By Gustav Mahler. Arranged by Carrie Lane Gruselle. Music by Gustav Mahler / arr...(+)
By Gustav Mahler.
Arranged by Carrie Lane
Gruselle. Music by Gustav
Mahler / arr. Carrie Lane
Gruselle. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 3
(grade 3). Conductor
Score. 8 pages. Published
by Alfred Publishing.
Orchestra String Orchestra - Grade 2 SKU: FJ.ST6379 Composed by Gustav Ma...(+)
Orchestra String
Orchestra - Grade 2
SKU: FJ.ST6379
Composed by Gustav
Mahler. Arranged by
Carrie Lane Gruselle.
Series; String Orchestra.
FJH Developing Strings.
Holiday Pops. Score and
Part(s). Duration 2:45.
The FJH Music Company Inc
#98-ST6379. Published by
The FJH Music Company Inc
(FJ.ST6379).
UPC:
674398233809.
English.
This
angelic fanfare provides
a unique opportunity for
your students to study
the music of Mahler in an
approachable grade level!
Optional hand bells add a
glorious effect while
students explore a wealth
of articulations
including accents,
staccato, spiccato and
tenuto. A fantastic
arrangement that
showcases the work of a
musical genius!
About FJH
Developing
Strings
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5
Score Only.
Composed by Gustav
Mahler. Arranged by
Carrie Lane Gruselle.
Series; String Orchestra.
FJH Developing Strings.
Holiday Pops. Score.
Duration 2:45. The FJH
Music Company Inc
#98-ST6379S. Published by
The FJH Music Company Inc
(FJ.ST6379S).
English.
This
angelic fanfare provides
a unique opportunity for
your students to study
the music of Mahler in an
approachable grade level!
Optional hand bells add a
glorious effect while
students explore a wealth
of articulations
including accents,
staccato, spiccato and
tenuto. A fantastic
arrangement that
showcases the work of a
musical genius!
About FJH
Developing
Strings
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5
By Deborah Baker Monday. Music by Deborah Monday. For String Orchestra. String O...(+)
By Deborah Baker Monday.
Music by Deborah Monday.
For String Orchestra.
String Orchestra. String
Orchestra. Conductor
Score and Parts. 2 pages.
Published by Alfred
Publishing.
Conquistador! Orchestre à Cordes [Conducteur] Alfred Publishing
By Deborah Monday. Music by Deborah Monday. For String Orchestra. String Orchest...(+)
By Deborah Monday. Music
by Deborah Monday. For
String Orchestra. String
Orchestra. String
Orchestra. Conductor
Score. 12 pages.
Published by Alfred
Publishing.
Composed by Deborah Baker
Monday. String Tracks
XVIII. Score. Neil A.
Kjos Music Company
#SO392F. Published by
Neil A. Kjos Music
Company (KJ.SO392F).
UPC:
8402704851.
Menuet from Le tombeau
de Couperin is
an exquisite sampling
from the repertoire of
Maurice Ravel. Deborah
Baker Monday has retained
the purity of the
original and has set it
so that emerging young
orchestras can learn and
enjoy this enchanting
music.
Composed by Deborah Baker
Monday. String Tracks
XVIII. Full set. Neil A.
Kjos Music Company
#SO392C. Published by
Neil A. Kjos Music
Company (KJ.SO392C).
UPC:
8402704850.
Menuet from Le tombeau
de Couperin is
an exquisite sampling
from the repertoire of
Maurice Ravel. Deborah
Baker Monday has retained
the purity of the
original and has set it
so that emerging young
orchestras can learn and
enjoy this enchanting
music.
Composed by Deborah Baker
Monday. String Tracks
XVIII. Score. Neil A.
Kjos Music Company
#SO385F. Published by
Neil A. Kjos Music
Company (KJ.SO385F).
UPC:
8402704811.
The
music in Deborah Baker
Monday's
Jubilation flows from being
noble, nostalgic,
reflective, energetic to
explosive, with
dance-like qualities at
the end! Includes a cello
solo. Some meter and key
changes. A superb concert
and festival selection
for advanced middle
school orchestras.
Composed by Deborah Baker
Monday. Score and parts.
Neil A. Kjos Music
Company #SO368C.
Published by Neil A. Kjos
Music Company
(KJ.SO368C).
UPC:
084027046661.
This
work originated in 1780,
but was made famous by
Igor Stravinsky in his
arrangements of pieces
for Pulcinella. Once
again, Deborah Baker
Monday has created a
phenomenal arrangement
(from Gallo's original)
for students today to
learn, enjoy, and
perform.
Composed by Deborah Baker
Monday. Arranged by
Deborah Baker Monday.
Score only. Neil A. Kjos
Music Company #SO321F.
Published by Neil A. Kjos
Music Company
(KJ.SO321F).
UPC:
084027032190.
An
unforgettable, jazzy take
on a timeless classic,
this unique arrangement
will work double duty
introducing your students
to both Vivaldi and
swing. The selection
includes two versions of
the piece, standard and
seasoned. Not to be
missed. 1:20.
Composed by Deborah Baker
Monday. Score only. Neil
A. Kjos Music Company
#SO368F. Published by
Neil A. Kjos Music
Company (KJ.SO368F).
UPC:
084027046678.
This
work originated in 1780,
but was made famous by
Igor Stravinsky in his
arrangements of pieces
for Pulcinella. Once
again, Deborah Baker
Monday has created a
phenomenal arrangement
(from Gallo's original)
for students today to
learn, enjoy, and
perform.
'rc Orchestre à Cordes [Conducteur] University Of York Music Press
String Orchestra SKU: BT.MUSM570367467 Composed by James Weeks. Classical...(+)
String Orchestra
SKU:
BT.MUSM570367467
Composed by James Weeks.
Classical. Score Only.
University of York Music
Press #MUSM570367467.
Published by University
of York Music Press
(BT.MUSM570367467).
English.
James
Weeks ' Ærc
for any number of
orchestral string
instruments (at least
12). Composed and
published 2016. Duration:
26-30 minutes. Ærc
is the Old Engliosh word
for ark, dervied from the
Latin arca, a chest. Here
it denotes an enclosed
space, perhaps of refuge
or safety, certainly of
intimacy. As in the ark
or Noah, the players are
paired, entering the
figurative space of the
work two-by-two and
creating a dense
polyphonic texture (a
giant viol consort) from
breath-like bow-strokes,
each pair in rythmic
unison, before exiting in
sequence.
Composed by Jindrich Feld. Czech title: Komorni symfonieta pro smy ce. Classical...(+)
Composed by Jindrich
Feld. Czech title:
Komorni symfonieta pro
smy ce. Classical,
orchestral music. Score.
With Publication
language: Czech/German.
Published by Editio
Baerenreiter Praha
(PA.H5643).
String orchestra SKU: BR.LCE-1 Score and Study Scores for the Concerti...(+)
String orchestra
SKU:
BR.LCE-1
Score and
Study Scores for the
Concerti grossi No. 1 -
12. Composed by
Pietro Antonio Locatelli.
Edited by Agnese
Pavanello. Orchestra;
Softbound. Please check
the respective concertos
to find the orchestral
parts. Concerto grosso;
Baroque. Full score. 372
pages. Breitkopf and
Haertel #LCE 1. Published
by Breitkopf and Haertel
(BR.LCE-1).
ISBN
9790220118500. 9.5 x 12
inches.
Please
check the respective
concertos to find the
orchestral parts.
Symphonieorcheste
r des Bayerischen
Rundfunks Ltg. Mariss
Jansons
(Kompositionsauftrag des
BR)
,,Nirai
beschreibt ein
imaginiertes Land ein
Paradies. Zu Beginn
meiner Arbeit hatte ich
diese beiden
Vorstellungen: von einer
Fuge und von den Wurzeln
auf Okinawa einer
tropischen Insel im Suden
Japans. Dort haben viele
Baume ganz unglaubliche
Formen besonders die
Wurzeln haben mich
fasziniert. Sie ergeben
ausserst komplizierte und
organische Gebilde die
mich an eine Frage
erinnerten. ,,Nirai
heisst wortlich ,,aus den
Wurzeln kommend oder ,,in
Richtung der Wurzeln oder
auch ,,Land der Wurzeln.
Man verwendet dieses Wort
um etwas zu beschreiben
das aus der Vergangenheit
kommt und das noch heute
also in der Gegenwart
sinnvoll ist. Genau wie
es in Platons ,,Phaidon
heisst: Alle alten Dinge
kommen aus den neuen und
alle neuen Dinge kommen
aus den alten. Ich wollte
diese Dualitat oder
Interaktion zwischen zwei
verschiedenen Epochen
darstellen. Als Beethoven
seine Symphonien schrieb
benutzte er die
kompositorischen
Moglichkeiten die ihm zu
jener Zeit zur Verfugung
standen. Ich wollte das
auch. Wir haben
heutzutage ein riesigen
Archiv an Techniken und
Asthetiken auf die wir
zuruckgreifen konnen. Wir
konnen aus ihnen die
passenden auswahlen oder
sie auch kombinieren. In
gewisser Weise kann man
auch zu diesem Archiv
,,Nirai sagen denn es
stellt das Erbe eines
Volkes dar. Also wollte
ich gerne eine alte
Satzweise verwenden die
heutzutage nicht so oft
zum Einsatz kommt.
Ursprunglich wollte ich
das ganze Intermezzo in
Fugentechnik schreiben.
Aber das hat sich als zu
schwierig herausgestellt.
Ein Rest dieser
ursprunglich geplanten
Fuge ist am Anfang noch
erkennbar. Die Faktur
insgesamt ist eher
einfach gehalten. Im
Stuck ist ein stetes
Accelerando angelegt fur
den Horer gut wahrnehmbar
obwohl mehrere Melodien
gleichzeitig in
unterschiedlichen
Geschwindigkeiten
erklingen. Was den
Beethoven-Bezug betrifft
so nahm ich eine kurze
Phrase aus dem Schluss
des letzten Satzes der
Zweiten Symphonie funf
kurze Wechselnoten.
Daraus entwickelte ich
das Stuck. Bei Beethoven
steht diese Phrase in
D-Dur naturlich ubernahm
ich die Tonart nicht. Was
mich reizte war die
Tatsache dass es sich um
eine kleine Sekunde
handelt - das Intervall
das in der
zeitgenossischen Musik
bevorzugt verwendet wird.
Die kleine Sekunde ist
sehr flexibel sie
ermoglicht einem viele
Formen der Verwendung.
Beethoven war seinen
Zeitgenossen vor allem
als genialer Improvisator
bekannt also nahm ich
diese kleine Phrase als
Thema einer Improvisation
und behandelte es auf
sehr freie Art. Von der
Sechsten Symphonie
entnahm ich keine
musikalischen Zitate;
stattdessen entwickle ich
dieses kurze Intermezzo
in ,,pastoraler
Form.
(Misato
Mochizuki) UA der
zweisatzigen Fassung:
21.10.2011 NULL World
premiere version with two
sets: Oct. 21 2011
NULL.
Composed by Timothy Mahr.
Score and parts. Neil A.
Kjos Music Company
#JSO367C. Published by
Neil A. Kjos Music
Company (KJ.JSO367C).
UPC:
084027044650.
This
work embodies the
thoughts and prayers of
generations of immigrants
and their trials as they
have sought freedom,
respect, and hope for a
good life. Changing
meters throughout, tenor
clef in cello
part.
Composed by Timothy Mahr.
Score only. Neil A. Kjos
Music Company #JSO367F.
Published by Neil A. Kjos
Music Company
(KJ.JSO367F).
UPC:
084027044667.
This
work embodies the
thoughts and prayers of
generations of immigrants
and their trials as they
have sought freedom,
respect, and hope for a
good life. Changing
meters throughout, tenor
clef in cello
part.
Arches Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS26 Full Score....(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS26
Full Score.
Composed by Sean
O'Loughlin. Carl Fischer
First Plus String
Orchestra Series. Score
and Parts. With Standard
notation. 12 pages. Carl
Fischer Music #FAS26.
Published by Carl Fischer
Music (CF.FAS26).
ISBN
9780825854811. UPC:
798408054816. 8.5 X 11
inches. Key: D
major.
Arches is a piece for the
developing string
orchestra that derives
its title from the
national park in Utah. I
visited the Arches
National Monument in June
of 2003 during a
cross-country trip. The
Delicate Arch is the
recognizable landmark
from this beautiful
national park. In order
to see this remarkable
natural formation up
close, you have to hike a
trail of over two miles.
The music in this piece
is inspired by my journey
to see the arch. Once
there, you are treated to
a vast panoramic view of
the golden Utah landscape
that leaves one
breathless.
Arches is an
effective piece in
teaching
pizzicato
playing as a melodic
device. Most often,
pizzicato is
used as an effect or
punctuation mark to
larger melodic ideas.
There is a brief arco
section to provide
contrast and build up to
the dramatic return of
the main
pizzicato
melody. Each section in
the ensemble has a
statement of the melody.
It is important to think
linearly in addition to
vertically when playing
these pizzicato
lines. Forward motion is
of up-most importance in
terms of making musical
phrases out of these
pizzicato
lines. Arches
is a piece for the
developing string
orchestra that derives
its title from the
national park in Utah. I
visited the Arches
National Monument in June
of 2003 during a
cross-country trip. The
Delicate Arch is the
recognizable landmark
from this beautiful
national park. In order
to see this remarkable
natural formation up
close, you have to hike a
trail of over two miles.
The music in this piece
is inspired by my journey
to see the arch. Once
there, you are treated to
a vast panoramic view of
the golden Utah landscape
that leaves one
breathless.
Arches is an
effective piece in
teachingA
pizzicato
playing as a melodic
device. Most often,A
pizzicato is
used as an effect or
punctuation mark to
larger melodic ideas.
There is a brief arco
section to provide
contrast and build up to
the dramatic return of
the mainA
pizzicato
melody. Each section in
the ensemble has a
statement of the melody.
It is important to think
linearly in addition to
vertically when playing
theseA pizzicato
lines. Forward motion is
of up-most importance in
terms of making musical
phrases out of theseA
pizzicatoA
lines. Arches
is a piece for the
developing string
orchestra that derives
its title from the
national park in Utah. I
visited the Arches
National Monument in June
of 2003 during a
cross-country trip. The
Delicate Arch is the
recognizable landmark
from this beautiful
national park. In order
to see this remarkable
natural formation up
close, you have to hike a
trail of over two miles.
The music in this piece
is inspired by my journey
to see the arch. Once
there, you are treated to
a vast panoramic view of
the golden Utah landscape
that leaves one
breathless.
Arches is an
effective piece in
teachingA
pizzicato
playing as a melodic
device. Most often,A
pizzicato is
used as an effect or
punctuation mark to
larger melodic ideas.
There is a brief arco
section to provide
contrast and build up to
the dramatic return of
the mainA
pizzicato
melody. Each section in
the ensemble has a
statement of the melody.
It is important to think
linearly in addition to
vertically when playing
theseA pizzicato
lines. Forward motion is
of up-most importance in
terms of making musical
phrases out of theseA
pizzicatoA
lines. Arches
is a piece for the
developing string
orchestra that derives
its title from the
national park in Utah. I
visited the Arches
National Monument in June
of 2003 during a
cross-country trip. The
Delicate Arch is the
recognizable landmark
from this beautiful
national park. In order
to see this remarkable
natural formation up
close, you have to hike a
trail of over two miles.
The music in this piece
is inspired by my journey
to see the arch. Once
there, you are treated to
a vast panoramic view of
the golden Utah landscape
that leaves one
breathless.
Arches is an
effective piece in
teaching
pizzicato
playing as a melodic
device. Most often,
pizzicato is
used as an effect or
punctuation mark to
larger melodic ideas.
There is a brief arco
section to provide
contrast and build up to
the dramatic return of
the main
pizzicato
melody. Each section in
the ensemble has a
statement of the melody.
It is important to think
linearly in addition to
vertically when playing
these pizzicato
lines. Forward motion is
of up-most importance in
terms of making musical
phrases out of these
pizzicato
lines. Arches is
a piece for the
developing string
orchestra that derives
its title from the
national park in Utah. I
visited the Arches
National Monument in June
of 2003 during a
cross-country trip. The
Delicate Arch is the
recognizable landmark
from this beautiful
national park. In order
to see this remarkable
natural formation up
close, you have to hike a
trail of over two miles.
The music in this piece
is inspired by my journey
to see the arch. Once
there, you are treated to
a vast panoramic view of
the golden Utah landscape
that leaves one
breathless. Arches is an
effective piece in
teaching pizzicato
playing as a melodic
device. Most often,
pizzicato is used as an
effect or punctuation
mark to larger melodic
ideas. There is a brief
arco section to provide
contrast and build up to
the dramatic return of
the main pizzicato
melody. Each section in
the ensemble has a
statement of the melody.
It is important to think
linearly in addition to
vertically when playing
these pizzicato lines.
Forward motion is of
up-most importance in
terms of making musical
phrases out of these
pizzicato
lines. Arches is a
piece for the developing
string orchestra that
derives its title from
the national park in
Utah. I visited the
Arches National Monument
in June of 2003 during a
cross-country trip. The
Delicate Arch is the
recognizable landmark
from this beautiful
national park. In order
to see this remarkable
natural formation up
close, you have to hike a
trail of over two miles.
The music in this piece
is inspired by my journey
to see the arch. Once
there, you are treated to
a vast panoramic view of
the golden Utah landscape
that leaves one
breathless.Arches is an
effective piece in
teaching pizzicato
playing as a melodic
device. Most
often, pizzicato is
used as an effect or
punctuation mark to
larger melodic ideas.
There is a brief arco
section to provide
contrast and build up to
the dramatic return of
the main pizzicato
melody. Each section in
the ensemble has a
statement of the melody.
It is important to think
linearly in addition to
vertically when playing
these pizzicato lines.
Forward motion is of
up-most importance in
terms of making musical
phrases out of
these pizzicato lin
es.
Composed by Modest
Petrovich Mussorgsky.
Arranged by Deborah Baker
Monday. Solo or Ensemble.
Apex String Orchestra.
Kendor Music Inc
#KEN10083S. Published by
Kendor Music Inc
(KN.KEN10083S).
UPC:
822795100839.
This
powerful arrangement of
the popular tone poem by
Moussorgsky makes for a
great festival selection.
Different string
articulations are
employed to achieve
orchestral color, and all
parts share melodic
material and chromatic
passages. Duration
5:15.
Zampa Overture Orchestre à Cordes - Facile Kendor Music Inc.
String Orchestra - Grade 3 SKU: KN.9947 Composed by Ferdinand Herold. Arr...(+)
String Orchestra - Grade
3
SKU: KN.9947
Composed by Ferdinand
Herold. Arranged by
Deborah Baker Monday.
Solo or Ensemble. Apex
String Orchestra. Kendor
Music Inc #9947.
Published by Kendor Music
Inc (KN.9947).
UPC:
822795099478.
A
staple of orchestral
literature since its
first performance in
1831, this arrangement
presents four themes of
the original and contains
lots of drama and even
more excitement. Duration
4:00.
String Orchestra - Grade 3 SKU: KN.09947S Composed by Ferdinand Herold. A...(+)
String Orchestra - Grade
3
SKU: KN.09947S
Composed by Ferdinand
Herold. Arranged by
Deborah Baker Monday.
Solo or Ensemble. Apex
String Orchestra. Kendor
Music Inc #09947S.
Published by Kendor Music
Inc (KN.09947S).
UPC:
822795099478.
A
staple of orchestral
literature since its
first performance in
1831, this arrangement
presents four themes of
the original and contains
lots of drama and even
more excitement. Duration
4:00.
By Anne Mcginty; John Edmondson. Orchestra. For violin 1. Queenwood Beginning St...(+)
By Anne Mcginty; John
Edmondson. Orchestra. For
violin 1. Queenwood
Beginning String
Orchestra. Queenwood
Orchestra. Elementary.
String orchestra method
String orchestra SKU: BR.PB-4879-07 Study score. Composed by Jean ...(+)
String orchestra
SKU:
BR.PB-4879-07
Study score.
Composed by Jean
Sibelius. Softcover.
Partitur-Bibliothek
(Score Library).
Sibelius composed this
short (only five minutes
long) Romance in C Op. 42
in 1903; the work was
first performed in Turku
in March 1904. The
Romance is not a concerto
movement in disguise, but
features the dark, dense
string writing typical of
Sibelius. Early modern;
Late-romantic. Study
Score. 8 pages. Duration
5'. Breitkopf and Haertel
#PB 4879-07. Published by
Breitkopf and Haertel
(BR.PB-4879-07).
ISBN
9790004206768. 5.5 x 7.5
inches.
Sibelius
composed this short (only
five minutes long)
Romance in C Op. 42 in
1903; the work was first
performed in Turku in
March 1904. The Romance
is not a concerto
movement in disguise, but
features the dark, dense
string writing typical of
Sibelius. Fast alle
Orchesterbearbeitungen
sind Jahre nach den
Originalkompositionen fur
Singstimme und Klavier
entstanden.
Trotz
der Tatsache dass sie
rasch hingeworfen sind
zeigt sich in allen
Liedern Sibelius'
Meisterschaft als
Orchesterliederkomponist.
Manchmal vermag er eine
dustere dramatische
Atmosphare (in ,,Pa
verandan vid havet) zu
erzeugen manchmal
gelingen ihm leuchtend
farbige Impressionen (in
,,Soluppgang) oder zart
transparente Gewebe (in
,,Varen flyktar hastigt)
- immer jedoch sind die
Lieder ganz aus deren
poetischer Idee heraus
gestaltet und
differenziert
nachgezeichnet. In den
meisten Fallen
beschrankte sich Sibelius
auf ein relativ kleines
Orchester. In ,,Varen
flyktar hastigt sind
neben den Streichern nur
zwei Floten und vier
Horner besetzt. Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano.
Yet
even though the
arrangements were made in
a very short period of
time Sibelius handled the
combination of solo voice
and orchestra in all
songs with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it.
Composed by Johannes
Brahms. Arranged by
Carrie Lane Gruselle.
Series; String Orchestra.
FJH String Orchestra.
Masterwork Arrangement;
Multicultural. Score and
Part(s). Duration 3:00.
The FJH Music Company Inc
#98-ST6451. Published by
The FJH Music Company Inc
(FJ.ST6451).
UPC:
241444387962.
English.
Brahms
captures the fire and
passion of the Roma
culture in these folk
songs set to dance
styles. Intensity and
drama is created with
dynamic exaggeration,
abrupt tempo changes and
contrasting bow styles.
An excellent way to forge
the relationship between
student and conductor as
they learn to engage all
of the wonderfully rich
sections of the
piece.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Hungarian Dance No. 5 Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
By Johannes Brahms. Arranged by Merle J. Isaac. Music by Johannes Brahms / arr. ...(+)
By Johannes Brahms.
Arranged by Merle J.
Isaac. Music by Johannes
Brahms / arr. Merle
Isaac. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 3
(grade 3). Conductor
Score. 12 pages.
Published by Alfred
Publishing.
Hungarian Dance No. 4 Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
By Johannes Brahms. Arranged by Merle J. Isaac. Music by Johannes Brahms / arr. ...(+)
By Johannes Brahms.
Arranged by Merle J.
Isaac. Music by Johannes
Brahms / arr. Merle
Isaac. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 3
(grade 3). Conductor
Score. 8 pages. Published
by Alfred Publishing.
String Orchestra - Grade 3.5 SKU: KN.09834S Composed by Johannes Brahms. ...(+)
String Orchestra - Grade
3.5
SKU: KN.09834S
Composed by Johannes
Brahms. Arranged by
Robert S. Frost. Solo or
Ensemble. Apex String
Orchestra. Kendor Music
Inc #09834S. Published by
Kendor Music Inc
(KN.09834S).
UPC:
822795098341.
Brahm
s wrote 21 Hungarian
Dances for piano
four-hands. Each one is
highly individualistic
and features slow and
fast sections -- in this
arrangement, D major is
used in the slow opening
and closing sections,
while the fast middle
section is in B minor.
Violins have some limited
divisi parts, and melodic
material is given to the
inner voices and cellos
in the fast section.
Duration 1:15. Available
in SmartMusic.
