| Fantasy for Marimba Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Marimba Solo - Grade 4 SKU: BT.DHP-1104731-140 ...(+)
Concert Band/Harmonie and
Marimba Solo - Grade 4
SKU:
BT.DHP-1104731-140
Composed by Hayato
Hirose. Solo Spectrum.
Concert Piece. Score
Only. Composed 2010. 72
pages. De Haske
Publications #DHP
1104731-140. Published by
De Haske Publications
(BT.DHP-1104731-140).
9x12
inches. Fantasy
for Marimba was
commissioned by the
outstanding Japanese
marimba player, Fumito
Nunoya. Although it is
written in concerto
style, the piano not only
accompanies the solo
marimba but also plays an
important part in the
development of the work.
The piece is written in
four movements, played
without a break: Allegro,
Andante misterioso, Tempo
rubato and Allegro
energico. Also available
for Marimbaphone and
Piano.
In
Fantasy for
Marimba neemt de
marimbafoon als
solo-instrument een
centrale plaats in, maar
ook de piano speelt een
belangrijke rol. Het werk
bestaat uit vier
samenhangende delen: een
Allegro, een Andante
misterioso, een Tempo
rubato en tot slot als
hartstochtelijke finale
een Allegro energico. Ook
verkrijgbaar voor marimba
en piano.
In
Fantasy for
Marimba wird das
Marimbaphon als
Soloinstrument
gewürdigt, aber
auch das Blasorchester
spielt eine wichtige
Rolle. Das Werk besteht
aus vier
zusammenhängenden
Sätzen: Es beginnt mit
einem Allegro, in dem
Marimbaphon und Orchester
zwei Themen
präsentieren, die im
darauff olgenden Andante
misterioso
weiterentwickelt werden.
Im dritten Satz, der mit
Tempo rubato
überschrieben ist,
hat das Blasorchester
eine Atempause“,
während das
Marimbaphon ein
kadenzartiges Solo
vorträgt. Der letzte
Satz, ein Allegro
energico, führt das
Werk mit
leidenschaftlicher
Intensität zu einem
großen
Finale.
Bien que
la structure de cette
fantaisie
s’apparente celle
d’un concerto, le
pianiste n’est
absolument pas réduit
un rôle
d’accompagnateur,
mais participe pleinement
au développement de
l’œuvre.
Fantasy for
Marimba est divisé
en quatre mouvements qui
s’enchaînent
sans interruption :
Allegro - Andante
misterioso - Tempo rubato
- Allegro energico. $52.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fantasy for Marimba Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Marimba Solo - Grade 4 SKU: BT.DHP-1104731-010 ...(+)
Concert Band/Harmonie and
Marimba Solo - Grade 4
SKU:
BT.DHP-1104731-010
Composed by Hayato
Hirose. Solo Spectrum.
Concert Piece. Set (Score
& Parts). Composed 2010.
De Haske Publications
#DHP 1104731-010.
Published by De Haske
Publications
(BT.DHP-1104731-010).
9x12
inches. Fantasy
for Marimba was
commissioned by the
outstanding Japanese
marimba player, Fumito
Nunoya. Although it is
written in concerto
style, the piano not only
accompanies the solo
marimba but also plays an
important part in the
development of the work.
The piece is written in
four movements, played
without a break: Allegro,
Andante misterioso, Tempo
rubato and Allegro
energico. Also available
for Marimbaphone and
Piano.
In
Fantasy for
Marimba neemt de
marimbafoon als
solo-instrument een
centrale plaats in, maar
ook de piano speelt een
belangrijke rol. Het werk
bestaat uit vier
samenhangende delen: een
Allegro, een Andante
misterioso, een Tempo
rubato en tot slot als
hartstochtelijke finale
een Allegro energico. Ook
verkrijgbaar voor marimba
en piano.
In
Fantasy for
Marimba wird das
Marimbaphon als
Soloinstrument
gewürdigt, aber
auch das Blasorchester
spielt eine wichtige
Rolle. Das Werk besteht
aus vier
zusammenhängenden
Sätzen: Es beginnt mit
einem Allegro, in dem
Marimbaphon und Orchester
zwei Themen
präsentieren, die im
darauff olgenden Andante
misterioso
weiterentwickelt werden.
Im dritten Satz, der mit
Tempo rubato
überschrieben ist,
hat das Blasorchester
eine Atempause“,
während das
Marimbaphon ein
kadenzartiges Solo
vorträgt. Der letzte
Satz, ein Allegro
energico, führt
das Werk mit
leidenschaftlicher
Intensität zu einem
großen
Finale.
Bien que
la structure de cette
fantaisie
s’apparente celle
d’un concerto, le
pianiste n’est
absolument pas réduit
un rôle
d’accompagnateur,
mais participe pleinement
au développement de
l’œuvre.
Fantasy for
Marimba est divisé
en quatre mouvements qui
s’enchaînent
sans interruption :
Allegro - Andante
misterioso - Tempo rubato
- Allegro energico. $275.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cuico Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé C. Alan Publications
(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Conce...(+)
(Percussion Trio
Feature). Composed by
Gregory Danner. For
Soloist(s) with Concert
Band (Piccolo, Flute 1,
Flute 2, Oboe 1, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Eb
Alto Saxophone 1, Eb Alto
Saxophone 2, Bb Tenor
Saxophone, Eb Baritone
Saxophone, Bb Trumpet 1,
Bb Trumpet 2, Bb Trumpet
3, F Horn 1/2, F Horn
3/). Band Music. Grade 4.
Score and parts. Duration
14:50. Published by C.
Alan Publications
$150.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Marimba Concerto Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band; Marimba (Score & Parts) - Grade 4 SKU: HL.44010945 For M...(+)
Concert Band; Marimba
(Score & Parts) - Grade 4
SKU: HL.44010945
For Marimba and
Concert Band.
Composed by Satoshi
Yagisawa. De Haske
Concert Band. Concert
Piece. Set (Score &
Parts). Composed 2009. De
Haske Publications
#1094732010. Published by
De Haske Publications
(HL.44010945). UPC:
884088603823.
9.0x12.0x1.25
inches. Der erste
der drei aneinander
hangenden Satze von
Marimba Concerto enthalt
Elemente aus dem Barock
und klassischen Stilen,
was eher unüblich
in moderner Blasmusik
ist. Im zweiten Satz ist
Satoshi Yagisawas
typischer choralartiger
Stil zu erkennen, bevor
der dritte Satz zu einem
rasanten Schluss
führt. Obwohl
dieses Werk etwa zehn
Minuten dauert, fesselt
es die Aufmerksamkeit des
Publikums vom ersten bis
zum letzten Ton. $196.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Vulcan Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Hal Leonard
(Score and Parts). Composed by Michael Daugherty (1954-). For Concert Band. Mich...(+)
(Score and Parts).
Composed by Michael
Daugherty (1954-). For
Concert Band. Michael
Daugherty Music. Grade 4.
Softcover. Published by
Hal Leonard
$325.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concerto No. 2 for Marimba & Wind Ensemble Orchestre d'harmonie [Score|Set of Parts|Score and Parts] C. Alan Publications
(Marimba Feature). By David Gillingham. For Soloist(s) with Concert Band (Piccol...(+)
(Marimba Feature). By
David Gillingham. For
Soloist(s) with Concert
Band (Piccolo, Flute 1/2,
Oboe 1/2 , Bassoon 1/2,
Clarinet in Bb 1/2,
Clarinet in Bb 3, Bass
Clarinet, Alto Saxophone
1/2, Tenor Saxophone,
Baritone Saxophone,
Trumpet in Bb 1, Trumpet
in Bb 2/3, Horn in F 1/3,
Horn in F 2/4, Trombone
1/2, Bass Trombone,
Euphon). Band Music.
Grade 5. Score and parts.
Duration 23:00. Published
by C. Alan Publications
$180.00 $171 (- 5%) Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concerto for Marimba & Wind Ensemble Orchestre d'harmonie [Conducteur et Parties séparées] C. Alan Publications
(Marimba Feature). By Yiu-kwong Chung. For Soloist(s) with Concert Band (Piccolo...(+)
(Marimba Feature). By
Yiu-kwong Chung. For
Soloist(s) with Concert
Band (Piccolo, Flute 1,
Flute 2, Oboe 1, Oboe 2,
Bassoon 1, Bassoon 2,
Clarinet in Bb 1,
Clarinet in Bb 2,
Clarinet in Bb 3, Bass
Clarinet in Bb, Alto
Saxophone 1, Alto
Saxophone 2, Tenor
Saxophone, Baritone
Saxophone, Horn in F 1/2,
Horn in F 3/4, Trumpet in
B). Grade 5. Score and
parts. Duration 15:30.
Published by C. Alan
Publications
$140.00 $133 (- 5%) Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Mangulina Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon 1, Bassoon 2, Chim...(+)
Concert Band Bass
Clarinet, Bass Drum, Bass
Trombone, Bassoon 1,
Bassoon 2, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass,
Crash Cymbals, Euphonium,
Flute 1, Flute 2,
Glockenspiel, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2
and more. - Grade 4 and
up SKU: CF.SPS25F
Full Score.
Composed by Paul Basler.
SWS. Carl Fischer
Symphonic Performance
Series. Full score. With
Standard notation. 44
pages. Duration 5
minutes. Carl Fischer
Music #SPS25F. Published
by Carl Fischer Music
(CF.SPS25F). ISBN
9780825859083. UPC:
798408059088. 9 X 12
inches. Key: C
major. Based on
rhythms from the
Dominican Republic, this
tour de force is destined
to become a standard in
the repertoire. A
challenging piece, it is
not for the faint of
heart, but worth the
effort. Put a little
spice on your
program! $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Legend of Taum Sauk Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Carl Fischer
Composed by Larry Clark. Score and part(s). With Standard notation. 24 162 pag...(+)
Composed by Larry Clark.
Score and part(s). With
Standard notation. 24
162 pages. Duration 4
minutes, 52 seconds. Carl
Fischer #YPS0180.
Published by Carl Fischer
(CF.YPS180).
$75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tumbleweed Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
Fanfare and Fantasy. Composed by Tyler Arcari. Score and part(s). With St...(+)
Fanfare and
Fantasy. Composed by
Tyler Arcari. Score and
part(s). With Standard
notation. 32 322 pages.
Duration 4 minutes, 6
seconds. Carl Fischer
#CPS0185. Published by
Carl Fischer (CF.CPS185).
$95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Captive Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Ed Kiefer. Score and part(s). 32 164 pages. Duration 4 minutes, 11...(+)
Composed by Ed Kiefer.
Score and part(s). 32
164 pages. Duration 4
minutes, 11 seconds. Carl
Fischer #CPS0186.
Published by Carl Fischer
(CF.CPS186).
$95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gopak Orchestre d'harmonie Theodore Presser Co.
Concert band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarin...(+)
Concert band Bass
Clarinet, Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Clarinet 3,
Contra-alto Clarinet,
Euphonium 1, Euphonium 2,
Flute 1, Flute 2,
Glockenspiel, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Piccolo and more.
SKU: PR.11540209F
1. From Symphonic
Dances. Composed by
Eric Ewazen.
Contemporary. Full score
(study). With Standard
notation. 40 pages.
Theodore Presser Company
#115-40209F. Published by
Theodore Presser Company
(PR.11540209F). UPC:
680160625024. 9 x 12
inches. Gopak is
the first movement of a
set of Symphonic Dances
written for the Hofstra
Unibersity Wind Ensemble,
directed by Peter
Boonshaft, who
commissioned and
premiered the work in
2009. Gopak is a tribute
to my Polish and
Ukrainian roots. My
father used to dance
traditional Ukrainian
dances including the
Gopak, and some of my
earliest musical memories
include the joyful,
energetic, and rhythmic
feel of those wonderful
folk dances.Gopak has a
strong feeling of two
beats, is accented quite
heavily, and is energetic
from beginning to end.
The melodies are
completely original, but
the lively feel of the
music calls to my mind
the energy of the Gopak,
notes composer Eric
Ewazen. $32.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gopak Orchestre d'harmonie Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Co...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Clarinet 3, Contra-alto
Clarinet, Euphonium 1,
Euphonium 2, Flute 1,
Flute 2, Glockenspiel,
Horn 1, Horn 2, Horn 3,
Horn 4, Marimba, Oboe 1,
Oboe 2, Percussion 1,
Percussion 2, Piccolo and
more. SKU:
PR.115402090 1.
From Symphonic
Dances. Composed by
Eric Ewazen.
Contemporary. Set of
Score and Parts. With
Standard notation. 352
pages. Theodore Presser
Company #115-40209.
Published by Theodore
Presser Company
(PR.115402090). UPC:
680160598205. 9 x 12
inches. Gopak is
the first movement of a
set of Symphonic Dances
written for the Hofstra
Unibersity Wind Ensemble,
directed by Peter
Boonshaft, who
commissioned and
premiered the work in
2009. Gopak is a tribute
to my Polish and
Ukrainian roots. My
father used to dance
traditional Ukrainian
dances including the
Gopak, and some of my
earliest musical memories
include the joyful,
energetic, and rhythmic
feel of those wonderful
folk dances.Gopak has a
strong feeling of two
beats, is accented quite
heavily, and is energetic
from beginning to end.
The melodies are
completely original, but
the lively feel of the
music calls to my mind
the energy of the Gopak,
notes composer Eric
Ewazen. $225.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Extreme Make-Over Orchestre d'harmonie [Conducteur et Parties séparées] Amstel Music
Metamorphoses on a Theme by Tchaikovsky for Wind Orchestra. By Johan De Meij. (...(+)
Metamorphoses on a Theme
by Tchaikovsky for Wind
Orchestra. By Johan De
Meij. (Score and Parts).
Amstel Concert Bands.
Published by Amstel
Music.
(1)$192.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Arachnophobia and Fugue Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, E...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Newspaper,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Tuba and more. - Grade
2.5 SKU: CF.YPS203
Composed by James
Meredith. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
16+4+8+4+4+10+4+4+8+8+12+
6+6+2+1+2+20+8+8+4+4
pages. Duration 3
minutes, 55 seconds. Carl
Fischer Music #YPS203.
Published by Carl Fischer
Music (CF.YPS203).
ISBN 9781491152232.
UPC: 680160909735. Key: D
minor. Imagine Bach
trying to compose in his
studio while being
pestered by a spider!
Arachnophobia and Fugue
exposes students to the
Baroque style of music
using dramatic contrasts,
light articulation,
chorale-style sections,
and multiple references
to Bach's works. The
spider is represented by
the xylophone and/or
marimba supported by the
flutes. As a humorous
bonus, auxiliary
percussion includes
rolled-up newspapers to
swat the pesky spider
throughout the
piece. Good music
played well inspires the
imagination. Imagine Bach
trying to compose in his
studio while being
pestered by a spider!
First and foremost this
is educational music
exposing kids to the
Baroque style of music.
Dramatic dynamic
contrasts, light
articulation,
chorale-style, and
multiple references to
Bach’s works form
the basis for the work.
Toccata and Fugue in D
Minor, Sleepers Wake,
Little Fugue in G Minor,
Sheep May Safely Graze,
Dies Irae, and Come Sweet
Death are the basis for
this look into an
imaginary situation with
the Great Baroque Master.
The spider is represented
by either a solo
xylophone or multiple
xylophones and/or marimba
(supported by the
flutes.) As a humorous
bonus auxiliary
percussion use rolled up
newspapers to swat the
pesky spider throughout
the piece in rhythm with
the music. $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Isaaks Opferung Study Score Orchestre d'harmonie - Intermédiaire/avancé Schott
Concert Band SKU: HL.49015105 An American Folk Dance. Composed by ...(+)
Concert Band SKU:
HL.49015105 An
American Folk Dance.
Composed by Wolfgang
Fortner. Edition Schott.
Classical. Study Score.
Composed 1952. 60 pages.
Schott Music #HL50486775.
Published by Schott Music
(HL.49015105). ISBN
9781423442103. UPC:
884088247980. 305 X 229
inches.
Latin. Based on an
early American fiddle
tune, Grainger created a
setting as he describes
that aims at preserving a
pioneer blend of lonesome
wistfulness and sturdy
persistence. The
16-measure melody is
fully explored and
developed in a variety of
harmonizations and
instrumental colors, and
is particularly
noteworthy for the
extensive use of tuneful
percussion (bells,
chimes, xylophone,
marimba) as well as
important parts for piano
and harp. This
publication brings back
the classic 1967 edition
arranged for band by
Glenn Cliffe Bainum.
(Grade 4) Dur:
6:00
Based on an
early American fiddle
tune, Grainger created a
setting as he describes
that aims at preserving a
pioneer blend of lonesome
wistfulness and sturdy
persistence. The
16-measure melody is
fully explored and
developed ina variety of
harmonizations and
instrumental colors, and
is particularly
noteworthy for the
extensive use of tuneful
percussion (bells,
chimes, xylophone,
marimba) as well as
important parts for piano
and harp. This
publicationbrings back
the classic 1967 edition
arranged for band by
Glenn Cliffe Bainum.
(Grade 4) Dur:
6:00
Based on an
early American fiddle
tune, Grainger created a
setting as he describes
that aims at preserving a
pioneer blend of lonesome
wistfulness and sturdy
persistence. The
16-measure melody is
fully explored and
developed in a variety of
harmonizations and
instrumental colors, and
is particularly
noteworthy for the
extensive use of tuneful
percussion (bells,
chimes, xylophone,
marimba) as well as
important parts for piano
and harp. This
publication brings back
the classic 1967 edition
arranged for band by
Glenn Cliffe Bainum.
(Grade 4) Dur:
6:00
Based on an
early American fiddle
tune, Grainger created a
setting as he describes
that aims at preserving a
pioneer blend of lonesome
wistfulness and sturdy
persistence. The
16-measure melody is
fully explored and
developed in a variety of
harmonizations and
instrumental colors, and
is particularly
noteworthy for the
extensive use of tuneful
percussion (bells,
chimes, xylophone,
marimba) as well as
important parts for piano
and harp. This
publication brings back
the classic 1967 edition
arranged for band by
Glenn Cliffe Bainum.
(Grade 4) Dur:
6:00
Based on an
early American fiddle
tune, Grainger created a
setting as he describes
that aims at preserving a
pioneer blend of lonesome
wistfulness and sturdy
persistence. The
16-measure melody is
fully explored and
developed in a variety of
harmonizations and
instrumental colors, and
is particularly
noteworthy for the
extensive use of tuneful
percussion (bells,
chimes, xylophone,
marimba) as well as
important parts for piano
and harp. This
publication brings back
the classic 1967 edition
arranged for band by
Glenn Cliffe Bainum.
(Grade 4) Dur: 6:00. $26.99 - Voir plus => Acheter | | |
| Rhapsody Orchestre d'harmonie - Intermédiaire/avancé EMB (Editio Musica Budapest)
Concert Band (Score) - Grade 4 SKU: HL.50606649 For Cimbalom or Marimb...(+)
Concert Band (Score) -
Grade 4 SKU:
HL.50606649 For
Cimbalom or Marimba and
Concert Band Score.
Composed by Arpad
Balázs. EMB.
Contemporary, Hungarian.
Softcover. 36 pages.
Duration 420 seconds.
Editio Musica Budapest
#Z15167SC. Published by
Editio Musica Budapest
(HL.50606649). ISBN
9781705199817. UPC:
196288153566. Ãr
pád Balázs (*1937)
composed the first
version of Rhapsody for
Hungarian cimbalom and
concert band in 2001; in
2021, on the
encouragement by a
Japanese marimba player
he arranged the solo part
for marimba, and
therefore the
opportunities for the
work to beplayed have
significantly widened.
The Rhapsody follows the
one-movement structure
created by Franz Liszt.
The beginning solo
section of the cimbalom
(or marimba) returns
before the coda as a
pillar of the form. The
composition, which can be
divided into five
sections, develops and
works with a Lydian
tetrachordal motif
(G-A-B-C sharp) in
different characters,
stretching the span of
music from a simple,
children's song-like
appearance to an
obstinate ritual dance.
In conclusion, the
Rhapsody is a
passionately emotional
lyric orchestral poem
rich in colours and
characters, which has a
place on the repertoire
of every concert band
playing quality
music. $19.95 - Voir plus => Acheter | | |
| Rhapsody Orchestre d'harmonie - Intermédiaire/avancé EMB (Editio Musica Budapest)
Score and Parts Concert Band (Score & Parts) - Grade 4 SKU: HL.50606648 <...(+)
Score and Parts Concert
Band (Score & Parts) -
Grade 4 SKU:
HL.50606648 For
Cimbalom or Marimba and
Concert Band Score and
Parts. Composed by
Arpad Balázs. EMB.
Contemporary, Hungarian.
Softcover. 276 pages.
Duration 660 seconds.
Editio Musica Budapest
#Z15167SET. Published by
Editio Musica Budapest
(HL.50606648). ISBN
9781705199800. UPC:
196288153559. Ãr
pád Balázs (*1937)
composed the first
version of Rhapsody for
Hungarian cimbalom and
concert band in 2001; in
2021, on the
encouragement by a
Japanese marimba player
he arranged the solo part
for marimba, and
therefore the
opportunities for the
work to beplayed have
significantly widened.
The Rhapsody follows the
one-movement structure
created by Franz Liszt.
The beginning solo
section of the cimbalom
(or marimba) returns
before the coda as a
pillar of the form. The
composition, which can be
divided into five
sections, develops and
works with a Lydian
tetrachordal motif
(G-A-B-C sharp) in
different characters,
stretching the span of
music from a simple,
children's song-like
appearance to an
obstinate ritual dance.
In conclusion, the
Rhapsody is a
passionately emotional
lyric orchestral poem
rich in colours and
characters, which has a
place on the repertoire
of every concert band
playing quality
music. $89.95 - Voir plus => Acheter | | |
| Cosmic Expedition Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Marimba, Oboe 1, Oboe 2,
Percussion 1 and more. -
Grade 3 SKU:
CF.CPS216 Composed by
Michael J. Miller.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
8+2+4+2+8+16+16+4+4+4+4+4
+4+8+8+8+4+4+6+6+6+8+6+2+
2+4+10+36+4 pages.
Duration 3 minutes, 3
seconds. Carl Fischer
Music #CPS216. Published
by Carl Fischer Music
(CF.CPS216). ISBN
9781491152423. UPC:
680160909926. Cosmi
c Expedition takes
performers on a musical
journey far across the
galaxy via three main
sections. This
fanfare composition would
be perfect for opening a
concert. It has bold
brass fanfare figures
over textural woodwinds
to start and
then takes the
listener on a sonic
journey through a
variation of harmonic
colors, tambural and
textural
shifts. Cosmic
Expedition takes
performers on a musical
journey far across the
galaxy via three main
sections. The first, a
rather celebratory and
triumphant fanfare in Bb
major begins with the
upper woodwinds and
percussion creating a
sound-screen, that is a
busy texture consisting
of a flurry of repeated
notes over which the
horns and alto saxophones
present the opening
theme. The sound-screen
should be carefully
balanced and give way to
the melody at m. 5, which
should be played
extremely marcato. The
timpani solo beginning in
m. 11 must not be
understated. A brief
percussion interlude
separates a restatement
of the opening theme,
this time with the
addition of the trumpet,
tenor saxophone, and
euphonium, and a counter
melody by the low winds.
The percussion interlude
is playful, light, but
full of vigor and energy.
An Ab in the low winds
pulls the harmony towards
G minor in m. 40 to start
the second section, a
more serious fanfare.
Here, the marimba repeats
an ostinato that is
complemented by the bass
drum and woodblock. The
upper woodwinds with the
xylophone and snare drum
dance over the stern
secondary fanfare. A
longing call lead by the
trombones, interrupted by
a subtle snare drum
beckons to the clarinets
and horn who begin the
third section of the
piece at m. 68. This
haunting melody in C
minor is legato, and
starkly contrasts all
which came before it. A
relentless concert
tom-tom played with hard
mallets keeps the
momentum persistent, and
a heartbeat-like pulse is
felt from the tuba and
baritone saxophone. The
melody rises towards m.
84 when the brass harken
back to the fanfare style
before fading back into
another lush woodwind
strain.A recapitulation
of the low winds’
call is heard at m. 100
which in this occasion
intensifies into an
emphatic statement by the
battery percussion
instruments. Now in Eb
major, the opening
fanfare theme is heard
again once more before
fading into the beginning
of the piece’s
conclusion.To end, the
counter melody from the
opening section duels
with chromatic tension
above before swelling to
an arrival in the
original key of Bb major.
The full ensemble
celebrates the
piece’s
resolution, and after a
few crunchy power chords
the journey is
completed. $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| With Wind and Water Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Chimes, Clarinet 1,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion,
Marimba, Oboe 1, Oboe 2,
Percussion 1 and more. -
Grade 4 SKU:
CF.SPS80 Composed by
Brant Karrick. Symphonic
Band (SPS). Set of Score
and Parts. With Standard
notation.
8+8+4+4+8+16+16+4+4+4+4+4
+4+4+6+12+12+4+4+6+6+6+6+
8+6+2+4+14+36+4 pages.
Duration 4 minutes, 10
seconds. Carl Fischer
Music #SPS80. Published
by Carl Fischer Music
(CF.SPS80). ISBN
9781491152577. UPC:
680160910076. Key: Bb
major. With Wind
and Water is a musical
portrayal of an adventure
on the high seas during
the sailing age. It was
during the 16th to the
mid-19th century where
large sailing vessels
dominated global
exploration,
international trade, and
naval warfare. The
piece's compound meter
provides the pulse of
movement as it pitches
and rolls with the rhythm
of the waves. The driving
main melodies convey the
determination and courage
of the explorers and
their crew. Dissonant
harmonies suggest rough
seas, turbulent weather,
and other constant
dangers that sailors must
endure. Finally, the
ending sweeping melody
and climax reflects the
joy and triumph at
arriving on a new land at
the apex of a long and
intense voyage. With
evidence of watercraft
dating back to 8000 BC,
travel by water has
remained an important
aspect of life to many
civilizations. From
paddling down a river or
crossing a large lake, to
steaming across an entire
ocean, generations of
humans have traveled on
water to explore foreign
lands, to seek food and
precious materials, to
move and trade cargo, and
to attack and fend off
enemies.With Wind and
Water is a musical
portrayal of an adventure
on the high seas during
the age of sail. It was
during the sixteenth to
the mid-nineteenth
century when large
sailing vessels dominated
global exploration,
international trade, and
naval warfare. Our
ship sets sail!The
compound meter provides
the pulse of movement as
it pitches and rolls with
the rhythm of the waves.
The driving main melodies
convey the determination
and courage of the
explorers and their crew.
Dissonant harmonies
suggest rough seas,
turbulent weather and
other constant dangers
that sailors must endure.
The final sweeping melody
and climax reflect the
joy and triumph at
arriving on a new land at
the apex of a long and
intense voyage. With
Wind and Water was
commissioned by the
Florida Bandmasters
Association for the 2016
Nine Star Honor Band. $125.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Extreme Make-Over Orchestre d'harmonie [Conducteur] Amstel Music
Metamorphoses on a Theme by Tchaikovsky for Brass Band. By Johan De Meij. (Scor...(+)
Metamorphoses on a Theme
by Tchaikovsky for Brass
Band. By Johan De Meij.
(Score). Amstel Concert
Bands. 90 pages.
Published by Amstel
Music.
$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ascendance Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Brake Drum, Cabasa, Chime...(+)
Concert Band Bass
Clarinet, Bass Drum,
Bassoon, Bells, Brake
Drum, Cabasa, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion,
Marimba, Mark Tree, Oboe,
Percussion 1 and more. -
Grade 4 and up SKU:
CF.SPS15 Full
Score and Parts.
Composed by Robert
Thurston. FS-sws. Carl
Fischer Symphonic
Performance Series. Score
and Set of Parts. With
Standard notation. Carl
Fischer Music #SPS15.
Published by Carl Fischer
Music (CF.SPS15). ISBN
9780825848223. UPC:
798408048228. 9 X 12
inches. Key: Eb
major. A dynamic
concert overture that
derives most of its force
and material from the
striking fanfare motive
announced in the opening
measure by horns and
trumpets (concert Eb, Bb,
Ab, Db). The bold opening
in compound time is
followed by a suave and
flowing Adagio in 4/4
meter that makes a lovely
tune out of a variant of
the opening motive. At
measure 103, with a
marimba solo, the Allegro
style and compound meter
return for a rousing and
invigorating climax. This
piece is a significant
addition to the band
repertoire for concert
and contest. Duration:
6'30 Keys: Eb, Ab Ranges:
Trumpet-A; Horn-F;
Trombone-G. $100.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Reflections on the Mississippi Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Hal Leonard
(for Tuba and Symphonic Band). Composed by Michael Daugherty (1954-). For Concer...(+)
(for Tuba and Symphonic
Band). Composed by
Michael Daugherty
(1954-). For Concert Band
(Full Score). Michael
Daugherty Music. Grade
5-6. Softcover. Published
by Hal Leonard
$65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Festival in Russia (Polonaise, Op. 49) Orchestre d'harmonie - Intermédiaire/avancé Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-020-3 Composed by Liadov. Arranged...(+)
Concert band - Grade 4
SKU:
MH.1-59913-020-3
Composed by Liadov.
Arranged by Don Wilcox.
Suitable for high school,
community, and college
bands. Conductor score
and set of parts.
Duration 6:45. Published
by Manhattan Beach Music
(MH.1-59913-020-3).
ISBN
9781599130200. Prog
ram Notes: Festival in
Russia is a transcription
for concert band of
Anatoli Liadov's dazzling
orchestral work,
Polonaise (Op. 49).
Written at the turn of
the century, its
energetic dance rhythms
and melodic
expressiveness will bring
a delightful Old World
charm to today's
audiences. Liadov
(1855-1914) was a student
of Rimsky-Korsakov at the
St. Petersburg
Conservatory, and
succeeded him as the
composition teacher. (One
of Liadov's most notable
students at the
Conservatory was Sergei
Prokofiev.) At the time
the Polonaise was written
(1899), Liadov was at the
height of his profession
and one of his era's most
respected and
widely-known composers.
The first performance of
this transcription for
concert band was given by
the West Virginia
University Wind Symphony
at the Kennedy Center for
the Performing Arts on
February 24, 1988, Don
Wilcox conducting.
Ensemble instrumentation:
1 Piccolo, 4 Flute I, 4
Flute II, 1 Oboe I, 1
Oboe II, 1 English Horn,
1 Bassoon I, 1 Bassoon
II, 1 Eb Clarinet, 4 Bb
Clarinet I, 4 Bb Clarinet
II, 4 Bb Clarinet III, 1
Eb Alto Clarinet, 1 Eb
ContrabassClarinet, 3 Bb
Bass Clarinet & Bb
Contrabass Clarinet, 3 Eb
Alto Saxophone I, 3 Eb
Alto Saxophone II, 2 Bb
Tenor Saxophone, 2 Eb
Baritone Saxophone, 3 Bb
Cornet I, 3 Bb Cornet II,
3 Bb Cornet III, 2 Bb
Trumpet I, 2 Bb Trumpet
II, 2 F Horn I & III, 2 F
Horn II & IV, 2 Trombone
I, 2 Trombone II, 2 Bass
Trombone, 3 Euphonium, 2
Euphonium T.C., 4 Tuba, 2
Timpani, 2 Bells &
Vibraphone, 3 Chimes,
Triangle & Cymbals, 2
Xylophone & Marimba, 2
Snare Drum & Bass
Drum. $150.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Festival in Russia (Polonaise, Op. 49) Orchestre d'harmonie - Intermédiaire/avancé Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-021-1 Composed by Liadov. Arranged...(+)
Concert band - Grade 4
SKU:
MH.1-59913-021-1
Composed by Liadov.
Arranged by Don Wilcox.
Suitable for high school,
community, and college
bands. Conductor Full
Score. Duration 6:45.
Published by Manhattan
Beach Music
(MH.1-59913-021-1).
ISBN
9781599130217. Prog
ram Notes: Festival in
Russia is a transcription
for concert band of
Anatoli Liadov's dazzling
orchestral work,
Polonaise (Op. 49).
Written at the turn of
the century, its
energetic dance rhythms
and melodic
expressiveness will bring
a delightful Old World
charm to today's
audiences. Liadov
(1855-1914) was a student
of Rimsky-Korsakov at the
St. Petersburg
Conservatory, and
succeeded him as the
composition teacher. (One
of Liadov's most notable
students at the
Conservatory was Sergei
Prokofiev.) At the time
the Polonaise was written
(1899), Liadov was at the
height of his profession
and one of his era's most
respected and
widely-known composers.
The first performance of
this transcription for
concert band was given by
the West Virginia
University Wind Symphony
at the Kennedy Center for
the Performing Arts on
February 24, 1988, Don
Wilcox conducting.
Ensemble instrumentation:
1 Piccolo, 4 Flute I, 4
Flute II, 1 Oboe I, 1
Oboe II, 1 English Horn,
1 Bassoon I, 1 Bassoon
II, 1 Eb Clarinet, 4 Bb
Clarinet I, 4 Bb Clarinet
II, 4 Bb Clarinet III, 1
Eb Alto Clarinet, 1 Eb
ContrabassClarinet, 3 Bb
Bass Clarinet & Bb
Contrabass Clarinet, 3 Eb
Alto Saxophone I, 3 Eb
Alto Saxophone II, 2 Bb
Tenor Saxophone, 2 Eb
Baritone Saxophone, 3 Bb
Cornet I, 3 Bb Cornet II,
3 Bb Cornet III, 2 Bb
Trumpet I, 2 Bb Trumpet
II, 2 F Horn I & III, 2 F
Horn II & IV, 2 Trombone
I, 2 Trombone II, 2 Bass
Trombone, 3 Euphonium, 2
Euphonium T.C., 4 Tuba, 2
Timpani, 2 Bells &
Vibraphone, 3 Chimes,
Triangle & Cymbals, 2
Xylophone & Marimba, 2
Snare Drum & Bass
Drum. $18.50 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Alcazar Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Bongos, Cabasa, Clarinet 1, Clari...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Bongos, Cabasa, Clarinet
1, Clarinet 2, Clarinet
3, Claves, Congas, Crash
Cymbals, Cymbal,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion 1, Mallet
Percussion 2, Marimba and
more. - Grade 3 SKU:
CF.CPS213 Composed by
Bill Calhoun. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
8+8+4+8+8+8+4+4+4+4+4+4+8
+8+8+4+4+6+6+4+6+8+2+4+2+
10+20+28 pages. Duration
3 minutes, 31 seconds.
Carl Fischer Music
#CPS213. Published by
Carl Fischer Music
(CF.CPS213). ISBN
9781491152393. UPC:
680160909896. Alcaz
ar is a dynamic piece
with a definite Spanish
flair. Â Using changing
meters and syncopated
rhythms in its Allegro
introduction, the piece
continues this vitality
into its main theme
alternating between 4/4
and 6/8 time
signatures.  Alcaza
r should prove to be a
favorite of your student
musicians as well as your
audiences. Â This is
the perfect vehicle for
concert and contest
performance. AlcazarÂ
is a concert band work
commissioned by the
Cortland High School
Concert Band, Richard B.
Eleck, conductor, of the
Cortland Enlarged City
School District,
Cortland, N.Y.
 Premiered on June 1,
2017, Alcazar is a
dynamic piece with a
definite Spanish flair.
 Using changing meters
and syncopated rhythms in
its Allegro introduction,
the piece continues this
vitality into its main
theme alternating between
4/4 and 6/8 time
signatures. Â This
opening theme then moves
to a secondary theme
largely in 5/4, first
presented in the
woodwinds, followed by a
tutti section finishing
with a punctuated
conclusion to this
Allegro. Â The
clarinets then take us
into a melodic Andante
middle section, using
quarter-note triplets as
its rhythmic motive. As
this builds to a climax,
we are moved into a
return to the 5/4 Allegro
heard earlier in the
piece. As it seems to
come to an end, a sudden
use of the alternating
4/4, 6/8 earlier motive
returns and takes us
through an extended
ending with a dynamic
conclusion.
Alcazar should prove
to be a favorite of your
student musicians as well
as your audiences. This
is the perfect vehicle
for concert and contest
performance. $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Solar Flare Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS219 Composed by
Tyler Arcari. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
16+4+8+16+4+4+8+4+4+8+8+8
+4+4+4+4+6+6+2+6+8+2+3+2+
4+10+28+4 pages. Duration
4 minutes, 6 seconds.
Carl Fischer Music
#CPS219. Published by
Carl Fischer Music
(CF.CPS219). ISBN
9781491152454. UPC:
680160909957. Solar
Flare, by Tyler Arcari,
depicts the huge
explosion on the Sun that
appears as a sudden
bright flash. The piece
incorporates a whirlwind
of mixed meters to?depict
this phenomenon. Arcari
showcases his fresh,
exciting, and well-scored
compositional style in
this piece. Solar Flare
makes for? an excellent
concert opener. A
solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 6972 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99115 to the end
of the piece feature a
style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the Work:
Solar Flare began as a
piece with two goals: to
write a space piece in
7/8 and to write a
teaching 7/8 space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work.About the Work:Solar
Flare began as a piece
with two goals: to write
a space piece in 7/8 and
to write a
“teaching
7/8†space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69–72
should be treated as a
transitional fanfare to
the new material at m.
73.Measures 99–115
to the end of the piece
feature a style similar
to the beginning that
helps to transition to m.
115, which is the climax
of the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the “^â€
accent on the final note
is one meant to be played
heavy, and not short. $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Long Ships Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Anvil, Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarin...(+)
Band Anvil, Bass
Clarinet, Bass Drum,
Bassoon, Bells, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion,
Marimba, Oboe, Percussion
1, Percussion 2, Snare
Drum and more. - Grade 3
SKU: CF.CPS221
A Viking Saga.
Composed by Gene Milford.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
8+8+4+8+16+16+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+8+8+2+4+
10+24+4 pages. Duration
4:44. Carl Fischer Music
#CPS221. Published by
Carl Fischer Music
(CF.CPS221). ISBN
9781491152478. UPC:
680160909971. The
Long Ships: A Viking
Saga portrays the
drama and excitement of
the adventures of Viking
heroes and great tales of
Norse mythology. Composer
Gene Milford has written
a descriptive work that
is bold, exciting, and
beautiful. It is a
rhapsodic piece with
great potential for
developing the
musicianship of your
students. The Long
Ships is a perfect
addition to your
ensemble's contest and
festival
repertoire. The
Vikings or Norsemen were
the great explorers,
warriors and traders of
the European Medieval
Age. In their iconic
“long shipsâ€
they traveled from their
Scandinavian home lands
as far west as Greenland
and New Foundland, south
into the Mediterranean
and East through Russia
to the Black Sea. The
Vikings were also the
scourge of the era, and
the cry “the Long
Ships are comingâ€
sent fear through coastal
and river communities
throughout Great Britain
and Europe. The Norse
sagas, tales of gods and
heroes, have inspired
musicians and authors
though the centuries.The
Long Ships: A Viking Saga
portrays the drama and
excitement of the
adventures of Viking
heroes and great tales of
Norse mythology.The anvil
in Percussion 2 should be
struck with a large metal
hammer. A low sounding
anvil is preferred but a
break drum can be
substituted. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Time Shift Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Chimes, Clarinet 1, Clari...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cabasa, Chimes, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Gong, Horn 1,
Horn 2, Mallet Percussion
1, Mallet Percussion 2,
Marimba, Oboe and more. -
Grade 3.5 SKU:
CF.CPS132 Composed by
Bill Calhoun. SWS FS.
Carl Fischer Concert
Performance Series. Set
of Score and Parts. With
Standard notation.
8+8+4+8+8+8+4+4+4+4+4+4+8
+8+8+4+4+6+6+4+6+8+4+4+2+
8+10+1 pages. Duration 3
minutes, 28 seconds. Carl
Fischer Music #CPS132.
Published by Carl Fischer
Music (CF.CPS132).
ISBN 9780825888397.
UPC: 798408088392. 9x12
inches. This piece
begins with a long bell
striking constant quarter
notes, setting up the
fast-paced introduction.
As the title implies,
Time Shift switches
rhythmic feels, including
a 3 against 2 with
changing meters
throughout. Its middle
section uses segmental
chorales, reminiscent of
famous band works, before
moving back into a
quicker time signature.
Time Shift is filled with
a variety of styles,
which create a great
amount of interest
throughout the work. $90.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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