Critical Edition by Alessandro Borin. Composed by Antonio Vivaldi (1678-1741). Edited by Alessandro Borin. Orchestra. Classical. Softcover. 132 pages. Ricordi #PR1431. Published by Ricordi (HL.50600716).

Arranged by Leroy Anderson, orch. Douglas E. Wagner. Full Orchestra; Part(s); Score. Belwin Concert Full Orchestra. Form: Medley; Suite. Christmas; Sacred; Winter. 194 pages. Published by Belwin Music

(For Orchestra - Full Score). Composed by Giacomo Puccini (1858-1924). Edited by Pietro Spada. Orchestra. For Piccolo, Flute I, Flute II, Flute III, Oboe I, Oboe II, English Horn, II, Bass Clarinet in A, Bassoon I, Bassoon II, Horn (in E) I, Horn (in E) II, Horn (in E) III, Horn (in E) IV, Trumpet in E I, Trumpet in E II, Trumpet I, Trumpet II, Tenor I, Tenor II,. This edition: First edition. Full score (study). Standard notation. 31 pages. Duration 8 minutes. Theodore Presser Company #466-00028. Published by Theodore Presser Company

Orchestra - Grade 3

SKU: AP.46693S

Composed by Leroy Anderson. Arranged by Leroy Anderson and orchestrated by Douglas E. Wagner. Full Orchestra; Performance Music Ensemble; Single Titles. Belwin Concert Full Orchestra. Form: Medley; Suite. Christmas; Sacred; Traditional; Winter. Score. 36 pages. Duration 6:25. Belwin Music #00-46693S. Published by Belwin Music (AP.46693S).

UPC: 038081535198. English. Orchestrated by Douglas E. Wagner.

A brilliant six-and-a-half minute tour de force that will add excitement and sparkle to any December concert that includes three of the six movements found in the original Suite of Carols. Wonderful played as one piece or individually and now available for full orchestra, this arrangement by Douglas E. Wagner includes Pastores a Belén (Spanish), O, Little Town of Bethlehem (American), and Wassail Song (British).

Orchestra (Full Score)

SKU: HL.14043216

Orchestra Full Score. Composed by Michael Nyman. Music Sales America. Classical, Contemporary. Softcover. 160 pages. Chester Music #CH60952. Published by Chester Music (HL.14043216).

ISBN 9781783056200. English.

Mic hael Nyman's Musique A Grande Vitesse (MGV) translates as ‘high speed music’ and was commissioned by the Festival de Lille for the inauguration of the TGV North EuropeanParis-Lille line in 1993.

This piece of sheet music runs continuously, but was conceived as an abstract, imaginary journey; or rather five inter-connected journeys, each ending with a slow, mainly stepwise melody which isonly heard in its 'genuine' form when the piece reaches its destination.

Thematic 'transformation' is a key to MGV as a whole. Throughout the piece ideas - rhythmic, melodic, harmonic, motivic, textural -constantly change their identity as they pass through different musical 'environments'.

The opening bars establish both a recurrent rhythmic principle - 9, 11, or 13-beat rhythmic cycles heard against a regular 8 - and aharmonic process - chord sequences (mainly over C and E) which have the note E in common. (Coincidentally, MGV begins in C and ends in E). A later scalic, syncopated figure (again first heard over C, E and A)begins the second section, featuring Brass, in D flat.

The topography of MGV should be experienced without reference to planning, description or timetables. Its tempo changes and unpredictable slowings downbear no logical relation to the high speed of the Paris-Lille journey, while the temptation to treat MGV as a concerto grosso, with the Michael Nyman band as the ripeno, was resisted: more suitably theband (amplified in live performance) lays down the tracks on which MGV runs.

(Warm-up Exercises for Tone and Technique for Advanced String Orchestra (Conductor's Score)). By Bob Phillips and Kirk Moss. Orchestra. For Conductor's Score. This edition: Conductor's Score. Method/Instruction; Score; SmartMusic; String Orchestra Method/

(Warm-up Exercises for Tone and Technique for Advanced String Orchestra (Piano Acc.)). Composed by Bob Phillips and Kirk Moss. Orchestra. For Piano Acc.. This edition: Piano Accompaniment. Book; Method/Instruction; SmartMusic; String Orchestra Method/Supplement. Sound Innovations Series for Strings. 108 pages. Published by Alfred Music

(Warm-up Exercises for Tone and Technique for Advanced String Orchestra (Bass)). By Bob Phillips and Kirk Moss. Orchestra. For Bass. This edition: Bass. Book; Method/Instruction; SmartMusic; String Orchestra Method/Supplement. Sound Innovations Series for

Orchestra (Score)

SKU: HL.50086420

Study Score. Composed by Wolfgang Amadeus Mozart. Study Score. Classical, Collection, Symphony. Score Only. Composed 1982. Ricordi #PR777. Published by Ricordi (HL.50086420).

UPC: 884088105457. 5.25x7.5x2.241 inches.

Orchestra (3 x Flutes I/II (doubling Piccolo)/Solo Flute (3 players), 2 x Oboes I/II, 2 x Clarinets in A/B-flat I/II, 2 x Bassoons I/II, 4 x Horns in E-flat/E/F/G I/II/III/IV, 2 x Trumpets in E/F I/II, 2 x Cornets in B-flat I/II, 3 x Trombones I/II/III, 1 x Tuba, 1 )

SKU: C4.9790-900969354

Composed by Charles Marie Widor. Edited by Daniel Mitterdorfer and Harold Fabrikant. Instrumental parts. Crescendo Music Publications #9790-900969354. Published by Crescendo Music Publications (C4.9790-900969354).

ISBN 9790900969354.

Soprano, baritone, spoken voice, mixed choir (SSSSAAAATTTTBBBB, and 9 boys' voices, S/A) and orchestra (Score) - difficult

SKU: HL.49006187

(The Raft of the Medusa). Composed by Hans Werner Henze. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1968/1990. 168 pages. Duration 70'. Schott Music #ED6326. Published by Schott Music (HL.49006187).

ISBN 9790001067270. UPC: 884088099282. 8.25x11.75x0.41 inches. German - English.

4 (1., 2. auch Picc., 3., 4. auch Altfl.) * 1 * Ob. d'am. * Engl. Hr. * Heckelphon * Es-Klar. * 1 * Altklar. (oder Bassetthr.) * Bassklar. * Sopransax. * Tenorsax. * 2 * Kfg. - 4 * Picc.-Trp. * 2 * Basstrp. * Altpos. * 1 * Basspos. * Alt-Ofikleide (oder Bombardino) * Bass-Ofikleide (oder Pos. mit Quartventil) * Bombardino (oder Tb. in F) * Wagnertb. * 1 * Kb.-Tb. - P. S. (3 Trgl. * 3 hg. Beck. * Beckenpaar * 3 Gongs * Kuhgl. * 5 Tamt. * Tamb. * Mil. Tr. * 3 Bong. * Tabla * orient. Woodbl. * gr. Tr. * 2 Tempelbl. * Metallbl. * Woodbl. * Mar. * Guiro * Bambusbundel * 3 Metallplatten * Shell-Chimes * Vibr. * Marimba * Rohrengl.) (12 Spieler) - E-Git. * E-Bassgit. * 2 Hfn. * Klav. * E-Org. - Str. (12 * 0 * 8 * 6 * 4).

(Bekannte Melodien im Foxtrot-Rhythmus). By Walter Kollo / Paul Lincke. For combo (2 violin I/II, violin III, 1st part B-flat, 1st/2nd part E-flat, 2nd part B-flat, 3rd part E-flat/B-flat, 4th part E-flat/B-flat, 5th part, accordion, guitar, bass, percussion). Orchestra. Piano score and parts. 20 pages. Published by Apollo Verlag

Orchestra (2 x Flutes I/II (doubling Piccolo), 2 x Oboes I/II, 2 x Clarinets in A/B-flat I/II, 2 x Bassoons I/II, 4 x Horns in E-flat/E/F/G I/II/III/IV, 2 x Trumpets in C/E/F I/II, 2 x Cornets in A/B-flat I/II, 3 x Trombones I/II/III, 1 x Ophicleide, 1 x Timpani (3 )

SKU: C4.9790-900969323

Composed by Charles Marie Widor. Edited by Daniel Mitterdorfer and Harold Fabrikant. Instrumental parts. Crescendo Music Publications #9790-900969323. Published by Crescendo Music Publications (C4.9790-900969323).

ISBN 9790900969323.

Orchestra (Study Score)

SKU: HL.49009774

Composed by George Frideric Handel. Edited by Michael Nyman. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 1739. Op. 6/11. 53 pages. Duration 19'. Eulenburg Edition #ETP 273. Published by Eulenburg Edition (HL.49009774).

ISBN 9790200202502. UPC: 073999599268. 5.25x7.5x0.132 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

By George Gershwin. Arranged by Douglas E. Wagner. By George Gershwin / arr. Douglas E. Wagner. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Level: grade 3.5 Blue. Conductor Score & Parts. Published by Alfred Publishing.

Orchestra - Grade 2

SKU: AP.45834

Composed by William Byrd. Arranged by Douglas E. Wagner. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Form: Suite. Masterwork Arrangement; Renaissance. Score and Part(s). 144 pages. Duration 4:25. Belwin Music #00-45834. Published by Belwin Music (AP.45834).

UPC: 038081526454. English.

The keyboard music of English composer William Byrd (1543--1623) has long been regarded as some of the most representative works produced during the late Renaissance period. The Fitzwilliam Virginal Book, the quintessential source of music for this idiom of the time, is also the source of the three Byrd titles included in this suite: The Bells, John, and Sellinger's Round.

The arrangements by Douglas E. Wagner are richly scored to flatter the sound of ensembles of any size. Care has been taken to eliminate technical obstacles for younger players, with musically interesting individual parts a strong consideration. (4:25).

Orchestra (picc.2.2.cor ang.2.B-clar.2.dble bsn - 4.3.3.1. - timp.perc(3) - hp - cel - str)

SKU: BR.PB-5105-07

Study score. Composed by Jurg Baur. Softbound. Partitur-Bibliothek (Score Library).

World premiere: Bremen, February 1, 1982

Symphony; Music post-1945. Study Score. Composed 1981. 68 pages. Duration 17'. Breitkopf and Haertel #PB 5105-07. Published by Breitkopf and Haertel (BR.PB-5105-07).

ISBN 9790004208557. 9 x 12 inches.

Gesualdo, Don Carlo, Furst von Venosa (1560-1613) gehort zu den eigenwilligsten italienischen Madrigal-Komponisten der Spatrenaissance. Seine ungewohnlich kuhne, selbst fur heutige Ohren modern klingende Harmonik, seine chromatischen Stimmfortschreitungen, seine ubersteigerte expressive Tonsprache regten mich schon vor Jahren zu einer grosseren Orgelkomposition an und inspirierten mich 1981 zu den >>Sinfonischen Metamorphosen<<. Dieses Werk ist eine vielgestaltige weitausgesponnene Fantasie. Sieben choralartige typische Klangbeispiele aus Gesualdos spaten funfstimmigen Madrigalen (4., 5. u. 6. Band) werden teils streng, teils frei zitiert und von Holz- oder Blechblasern intoniert. Diese Zitate gliedern, als formale und inhaltliche Schwer- und Ruhepunkte, den Verlauf des gesamten Werks. Jedes Zitat steht zu Beginn eines neuen Satzabschnitts; die darauffolgenden >>Metamorphosen<< entwickeln sich als rhapsodische kontrastreiche Charakterstucke. Im >>Preludio<< werden aus den vertonbaren Buchstaben vom Namen >>Gesualdo<< (G - E - Es - A - D) schwebende Klangflachen, rezitativische Gedanken und ein pragnantes rhythmisches Paukenthema gebildet. Diese ,,Grundelemente (Grundstrukturen) tauchen im Verlauf des Stucks immer wieder leitmotivisch auf. Im zweiten Abschnitt stehen sich lineare Streicher-Episoden und dichte Blaser-Klangballungen kontrastierend gegenuber. Der dritte Teil lauft als Passacaglia (Thema ist der Bass eines Gesualdo-Zitats) in mehreren Variationen ab. Im vierten Abschnitt dominiert lebhafte Streicherbewegung, kontrapunktiert von tiefen Blaser-Signalen. Der funfte Teil steigert sich- nach kantablem Beginn- zum ekstatischen Trauermarsch. Abschnitt sechs stellt sich als >>Rondello<< dar, mit um sich selbst kreisenden Klangfiguren (in verschiedenen Tongruppen (zwei, drei, funf). Im siebten und letzten Teil wird die verhalten-resignierende Stimmung des Anfangs beschworen, ehe eine knappe Stretta in den hymnischen Schluss mundet. In den Textender ausgewahlten Zitatstellen geht es meist um Todessehnsucht, Liebesqual und Verzweiflung. z. B. 1. und 2. Zitat: Moro lasso, al mio duolo (Ich sterbe, matt, an meiner Qual) (6. Buch) 3. Zitat: Gia piansi nel dolore; o dolorosa Sorte (Schon weinte ich in Schmerzen, oh schmerzliches Geschick) (6. Buch) 4. Zitat: Ahi gia mi discolero (Ach schon entfarbte ich mich) (Wehe, der Tod kommt) (4. Buch) 5. Zitat: Dolcissima mia vita (Mein allerliebstes Leben) (Dich zu lieben oder zu sterben) (5. Buch) 6. Zitat: lo moro (Ich sterbe) (5. Buch) Dem Werk liegen zwar eine Reihe von dodekaphonischen Strukturen zugrunde (die teilweise von Gesualdos Klangzitaten abgeleitet wurden), doch sind die einzelnen Abschnitte auf,,tonale Pfeiler (G - E - A - D) gegrundet; das Stuck beginnt in G und endet aufD, ist also ubergeordnet tonal konzipiert, - der Versuch einer Synthese moderner Ausdrucksmittel von Vergangenheit und Gegenwart. Die >>Metamorphosen<< sind ein Stuck Bekenntnismusik - Bekenntnis zum Leben und Schaffen Gesualdos, eines Mannes, der vom Schicksal gezeichnet war, denn der Chronik Neapels bekannt war durch die Ermordung seiner ersten Frau und ihres Liebhabers. Dieser eminente Musiker war zugleich ein Mensch von ubertriebener Sensibilitat und wilder ekstatischer Heftigkeit: ,,Er wurde von einer Horde von Damonen heimgesucht, die ihm keine Ruhe gaben, heisst es in einem zeitgenossischen Bericht. Seine Kunst und sein Leben stand unter dem Gesetz der inneren Zerrissenheit, zwischen Auflehnung und Resignation (Verzweiflung und Hoffnung), zwischen Zartheit und Leidenschaft. Davon will meine Musik etwas aussagen. (Jurg Baur)CD:Sinfonieorchester des Westdeutschen Rundfunks, cond. Rudolf BarschaiCD Thorofon CTH 2270Bibliography:Abels, Robert: Studien zur Gesualdo-Rezeption durch Komponisten des 20. Jahrhunderts (= Studien zur Musik 20), Leiden u. a.: Wilhelm Fink 2017, pp. 277-345, 485-489.Wallerang, Lars: Die Orchesterwerke Jurg Baurs als Dialog zwischen Tradition und Moderne, Koln: Dohr 2003.

March and One Step. Composed by Henry Fillmore (1881-1958). Edited by Robert E. Foster. Arranged by Robert E. Foster. Authentic Fillmore Edition. Score and part(s). With Standard notation. Duration 1 minute, 48 seconds. Carl Fischer #CB148. Published by Carl Fischer

By Witold Lutoslawski. For Orchestra. 20th Century. Sheet Music. 150 pages. Published by Chester Music.