SKU: CL.016-0317-00

March. Composed by G. Holmes. Orchestra. Score and set of parts. Composed 1922. C.L. Barnhouse #016-0317-00. Published by C.L. Barnhouse (CL.016-0317-00).

Eulenburg Audio Score Series. By Georges Bizet. This edition: EAS105. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 176 pages. Published by Eulenburg.

Orchestra

SKU: PR.41641073L

Composed by Jean Martinon. Large Score. With Standard notation. Theodore Presser Company #416-41073L. Published by Theodore Presser Company (PR.41641073L).

UPC: 680160610136.

Orchestra

SKU: PR.46600059L

Composed by Carl Wirth. Large Score. With Standard notation. Theodore Presser Company #466-00059L. Published by Theodore Presser Company (PR.46600059L).

11 x 15 inches.

(study score). By Johannes Brahms (1833-1897). Edited by Hans Gal. For orchestra. Breitkopf Full Scores. Parts, Urtext. 104 pages

By Jay Bocook. MusicWorks Grade 4. Concert Band. Score and full set of parts. Size 9x12 inches. Published by Hal Leonard.

SKU: CL.016-1019-00

March. Composed by Russell. Orchestra. American Concert Orchestra Series (30). Score and set of parts. Composed 1925. C.L. Barnhouse #016-1019-00. Published by C.L. Barnhouse (CL.016-1019-00).

#30 NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-1020-00

March. Composed by Russell. Orchestra. American Concert Orchestra Series (29). Score and set of parts. Composed 1925. C.L. Barnhouse #016-1020-00. Published by C.L. Barnhouse (CL.016-1020-00).

#29 NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-1008-00

Grand Sacred Selection. Composed by Barnard. Orchestra. American Concert Orchestra Series (8). Score and set of parts. Composed 1914. C.L. Barnhouse #016-1008-00. Published by C.L. Barnhouse (CL.016-1008-00).

#8 NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-1025-00

Grand Selection. Arranged by Barnard. Orchestra. American Concert Orchestra Series (35). Score and set of parts. Composed 1929. C.L. Barnhouse #016-1025-00. Published by C.L. Barnhouse (CL.016-1025-00).

#35 NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

Orchestra (2(picc).2(cor ang).2.A-sax.2. - 4.2.2CaP.3.0. - timp.perc - hp/pno - str)

SKU: BR.EOS-20829

Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series. Suite; Romantic. Full score. 68 pages. Duration 18'. Breitkopf and Haertel #EOS 20829. Published by Breitkopf and Haertel (BR.EOS-20829).

ISBN 9790004780275. 10 x 12.5 inches.

From Stage Flop to Concert Favorite

The story of Alphonse Daudet's drama L'Arlesienne to which Georges Bizet composed several pieces in 1872 focuses on the story of love and suicide and was inspired by true events. The musical drama had flopped at its premiere, but the suite that Bizet arranged shortly afterwards from its stage music enjoys great popularity to this very day. After Bizet's death, his friend Ernest Guiraud put together four more movements of themes and motives by Bizet for a second suite establishing a musical connection to Provence und Arles especially in the outer movements, the Pastorale and the effective Fandarole. With this edition, Breitkopf & Hartel continues its successful collaboration with Eulenburg.

Orchestra (Study Score)

SKU: HL.49004865

Score. Composed by Werner Egk. Edition Schott. Classical. Book with Audio-Online. Composed 1952. 132 pages. Schott Music #ED4408. Published by Schott Music (HL.49004865).

ISBN 9781423413134. UPC: 073999276947. 6.0x9.0x0.366 inches.

Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations


< br>With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.



The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.

Dicti on lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations


< br>With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.



The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.

Dicti on lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations


< br>With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.



The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.

Dicti on lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations


< br>With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.



The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.

Dicti on lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations


< br>With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.



The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.

SKU: CL.016-1015-00

Romance. Composed by King. Orchestra. American Concert Orchestra Series (15). Score and set of parts. Composed 1925. C.L. Barnhouse #016-1015-00. Published by C.L. Barnhouse (CL.016-1015-00).

#15 NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-9389-00

Overture. Composed by Mustol. Orchestra. American Concert Orchestra Series (31). Score and set of parts. Composed 1927. C.L. Barnhouse #016-9389-00. Published by C.L. Barnhouse (CL.016-9389-00).

#31 NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-1023-00

Sacred Fantasie. Composed by Buys. Orchestra. American Concert Orchestra Series (32). Score and set of parts. Composed 1928. C.L. Barnhouse #016-1023-00. Published by C.L. Barnhouse (CL.016-1023-00).

#32 NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-1005-00

Overture. Composed by Barnard. Orchestra. American Concert Orchestra Series (5). Score and set of parts. Composed 1913. C.L. Barnhouse #016-1005-00. Published by C.L. Barnhouse (CL.016-1005-00).

#5 NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-1001-00

Overture. Composed by Barnard. Orchestra. American Concert Orchestra Series (1). Score and set of parts. Composed 1913. C.L. Barnhouse #016-1001-00. Published by C.L. Barnhouse (CL.016-1001-00).

NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-1003-00

Composed by Barnard. Orchestra. American Concert Orchestra Series (3). Score and set of parts. Composed 1913. C.L. Barnhouse #016-1003-00. Published by C.L. Barnhouse (CL.016-1003-00).

#3 NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-1016-00

Grand March. Composed by Barnard. Orchestra. American Concert Orchestra Series (15). Score and set of parts. Composed 1925. C.L. Barnhouse #016-1016-00. Published by C.L. Barnhouse (CL.016-1016-00).

#15 NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-1017-00

Grand Sacred Potpourri. Arranged by Barnhouse. Orchestra. American Concert Orchestra Series (36). Score and set of parts. Composed 1930. C.L. Barnhouse #016-1017-00. Published by C.L. Barnhouse (CL.016-1017-00).

#36 NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-1006-00

Composed by Barnard. Orchestra. American Concert Orchestra Series (6). Score and set of parts. Composed 1913. C.L. Barnhouse #016-1006-00. Published by C.L. Barnhouse (CL.016-1006-00).

#6 NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-1018-00

Overture. Composed by King. Orchestra. American Concert Orchestra Series (34). Score and set of parts. Composed 1929. C.L. Barnhouse #016-1018-00. Published by C.L. Barnhouse (CL.016-1018-00).

#34 NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-1007-00

Mexican Serenade. Composed by Barnard. Orchestra. American Concert Orchestra Series (7). Score and set of parts. Composed 1913. C.L. Barnhouse #016-1007-00. Published by C.L. Barnhouse (CL.016-1007-00).

#7 NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-0293-00

Paraphrase. Composed by Barnhouse. Orchestra. American Concert Orchestra Series (12). Score and set of parts. Composed 1920. C.L. Barnhouse #016-0293-00. Published by C.L. Barnhouse (CL.016-0293-00).

#12 NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-0354-00

Overture. Composed by Barnard. Orchestra. American Concert Orchestra Series (13). Score and set of parts. Composed 1924. C.L. Barnhouse #016-0354-00. Published by C.L. Barnhouse (CL.016-0354-00).

#13 NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-1021-00

Medley Overture. Composed by Barnard. Orchestra. American Concert Orchestra Series (37). Score and set of parts. Composed 1930. C.L. Barnhouse #016-1021-00. Published by C.L. Barnhouse (CL.016-1021-00).

#37 NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.

SKU: CL.016-0292-00

Fantasia. Composed by Barnhouse. Orchestra. American Concert Orchestra Series (9). Score and set of parts. Composed 1920. C.L. Barnhouse #016-0292-00. Published by C.L. Barnhouse (CL.016-0292-00).

NOTE: This is a vintage orchestra publication, designed for the small theater orchestras of the very late 1800s and early 1900s – whose instrumentation varies considerably from a modern full orchestra work. Parts for standard string instruments are included, along with wind and percussion parts as scored by the musical judgment of the composer or arranger. Be cautioned that published parts might include less familiar transpositions, such as Clarinet or Cornet in A, Horn in Eb, etc. Please contact us with any specific instrumentation questions.