Grade 4

SKU: CL.RWS-2318-00

Composed by Charles Francois Gounod. Arranged by VanDoren. Concert Band. Score and set of parts. Composed 2023. RWS Music Company #RWS-2318-00. Published by RWS Music Company (CL.RWS-2318-00).

Your audience will be delighted with this sly, tongue-in-cheek programmatic march! Filled with clever melodies and colorful surprises, Funeral March of a Marionette is perhaps best known as the theme song from the Alfred Hitchcock Presents TV show. Evan VanDoren has crafted this new transcription for the modern wind ensemble, taking care to maximize playability while presenting the work in its truest form.

Grade 4

SKU: AP.98-RWS231801

Composed by Charles Francois Gounod. Arranged by VanDoren. Concert Band. Extra score. Composed 2023. RWS Music Company #RWS-2318-01. Published by RWS Music Company (AP.98-RWS231801).

Your audience will be delighted with this sly, tongue-in-cheek programmatic march! Filled with clever melodies and colorful surprises, Funeral March of a Marionette is perhaps best known as the theme song from the Alfred Hitchcock Presents TV show. Evan VanDoren has crafted this new transcription for the modern wind ensemble, taking care to maximize playability while presenting the work in its truest form.

SKU: GI.G-10580

Philosopher and Practitioner in Dialogue. Composed by William Perrine. Music Education. 430 pages. GIA Publications #10580. Published by GIA Publications (GI.G-10580).

ISBN 9781622776375.

Cont ributors: Travis J. Cross (University of California–Los Angeles) • David J. Elliott (New York University) • Marissa Silverman (Montclair State University) • Jacob Wallace (South Dakota State University) • Randall Everett Allsup (Teachers College, Columbia University) • Cynthia Johnston Turner (Wilfrid Laurier University) • Carolyn Barber (University of Nebraska-Lincoln) • John Kratus (Independent Scholar) • Vincent C. Bates (Weber State University) • Thomas G. Warner, Jr. (North Carolina Agricultural and Technical State University) • Ben Hawkins (Transylvania University) • Thomas A. Regelski (SUNY Fredonia School of Music, Helsinki University of Finland) • Paul Woodford (Western University) • Charles Peltz (New England Conservatory of Music) In the wind band profession—as in every great discipline—it is critical to take stock in the big questions about where we are heading, and why, as we move through the twenty-first century. This thought-provoking book contains seven high-level exchanges between a leading wind band practitioner and a music education philosopher. Each section of The Future of the Wind Band grapples with the most profound issues facing the music education profession and the path of instrumental music education in our schools: Relevance: What relevance, if any, does the wind band have both to today’s students and to culture more broadly in the twenty-first century? What relevance does the band experience hold for students’ everyday life? Repertoire: What is the relationship between the repertoire performed by wind ensembles and the larger musical world? Pedagogy: What constitutes best practice in terms of musical pedagogy and rehearsal technique within the large-ensemble experience? Creativity: Can the wind band function as a vehicle for enhancing the individual creativity of its members? Economic Justice: How do issues of social class and the distribution of wealth relate to broader questions of social justice within the context of instrumental music education? Professional Ethics: What are the primary ethical responsibilities of the wind band conductor? Democratic Citizenship: What relationship, if any, can be drawn between membership in the wind band and citizen participation in democracy? Such exchanges can only strengthen our profession and pay rich dividends in our musical and educational work with the students we serve. Editor of this book, William (Bill) M. Perrine is Associate Professor of Music and Director of Instrumental Activities at Concordia University in Ann Arbor, Michigan, where he directs the wind ensemble, marching band, and community orchestra.

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-000256-140

Composed by Rob Goorhuis. Score Only. 28 pages. Gobelin Music Publications #GOB 000256-140. Published by Gobelin Music Publications (BT.GOB-000256-140).

In the year 1368 a rapacious character takes up residence in the castle of Rijnesteyn at Cothen.
He is Johan,bastard son of the Bishop of Utrecht.Round this now so peaceful castle eventful matters are enacted.

In part one Johan and Willem Gulik of Guelders set out to do battle against King Charles of France.
On their return,in part two, Johan captures two French goldsmiths in Hainault and incarcerates them at Castle Rijnesteyn.
Part three is a musical representation of a courtly ballet in medieval style.
The final part relates how Jan van Rijnesteyn goes to war against Hendrik van Vianen and Lord of 'Goy,Viscount of Utrecht.Jan loots hispossessions and threathens to conquer all. In het jaar 1368 betrekt een roofzuchtig heerschap het kasteel Reijnestein te Cothen.Het is Johan, de bastaardzoon van de Utrechtse bisschop.
Rond dit nu zo vredig gelegen ridderslot hebben zich toen geruchtmakende taferelen afgespeeld.

In het eerste deel trekt Johan met Willem Gullik, de hertog van Gelre, ten strijde tegen koning Karel van Frankrijk.
De terugreis speelt zich af in het tweede deel. Tijdens deze reis neemt Johan in Henegouwen twee Franse goudsmeden gevangen en sluit ze op in de kerker van slot Rijnesteyn.
Deel 3 is de muzikale weergave van een hoofs ballet in middeleeuwse stijl.
In het laatste deel wordt verteld hoe Jan van Rijnesteyn in 1396 ten strijde trekt tegen Hendrik van Vianen en de heer van't Goy, burggraaf van Utrecht. Jan plundert diens goederen en dreigt diens bezittingen te veroveren.

Gobelin Music Publications.

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-000256-010

Composed by Rob Goorhuis. Set (Score & Parts). 162 pages. Gobelin Music Publications #GOB 000256-010. Published by Gobelin Music Publications (BT.GOB-000256-010).

In the year 1368 a rapacious character takes up residence in the castle of Rijnesteyn at Cothen.
He is Johan,bastard son of the Bishop of Utrecht.Round this now so peaceful castle eventful matters are enacted.

In part one Johan and Willem Gulik of Guelders set out to do battle against King Charles of France.
On their return,in part two, Johan captures two French goldsmiths in Hainault and incarcerates them at Castle Rijnesteyn.
Part three is a musical representation of a courtly ballet in medieval style.
The final part relates how Jan van Rijnesteyn goes to war against Hendrik van Vianen and Lord of 'Goy,Viscount of Utrecht.Jan loots hispossessions and threathens to conquer all. In het jaar 1368 betrekt een roofzuchtig heerschap het kasteel Reijnestein te Cothen.Het is Johan, de bastaardzoon van de Utrechtse bisschop.
Rond dit nu zo vredig gelegen ridderslot hebben zich toen geruchtmakende taferelen afgespeeld.

In het eerste deel trekt Johan met Willem Gullik, de hertog van Gelre, ten strijde tegen koning Karel van Frankrijk.
De terugreis speelt zich af in het tweede deel. Tijdens deze reis neemt Johan in Henegouwen twee Franse goudsmeden gevangen en sluit ze op in de kerker van slot Rijnesteyn.
Deel 3 is de muzikale weergave van een hoofs ballet in middeleeuwse stijl.
In het laatste deel wordt verteld hoe Jan van Rijnesteyn in 1396 ten strijde trekt tegen Hendrik van Vianen en de heer van't Goy, burggraaf van Utrecht. Jan plundert diens goederen en dreigt diens bezittingen te veroveren.

Gobelin Music Publications.

By Robert Sheldon. By Robert Sheldon. For Concert Band. Concert Band. Alfred Concert Band. Level: Grade 5. Conductor Score & Parts. Duration 7:55:00. Published by Alfred Publishing.