Composed by Lauren Bernofsky (1967-). For string orchestra. Grade 1. Score and set of parts. Duration 1 minute, 30 seconds. Published by Grand Mesa Music

Arranged by Douglas E. Wagner. Part(s); Score; String Orchestra. Belwin Beginning String Orchestra. Form: Medley. Christmas; Sacred; Secular; Winter. 72 pages. Published by Belwin Music (AP.45820).

Orchestra String Orchestra - Grade 1

SKU: CF.BAS5

Composed by Joseph Compello. SWS - FS. Carl Fischer Beginning String Orchestra Series. Classical. Score and Parts. With Standard notation. 12+8+8+5+5+5+3+2 pages. Duration 2:30. Carl Fischer Music #BAS5. Published by Carl Fischer Music (CF.BAS5).

ISBN 9780825845086. UPC: 798408045081. 8.5 X 11 inches. Key: D major.

The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi no tes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

By Johannes Brahms (1833-1897). Arranged by Bill Schuetter. For string quintet or orchestra. Level 3 . Duration 1 minute 50 seconds. Published by Imagine Music

By André Campra. Arranged by Douglas E. Wagner. Orchestra. Part(s); Score; SmartMusic; String Orchestra. Belwin Very Beginning String Orchestra. Baroque; Masterwork Arrangement. Grade 1. 66 pages. Published by Belwin Music

(God Rest Ye Merry Gentlemen). Composed by Traditional. Arranged by Frizzi. For string orchestra (88555) with optional 3rd violin/viola TC (3 copies). Cadet String Orchestra Series. Grade 2. Score and set of parts. Duration 1 minute, 50 seconds. Published by Kendor Music Inc

By Richard Meyer. Orchestra. Score; String Orchestra. HighlandåÊString Explorer. Light Concert; Novelty. Grade 1.5. 8 pages. Published by Alfred Music Publishing

Arranged by Virginia Croft. Score and part(s). 8 70 pages. Duration 1 minute, 52 seconds. Carl Fischer #FAS0095. Published by Carl Fischer (CF.FAS95).

Arranged by Deborah Baker Monday. For string orchestra. Orchestra. FJH Beginning Strings. Grade 1. Score and set of parts. Duration 1 minute, 15 seconds. Published by The FJH Music Company Inc

By Peter Ilyich Tchaikovsky. Arranged by Lloyd Conley. (Score and Parts). Music for String Orchestra. Published by Hal Leonard.

By James McLeod. Orchestra Method/Study. Night in Vienna. Level: Grade 4. Music Book. Published by Neil A. Kjos Music Company.

Composed by Brian Balmages. For string orchestra. FJH Beginning Strings. Grade 1.5. Score and parts. Duration 1 minute, 45 seconds. Published by The FJH Music Company Inc

By Richard Meyer. Orchestra. For string w/ vln3, pno acc. Part(s); Score; String Orchestra. HighlandåÊString Explorer. Light Concert; Novelty. Grade 1.5. 74 pages. Published by Alfred Music Publishing

Full Score. Composed by Gerald Finzi (1901-1956). Boosey and Hawkes Scores/Books. Softcover. Boosey and Hawkes #M060123382. Published by Boosey and Hawkes (HL.48023746).

Orchestra String Orchestra - Grade 1

SKU: CF.BAS5F

Composed by Joseph Compello. Carl Fischer Beginning String Orchestra Series. Full score. With Standard notation. 12 pages. Carl Fischer Music #BAS5F. Published by Carl Fischer Music (CF.BAS5F).

ISBN 9780825845093. UPC: 798408045098. 8.5 X 11 inches.

The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi no tes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

Composed by Edvard Grieg (1843-1907). Arranged by Pierre La Plante. Developing Strings. FJH Developing Strings. Score and parts. Duration 3 minutes, 15 seconds. Published by The FJH Music Company Inc (FJ.ST6409).

Arranged by Donald Coakley. For string orchestra. Grade 2. Score and parts. Duration 2 minutes, 1 second. Published by BRS Music

Arranged by Paul Clark. String Orchestra with Jazz Ensemble. Score and parts. Duration 2 minutes, 36 seconds. Published by Arco String Publications (CL.ARC-7033-00).

Composed by Greg Bartholomew. For "trumpet, timpani & string orchestra". Pathways Series. Level 4. Score and set of parts. Duration "3 minutes, 40 seconds". Published by Imagine Music

Composed by Greg Bartholomew. For "trumpet, percussion & string orchestra". Pathways Series. Level 4. Score and set of parts. Duration "3 minutes, 40 seconds". Published by Imagine Music

By Vance Zuehlsdorff. Edited by J. Cameron Law. For string orchestra. Grade 2+. Score and set of parts. Duration 3 minutes, 30 seconds. Published by Grand Mesa Music

By Michael Hopkins. For string orchestra (88555) with optional 3rd violin/viola TC (3 copies) and piano. Playground String Orchestra Series. Grade 1. Score and set of parts. Duration 2 minutes, 25 seconds. Published by Kendor Music Inc

For String Orchestra. Composed by Dmitri Shostakovich (1906-1975). Arranged by Lauren Keiser. Southern Music. Classical. Softcover. Southern Music Company #SO125C. Published by Southern Music Company

Composed by Frederic Chopin (1810-1849). Arranged by Bob Lipton. String Orchestra. FJH String Orchestra. Score and parts. Duration 3 minutes. Published by The FJH Music Company Inc (FJ.ST6391).

Composed by Gary Edwards. For string orchestra. Pathways Series. Grade 3. Full set. Duration 3 minutes, 45 seconds. Published by Imagine Music

Doppelkonzert. Composed by Arvo Part (1935-). World Premiere: in Tallinn / Estonia; by the Estonian Chamber Orchestra; conducted by Eri Klas. Study score. With Standard notation. Composed 1977. Duration 27 minutes. Universal Edition #UE31937. Published by Universal Edition

By Matt Turner. For string orchestra (violin I, violin II, violin III (viola T.C.), viola, cello, bass, drums, piano). Score and parts. Duration 3 minutes, 06 seconds. Published by Carl Fischer

Composed by Ludwig Maurer. Edited by J. Cameron Law. Arranged by Bob Lipton. For string orchestra. Grade 3+. Score and set of parts. Duration 4 minutes, 20 seconds (total). Published by Grand Mesa Music

Composed by George Frideric Handel (1685-1759). Edited by J. Cameron Law. Arranged by Ronald Wilcott. For string orchestra. Grade 2. Score and set of parts. Duration 2 minutes, 10 seconds. Published by Grand Mesa Music