By Erik Morales. Young Band. FJH Young Band. Score for this title: B1312S. Conce...(+)
By Erik Morales. Young
Band. FJH Young Band.
Score for this title:
B1312S. Concert Band.
Level: 2. Score and Set
of Parts. Composed 2006.
Published by The FJH
Music Company Inc.
Fighting Falcon March Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Todd Stalter. By Todd Stalter. For Concert Band. Concert Band. Alfred Debut S...(+)
By Todd Stalter. By Todd
Stalter. For Concert
Band. Concert Band.
Alfred Debut Series.
Patriotism. Level: 1
(Very Easy) (grade 1).
Conductor Score and
Parts. Duration 1:30:00.
Published by Alfred
Publishing.
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade
2
SKU: CF.YPS105
Warm-Ups and
Fundamentals.
Composed by Larry Clark.
Collate - FS SWS - spine:
3/4 or .75. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+10+4+4+8+8+8+1
2+4+6+2+2+4+2+20 pages.
Duration 2 minutes, 53
seconds. Carl Fischer
Music #YPS105. Published
by Carl Fischer Music
(CF.YPS105).
ISBN
9780825884870. UPC:
798408084875. 9 x 12
inches. Key: Bb
major.
Based on our
popular New Bennett Band
Book series, we have
compiled march-style
warm-ups in a separate
publication so they may
be used by all bands
wishing to learn from
them. These innovative
warm-ups and fundamental
drills are the ultimate
method of teaching and
reinforcing the March
style. How To Use the
March Warm-upsPlaying in
a march style can present
difficulties for young
students. The most
prevalent problem is that
students have a tendency
to play every note too
short. Conversely,
accented notes are
usually played
incorrectly with too much
tongue. Do marches
contain short notes?
Absolutely, but these
shortest of notes should
be reserved for notes
that precede an accent or
notes that are
specifically marked with
a staccato. Think of
unmarked notes as being
separated, but not short
and certainly not clipped
or stopped with the
tongue. Accented notes
should be played with
more weight using air and
more length, and not just
a harder tongue. Accents
are given to show
emphasis to a note and
should be thought of in
this manner.The warm-up
exercises provided in
this collection should
give you many
opportunities to stress
the above-mentioned
comments on march
performance style. The
following gives an
explanation on the
purpose and use of each
of these exercises.No. 1
– Basic Chords and
ModulationsOne of the
challenges of playing
marches with young
students is successfully
performing the key change
at the Trio. This
exercise presents the
three basic chords
(tonic, subdominant and
dominant) in each of the
three keys in this
collection of marches.
You can also use this
exercise to teach and
reinforce the style of
accented notes. You may
want to have your band
play major scales in
succession by fourths to
reinforce the concept of
modulation to the
subdominant that occurs
at the Trio (i.e. the
B≤-major scale,
then the E≤-major
scale, then the
A≤-major scale). I
might suggest getting the
students to try
continuing the pattern
all the way around the
circle of fourths.No. 2
– March Style in
B≤ MajorThis
exercise contains many
opportunities to teach
and reinforce the
difference between
staccato and accented
notes. The melody voices
move up and down the
B≤-major scale,
while other instruments
play chords commonly
found in the marches in
this collection. These
include diminished
chords, secondary
dominant chords (i.e. the
V of the V) and other
common chromatic chords
that Fillmore often
used.No. 3 –
Cakewalk Rhythm in
B≤ MajorThe simple
syncopated rhythm in this
exercise is common to
many marches. This drill
gives you the opportunity
to teach/ reinforce the
standard ar-ticulation
and natural accent of
this rhythmic pattern.
Again, this exercise uses
an ascending and
descending major-scale
pattern as the melodic
basis, accompanied by
chords commonly found in
American- style
marches.No. 4 –
The March Scale in
B≤ MajorI call this
exercise “The March
Scale,†because
often in marches (and
especially in these
marches) the descending
half-step is part of the
melodic material. These
chromatic figures give
the melodies of many
marches their charm and
flow. Thus, I devised
this exercise and others
like it in E≤ major
and A≤ major to
familiarize students with
these patterns. I would
suggest playing the
pattern in a variety of
ways different from what
is written. Here are some
other
possibilities:•
Tongue one, slur
three• Slur two,
tongue two• Tongue
two, slur two•
Tongue one, slur two,
tongue oneGradually
increase the tempo to the
march tempo and the
articulation style will
fall right into
place.Another important
consideration is the
performance of the bass
line and the bass-drum
part. Too often, the bass
drum and bass instruments
play their parts with
equal emphasis on both
beats in the measure.
This is incorrect, and
frequently makes the
marchNo. 5 – March
Style in E≤
MajorThis is a similar to
exercise No. 2, but with
a different rhythmic
pattern. Emphasize the
difference between
accented and unaccented
notes. Also, play the
exercise with line
direction moving the
musical line forward.
Experiment and play the
exercise with different
dynamic choices and with
hairpins up and down in
different ways.No. 6
– More March Style
in E≤ MajorExercise
No. 6 comprises more
rhythmic patterns and
harmonic materials in
E≤ major to teach
and reinforce the march
style. This exercise
em-phasizes the
sixteenth-note rhythm, as
notated in the third
measure of the exercise.
Young stu- dents have a
tendency to
“crush†the
sixteenths; consequently,
they lack clarity. It
would be a good idea to
work this rhythmic figure
on a scale pattern with
all of the instruments in
the band as an additional
warm-up exercise.No. 7
– The March Scale
in E≤ MajorSee the
information for No. 4 and
apply it to this
exercise. Use all of the
various articulations
described above as
well.No. 8 – March
Style in A≤
MajorSee the information
for No. 2 and apply it to
this exercise.No. 9
– Cakewalk Rhythm
in A≤ MajorSee the
information for No. 3 and
apply it to this
exercise.No. 10 –
The March Scale in
A≤ MajorSee the
information for No. 4 and
apply it to this
exercise.Other Ideas for
March PerformanceA
rehearsal practice that
has worked very well for
me is to start out by
having the band play the
march very slowly at
about Å’ = 60 in a
chorale/legato style. The
slow tempo is a fine
opportunity to work on
clarity of harmonic move-
ment and to work on the
balance and blend of the
tutti band sound. This
will pay great dividends
toward improving the
sound of your band.
Gradually increase the
tempo to the march tempo
and the articulation
style will fall right
into place.Another
important consideration
is the performance of the
bass line and the
bass-drum part. Too
often, the bass drum and
bass instruments play
their parts with equal
emphasis on both beats in
the measure. This is
incorrect, and frequently
makes the march.
Sandcastle March Orchestre d'harmonie [Conducteur] RWS Music Company
Pre 1 SKU: CL.RWS-2257-01 Composed by Bankston. Young Concert Band. Extra...(+)
Pre 1
SKU:
CL.RWS-2257-01
Composed by Bankston.
Young Concert Band. Extra
full score. Composed
2022. RWS Music Company
#RWS-2257-01. Published
by RWS Music Company
(CL.RWS-2257-01).
From the down
beat to stinger, this
march is composed to be
accessible to the
beginning band. It is a
wonderful teaching tool
for introducing march
style. Have your young
musicians sounding their
best with this short and
simple march.
Sandcastle March Orchestre d'harmonie [Conducteur et Parties séparées] RWS Music Company
Pre 1 SKU: CL.RWS-2257-00 Composed by Bankston. Young Concert Band. Score...(+)
Pre 1
SKU:
CL.RWS-2257-00
Composed by Bankston.
Young Concert Band. Score
and set of parts.
Composed 2022. RWS Music
Company #RWS-2257-00.
Published by RWS Music
Company (CL.RWS-2257-00).
From the down
beat to stinger, this
march is composed to be
accessible to the
beginning band. It is a
wonderful teaching tool
for introducing march
style. Have your young
musicians sounding their
best with this short and
simple march.
A Shaker March Orchestre d'harmonie - Débutant Alfred Publishing
Arranged by John Kinyon. Arr. John Kinyon. For Concert Band. Concert Band. Mini ...(+)
Arranged by John Kinyon.
Arr. John Kinyon. For
Concert Band. Concert
Band. Mini Score Series.
Level: 1 (Very Easy)
(grade 1). Conductor
Score. 12 pages.
Published by Alfred
Publishing.
A Shaker March Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
Arranged by John Kinyon. John Kinyon. For Concert Band. Concert Band. Mini Score...(+)
Arranged by John Kinyon.
John Kinyon. For Concert
Band. Concert Band. Mini
Score Series. Level:
Level 1 (grade 1).
Conductor Score & Parts.
1 pages. Published by
Alfred Publishing.
Marchalade Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1186067-010 Composed by Peter...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1186067-010
Composed by Peter
Riedemann. On Parade!
March. Set (Score &
Parts). Composed 2018. De
Haske Publications #DHP
1186067-010. Published by
De Haske Publications
(BT.DHP-1186067-010).
English-German-French-
Dutch.
Marchalad
e is a
straightforward,
refreshing new march by
Peter Riedemann.
Following a compelling
introduction, the descant
presents a light, playful
theme, which is repeated
with a legato
countermelody in the
tenor register. The
second reprise is
characterized by the
alternation of descant
and bass. The trio part
is initially played
cantabile,
followed by a bold
marcato
repetition.
Na
een overtuigende
inleiding weerklinkt in
de discant een luchtig
speels thema met in de
herhaling een legato
tegenmelodie in het
tenorregister. De tweede
reprise wordt gekenmerkt
door de afwisseling van
discant en basregister.
Het triodeel wordt
aanvankelijk gevormd door
een cantabile speelwijze,
met aansluitend een
herhaling in een stevige
marcato uitvoering.
Marchalade: een
eenvoudige frisse nieuwe
mars van Peter Riedemann.
Marchalade
ist ein einfacher und
erfrischender neuer
Marsch von Peter
Riedemann. Nach der
fesselnden Einleitung
präsentieren die
Sopranstimmen ein zartes,
verspieltes Thema, das
von den Tenorstimmen mit
einer Gegenmelodie im
Legato wiederholt wird.
Die zweite Reprise
zeichnet sich durch den
Wechsel von Sopran- und
Bassstimmen aus. Der
Trio-Teil wird anfangs
cantabile gespielt, dann
folgt eine Wiederholung
im kräftigen Marcato.
Marchalade Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1186067-140 Composed by Peter...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1186067-140
Composed by Peter
Riedemann. On Parade!
March. Score Only.
Composed 2018. 14 pages.
De Haske Publications
#DHP 1186067-140.
Published by De Haske
Publications
(BT.DHP-1186067-140).
English-German-French-
Dutch.
Marchalad
e is a
straightforward,
refreshing new march by
Peter Riedemann.
Following a compelling
introduction, the descant
presents a light, playful
theme, which is repeated
with a legato
countermelody in the
tenor register. The
second reprise is
characterized by the
alternation of descant
and bass. The trio part
is initially played
cantabile,
followed by a bold
marcato
repetition.
Na
een overtuigende
inleiding weerklinkt in
de discant een luchtig
speels thema met in de
herhaling een legato
tegenmelodie in het
tenorregister. De tweede
reprise wordt gekenmerkt
door de afwisseling van
discant en basregister.
Het triodeel wordt
aanvankelijk gevormd door
een cantabile speelwijze,
met aansluitend een
herhaling in een stevige
marcato uitvoering.
Marchalade: een
eenvoudige frisse nieuwe
mars van Peter Riedemann.
Marchalade
ist ein einfacher und
erfrischender neuer
Marsch von Peter
Riedemann. Nach der
fesselnden Einleitung
präsentieren die
Sopranstimmen ein zartes,
verspieltes Thema, das
von den Tenorstimmen mit
einer Gegenmelodie im
Legato wiederholt wird.
Die zweite Reprise
zeichnet sich durch den
Wechsel von Sopran- und
Bassstimmen aus. Der
Trio-Teil wird anfangs
cantabile gespielt, dann
folgt eine Wiederholung
im kräftigen Marcato.
Project Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Carl Fischer
(March - Full Score and Parts). By Harold Bennett. Arranged by Larry Clark. Conc...(+)
(March - Full Score and
Parts). By Harold
Bennett. Arranged by
Larry Clark. Concert
Band. For Concert Band.
Carl Fischer First Plus
Performance Series. Grade
1.5. Score and Set of
Parts. Standard notation.
12 pages
Song of Hope Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115227-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115227-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Hymns & Chorals. Score
Only. Composed 2012. 20
pages. De Haske
Publications #DHP
1115227-140. Published by
De Haske Publications
(BT.DHP-1115227-140).
9x12 inches.
English-German-French-Dut
ch.
2011 was a
disastrous year for
Japan: on March 11 the
northeast of the country
suffered a violent
earthquake, which
triggered a huge tsunami
and caused massive damage
to people and the
environment. The ensuing
problems with the nuclear
reactor at Fukushima only
increased the misery: a
black day in the
country’s
history…One almost
inevitable consequence of
such dramatic
circumstances is the
particular damage
suffered by the cultural
arts. And so it was in
Japan: various high
school wind orchestras in
the effected areas lost
their practice rooms
and/or instruments. It
will take a long time
before the damage
suffered is
repaired—and it
will take great effort to
overcome thepsychological
effects, too. Focusing on
the latter, Yutada
Nishida (director of The
Bandwagon radio program)
asked a few composers for
a simple work that could
be played by many
orchestras. It just so
happened that the Osakan
Philharmonic Winds (with
whom Jan Van der Roost
had conducted a concert
exclusively of his own
works on September 25th)
had had a similar idea.
This concert saw the
baptism of Song of Hope.
This piece immediately
struck a chord with
musicians and audience
alike: it begins bleakly
in the low register and
evolves to a more open,
optimistic close. There
really is hope for better
times!
2011 was
een rampzalig jaar voor
Japan: op 11 maart
teisterde een hevige
aardbeving het
noordoosten van het land,
bracht een enorme tsunami
teweeg en veroorzaakte
zeer grote schade aan
mens en natuur. De
daaruit voortvloeiende
problemenmet de
kernreactor van Fukushima
maakten de ellende nog
groter: een zwarte pagina
in het bestaan van het
land ... Dat in
dergelijke dramatische
omstandigheden ook (en
vooral) het culturele
bestel een flinke knauw
krijgt, ishelaas een
haast onvermijdelijke
consequentie. Zo ook in
Japan: verschillende high
school bands in de
getroffen regio verloren
hun repetitieruimte en/of
instrumenten: het zal
lang duren voordat de
geleden schade is
hersteld - enhet zal ook
moeite kosten om er
mentaal weer bovenop te
geraken. Met het oog op
dat laatste aspect
verzocht Yutaka Nishida
(samensteller van het
radioprogramma The
Bandwagon) een paar
componisten om een
eenvoudig werkje te
schrijvendat speelbaar is
door een groot aantal
orkesten. Als bij toeval
kwam een dergelijk
verzoek eveneens van de
kant van de OSAKAN
Philharmonic Winds,
waarmee Jan Van der Roost
op 25 september een
concert dirigeerde,
uitsluitend gewijdaan
eigen werken. Daar werd
Song of Hope dan ook ten
doop gehouden en het
werkje sloeg meteen aan
bij uitvoerders en
publiek: na een tamelijk
donkere start in het lage
register evolueert het
tot een optimistischer en
opener slot.Er is
inderdaad hoop op betere
tijden!
Am 11.
März 2011 löste ein
heftiges Erdbeben in
Japan einen riesigen
Tsunami mit
desaströsen Folgen
für Mensch, Natur auch
das kulturelle Leben.
Yutaka Nishida vom
Radioprogramm The
Bandwagon bat daher
einige Komponisten,
darunter Jan Van der
Roost, ein einfaches,
für viele Orchester
spielbares Werk zu
schreiben. Song of
Hope beginnt
düster im tiefen
Register, um sich dann zu
einem optimistischeren
Schluss hin zu
entwickeln. Es gibt sie,
die Hoffnung auf bessere
Zeiten... !
Il 2011 è
stato un anno tragico per
il Giappone; al
devastante terremoto e al
non meno catastrofico
tsunami dell’11
marzo, sono seguiti i
gravi problemi al
reattore nucleare di
Fukushima. Il settore
della cultura in
generale, e quello della
musica in particolare
hanno sofferto
immensamente a causa di
questi nefasti eventi
naturali. Song of
Hope è un brano
che ha profondamente
commosso esecutori e
pubblico.Song of
Hope inizia nel
registro acuto con suoni
oscuri e melanconici, ma
si sviluppa in un clima
di ottimismo, come a
voler simboleggiare un
futuro più sereno.
Musikantenmarsch.
Composed by Eric J. Hovi.
Arranged by Jan de Haan.
Essential Elements
European Band Series. Set
(Score & Parts) with CD.
Composed 2010. De Haske
Publications #DHP
1105030-013. Published by
De Haske Publications
(BT.DHP-1105030-013).
9x12 inches.
English.
Eric J.
Hovi cleverly
incorporates a well-known
German children’s
song, Ich bin ein
Musikante, into this
march, with plenty of
syncopated rhythms thrown
in for good measure. The
simple melody and Jan de
Haan’s accessible
arrangement make
Musicians' March an ideal
piece for young musicians
everywhere.
In
diesem Marsch mit einem
auffällig synkopischen
Rhythmus verarbeitete
Eric J. Hovi das bekannte
Kinderlied Ich bin ein
Musikante. Die
vertraute Melodie und die
leichte Bearbeitung von
Jan de Haan
ermöglichen jungen
Musikern einen einfachen,
fröhlichen Einstieg in
das Genre der
Marschmusik.Spielbar ab
Essential Elements
Band 1, Seite 31
La
celebre Ich bin ein
Musikante, nota canzone
tedesca per bambini, è
stata arrangiata con uno
spiccato ritmo sincopato
da Eric J. Hovi. Jan de
Haan ne ha creato una
versione più semplice
per giovani musicisti,
ideale per un approccio
semplice e gioioso
all’esecuzione
delle marce.
Musikantenmarsch.
Composed by Eric J. Hovi.
Arranged by Jan de Haan.
Essential Elements
European Band Series.
Score with CD. Composed
2010. 12 pages. De Haske
Publications #DHP
1105030-143. Published by
De Haske Publications
(BT.DHP-1105030-143).
9x12 inches.
English.
Eric J.
Hovi cleverly
incorporates a well-known
German children’s
song, Ich bin ein
Musikante, into this
march, with plenty of
syncopated rhythms thrown
in for good measure. The
simple melody and Jan de
Haan’s accessible
arrangement make
Musicians' March an ideal
piece for young musicians
everywhere.
In
diesem Marsch mit einem
auffällig synkopischen
Rhythmus verarbeitete
Eric J. Hovi das bekannte
Kinderlied Ich bin ein
Musikante. Die
vertraute Melodie und die
leichte Bearbeitung von
Jan de Haan
ermöglichen jungen
Musikern einen einfachen,
fröhlichen Einstieg in
das Genre der
Marschmusik.Spielbar ab
Essential Elements
Band 1, Seite 31
La
celebre Ich bin ein
Musikante, nota canzone
tedesca per bambini, è
stata arrangiata con uno
spiccato ritmo sincopato
da Eric J. Hovi. Jan de
Haan ne ha creato una
versione più semplice
per giovani musicisti,
ideale per un approccio
semplice e gioioso
all’esecuzione
delle marce.
Wolverine Trail Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS118 March. Composed by Matt...(+)
Band concert band - Grade
1
SKU: CF.BPS118
March. Composed by
Matthew R. Putnam.
Beginning Band (BPS). Set
of Score and Parts. With
Standard notation.
8+2+8+2+5+2+2+8+3+6+3+1+1
+3+3+16+2 pages. Duration
2 minutes, 9 seconds.
Carl Fischer Music
#BPS118. Published by
Carl Fischer Music
(CF.BPS118).
ISBN
9781491152041. UPC:
680160909544.
Wolve
rine Trail is a
concert march for
beginning bands and is
rather helpful in
introducing beginners to
the march form and style.
This piece is based in
the key of Eb major and
uses only the first seven
notes taught in most
method books. It is also
rhythmically accessible
to beginners, as simple
eighth-note combinations
are the most difficult
rhythms in this march.
The piece follows
standard march form
except that is does not
modulate at the trio
section. When writing
this piece, I was
thinking of my beginning
band students at Polk
County Middle School. Our
school is located at the
foothills of the
Appalachian Mountains and
is surrounded by dense
pine forests. The mascot
of our school is rather
fittingly the wolverine;
hence, our school is
located on the street
named “Wolverine
Trail.†Learning to
be a musician is not an
easy trial, as it
requires hard work,
dedication, and
endurance. However, the
trail to becoming a
musician is full of
rewarding and
breathtaking experiences.
As I wrote this piece, I
was inspired by the
rugged beauty of our
school’s location
and also how I am helping
my beginner students to
start on the trail to
becoming mature
musicians.Wolverine Trail
is a concert march for
beginning bands and is
rather helpful in
introducing beginners to
the march form and style.
This piece is based in
the key of Eb major and
uses only the first seven
notes taught in most
method books. It is also
rhythmically accessible
to beginners, as simple
eighth-note combinations
are the most difficult
rhythms in this march.
The piece follows
standard march form
except that is does not
modulate at the trio
section which begins at
m. 57. It is my hope that
this piece will help you
and your beginners start
your own musical
trailblazing.
Wolverine Trail Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS118F March. Composed by Mat...(+)
Band concert band - Grade
1
SKU: CF.BPS118F
March. Composed by
Matthew R. Putnam.
Beginning Band (BPS).
Full score. With Standard
notation. 16 pages. Carl
Fischer Music #BPS118F.
Published by Carl Fischer
Music (CF.BPS118F).
ISBN 9781491152720.
UPC:
680160910229.
Wolve
rine Trail is a
concert march for
beginning bands and is
rather helpful in
introducing beginners to
the march form and style.
This piece is based in
the key of Eb major and
uses only the first seven
notes taught in most
method books. It is also
rhythmically accessible
to beginners, as simple
eighth-note combinations
are the most difficult
rhythms in this march.
The piece follows
standard march form
except that is does not
modulate at the trio
section. When writing
this piece, I was
thinking of my beginning
band students at Polk
County Middle School. Our
school is located at the
foothills of the
Appalachian Mountains and
is surrounded by dense
pine forests. The mascot
of our school is rather
fittingly the wolverine;
hence, our school is
located on the street
named “Wolverine
Trail.†Learning to
be a musician is not an
easy trial, as it
requires hard work,
dedication, and
endurance. However, the
trail to becoming a
musician is full of
rewarding and
breathtaking experiences.
As I wrote this piece, I
was inspired by the
rugged beauty of our
school’s location
and also how I am helping
my beginner students to
start on the trail to
becoming mature
musicians.Wolverine Trail
is a concert march for
beginning bands and is
rather helpful in
introducing beginners to
the march form and style.
This piece is based in
the key of Eb major and
uses only the first seven
notes taught in most
method books. It is also
rhythmically accessible
to beginners, as simple
eighth-note combinations
are the most difficult
rhythms in this march.
The piece follows
standard march form
except that is does not
modulate at the trio
section which begins at
m. 57. It is my hope that
this piece will help you
and your beginners start
your own musical
trailblazing.
Concert Band SKU: HL.44001176 Anglo Music Press CD. Composed by Ph...(+)
Concert Band
SKU:
HL.44001176
Anglo
Music Press CD.
Composed by Philip
Sparke. Anglo Music
Concert Band CD. CD.
Anglo Music Press
#AR8083. Published by
Anglo Music Press
(HL.44001176).
UPC:
073999922219.
5.5x4.75x0.4
inches.
Includes: A
London Intrada; Infinity
and Beyond; Pathfinders
March; Simple Sarabande;
Te Deum Prelude; The
Prince of Denmark's
March; Westminster
Prelude; Chorus and March
(See, the Conquering Hero
Comes); Big Sky Overture;
To a Wild Rose; Two
Norwegian Folk Tunes;
Clarinet Calypso; Ballad
for Benny; Shalom!; Panis
Angelicus.
Centre Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000353-010 Composed by Joha...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000353-010
Composed by Johan de
Corff. Set (Score &
Parts). 78 pages. Gobelin
Music Publications #GOB
000353-010. Published by
Gobelin Music
Publications
(BT.GOB-000353-010).
Your band will
be the focal point of
everyone's attention in
this (parade) march.
A simple but rewarding
march, suitable for many
occasions. Johan de
Corff is fully conversant
as far as writing marches
is concerned and with
'Centre' he has added
another prime specimen to
this eternally popular
musical style.
'Centre' is published in
marching-card size.
Het orkest staat
centraal in deze
(loop)mars. Een
eenvoudige, maar dankbare
mars, geschikt voor vele
gelegenheden. De
Corff is zeer bekend met
het schrijven van marsen
en met Centre voegt hij
dan ook weer een
prachtige marstoe aan
deze altijd weer actuele
muziekstijl. De mars
wordt op marsformaat
uitgegeven.
Centre Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000353-140 Composed by Joha...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000353-140
Composed by Johan de
Corff. Score Only. 10
pages. Gobelin Music
Publications #GOB
000353-140. Published by
Gobelin Music
Publications
(BT.GOB-000353-140).
Your band will
be the focal point of
everyone's attention in
this (parade) march.
A simple but rewarding
march, suitable for many
occasions. Johan de
Corff is fully conversant
as far as writing marches
is concerned and with
'Centre' he has added
another prime specimen to
this eternally popular
musical style.
'Centre' is published in
marching-card size.
Het orkest staat
centraal in deze
(loop)mars. Een
eenvoudige, maar dankbare
mars, geschikt voor vele
gelegenheden. De
Corff is zeer bekend met
het schrijven van marsen
en met Centre voegt hij
dan ook weer een
prachtige marstoe aan
deze altijd weer actuele
muziekstijl. De mars
wordt op marsformaat
uitgegeven.
Monumental City Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 0.5 SKU: CF.PPS38 March. Composed by Jos...(+)
Band concert band - Grade
0.5
SKU: CF.PPS38
March. Composed by
Joseph Compello. Set of
Score and Parts. With
Standard notation.
8+2+8+2+5+2+2+8+2+3+2+6+2
+3+1+1+2+1+12 pages.
Duration 2 minutes, 29
seconds. Carl Fischer
Music #PPS38. Published
by Carl Fischer Music
(CF.PPS38).
ISBN
9781491144275. UPC:
680160901777.
March
es are part of the
heritage of the American
concert band, and even
beginning students can
benefit from early
exposure to this style.
Joseph Compello gives us
a new march in
traditional style for the
youngest of players.
Using only six notes and
simple repeated eighth
note patterns, this piece
introduces students to
all the fundamental
elements of traditional
marches.
Monumental City Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band concert band - Grade 0.5 SKU: CF.PPS38F March. Composed by Jo...(+)
Band concert band - Grade
0.5
SKU: CF.PPS38F
March. Composed by
Joseph Compello. Full
score. With Standard
notation. 12 pages.
Duration 2 minutes, 29
seconds. Carl Fischer
Music #PPS38F. Published
by Carl Fischer Music
(CF.PPS38F).
ISBN
9781491144282. UPC:
680160901784.
March
es are part of the
heritage of the American
concert band, and even
beginning students can
benefit from early
exposure to this style.
Joseph Compello gives us
a new march in
traditional style for the
youngest of players.
Using only six notes and
simple repeated eighth
note patterns, this piece
introduces students to
all the fundamental
elements of traditional
marches.
Composed by Peter Riedemann. De Haske Concert Band. March. Score Only. Composed ...(+)
Composed by Peter
Riedemann. De Haske
Concert Band. March.
Score Only. Composed
1994. De Haske
Publications #940583.
Published by De Haske
Publications
Band concert band - Grade 1 SKU: KJ.WB263F Composed by Bruce Pearson. Sta...(+)
Band concert band - Grade
1
SKU: KJ.WB263F
Composed by Bruce
Pearson. Standard of
Excellence in Concert.
Score. Neil A. Kjos Music
Company #WB263F.
Published by Neil A. Kjos
Music Company
(KJ.WB263F).
Eagle Crest
March is an exciting
concert or festival
composition utilizing
simple rhythms and only
seven notes. Full of
energy this marvelous
march is one beginners
will love! Eagle Crest
March is correlated with
Standard of Excellence
Book 1, page 18.
About Standard
of Excellence in
Concert
Th
e Standard of Excellence
In Concert series
presents exceptional
arrangements,
transcriptions, and
original concert and
festival pieces for
beginning and
intermediate band. Each
selection is correlated
to a specific page in the
Standard of Excellence
Band Method, reinforcing
and expanding skills and
concepts introduced in
the method up to that
point. Exciting parts
with extensive
cross-cueing are
presented for every
player. Accessible
ranges, appropriate
rhythmic challenges, and
creative percussion
section writing enhance
the pedagogical value of
the series.
Sold
individually, each In
Concert selection
includes a full Conductor
Score and enough student
parts for large symphonic
bands. Each student part
also includes correlated
Warm-Up Studies. The
Conductor Score comes
complete with rehearsal
suggestions, a composer
biography, program notes,
a rehearsal piano part,
several
ready-to-duplicate
worksheets and a
duplicable written
quiz.
Maritime March Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
Concert Band - Grade 1 SKU: AP.36661S Composed by John O'Reilly. Concert ...(+)
Concert Band - Grade 1
SKU: AP.36661S
Composed by John
O'Reilly. Concert Band;
Performance Music
Ensemble; Single Titles.
Accent on Achievement.
Form: March. Score. 8
pages. Alfred Music
#00-36661S. Published by
Alfred Music (AP.36661S).
UPC: 038081416595.
English.
Maritime
March is a jaunty
British-style march
opening up in the key of
C natural minor (Aeolian
mode). Sixteenth notes
combined with simple
syncopations highlight
the second strain in a
question-and-answer
section that pits the
woodwinds against the
brass. The traditional
trio moves to the key of
E-flat and features the
low clarinets in unison
with the French horns.
This is a very appealing
march that will be easy
to put together and
really make your young
band shine.
This
piece correlates to
Accent on Achievement
Book 2, Page 15.
Maritime March Orchestre d'harmonie - Débutant Alfred Publishing
Concert Band - Grade 1 SKU: AP.36661 Composed by John O'Reilly. Concert B...(+)
Concert Band - Grade 1
SKU: AP.36661
Composed by John
O'Reilly. Concert Band;
Performance Music
Ensemble; Single Titles.
Accent on Achievement.
Form: March. Score and
Part(s). 120 pages.
Alfred Music #00-36661.
Published by Alfred Music
(AP.36661).
UPC:
038081416588.
English.
Maritime
March is a jaunty
British-style march
opening up in the key of
C natural minor (Aeolian
mode). Sixteenth notes
combined with simple
syncopations highlight
the second strain in a
question-and-answer
section that pits the
woodwinds against the
brass. The traditional
trio moves to the key of
E-flat and features the
low clarinets in unison
with the French horns.
This is a very appealing
march that will be easy
to put together and
really make your young
band shine.
This
piece correlates to
Accent on Achievement
Book 2, Page 15.
Regal March - Score Orchestre d'harmonie [Conducteur] - Facile Kjos Music Company
Band concert band - Grade 2 SKU: KJ.WB183F Composed by Bruce Pearson and ...(+)
Band concert band - Grade
2
SKU: KJ.WB183F
Composed by Bruce Pearson
and Chuck Elledge.
Standard of Excellence in
Concert. Score. Neil A.
Kjos Music Company
#WB183F. Published by
Neil A. Kjos Music
Company (KJ.WB183F).
UPC:
8402703351.
Regal
March Is A Majestic Work
for the Beginning Bands.
Simple Rhythms and
Extensive Cross-Cueing
Combine with Only nine
Notes to Make This Piece
Accessible to Every
Member of the Band. As
with all STANDARD OF
EXCELLENCE IN CONCERT
selections, an optional,
easy-to-play rehearsal
piano part is included.
REGAL MARCH also includes
two snare drum parts, one
correlated with page 18,
and one more advanced. On
the recording, you will
hear the part correlated
with page 18.
About Standard
of Excellence in
Concert
Th
e Standard of Excellence
In Concert series
presents exceptional
arrangements,
transcriptions, and
original concert and
festival pieces for
beginning and
intermediate band. Each
selection is correlated
to a specific page in the
Standard of Excellence
Band Method, reinforcing
and expanding skills and
concepts introduced in
the method up to that
point. Exciting parts
with extensive
cross-cueing are
presented for every
player. Accessible
ranges, appropriate
rhythmic challenges, and
creative percussion
section writing enhance
the pedagogical value of
the series.
Sold
individually, each In
Concert selection
includes a full Conductor
Score and enough student
parts for large symphonic
bands. Each student part
also includes correlated
Warm-Up Studies. The
Conductor Score comes
complete with rehearsal
suggestions, a composer
biography, program notes,
a rehearsal piano part,
several
ready-to-duplicate
worksheets and a
duplicable written
quiz.
Band concert band - Grade 2 SKU: KJ.WB183RG Composed by Bruce Pearson. Ed...(+)
Band concert band - Grade
2
SKU: KJ.WB183RG
Composed by Bruce
Pearson. Edited by Chuck
Elledge and Wendy Barden.
Standard of Excellence in
Concert. Resource Guide.
Neil A. Kjos Music
Company #WB183RG.
Published by Neil A. Kjos
Music Company
(KJ.WB183RG).
Regal March Is
A Majestic Work for the
Beginning Bands. Simple
Rhythms and Extensive
Cross-Cueing Combine with
Only nine Notes to Make
This Piece Accessible to
Every Member of the Band.
As with all STANDARD OF
EXCELLENCE IN CONCERT
selections, an optional,
easy-to-play rehearsal
piano part is included.
REGAL MARCH also includes
two snare drum parts, one
correlated with page 18,
and one more advanced. On
the recording, you will
hear the part correlated
with page 18.
About Standard
of Excellence in
Concert
Th
e Standard of Excellence
In Concert series
presents exceptional
arrangements,
transcriptions, and
original concert and
festival pieces for
beginning and
intermediate band. Each
selection is correlated
to a specific page in the
Standard of Excellence
Band Method, reinforcing
and expanding skills and
concepts introduced in
the method up to that
point. Exciting parts
with extensive
cross-cueing are
presented for every
player. Accessible
ranges, appropriate
rhythmic challenges, and
creative percussion
section writing enhance
the pedagogical value of
the series.
Sold
individually, each In
Concert selection
includes a full Conductor
Score and enough student
parts for large symphonic
bands. Each student part
also includes correlated
Warm-Up Studies. The
Conductor Score comes
complete with rehearsal
suggestions, a composer
biography, program notes,
a rehearsal piano part,
several
ready-to-duplicate
worksheets and a
duplicable written
quiz.
North Point March Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Concert Band concert band - Grade 1 SKU: CF.BPS47F Composed by Joseph Com...(+)
Concert Band concert band
- Grade 1
SKU:
CF.BPS47F
Composed by
Joseph Compello. SWS.
Carl Fischer Beginning
Performance Series.
Classical. Full score.
With Standard notation.
16+16 pages. Carl Fischer
Music #BPS47F. Published
by Carl Fischer Music
(CF.BPS47F).
ISBN
9780825864322. UPC:
798408064327. 9 X 12
inches. Key: Bb
major.
A
traditionally styled
March for the very
youngest bands, North
Point March uses only the
first six notes of the
B-flat major scale. Using
this simple framework,
Compello has created a
very fine piece for
introducing the American
march-style to young
people, and provided them
with a particularly
hummable tune in the
trio.
Code of Conduct - March Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Kjos Music Company
Concert Band - Grade 1 SKU: KJ.WB530 Composed by Quincy C. Hilliard. Band...(+)
Concert Band - Grade 1
SKU: KJ.WB530
Composed by Quincy C.
Hilliard.
Band/Repertoire.
Excellence in Performance
- Repertoire. Score and
parts. Neil A. Kjos Music
Company #WB530. Published
by Neil A. Kjos Music
Company (KJ.WB530).
UPC:
084027053089.
Playe
d in a marcato style,
this spirited march
features simple quarter
and eighth note rhythms
inside a limited melodic
range, while still
allowing all members of
the band to be heard.
Code of Conduct - March
will instill good music
making habits in young
band students for years
to come. Correlates with
Tradition of Excellence
Book 1, page 20.
About
Tradition of Excellence:
Excellence in
Performance
<
p>Excellence in
performance is a concert
band repertoire series
correlated with the
Tradition of Excellence
Comprehensive Band Method
by Bruce Pearson and Ryan
Nowlin. The compositions
in the series correlate
to a specific page in
Tradition of Excellence
Books 1, 2, or 3 and
reinforce and expand on
skills and concepts
introduced in the
method.
/Selecti
ons include exciting
parts for every player,
grade-appropriate
cross-cueing, accessible
ranges and rhythms,
creative percussion
writing, electric bass
and rehearsal piano
parts, and full conductor
scores with rehearsal
suggestions, program
notes and composer
biographies. In addition,
the Grade 1 works provide
an Advanced Snare Drum
part for percussionists
who have achieved a
higher level of ability,
playable simultaneously
with the more basic Snare
Drum part to facilitate
differentiated
learning.
Concert Band - Grade 1 SKU: KJ.WB530F Composed by Quincy C. Hilliard. Ban...(+)
Concert Band - Grade 1
SKU: KJ.WB530F
Composed by Quincy C.
Hilliard.
Band/Repertoire.
Excellence in Performance
- Repertoire. Score. Neil
A. Kjos Music Company
#WB530F. Published by
Neil A. Kjos Music
Company (KJ.WB530F).
UPC:
084027053096.
Playe
d in a marcato style,
this spirited march
features simple quarter
and eighth note rhythms
inside a limited melodic
range, while still
allowing all members of
the band to be heard.
Code of Conduct - March
will instill good music
making habits in young
band students for years
to come. Correlates with
Tradition of Excellence
Book 1, page 20.
About
Tradition of Excellence:
Excellence in
Performance
<
p>Excellence in
performance is a concert
band repertoire series
correlated with the
Tradition of Excellence
Comprehensive Band Method
by Bruce Pearson and Ryan
Nowlin. The compositions
in the series correlate
to a specific page in
Tradition of Excellence
Books 1, 2, or 3 and
reinforce and expand on
skills and concepts
introduced in the
method.
/Selecti
ons include exciting
parts for every player,
grade-appropriate
cross-cueing, accessible
ranges and rhythms,
creative percussion
writing, electric bass
and rehearsal piano
parts, and full conductor
scores with rehearsal
suggestions, program
notes and composer
biographies. In addition,
the Grade 1 works provide
an Advanced Snare Drum
part for percussionists
who have achieved a
higher level of ability,
playable simultaneously
with the more basic Snare
Drum part to facilitate
differentiated
learning.