A Swingin' Holiday Orchestre à Cordes [Conducteur] - Intermédiaire Belwin
(Featuring: We Three Kings / Silent Night / Jolly Old St. Nicholas). Arranged by...(+)
(Featuring: We Three
Kings / Silent Night /
Jolly Old St. Nicholas).
Arranged by Ralph Ford.
Orchestra. Full
Orchestra; Score. Belwin
Concert Full Orchestra.
Form: Medley; Waltz.
Christmas; Jazz; Light
Concert; Swing; Winter.
Grade 3. 12 pages.
Published by Belwin
Publishing
By Bert Ligon. Orchestra.
Part(s); Score; String
Orchestra. Highland
String Alternatives.
Jazz; Light Concert;
Swing. Grade 3.5. 132
pages. Published by
Alfred Music Publishing
Ready, Set, Swing! Orchestre à Cordes [Conducteur] - Débutant Kjos Music Company
Orchestra string orchestra - Grade 1/2 SKU: KJ.SO282F Composed by Robert ...(+)
Orchestra string
orchestra - Grade 1/2
SKU: KJ.SO282F
Composed by Robert Frost.
Edited by Mary Elledge.
Score. Neil A. Kjos Music
Company #SO282F.
Published by Neil A. Kjos
Music Company
(KJ.SO282F).
An
innovative suite for
piano and beginning
strings, this selection
introduces young players
to the wonders of jazz.
Primarily in open-string
ensemble unison, your
beginners will delight in
accompanying a pianist
through a collection of
both new and familiar
material. Ready, Set,
Swing! Full Score.
Composed by Katie O'Hare
LaBrie. Novelty.
Rhapsody. Set of parts.
Excelcia Music Publishing
#RSO2201. Published by
Excelcia Music Publishing
(XC.RSO2201).
12 x 9
inches.
Imagine
strolling down a busy
downtown boulevard in the
middle of the 20th
century. Streetlights
shining. Car horns
honking. This is exactly
the feel of Katie's new
work Play that Swing.
From SOPHISTICATED LADIES. By Duke Ellington, Irving Mills. Arranged by Robert L...(+)
From SOPHISTICATED
LADIES. By Duke
Ellington, Irving Mills.
Arranged by Robert
Longfield. (Score and
Parts). Easy Pops
Specials For Strings.
Published by Hal Leonard.
Composed by Katie O'Hare
LaBrie. Novelty.
Rhapsody. Score. Excelcia
Music Publishing
#RSO2201FS. Published by
Excelcia Music Publishing
(XC.RSO2201FS).
12 x 9
inches.
Imagine
strolling down a busy
downtown boulevard in the
middle of the 20th
century. Streetlights
shining. Car horns
honking. This is exactly
the feel of Katie's new
work Play that Swing.
God Rest Ye Merry Gentlemen Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(A Swinging Christmas). Arranged by Randy Sabien. Orchestra. Part(s); Score; Str...(+)
(A Swinging Christmas).
Arranged by Randy Sabien.
Orchestra. Part(s);
Score; String Orchestra.
Highland String
Alternatives. Christmas;
Jazz; Winter. Grade 3.
132 pages. Published by
Alfred Music Publishing
Composed by Doris Gazda.
Edited by Amy Rosen.
FS-SWs. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
20+24+24+6+15+15+15
pages. Carl Fischer Music
#CAS7. Published by Carl
Fischer Music (CF.CAS7).
ISBN 9780825847578.
UPC: 798408047573. 8.5 X
11 inches. Key: D
major.
When you
have the good fortune to
visit Red Rock country in
the southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag is
challenging stylistically
and rhythmically. It
would be appropriate to
study both the ragtime
and swing styles while
working on it. When
you have the good fortune
to visit Red Rock country
in the southwestern
United States, you will
all at once feel that
majesty and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista.The Red
Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red
color.Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock
Rag is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it.
The Boogie-Man Blues Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Carrie Lane Gruselle. Orchestra. SmartMusic; String Orchestra. String Orchest...(+)
By Carrie Lane Gruselle.
Orchestra. SmartMusic;
String Orchestra. String
Orchestra. Blues; Fall;
Halloween; Light Concert;
Novelty. Grade 2.
Conductor Score and
Parts. 114 pages.
Published by Alfred Music
Score and Parts Blues;
Fall; Halloween; Light
Concert; Novelty
Stringin' the Blues Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire FJH
By Martin Norgaard. String Orchestra. FJH String Orchestra. Score for this title...(+)
By Martin Norgaard.
String Orchestra. FJH
String Orchestra. Score
for this title: ST6119S.
Extra part for this
title: ST6119P. Level:
3.5. Published by The FJH
Music Company Inc.
Composed by Thom Sharp.
Performance Music
Ensemble; String
Orchestra. Ludwig
Masters. Swing. Score and
Part(s). Latham Music
Enterprises #36-52250486.
Published by Latham Music
Enterprises
(AP.36-52250486).
English.
This
fast swing piece in G
minor is playfully
sneaky! With a
catchy, singable tune,
this work features a
tutti pizzicato section,
as well as some melodic
moments for bass and
celli. All parts
remain in first position,
with a couple of
"funky"
accidentals thrown in for
fun. The
swing-eighth feel keeps
the mood appropriately
shadowy!
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Score Only.
Composed by Carrie Lane
Gruselle. Series; String
Orchestra. FJH String
Orchestra. Funk, swing,
and rock 'n' roll are the
styles featured in this
medley, which was written
to inspire and showcase
the bass section. In
addition, instruments are
challenged with jazz
rhythms, bowings, and
harmonies. A section has
been included for
improvi. Score. Duration
4:30. The FJH Music
Company Inc #98-ST6174S.
Published by The FJH
Music Company Inc
(FJ.ST6174S).
English.
Let
your bass section shine
and groove in this upbeat
medley of funk, swing and
good ol' fashioned rock
'n' roll! Opportunities
for improvisation are
included (with written
parts as well) and an
optional drum set part
really adds to the flair.
While the basses show
off, the other sections
of the orchestra also
experience the contagious
rhythms and melodies as
they get down and rock
out. An absolute
showstopper!
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
By Franz Xavier Gruber. Arranged by Ralph Ford. By Franz Xavier Gruber / arr. Ra...(+)
By Franz Xavier Gruber.
Arranged by Ralph Ford.
By Franz Xavier Gruber /
arr. Ralph Ford. For
String Orchestra. String
Orchestra. Belwin
Beginning String
Orchestra. Level: 2 (Red)
(grade 2 Red). Conductor
Score and Parts.
Published by Alfred
Publishing.
Score Only.
Arranged by Stephen
Bulla. Series; String
Orchestra. FJH Beginning
Strings. Light Concert;
Novelty. Score. Duration
1:49. The FJH Music
Company Inc #98-ST6045S.
Published by The FJH
Music Company Inc
(FJ.ST6045S).
English.
Stephen
Bulla, arranger for the
White House Orchestra,
has set this spiritual in
a swing style. This
delightful crowd pleaser
will help teach basic
swing concepts to your
beginning orchestra
members.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Arranged by Stephen
Bulla. Series; String
Orchestra. FJH Beginning
Strings. Light Concert;
Spiritual. Score and
Part(s). Duration 1:49.
The FJH Music Company Inc
#98-ST6045. Published by
The FJH Music Company Inc
(FJ.ST6045).
UPC:
674398212750.
English.
Stephen
Bulla, arranger for the
White House Orchestra,
has set this spiritual in
a swing style. This
delightful crowd pleaser
will help teach basic
swing concepts to your
beginning orchestra
members.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Score Only.
Composed by Spiritual.
Arranged by Carrie Lane
Gruselle. Series; String
Orchestra. FJH Beginning
Strings. Holiday Pops;
Spiritual. Score.
Duration 1:30. The FJH
Music Company Inc
#98-ST6452S. Published by
The FJH Music Company Inc
(FJ.ST6452S).
English.
Combini
ng two well-known
African-American
spirituals (Chatter with
the Angels and All Night,
All Day), this
arrangement offers the
opportunity to swing or
play straight eighth
notes. Students will
perform with confidence
as they play familiar
rhythms and memorable
melodies through colorful
and engaging
orchestration.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Composed by Spiritual.
Arranged by Carrie Lane
Gruselle. Series; String
Orchestra. FJH Beginning
Strings. Holiday Pops;
Spiritual. Score and
Part(s). Duration 1:30.
The FJH Music Company Inc
#98-ST6452. Published by
The FJH Music Company Inc
(FJ.ST6452).
UPC:
241444388020.
English.
Combining
two well-known
African-American
spirituals (Chatter with
the Angels and All Night,
All Day), this
arrangement offers the
opportunity to swing or
play straight eighth
notes. Students will
perform with confidence
as they play familiar
rhythms and memorable
melodies through colorful
and engaging
orchestration.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
By Matt Turner. For string orchestra (violin I, violin II, violin III (viola T.C...(+)
By Matt Turner. For
string orchestra (violin
I, violin II, violin III
(viola T.C.), viola,
cello, bass, drums,
piano). Score and parts.
Duration 3 minutes, 06
seconds. Published by
Carl Fischer
Score Only.
Composed by Traditional.
Arranged by Carrie Lane
Gruselle. Series; String
Orchestra. FJH String
Orchestra. Multicultural.
Score. Duration 2:30. The
FJH Music Company Inc
#98-ST6397S. Published by
The FJH Music Company Inc
(FJ.ST6397S).
English.
The
African-American
spiritual Aint-a That
Good News! exuberantly
expresses joy and hope.
Set as a slow swing,
plenty of articulations
help students achieve the
proper style. Basses and
cellos experience the
walking bass lines and
all students will stretch
their right hand bowing
skills while discovering
a number of chromatics in
the left hand.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Johns Creek Jump Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Tim Aucoin. Orchestra. For string w/ pno acc and drumset. Part(s); Score; Str...(+)
By Tim Aucoin. Orchestra.
For string w/ pno acc and
drumset. Part(s); Score;
String Orchestra.
Highland String
Alternatives. Blues;
Jazz; Light Concert;
Swing. Grade 3.5. 132
pages. Published by
Alfred Music
Arranged by Carrie Lane Gruselle. Arr. Carrie Lane Gruselle. For String Orchestr...(+)
Arranged by Carrie Lane
Gruselle. Arr. Carrie
Lane Gruselle. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 3
(grade 3). Conductor
Score. 8 pages. Published
by Alfred Publishing.
Moon Bass Orchestre à Cordes - Facile Alfred Publishing
(Bass Section Feature). By Todd Parrish. Orchestra. For string. Part(s); Score; ...(+)
(Bass Section Feature).
By Todd Parrish.
Orchestra. For string.
Part(s); Score; String
Orchestra. Highland
String Orchestra. Blues;
Jazz/Fusion; Light
Concert; Swing. Grade 2.
62 pages. Published by
Alfred Music Publishing
By Soon Hee Newbold.
Beginning String
Orchestra. FJH Beginning
Strings. Score for this
title: ST6109S. Extra
part for this title:
ST6109P. String
Orchestra. Level: 1.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
