Full orchestra

SKU: LO.30-3538L

Composed by Mary McDonald. Choral, cantatas. Eastertide, Holy Week. Full score and parts, plus CD with printable parts. Lorenz Publishing Company #30/3538L. Published by Lorenz Publishing Company (LO.30-3538L).

UPC: 000308148961.

The resurrection of Jesus changed the world and continues to change the world today. Jesus! The Resurrection of the Messiah tells the intimate story of the grief, the fear, the hope, the love, the tenderness, and the longing of God for His children expressed through the life, death, and resurrection of Jesus. Mary McDonald and Rose Aspinall combined their talents to create a compelling musical that will take you through the emotions of the Triumphal Entry, the raising of Lazarus, the Last Supper, the moment in the garden when Jesus is arrested, the Crucifixion, and finally to the joyous Resurrection. This work may be programmed in its entirety or presented in segments during Palm Sunday, Holy Week, and Resurrection Sunday worship settings. It may be done with choir and piano alone or can include the optional orchestrations created by Michael Lawrence and Ed Hogan. This powerful worship tool is an inspiring reminder of the life-changing impact of this Deliverer, Redeemer, and Savior….Jesus!

Full orchestra

SKU: LO.30-3537L

Composed by Mary McDonald. Choral, cantatas. Eastertide, Holy Week. CD with printable parts. Lorenz Publishing Company #30/3537L. Published by Lorenz Publishing Company (LO.30-3537L).

UPC: 000308148930.

The resurrection of Jesus changed the world and continues to change the world today. Jesus! The Resurrection of the Messiah tells the intimate story of the grief, the fear, the hope, the love, the tenderness, and the longing of God for His children expressed through the life, death, and resurrection of Jesus. Mary McDonald and Rose Aspinall combined their talents to create a compelling musical that will take you through the emotions of the Triumphal Entry, the raising of Lazarus, the Last Supper, the moment in the garden when Jesus is arrested, the Crucifixion, and finally to the joyous Resurrection. This work may be programmed in its entirety or presented in segments during Palm Sunday, Holy Week, and Resurrection Sunday worship settings. It may be done with choir and piano alone or can include the optional orchestrations created by Michael Lawrence and Ed Hogan. This powerful worship tool is an inspiring reminder of the life-changing impact of this Deliverer, Redeemer, and Savior….Jesus!

Full orchestra

SKU: LO.30-3616MD

Composed by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Instrumental parts. Medallion Music #30/3616MD. Published by Medallion Music (LO.30-3616MD).

UPC: 000308151015.

Behol d, A Savior! is a portrait of a promise and a portrait of the fulfillment of that promise. Throughout this musical, Jay Rouse and Rose Aspinall skillfully weave scripture and dramatic first-hand accounts of the birth of Jesus into beloved carols and original songs. Each monologue and song will take you on a journey—from the longing of Zechariah, the joy and acceptance of Mary, and the courage of Joseph to the accounts of the shepherds and wise men. Designed with flexibility in mind, these songs and stories can be presented individually across the Advent season or in their entirety for a special event. An optional introduction and closing narration, accessible solos, and gorgeous orchestrations add to the flexibility and will make this one of the most practical collections in your library.

Full orchestra

SKU: LO.30-3615MD

Composed by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Full score. Medallion Music #30/3615MD. Published by Medallion Music (LO.30-3615MD).

UPC: 000308151008.

Behol d, A Savior! is a portrait of a promise and a portrait of the fulfillment of that promise. Throughout this musical, Jay Rouse and Rose Aspinall skillfully weave scripture and dramatic first-hand accounts of the birth of Jesus into beloved carols and original songs. Each monologue and song will take you on a journey—from the longing of Zechariah, the joy and acceptance of Mary, and the courage of Joseph to the accounts of the shepherds and wise men. Designed with flexibility in mind, these songs and stories can be presented individually across the Advent season or in their entirety for a special event. An optional introduction and closing narration, accessible solos, and gorgeous orchestrations add to the flexibility and will make this one of the most practical collections in your library.

Miniature Full Score. By Morton Gould. (score). Orchestra. 48 pages. Published by G. Schirmer, Inc.

A Beginner's Guide for Group or Private Instruction. Modern Band. Method, Teacher Resource. Softcover. 256 pages. Published by Little Kids Rock

Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra - Grade 3

SKU: AP.36004S

Composed by Pietro Antonio Locatelli. Arranged by Tim McCarrick. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Baroque; Masterwork Arrangement. Score. 16 pages. Belwin Music #00-36004S. Published by Belwin Music (AP.36004S).

UPC: 038081415697. English.

Are your string players ready to take the challenge? This high-spirited showcase from Corelli's most famous student will instantly grab your audience's attention. Made to play fast, this is just the kind of Italian Baroque music that string players love to play! It's ideal as an opener or even as an encore.