(Concerto for Piano and Orchestra). By Melinda Wagner. Orchestra. For 3 flutes (3d doubling piccolo), 2 oboes, english horn, 2 clarinets in Bb, bass clarinet in Bb, 2 bassoons, 4 horns in f, 3 trumpets in c, 2 tenor trombones, bass trombone, tuba, timpani

(Score for Theater Orchestra). By Charles Ives (1874-1954). Edited by James Sinclair. For Flute, Oboe, Clarinet, Cornet, Tenor, Piano, Bells, Snare Drum, Bass Drum, Cymbal, Violin, Viola, Cello, Contrabass. First Performance on 3 March 1974 in New Haven Connecticut by the Yale Theater Orchestra James B. Sinclair Conducting. Classical. Full Score - Study. Standard notation. 35 pages

(For Orchestra). By Johann Pachelbel (1653-1706). Arranged by Philip Gordon. Orchestra. For Flute, Oboe, Clarinet I, Clarinet II, Alto Saxophone, Tenor Saxophone, Bassoon, Horn I, Horn II, Trumpet I, Trumpet II, Tenor, Tuba, Timpani, Piano and Conductor, Flute, Oboe, Clarinet I, Clarinet II, Alto Saxophone, Tenor Saxophone, Bassoon, Horn I, Horn I. Baroque. Score and parts. Standard notation. 12 pages. Duration 2:45

Orchestra

SKU: BR.PB-5432

Composed by Helmut Lachenmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Full score. Composed 2016/17/20. 48 pages. Duration 8'. Breitkopf and Haertel #PB 5432. Published by Breitkopf and Haertel (BR.PB-5432).

ISBN 9790004212790. 10 x 12.5 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

Composed by Jean Sibelius (1865-1957). Edited by Ulrich Mahlert. This edition: urtext. Partitur-Bibliothek (Score Library). Study score. 116 pages. Published by Breitkopf and Haertel (BR.PB-5564-07).

Orchestra (3 flutes (piccolo), 2 oboes, 2 clarinets, 2 bassoons; 4horn, 3 trumpets, 3trombone(bass), tuba; timpani, 4 percussion, harp, piano; strings)

SKU: SU.90810010

For Orchestra. Composed by Nancy Galbraith. Orchestra. Study Score. Composed 1991. Duration 10'. Subito Music Corporation #90810010. Published by Subito Music Corporation (SU.90810010).

Instrumentation : 3fl(picc), 2ob, 2cl, 2bn; 4hn, 3tpt, 3tbn(bs), tba; timp, 4perc, hrp, pno; strings Duration: 10' Full Score & Parts: available on rental Wind Ensemble version(#90810020) Composed: 1991 Published by: Subito Music Publishing Galbraith has penned a score of bright allure, its minimalistic touches deftly applied and its energetic personality balanced by lyrical finesse. --Pittsburgh Press ...full of imagination and energy. --American Record Guide.

Composed by John Parker. Arranged by Mark Hayes. For choir and full orchestra. Sacred Anthem. Orchestral score and parts. Lorenz Publishing Company #30/3180L. Published by Lorenz Publishing Company

Choral (Orchestra)

SKU: HP.C6194

Composed by William Runyan. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Hymntune, Hymn Arrangements, Scripture-Based, Thanksgiving, Thanksgiving, General Worship, Faith & Faithfulness, God - Faithfulness. Octavo. 12 pages. Hope Publishing Company #C6194. Published by Hope Publishing Company (HP.C6194).

UPC: 763628161941. McDonald, Mary. Lamentations 3:22-23, James 1:17, Psalm 19:1-6, Psalm 104.

Classic hymn tune Fully expressing God's unchangeable faithfulness in any circumstance, this epic choral setting displays the power and grandeur of this cherished hymn. The orchestration by Michael Lawrence magnifies the dramatic sweep of this ebullient, raise the rooftops setting. Orchestration: Conductor's Score, 2 Flutes, Oboe, 2 Clarinets, Bassoon, 3 Trumpets, 2 Horns, 2 Trombones, Tuba, Percussion, Harp, Piano, 2 Violins, Viola, Cello and String Bass.

Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.PB-5559-07

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Study Score. 208 pages. Duration 44'. Breitkopf and Haertel #PB 5559-07. Published by Breitkopf and Haertel (BR.PB-5559-07).

ISBN 9790004213698. 6.5 x 9 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.PB-5558

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Full score. 212 pages. Duration 44'. Breitkopf and Haertel #PB 5558. Published by Breitkopf and Haertel (BR.PB-5558).

ISBN 9790004213681. 10 x 12.5 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

Orchestra - Grade 1

SKU: AP.38393S

Arranged by Michael Story. Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Christmas; Novelty; Rock; Secular; Traditional; Winter. Score. 8 pages. Alfred Music #00-38393S. Published by Alfred Music (AP.38393S).

UPC: 038081438597. English. Traditional.

Have a rockin' good time at your holiday concert with this fun arrangement! Written for first-year string players, with both arco and pizzicato opportunities, as well as optional piano and hand percussion parts, this will be a favorite with both your students and your audience!

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

Full orchestra

SKU: LO.30-2980L

Composed by Phill McHugh. Arranged by Thomas Fettke. Choral. Sacred Anthem, Christ the King, Eastertide, General. Orchestral score and parts. Lorenz Publishing Company #30/2980L. Published by Lorenz Publishing Company (LO.30-2980L).

UPC: 000308134353.

In this wonderful arrangement, sensitive and solid vocal writing combines with a thought-provoking text to create a powerfully expressive anthem whether performed with the gorgeous piano accompaniment or Michael Lawrence's captivating orchestration. Orchestration by Michael Lawrence for 2 Fl, Ob, 2 Cl, Bsn, 2 Hn, 2 Tpt, 2 Tbn, Tuba, Harp, Pno, Perc, Timp, 2 Vln, Vla, Cello, Bass.

Full orchestra

SKU: LO.30-3636L

Composed by Mary McDonald. Choral. Sacred Anthem. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/3636L. Published by Lorenz Publishing Company (LO.30-3636L).

UPC: 000308151756.

Orche stral Score and CD with Printable Parts for 10/5231L Mary McDonald and Rose Aspinall combine their God-given talents to deliver a mighty anthem well-suited for missions and outreach emphases. Use either the solid piano accompaniment or dramatic Michael Lawrence orchestration to present the grand statement that we are to be a tangible expression of God’s love and grace to the world.

Full orchestra

SKU: LO.30-3635L

Composed by Mary McDonald. Choral. Sacred Anthem. Orchestral score and parts. Lorenz Publishing Company #30/3635L. Published by Lorenz Publishing Company (LO.30-3635L).

UPC: 000308151749.

Orche stral Score and Parts for 10/5231L Mary McDonald and Rose Aspinall combine their God-given talents to deliver a mighty anthem well-suited for missions and outreach emphases. Use either the solid piano accompaniment or dramatic Michael Lawrence orchestration to present the grand statement that we are to be a tangible expression of God’s love and grace to the world.

By Pepper Choplin. Arranged by Michael Lawrence. For orchestra. Sacred Anthem, Advent, Christmas. Orchestral score and parts. Published by Lorenz Publishing Company

Composed by Claude Debussy (1862-1918). Arranged by Andre Caplet. Orchestra. For [2d1, 2 1, 2, 2 - 2, 2, 0, 0], timpani, percussion, harp, celeste, piano, strings. This edition: Paperback. Original Works, Ballet. Impressionist; French, Children's. Study Score. 122 pages. Published by Serenissima

Full orchestra

SKU: LO.30-3538L

Composed by Mary McDonald. Choral, cantatas. Eastertide, Holy Week. Full score and parts, plus CD with printable parts. Lorenz Publishing Company #30/3538L. Published by Lorenz Publishing Company (LO.30-3538L).

UPC: 000308148961.

The resurrection of Jesus changed the world and continues to change the world today. Jesus! The Resurrection of the Messiah tells the intimate story of the grief, the fear, the hope, the love, the tenderness, and the longing of God for His children expressed through the life, death, and resurrection of Jesus. Mary McDonald and Rose Aspinall combined their talents to create a compelling musical that will take you through the emotions of the Triumphal Entry, the raising of Lazarus, the Last Supper, the moment in the garden when Jesus is arrested, the Crucifixion, and finally to the joyous Resurrection. This work may be programmed in its entirety or presented in segments during Palm Sunday, Holy Week, and Resurrection Sunday worship settings. It may be done with choir and piano alone or can include the optional orchestrations created by Michael Lawrence and Ed Hogan. This powerful worship tool is an inspiring reminder of the life-changing impact of this Deliverer, Redeemer, and Savior….Jesus!

Orchestra (solo: pno - 3(picc).3(cor ang).2.2 - 4.2.3.1 - timp.perc - hp - cel - str)

SKU: BR.PB-15154-07

Impresiones sinfonicas - Urtext. Composed by Manuel de Falla. Edited by Ullrich Scheideler. Orchestra; Softcover. Partitur-Bibliothek (Score Library). Solo concerto; Symphonic poem; Late-romantic; Early modern. Study Score. Duration 23'. Breitkopf and Haertel #PB 15154-07. Published by Breitkopf and Haertel (BR.PB-15154-07).

ISBN 9790004215593. 6.5 x 9 inches.

Composed by Manuel de Falla during his lengthy residence in Paris, these three symphonic impressions for piano and orchestra are an expressive work bringing the southern Spanish gardens, which are laid out in the European and Arabic-Moorish tradition, to life. The influence of contemporary French music is noticeable in this composition. Despite many modifications, involving among other things, the scoring, number of movements, as well as layout and content, the basic idea of a nocturnal impression is retained from the outset. The work was finished - and likewise the orchestral material - only shortly before its premiere on 9 April 1916, which was a great success. World War I prevented its publication, though further performances followed, played then from manuscript material. The Urtext edition presented by Ullrich Scheideler takes as the main source the first edition of the score. The Critical Report gives detailed information about the source situation.

Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin

SKU: AP.36-A213048

Composed by Richard Strauss. Full Orchestra. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A213048. Published by LudwigMasters Publications (AP.36-A213048).

ISBN 9798892705271. UPC: 659359875526. English.

Richard Strauss (1864-1949) wrote his VIOLIN CONCERTO IN D MINOR, Op. 8, between 1881 and 1882, and it remained his only foray in that genre. Composed while a teenager and still in school. While still very much a product of the Romantic era tradition, the work is not considered as distinctive as the works he would produce only a few years later, and Strauss himself later ridiculed the work. Still, with inventive and bold writing in the solo and hints of his mature harmonic style to come, there is much to enjoy in the work, including its warmth, youthful sincerity, and lyrical expression, so that it should not be dismissed as mere juvenilia, either by contemporary audiences or Strauss himself. The chamber version of the concerto was first performed in Vienna on December 5, 1882, with the dedicatee Benno Walter on the violin while Strauss played his own piano reduction. The premiere for the orchestral version would take place seven years later in Cologne on March 4, 1890, with Walter again performing the solo with an orchestra conducted by Franz Wüllner. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Full orchestra

SKU: LO.30-3537L

Composed by Mary McDonald. Choral, cantatas. Eastertide, Holy Week. CD with printable parts. Lorenz Publishing Company #30/3537L. Published by Lorenz Publishing Company (LO.30-3537L).

UPC: 000308148930.

The resurrection of Jesus changed the world and continues to change the world today. Jesus! The Resurrection of the Messiah tells the intimate story of the grief, the fear, the hope, the love, the tenderness, and the longing of God for His children expressed through the life, death, and resurrection of Jesus. Mary McDonald and Rose Aspinall combined their talents to create a compelling musical that will take you through the emotions of the Triumphal Entry, the raising of Lazarus, the Last Supper, the moment in the garden when Jesus is arrested, the Crucifixion, and finally to the joyous Resurrection. This work may be programmed in its entirety or presented in segments during Palm Sunday, Holy Week, and Resurrection Sunday worship settings. It may be done with choir and piano alone or can include the optional orchestrations created by Michael Lawrence and Ed Hogan. This powerful worship tool is an inspiring reminder of the life-changing impact of this Deliverer, Redeemer, and Savior….Jesus!

Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin

SKU: AP.36-A213001

Composed by Richard Strauss. Full Orchestra. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A213001. Published by LudwigMasters Publications (AP.36-A213001).

ISBN 9798892705264. UPC: 659359870385. English.

Richard Strauss (1864-1949) wrote his VIOLIN CONCERTO IN D MINOR, Op. 8, between 1881 and 1882, and it remained his only foray in that genre. Composed while a teenager and still in school. While still very much a product of the Romantic era tradition, the work is not considered as distinctive as the works he would produce only a few years later, and Strauss himself later ridiculed the work. Still, with inventive and bold writing in the solo and hints of his mature harmonic style to come, there is much to enjoy in the work, including its warmth, youthful sincerity, and lyrical expression, so that it should not be dismissed as mere juvenilia, either by contemporary audiences or Strauss himself. The chamber version of the concerto was first performed in Vienna on December 5, 1882, with the dedicatee Benno Walter on the violin while Strauss played his own piano reduction. The premiere for the orchestral version would take place seven years later in Cologne on March 4, 1890, with Walter again performing the solo with an orchestra conducted by Franz Wüllner. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin

SKU: AP.36-A213002

Composed by Richard Strauss. Full Orchestra. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A213002. Published by LudwigMasters Publications (AP.36-A213002).

UPC: 659359873225. English.

Richard Strauss (1864-1949) wrote his VIOLIN CONCERTO IN D MINOR, Op. 8, between 1881 and 1882, and it remained his only foray in that genre. Composed while a teenager and still in school. While still very much a product of the Romantic era tradition, the work is not considered as distinctive as the works he would produce only a few years later, and Strauss himself later ridiculed the work. Still, with inventive and bold writing in the solo and hints of his mature harmonic style to come, there is much to enjoy in the work, including its warmth, youthful sincerity, and lyrical expression, so that it should not be dismissed as mere juvenilia, either by contemporary audiences or Strauss himself. The chamber version of the concerto was first performed in Vienna on December 5, 1882, with the dedicatee Benno Walter on the violin while Strauss played his own piano reduction. The premiere for the orchestral version would take place seven years later in Cologne on March 4, 1890, with Walter again performing the solo with an orchestra conducted by Franz Wüllner. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

String Orchestra string orchestra (88555) with opt. 3rd Violin/Viola TC 3 and piano - Grade 2.5

SKU: KN.36920

Composed by Susan H. Day. Solo or Ensemble. Voyager String Orchestra. Score and set of parts. Kendor Music Inc #36920. Published by Kendor Music Inc (KN.36920).

UPC: 822795369205.

Viola s take center stage in this lovely piece, which emphasizes expressive legato playing in the key of G minor. Violas have the melody throughout! Duration 3:10.

Orchestra - Grade 2.5

SKU: AP.38498S

Composed by Richard Meyer. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Multicultural. Score. 12 pages. Highland/Etling #00-38498S. Published by Highland/Etling (AP.38498S).

UPC: 038081436869. English.

Fashioned in the style of a Debussy piano prelude, this delicate piece is a refreshing break from the ordinary. Your students will love the Impressionistic colors and harmonies of this selection, and its expressive nature will help them develop a flowing, legato style. Includes brief solo passages for violin and a part for bells, cymbals, and triangle. This title is available in MakeMusic Cloud.

By Georges Bizet (1838-1875). Arranged by Richard Meyer. Orchestra. Full Orchestra; Masterworks; Part(s); Score; SmartMusic. Highland First Philharmonic. Form: Dance; Transcription. Latin; Masterwork Arrangement; Romantic. Grade 2. 184 pages. Published by Alfred Music Publishing

Orchestra - Grade 2.5

SKU: AP.49468S

Composed by Alexander Glazunov. Arranged by Andrew H. Dabczynski (ASCAP). MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland String Orchestra (HSO). Masterwork Arrangement. Score. Highland/Etling #00-49468S. Published by Highland/Etling (AP.49468S).

ISBN 9781470650155. UPC: 038081570938. English.

Both the bleak Russian midwinter landscape and the joyful celebration of a fall harvest festival are conveyed in this string arrangement by Andrew H. Dabczynski, of Autumn and Winter from Alexander Glazunov's ballet The Seasons. The expressive contrasts in this motivating set will make it a favorite of all. Optional parts for more advanced students, as well as supplementary percussion and piano parts make it an excellent concert choice for intermediate or even upper-level orchestras. (3:30) This title is available in MakeMusic Cloud.