck Complete Edition (GGA).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Technical Studies and Solo Literature for String Orchestra and Individuall Study. By Antonin Dvorak; Cecile Chaminade; D. S. Bortiniansky; Doris Gazda; Eduard Poldini; Edvard Grieg; Francois-Joseph Gossec; G.C. Gluck; Georges Bizet; Guiseppe F Verdi; Henry Ghys; Jean Philippe Rameau; Ludwig Van Beethoven; Pierre Gavinies. Classical. Teacher's Book. 174 pages. Published by Carl Fischer.