Composed by Larry Neeck. String Orchestra. Arco String Publications. Score and parts. Composed 2017. Duration 2 minutes, 22 seconds. Published by Arco String Publications (CL.ARC-7050-00).

(Featuring: O Waly, Waly (The Water Is Wide) / Sakura (Cherry Blossoms) / Russian Polka). Orchestra. String Orchestra. Belwin Signature Performance Series for Orchestra. Grade 1. Conductor Score and Parts. 124 pages. Published by Belwin Music . Score and Parts.

Orchestra String Orchestra - Grade 3

SKU: CF.CAS7

Composed by Doris Gazda. Edited by Amy Rosen. FS-SWs. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 20+24+24+6+15+15+15 pages. Carl Fischer Music #CAS7. Published by Carl Fischer Music (CF.CAS7).

ISBN 9780825847578. UPC: 798408047573. 8.5 X 11 inches. Key: D major.

When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.
When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody.A Red Rock RagA is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.
When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody.A Red Rock RagA is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.
When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.
When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.
When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista.The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color.Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.

Orchestra string orchestra - Grade 5 (solo), Grade 3 (orchestra)

SKU: KJ.SOS4F

Composed by Robert Frost. Score only. Neil A. Kjos Music Company #SOS4F. Published by Neil A. Kjos Music Company (KJ.SOS4F).

UPC: 084027040737.

Also known as Air Varie, this is a true showcase for an advanced violist. Set in C Major, the four-measure theme wastes no time moving into 14 short variations plus a coda. Commanding! Vibrant! Solo is grade 5 and orchestra parts are grade 3.

Duration: 3:10.

Composed by Doug Spata. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Light Concert. Part(s); Score. Alfred Music #00-49057. Published by Alfred Music

Orchestra string orchestra - Grade 1

SKU: KJ.SO343C

Composed by Jeremy Woolstenhulme. Arranged by Jeremy Woolstenhulme. Score and parts. Neil A. Kjos Music Company #SO343C. Published by Neil A. Kjos Music Company (KJ.SO343C).

UPC: 8402704183.

Maiden' s Rescue, in D Major, includes note and rest values limited to quarter notes/rests, half notes, and whole rests. It can be successfully performed at a range of tempos, depending on the experience level of the orchestra. Rather than writing for 1st and 2nd violins, this piece features a single violin part.

Jeremy Woolstenhulme composed this work for his beginning string orchestra. He decided that it should be a programmatic work accompanied by a short story and artwork. Once students became comfortable with the music and story, Mr. Woolstenhulme assigned an art project to them! Some samples of their work are printed in this publication. Connecting music, creative writing, and visual arts strengthened the entire experience and students definitely enjoyed the process. Approx. time - 2:00

Steps to Successful Literature presents exceptional performance pieces - concert and festival works for beginning to intermediate string orchestras. Each piece is correlated with a specific location in String BasicsTM Books 1 or 2. Literature reinforces musical skills, concepts, and terms introduced in the method. Sometimes, a few new concepts are included and are officially introduced and defined in the score and parts. Each string orchestra work offers extended learning opportunities and briefly taps into one or more elements related to common core state standards.

(for Piano and String Orchestra). Composed by Various. Arranged by Bud Caputo. For piano and string orchestra. Concert Work. Grade 3. Conductor score. Duration 8:46. Published by Wingert- Jones Publications

Orchestra string orchestra - Grade 2.5

SKU: KJ.SOP6F

Composed by Leland Forsblad. Opus One Publications. Score. Neil A. Kjos Music Company #SOP6F. Published by Neil A. Kjos Music Company (KJ.SOP6F).

Orchestra string orchestra - Grade 2.5

SKU: KJ.SOP6C

Composed by Leland Forsblad. Opus One Publications. Score and parts. Neil A. Kjos Music Company #SOP6C. Published by Neil A. Kjos Music Company (KJ.SOP6C).

Orchestra string orchestra - Grade 5

SKU: KJ.JSO256F

Composed by Steven Amundson. String Tracks. Score. Neil A. Kjos Music Company #JSO256F. Published by Neil A. Kjos Music Company (KJ.JSO256F).

UPC: 8402701976.

Created for a specific educational purpose and composed for concert and festival settings, Arco Capriccio utilizes most of the bowing techniques and special effects often written for strings.

Sequential Repertoire for Solo Strings or String Ensemble (Piano / Score). Composed by Winifred Crock, William Dick, and Laurie Scott. Method/Instruction; Score; String Orchestra Method/Supplement; Suzuki. 64 pages. Published by Alfred Music

Composed by Gene Milford. For string orchestra (violin I, violin II, violin III (viola T.C.), viola, cello, bass, piano). Score and parts. Duration 2 minutes, 32 seconds. Published by Carl Fischer

Orchestra strings - beginner

SKU: KJ.93F

Composed by Albert L. Stoutamire and Doris Gazda. String method. Spotlight on Strings Series. Score. Neil A. Kjos Music Company #93F. Published by Neil A. Kjos Music Company (KJ.93F).

ISBN 9780849733451.

Leve l 2 builds on the concepts introduced in level 1 by opening with a review of the major and minor fingering patterns on all four strings. Attention throughout the method is given to presenting material that makes use of the entire tonal range of the instrument in the first position for the upper strings, and the first three positions for the lower strings. Five ensembles and two duets round out Level 2. Suitable for concerts, the ensembles include America; We Shall Overcome; Amaryllis; Surprise Symphony Theme; and Military March. Suitable for any class size or instrumentation, all string parts have the melody and one harmony part. The Teacher Score/Keyboard books for Levels 1 and 2 include piano accompaniments for much of the program music and ensembles. Especially composed for educators with modest piano-playing skills, the accompaniments can also be played by piano students who wish to become involved in the ensemble experience.

Composed by Zequinha Abreu. Arranged by James Kazik. Music for String Orchestra. Brazilian, Latin. Softcover. Duration 100 seconds. Published by Hal Leonard

Composed by Zequinha Abreu. Arranged by James Kazik. Music for String Orchestra. Brazilian, Latin. Softcover. Duration 135 seconds. Published by Hal Leonard

By Mykola Leontovich. Arranged by Sandra Dackow. Orchestra. For String Orchestra. String Orchestra. Orchestra Expressions Book 1. Christmas; Winter. 1 (grade 1). Score. 8 pages

By Robert Woods. String Orchestra. Grade 1. Score with CD. Published by Heritage Music Press

(From Two Songs Without Words, Op. 22, No. 1). Composed by Gustav Holst (1874-1934). Arranged by Robert Sieving. Orchestra. Masterworks; Part(s); Score; SmartMusic; String Orchestra. Highland String Orchestra. Form: Transcription. 20th Century; Folk; Masterwork Arrangement; Romantic. Grade 4. 124 pages. Published by Highland/Etling

(Christmas Concerto) Composed by Arcangelo Corelli (1653-1713), edited by Waldemar Woehl. Opus 6, #8. For violin concertato I, II, cello solo, violin di ripieno I, II, viola, contra bass and keyboard. Urtext. Format: full score (parts not included). With introductory text. Baroque. G Minor. 19 pages. 9x12 inches. Published by C.F. Peters.

Composed by Gary Fletcher. Arranged by Andy Clark. String Orchestra. Score and parts. Composed 2015. Published by Arco String Publications (CL.ARC-7005-00).

By Richard Meyer. Orchestra. String Orchestra. Highland String Orchestra. Light Concert; Novelty. Grade 2.5. Conductor Score and Parts. 128 pages. Published by Alfred Music Publishing

Orchestra string orchestra - Grade 1.5

SKU: KJ.SO211F

Composed by Kathy Cook and Robert Frost. Artistry in Strings. Score. Neil A. Kjos Music Company #SO211F. Published by Neil A. Kjos Music Company (KJ.SO211F).

All players have interesting parts and have a chance to explore finger patterns found in the key of C major. The 1st violin part includes 4th finger.

About Artistry in Strings

Ar tistry in Strings is a groundbreaking string method that will be at home in your classroom or private studio. Its comprehensive approach contains all the basic tools necessary to establish solid technique and expressive music making. Artistry in Strings is a music educator's dream, combining a performance-centered approach with optional theory, composing, listening, assessment, and interdisciplinary and multi-cultural studies.

Authors Robert S. Frost, Gerald Fischbach, and Wendy Barden have combined their vast experience as educators to provide a string method that is well paced for all types of beginning string classes. Regardless of class frequency and duration, or class size and student age, Artistry in Strings will assist you to achieve superior results.

By Matt Turner. For string orchestra (violin I, violin II, violin III (viola T.C.), viola, cello, bass, drums, piano). Score and parts. Duration 3 minutes, 06 seconds. Published by Carl Fischer

Orchestra string orchestra - Grade 4

SKU: KJ.SO195F

Composed by Miriam Overholt. String Tracks. Score. Neil A. Kjos Music Company #SO195F. Published by Neil A. Kjos Music Company (KJ.SO195F).

Please welcome newcomer Miriam Overholt and her wonderful music to your orchestra Her original two-movement work features Air and Jig, and both contain gorgeous, soaring melodies that will be unforgettable.