Combo (guitar, vibraphone, trumpet, tenor saxophone, trombone, baritone saxophone, bass, drumset)

SKU: RM.SL10506

Composed by Jean Courtioux. Combo. Orchestra. Editions Robert Martin #SL10506. Published by Editions Robert Martin (RM.SL10506).

ISBN 9790231095067.

Orchestra

SKU: FG.55011-315-2

Composed by Kalevi Aho. Study score. Fennica Gehrman #55011-315-2. Published by Fennica Gehrman (FG.55011-315-2).

ISBN 9790550113152.

The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.

Normal ly, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time.

The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.

The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.

Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time.

The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.

The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.

Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time.

The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.

The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.

Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time.

The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.

By Donald Erb. Orchestra. For Flute, Oboe, English Horn, Clarinet, Bass Clarinet in Bb, Bassoon, Contra Bassoon, Horn, Trumpet, Tenor Trombone, Bass Trombone, Tuba, Timpani, Vibraphone, Marimba, Crotales, Chimes, Harmonica (in C), Small Bass Drum, Tuned Drums, Gallon Jug, Small Mounted Wine Glass, Large Suspended Cymbal, Large Suspended Cymbal, Snare Drum, Glockenspiel, Roto-Toms, Harmonica (in B), Harmonica (in D), Medium Bass Drum, Medium Bass Drum, Wine Glasses (Partially Filled with Water), Medium Mounted Wine Glass, Medium Suspended Cymbal, Medium Tam-Tam, Vibraphone (Normal Mallets and 2 Double Bass Bows), Xylophone, Harmonica (in Bb), Nipple Gong (in C), Bass Drum, Tom-Tom, Wine Glass, Small Suspended Cymbal, Small Tam-Tam, Harp, Violin I, Violin II, Viola, Cello, Contrabass, Piano, Celesta, Yamaha Dx7 with Phase Shifter. Full Score - Large. 90 pages. Published by Theodore Presser Company.

By Xavier Montsalvatge (1912-2002). For orchestra (1111 - 1000 - 1 percussion - strings) (percussion: whip, snare drum, temple blocks, flex-a-tone, bongo, guiro, tamtam, vibraphone, xylophone, maracas, windchimes). 20th century. Orchestral. Full Score. 43. Full Score. Orchestral.

Orchestra

SKU: PR.11641867S

Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S).

UPC: 680160683208.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

By Lukas Foss (1922-). Orchestra. For Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Bassoon I, Bassoon II, Contra Bassoon, Horn I, Horn II, Horn III, Horn IV, Trumpet in C I, Trumpet in C II, Trumpet in C III, Tenor I, Tenor II, Tenor III, Tuba, Timpani, Vibraphone, Chimes, Cym. Premiered July 6, 1990 at Tanglewood, Seiji Ozawa, conducting. Full score (large). Standard notation. 31 pages. Duration 4 minutes. Published by Carl Fischer

(For Piano and Orchestra). By Lowell Liebermann. Orchestra. For Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in B-Flat, 2 Bassoons, 4 Horns, 2 Trumpets in C, 3 Trombones, Timpani, Percussion (3 Players): Tubular Bells, Glockenspiel, Cymbals, Triangle, Xylophone, Vibraphone, Wood Block, Suspended Cymbal, Snare Drum, Bass Dr. World Premiere: Stephen Hough, piano; The Indianapolis Symphony; Raymond Leppard, conductor. Contemporary. Full score (study). Standard notation. Opus 72. 101 pages. Duration 20 minutes. Published by Theodore Presser Company

(From the Hit Video Game (featuring: Wrath of the Lich King / Lament of the Highborne / Lion's Pride)). By Russell Brower, Derek Duke, and Jason Hayes. Arranged by Jerry Brubaker. Orchestra. For full (Vibraphone, tambourine, timp, anvil/bass drum/triangle/sus cymbal/finger cymbal, tam tam/crash cymbals/med low tom toms, pno/synth harp). Full Orchestra; Part(s); Score. Pop Concert Full Orchestra. Form: Medley. Novelty; Pop; Rock; Video Game. Grade 4. 228 pages. Published by Alfred Music Publishing

Orchestra

SKU: BT.ALHE31787

Composed by Amy. Classical. Study Score. 41 pages. Heugel & Cie #ALHE31787. Published by Heugel & Cie (BT.ALHE31787).

French.

For flute, piano (or celeste), harp and vibraphone (or marimba).

By Isaac Albéniz. Orchestra. For full (vibraphone opt marimba, bells, timp, snare, bass, tamb, triangle, crashcym, castinets, fingercym, pno). Full Orchestra; Masterworks; Part(s); Score. Belwin Concert Full Orchestra. Form: Transcription. Masterwork Arrangement; Romantic. Grade 4.5. 228 pages. Published by Belwin Publishing

Orchestra (Full Score)

SKU: HL.238319

(2008). Composed by Michael Nyman. Music Sales America. Classical. Softcover. Composed 2017. 324 pages. Chester Music #CH74756. Published by Chester Music (HL.238319).

UPC: 888680888442. 9x12 inches.

Somethin g Connected with Energy was composed in 2008 and was commissioned by the Festival Della Scienza 2008, Genova, Italy with financial support by ERG.

Scored for Flute/Piccolo, Clarinet/Bass Clarinet, Alto/Tenor Saxophone, Horn, Trumpet, Vibraphone, Piano and Strings. Duration is approximately: 48 minutes.

Ukrainian Christmas Carol. By Peter Wilhousky, Mykola Leontovich. Edited by Shari Lewis. Arranged by Richard Hayman. Orchestra. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Trumpet III, Tenor I, Tenor II, Tenor III, Tuba, Timpani, Glockenspiel, Chimes, Swiss Hand Bells, Suspended Cymbal, Vibraphone, Harp, Celesta, Piano, Violin I, Violin II, Viola, Cello, Double Bass. Carl Fischer Orchestra Edition. Classical. Full Score - Large. 29 pages. Published by Carl Fischer.

(Suite for Orchestra). By Erich Wolfgang Korngold (1897-1957). Arranged by Jerry Brubaker. Orchestra. For full (vibraphone, timp, snare, bass, crashcym/triangle/tamb, suscym/tamtam, harp). Full Orchestra; Part(s); Score. Pop Concert Full Orchestra. Movie. Grade 4. 226 pages. Published by Alfred Music Publishing

Full Orchestra Score and Parts Choral; Concert Band; Full Orchestra; Orchestra (Score and Parts) For Full Orchestra, with Choir and Smart Phone App. Composed by Eric Whitacre (1970-). Eric Whitacre Orchestra. Concert. Softcover. Published by Hal Leonard

By Gabe Musella. For Full Orchestra (Flute 1 & 2, Oboe, Clarinet in Bb 1 & 2, Bass Clarinet, Bassoon, Alto Saxophone (optional), Horn in F, Trumpet in C 1 & 2, Trombone 1 & 2, Tuba, Glockenspiel, Vibraphone, Percussion (Suspended Cymbal, 2 Triangles), Piano, Violin I, Violin II, Viola, Violo). Orchestra Music. Score and parts. Duration 4:20. Published by C. Alan Publications

(Concerto For Cello And Orchestra). Composed by Narong Prangcharoen. For orchestra (3 flutes (3 dbl. picc.), 2 oboes, english horn, 2 clarinets in Bb, bass clarinet, 2 bassoons, contrabassoon, 4 horns in F, 2 trumpets in Bb, trombone, bass trombone, tuba, timpani, 3 percussion:, percussion 1: vibraphone, crotales, glockenspiel, xylophone). Contemporary. Full Score - Study. Standard Notation. Composed 2014. 43 pages. Duration 20 minutes. Theodore Presser Company #416-41531. Published by Theodore Presser Company

Orchestra

SKU: SU.28120010

For Orchestra. Composed by Alla Pavlova. Orchestra. Study Score. Subito Music Corporation #28120010. Published by Subito Music Corporation (SU.28120010).

Ballet Suite in 5 movements (revised version)3222; 4331; timp, perc, hp, pno; stgs Duration: 24' Composed: 2008 Published by: Alla Pavlova Music Although it maintains the charm of the original Hans Christian Andersen tale, Alla Pavlova's Thumbelina is a considerable musical, visual and narrative expansion of the story to make it suitable as a full-length ballet and family-programming alternative to The Nutcracker. Musically, it is scored for full symphony orchestra ([3,2,2,2]-[4,3,3,1]-[tim p.,perc.]-[Hp]-[Strings], Percussion: Bass dr., Snare dr., Wooden Block, Tambourine, Triangle, Glock., Vibraphone, Celesta) and contains not only many beautiful, lyrical and moving waltzes and other classical themes, but also rhythms such as tango, boogie-woogie and ragtime. Narratively, the story has been adapted to include a varied and colorful cast of characters. The Thumbelina Suite (which has been recorded by the Tchaikovsky Symphony Orchestra for Naxos) can be heard at http://www.allapavlova.co m/listen.html or by clicking on the image below. She has created a synopsis of the ballet, which is of course based on the Andersen fairy tale. We’ll gladly send this synopsis on request. Recording: 21st Century Classics – Naxos 8.579003 Performance materials available on rental only:.

(For Orchestra (9x12 score)). Composed by Narong Prangcharoen. For orchestra (3 flutes (3rd double piccolo), 3 oboes, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns in F, 3 trumpets in Bb, 2 trombones, bass trombone, tuba, timpani, 3 percussion:, I: glockenspiel, xylophone, marimba, sand block, II: vibraphone, large). Contemporary. Full score - study (9x12). Standard Notation. 44 pages. Duration 12 minutes. Theodore Presser Company #416-41483. Published by Theodore Presser Company

(Featuring: Obliviate / Polyjuice Potion / Harry and Ginny / Ministry of Magic / Ron Leaves). By Alexandre Desplat (1961-). Arranged by Victor LÌ_pez. Orchestra. For full (Vibraphone/Bells/Marimba , timp, Snare Drum/Wind Chimes/ Hi-Hat Cymbals, Bass Drum, Finger Cymbals/Suspended Cymbals/Triangle/Ride Cymbal, Low Tom, pno). Full Orchestra; Part(s); Score. Pop Concert Full Orchestra. Form: Medley. Light Concert; Movie; Pop. Grade 3.5. 240 pages. Published by Alfred Music Publishing

Jazz ensemble

SKU: RM.SL10380

Composed by Michel Legrand. Jazz ensemble. Orchestra. Editions Robert Martin #SL10380. Published by Editions Robert Martin (RM.SL10380).

ISBN 9790231093803.

Orchestra

SKU: HL.48187893

Composed by Gilbert Amy. Leduc. Classical. Softcover. Heugel & Cie #HE31787. Published by Heugel & Cie (HL.48187893).

UPC: 888680830700. 7.5x10.75x0.174 inches.

for flute, piano (or celeste), harp and vibraphone (or marimba).

(Score and Parts). By Iggy Azalea. Arranged by Jay Dawson. For Pep Band (Score and Parts). Arrangers' Publ Marching Band. Grade 3. Published by Arrangers' Publishing Company

Orchestra

SKU: HL.14027993

Composed by Poul Ruders. Music Sales America. Classical. Score. Composed 2006. 164 pages. Edition Wilhelm Hansen #WH30602. Published by Edition Wilhelm Hansen (HL.14027993).

ISBN 9788759811832. English.

Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra, conducted by David Robertson, 29th November 2002.

3 Flutes, 1st and 2nd also Alto Flutes in G, 3rd also Piccolo
3 Oboes, 3rd also Cor Anglais in F
3 Clarinets in Bb, 3rd also Bass Clarinet in Bb
3 Bassoons, 3rd also Contra Bassoon

4 Horn in F
3 Trumpets in Bb
3 Trombones
1 Tuba

Timpani
4 Percussion, four players
Player 1 - Vibraphone, Glockenspiel, Water Chime, Bell Tree, Japanese Wood Blocks, Cymbal (Suspended), TamTam (Medium)
Player 2 - Triangle, Tubular Bells, Crotales, Marimba, Chinese Cymbal
Player 3 - TamTam (Large), Java Gong(Large, very low), Bell Lyra (Handheld), Sizzle Cymbal
Player 4 - Bass Drum, Glockenspiel, Xylophone

1 Harp

1 Piano, also Celesta

Strings - 16/14/12/10/8

All transposing instruments are notated in their relevant transpositions.
Any accidental apply only to the note that it immediately precedes, except tied notes.
Naturals appear occasionally 'for safety'.

'LIST ENING EARTH' is a symphonic drama, a one- movement composition in four parts based on the work by two writers, Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English, a classical scholar, essayist, poet and politician, but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.
The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems, nature, paintings, I was immediately convinced when I carne across the Addison hymn, that here was exactly what I wanted to use as my major source of inspiration for this piece, commissioned by and written for The Berlin Philharmonic.
I don't refer to the hymn in its entirety, but have chosen the following 3 excerpts, all acting as mottos for the first three sections of the piece, thus turning the piece into a straightforward tonepoem in the classical.

(A Fanfare): for Band. By David Maslanka. Concert Band. For Piccolo, Flute, Oboe, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Horn, Tenor I, Tenor II, Tenor III, Baritone (Bass Clef), Baritone (Treble Clef in Bb), Tuba, Timpani, Orchestra Bells, Xylophone, Vibraphone, Chimes, Tom-Toms, Large Suspended Cymbal, Large Suspended Cymbal, Tenor Drum, Bass Drum, Tam-Tam. Carl Fischer Classic Band Editions. Score and Set of Parts. 32 pages. Published by Carl Fischer.

Concert Band; Orchestra - Grade 3

SKU: AP.49122

Composed by Chris M. Bernotas. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Young Symphonic. Score and Part(s). 170 pages. Duration 4:26. Alfred Music #00-49122. Published by Alfred Music (AP.49122).

UPC: 038081563558. English.

This version of Ride Through the Valley by Chris Bernotas is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

The fast-paced opening of Bernotas' Ride Through the Valley builds momentum, leading to a bright and tuneful main theme. A lyrical contrasting section follows featuring a warmth of colors enhanced by vibraphone and gracefully cascading arpeggiated pyramids. A brief transition leads to a return of the main theme including a key change, bringing the piece to a driving conclusion. (4:26)

Percussion Accompaniment Track Downloads:
with click.
without click.

This title is available in MakeMusic Cloud.

Concert Band; Orchestra - Grade 3

SKU: AP.49122S

Composed by Chris M. Bernotas. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Young Symphonic. Score. 28 pages. Duration 4:26. Alfred Music #00-49122S. Published by Alfred Music (AP.49122S).

UPC: 038081563565. English.

This version of Ride Through the Valley by Chris Bernotas is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

The fast-paced opening of Bernotas' Ride Through the Valley builds momentum, leading to a bright and tuneful main theme. A lyrical contrasting section follows featuring a warmth of colors enhanced by vibraphone and gracefully cascading arpeggiated pyramids. A brief transition leads to a return of the main theme including a key change, bringing the piece to a driving conclusion. (4:26)

Percussion Accompaniment Track Downloads:
with click.
without click.

This title is available in MakeMusic Cloud.

(For Orchestra). By Roger Huntington Sessions (1896-1985). Orchestra. For Piccolo, Flute, Oboe, English Horn, Clarinet, Bass Clarinet, Bassoon, Horn, Trumpet, Tenor, Tuba, Timpani, Triangle, Cymbal, Tam-Tam, Tam-Tam, Tambourine, Snare Drum, Chinese Drum, Military Drum, Tenor Drum, Bass Drum, Wood Block, Vibraphone, Xylophone, P. Classical. Full Score - Study. Standard notation. 127 pages. Published by Theodore Presser Company