(Featuring: The Star-Spangled Banner / America, the Beautiful / America (My Coun...(+)
(Featuring: The
Star-Spangled Banner /
America, the Beautiful /
America (My Country, 'Tis
of Thee) / The Battle
Hymn of the Republic).
Arranged by Douglas E.
Wagner. Concert Band.
Concert Band. Belwin
Young Band. Patriotic.
Grade 2.5. Conductor
Score and Parts. 244
pages. Published by
Alfred Music Publishing
Joy Revisited Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Grade
3. Conductor Full Score.
Duration 3:30
Triumph of the Skies Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064118-010 Overture on Ha...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064118-010
Overture on Hark! The
Herald Angels Sing.
Composed by Wim Stalman.
Christmas Collection.
Christmas. Set (Score &
Parts). Composed 2006. De
Haske Publications #DHP
1064118-010. Published by
De Haske Publications
(BT.DHP-1064118-010).
9x12 inches.
English-German-French-Dut
ch.
In Hark! The
Herald Angels Sing, one
of the most sung
Christmas chorales in the
world, the announcement
of Jesus? birth is
highlighted. The melody,
originally written by
Felix
Mendelssohn-Bartholdy,
has been given words, in
which people are called
to listen to the glad
tidings as sung of by the
angels. In their
triumphant singing they
express their joy and
excitement about the
birth of Christ. In this
work, the chorale Hark!
The Herald Angels Sing
has been integrated in
its entirety, so that it
can be performed with
choir and/or community
singing. This is a
wonderful addition to the
Christmas concert band
repertoire
In
Hark! The Herald
Angels Sing (Hoor, de
englen zingen
d’eer), een
van de meest gezongen
kerstkoralen ter wereld,
staat de aankondiging van
Jezus’ geboorte
centraal. De melodie,
oorspronkelijk geschreven
door Felix
Mendelssohn-Barholdy,is
in meerdere talen
voorzien van een tekst
waarin mensen worden
opgeroepen te luisteren
naar de blijde boodschap
van de engelen. De titel
van dit openingswerk
verwijst naar een zin uit
de Engelse tekst: Join
thetriumph of the
skies! Opgewekte
klanken en ritmes
enerzijds en meer
ingetogen langere lijnen
anderzijds weerspiegelen
de vreugde en
verwondering bij de
viering van het
kerstfeest. In dit werk
is het koraal integraal
opgenomen,zodat het met
koor- en/of samenzang kan
worden
uitgevoerd.
Har
k! The Herald Angels
Sing handelt von der
Verkündung von Jesu
Geburt und ist eines der
meistgesungenen
Weihnachtslieder der
Welt. Heitere Klänge
und Rhythmen zum einen
und eine längere
untergeordnete
Melodielinie zum anderen,
reflektieren die
jährlich
wiederkehrende Freude und
das Staunen der Menschen
zum Weihnachtsfest. In
diesem Werk wurde der
Choral vollständig
verarbeitet, so dass es
mit Chor und/oder
Gemeindegesang
aufgeführt werden
kann.
Ralph Hultgren : Masada Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Brolga Music Publishing Company
By Ralph Hultgren. Concert Band. Brolga Music Symphonic Repertoire. Grade 5. Sco...(+)
By Ralph Hultgren.
Concert Band. Brolga
Music Symphonic
Repertoire. Grade 5.
Score and set of parts.
Duration 11:10. Published
by Brolga Music
Publishing Company
Band concert band - Grade 4.5 SKU: CF.SPS75 Composed by Brant Karrick. SW...(+)
Band concert band - Grade
4.5
SKU: CF.SPS75
Composed by Brant
Karrick. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
3+12+12+6+12+12+12+6+6+6+
6+6+6+9+9+9+6+6+9+9+9+9+6
+12+6+9+3+9+9+40 pages.
Duration 6 minutes, 44
seconds. Carl Fischer
Music #SPS75. Published
by Carl Fischer Music
(CF.SPS75).
ISBN
9781491147702. UPC:
680160905201. 9 x 12
inches. Key: F
major.
When Hearts
Tremble is an emotion
packed piece dedicated to
musician friends lost all
to soon. This beautiful
composition by Brant
Karrick reflects on the
fragility of human
existence, joyous
memories of loved ones
and their effect on
everyone around them, and
maintaining hope for what
the future will hold when
all feels lost. This tour
de force piece perfectly
displays Karrick's
polished compositional
craft with impeccable
scoring, beautiful
melodic writing, and
exceptional
orchestrational
color. While the
day-to-day grind of our
lives can be filled with
overwhelming obligations,
goals and commitments, it
is sometimes very easy to
forget just how precious
and fragile life is . It
is so easy to get caught
up in our own personal
feelings and worries that
we sometimes don’t
realize and appreciate
the many blessings we
have, especially
friendships . On
Wednesday, November 18,
2015 the Jefferson High
School Band in Jefferson,
Georgia lost two of its
members to a fatal car
accident . The victims
were brothers . Music was
a constant part of their
lives, and the boys were
talented percussionists
in the marching band . To
help with the grieving
process the school and
community commissioned
this piece to celebrate
the lives of William and
Alex Trimble .As a
father, I cannot imagine
losing a child, let alone
two, and beginning this
piece was very difficult
as I felt extreme
anguish, especially for
the parents . But it was
decided the piece should
primarily reflect the
enthusiasm, youthful
spirits and positive
influence these two young
men demonstrated as they
were deeply loved by
their band mates,
community and family .
There are four main
themes, each representing
the feelings and emotions
that are certain to occur
after a loss of loved
ones . The first theme is
a short, introductory
fanfare, strong and bold,
to stand for courage . A
second dance-like melody
features a liltingly
mixed meter to portray a
youthful and carefree
innocence . This soon
changes into a third more
song-like, and stately
theme intended to provide
encouragement as we move
forward through life .The
middle of the piece
includes a soft
transition as two snare
drummers give voice to
the boys, allowing them
to thank their friends
and assuring them that it
will be okay . This moves
directly into a slow
melody introduced by the
saxophones (Alex, the
younger brother was also
a saxophonist) and is a
time for reflection and
allows for feelings of
sadness at losing beloved
friends . However, a
second statement of the
same theme, now at full
volume with a strong
percussion cadence,
intends to lift the
spirits and allows all
friends to unite in
joyous celebration of
life . Both the
enthusiastic dance theme
and stately lyrical theme
return, now in different
keys, and work their way
toward the highly
energetic burst of
glorious sound in the
short and wild coda .
When Hearts Tremble was
written to celebrate the
joys of youth and life,
and should remind us that
our friends and loved
ones are precious, and we
should live each day to
bring more joy into the
world and into the lives
of others .
Convergence Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire FJH
By Roland Barrett. Concert Band/Wind Ensemble. FJH Concert Band. Give me your ti...(+)
By Roland Barrett.
Concert Band/Wind
Ensemble. FJH Concert
Band. Give me your tired,
your poor, your huddled
masses yearning to
breathe free. "We hold
these truths to be
self-evident: that all
men are created equal."
"Four score and seven
years ago our fathers
brought forth, upon this
continent, a new nation,
conceived in liberty, and
dedicated to the
proposition that 'all men
are created equal.'"
These quotations are
symbolic of one of the
most basic of all
American tenants: that
for all people, our
nation was conceived as a
wellspring of vast
potential, a place of
immeasurable opportunity,
a land where all dreams
could take root, grow,
and flourish. America
represents a tremendous
confluence of diverse but
convergent elements and
resources. This piece
celebrates the power,
energy, and boundless
spirit created by this
convergence of cultures,
beliefs, and ideals.
Score for this title:
B1295S. Extra part for
this title: B1295P.
Concert Band. Level:
Grade 4. Score and Set of
Parts. Published by The
FJH Music Company Inc.
Old Hundredth Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-238-140 Composed by Louis Bou...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-238-140
Composed by Louis
Bourgeois. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Hymns & Chorals. Score
Only. Composed 2007. 16
pages. Anglo Music Press
#AMP 238-140. Published
by Anglo Music Press
(BT.AMP-238-140).
9x12
inches.
English-German-French-Dut
ch.
The tune Old
Hundredth is one of
the best-known melodies
in all Christian musical
traditions and first
appeared in the 1551
psalter Pseaumes Octante
Trois de David, where it
is used as a setting for
a version of Psalm 134;
it is usually attributed
to the French composer
Louis Bourgeois (c.1510 -
c.1560). The melody was
then used in 1561 by the
Scots clergyman, William
Kethe in Sternhold and
Hopkins’ Psalter
for his paraphrase of
Psalm 100 - All People
that on Earth do
Dwell<(I>, which is still
the most familiar hymn
sung to this noble tune.
When Tate and
Brady’s New
Version of the Psalms was
published in 1696, the
melody became know as the
‘old’
version - henceits
current title. This
arrangement presents
three contrasting verses
and is effective as a
concert piece as well as
an instrumental interlude
as part of a church
service or wedding.
De melodie van
Old Hundredth is
een van de bekendste in
alle christelijke
muziektradities, ze
verscheen voor het eerst
in Pseaumes Octante
Trois de David uit
1551. De muziek wordt
meestal toegeschreven aan
de Fransecomponist Louis
Bourgeois
(ca.1510-ca.1560). In
1561werd de melodie
gebruikt door de Schotse
geestelijke William Kethe
voor zijn parafrase van
psalm 100. Later werd de
melodie in Engeland
bekend als de
‘oude’
versie - daar komt ookde
huidige titel vandaan.
Dit arrangement, met drie
contrasterende
coupletten, is geschikt
als concertwerk of als
instrumentaal tussenspel
tijdens een kerkdienst of
huwelijksceremonie. Old Hundtredth
ist eine der bekanntesten
Melodien aller
christlichen
Musiküberlieferunge
n. Es erschien erstmals
in dem Psalter
Pseaumes Octante Trois
de David von 1551, wo
es als Satz für
zwei Psalmen verwendet
wurde. Diese Bearbeitung
präsentiert drei
kontrastierende Strophen
und kann sehr
wirkungsvoll sowohl als
Konzertwerk als auch als
instrumentales
Zwischenspiel in einem
Gottesdienst oder
während einer
Hochzeitszeremonie
eingesetzt
werden.
Fincastle Overture Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-001033-010 Composed by Jan ...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-001033-010
Composed by Jan Bosveld.
Set (Score & Parts). 56
pages. Gobelin Music
Publications #GOB
001033-010. Published by
Gobelin Music
Publications
(BT.GOB-001033-010).
Fort Fincastle
was built in the Bahamas
in 1793, constructed in
the form of a ship’s
bow so as to fool passing
ships. The opening bars
of Fincastle Overture
reflect the form of the
magnificent stronghold,
before a heroic theme is
heard in which the fort
comes under repeated
attack, and just about
survives!
Fort
Fincastle werd in 1793 in
Nassau gebouwd, de
hoofdstad van de Bahamas.
De oprichter ervan, Lord
Dunmore, gaf het fort een
bijzonder vorm: een
cirkelvormig gebouw met
een puntige uitbouw, in
de vorm van een boeg of
voorstevenvan schip. Dit
was bedoeld om vijandige
schepen te misleiden. De
klanken van de eerste
maten verwijzen naar de
contouren van een
majestueus
verdedigingsbolwerk,
waarna een heldhaftig
thema volgt. Maar na het
afslaan
Fort
Fincastle wurde 1793 in
Nassau, der Hauptstadt
der Bahamas, gebaut. Der
Erbauer, Lord Dunmore,
gab dem Gebäude eine
runde Form mit einem
spitzen Aufbau in Form
eines Bugs, der
vorbeifahrende Schiffe
täuschen sollte. Die
ersten Takte der
Fincastle Overture
spiegeln die Form der
prachtvollen
Verteidigungsanlage
wider, bevor ein
heldenhaftes Thema
erklingt. Nur scheinbar
ruhig sind die Stunden
der Wache, die immer
wieder von Angriffen
unterbrochen werden,
denen das stolze Fort
aber zuletzt zu trotzen
vermag.
Le Fort
Fincastle fut érigé en
1793, Nassau, capitale
des Bahamas. Le
constructeur, Lord
Dunmore, alors gouverneur
de Virginie, fut plus que
déçu par la structure
ronde l’arrière du b
timent alors que
l’avant se présentait
en pointe comme la proue
d’un navire. Les
premières mesures de
Fincastle Overture
reflètent la forme du
magnifique système de
défense alors que
survient un thème héro
que : le fort est
attaqué et les vaillants
soldats sont amenés se
défendre. Le Fort
résiste orgueilleusement
!
Fort Fincastle
fu costruito nel 1793 a
Nassau, la capitale delle
isole Bahamas. Il
costruttore diede
all’edificio una forma
rotonda con un tetto a
punta, quasi a ricordare
un castello. Le prime
misure di Fincastle
Overture riflettono la
straordinaria bellezza
del forte e anticipano un
tema eroico, che ricorda
la sua funzione di
difesa. La calma è solo
apparente, il forte sar
l’oggetto di un
ennesimo attacco che sar
eroicamente respinto.
Fincastle Overture Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-001033-140 Composed by Jan ...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-001033-140
Composed by Jan Bosveld.
Score Only. 16 pages.
Gobelin Music
Publications #GOB
001033-140. Published by
Gobelin Music
Publications
(BT.GOB-001033-140).
Fort Fincastle
was built in the Bahamas
in 1793, constructed in
the form of a ship’s
bow so as to fool passing
ships. The opening bars
of Fincastle Overture
reflect the form of the
magnificent stronghold,
before a heroic theme is
heard in which the fort
comes under repeated
attack, and just about
survives!
Fort
Fincastle werd in 1793 in
Nassau gebouwd, de
hoofdstad van de Bahamas.
De oprichter ervan, Lord
Dunmore, gaf het fort een
bijzonder vorm: een
cirkelvormig gebouw met
een puntige uitbouw, in
de vorm van een boeg of
voorstevenvan schip. Dit
was bedoeld om vijandige
schepen te misleiden. De
klanken van de eerste
maten verwijzen naar de
contouren van een
majestueus
verdedigingsbolwerk,
waarna een heldhaftig
thema volgt. Maar na het
afslaan
Fort
Fincastle wurde 1793 in
Nassau, der Hauptstadt
der Bahamas, gebaut. Der
Erbauer, Lord Dunmore,
gab dem Gebäude eine
runde Form mit einem
spitzen Aufbau in Form
eines Bugs, der
vorbeifahrende Schiffe
täuschen sollte. Die
ersten Takte der
Fincastle Overture
spiegeln die Form der
prachtvollen
Verteidigungsanlage
wider, bevor ein
heldenhaftes Thema
erklingt. Nur scheinbar
ruhig sind die Stunden
der Wache, die immer
wieder von Angriffen
unterbrochen werden,
denen das stolze Fort
aber zuletzt zu trotzen
vermag.
Le Fort
Fincastle fut érigé en
1793, Nassau, capitale
des Bahamas. Le
constructeur, Lord
Dunmore, alors gouverneur
de Virginie, fut plus que
déçu par la structure
ronde l’arrière du b
timent alors que
l’avant se présentait
en pointe comme la proue
d’un navire. Les
premières mesures de
Fincastle Overture
reflètent la forme du
magnifique système de
défense alors que
survient un thème héro
que : le fort est
attaqué et les vaillants
soldats sont amenés se
défendre. Le Fort
résiste orgueilleusement
!
Fort Fincastle
fu costruito nel 1793 a
Nassau, la capitale delle
isole Bahamas. Il
costruttore diede
all’edificio una forma
rotonda con un tetto a
punta, quasi a ricordare
un castello. Le prime
misure di Fincastle
Overture riflettono la
straordinaria bellezza
del forte e anticipano un
tema eroico, che ricorda
la sua funzione di
difesa. La calma è solo
apparente, il forte sar
l’oggetto di un
ennesimo attacco che sar
eroicamente respinto.
Concert Band - Grade 4 SKU: ML.013766100 The Life of Entgen Luijten(+)
Concert Band - Grade 4
SKU: ML.013766100
The Life of Entgen
Luijten. Composed by
Suzanne Welters. Full
set. Molenaar Edition
#013766100. Published by
Molenaar Edition
(ML.013766100).
Limbricht, near
Sittard, in the late 17th
century. Throughout her
life, Entgen Luijten is
used to going her own
way, in family matters,
in business and in love.
She is supported in this
by a great knowledge of
nature, which she also
regularly uses to help
her fellow villagers. But
then, because of some
unfortunate incidents,
she is accused of
witchcraft. The lord of
the castle is eager for a
confession, for which he
uses every means made
available to him by the
Inquisition. But what if
Entgen holds out against
all
odds?
Limbricht,
nabij Sittard, eind
zeventiende eeuw. Haar
leven lang is Entgen
Luijten gewend haar eigen
weg te gaan, in
familiekwesties, in zaken
en in de liefde. Ze wordt
daarin gesteund door een
grote kennis van de
natuur, die ze ook
regelmatig aanwendt om
haar dorpsgenoten te
helpen. Maar dan wordt ze
vanwege een paar
ongelukkige voorvallen
beschuldigd van hekserij.
De kasteelheer is gebrand
op een bekentenis,
waarvoor hij gebruikmaakt
van alle middelen die de
inquisitie hem ter
beschikking stelt. Maar
wat als Entgen tegen alle
verwachtingen in
standhoudt?
Limbri
cht, près de Sittard, à
la fin du XVIIe siècle.
Tout au long de sa vie,
Entgen Luijten a
l'habitude de suivre sa
propre voie, que ce soit
dans les affaires
familiales,
professionnelles ou
amoureuses. Elle s'appuie
pour cela sur une grande
connaissance de la
nature, qu'elle met
d'ailleurs
régulièrement au
service de ses
concitoyens. Mais à la
suite d'incidents
malheureux, elle est
accusée de sorcellerie.
Le seigneur du château
est avide d'aveux et
utilise pour cela tous
les moyens mis à sa
disposition par
l'Inquisition. Mais que
se passera-t-il si Entgen
résiste contre vents et
marées
?
Limbricht, in
der Nähe von Sittard, im
späten 17. Jahrhundert.
Entgen Luijten ist es
gewohnt, ihr Leben lang
ihren eigenen Weg zu
gehen, in
Familienangelegenheiten,
im Geschäft und in der
Liebe. Unterstützt wird
sie dabei durch ein
großes Wissen über die
Natur, das sie auch
regelmäßig einsetzt, um
ihren Mitbürgern zu
helfen. Doch dann wird
sie aufgrund einiger
unglücklicher Vorfälle
der Hexerei bezichtigt.
Der Schlossherr will ein
Geständnis und setzt
dafür alle Mittel ein,
die ihm die Inquisition
zur Verfügung stellt.
Aber was, wenn Entgen
allen Widrigkeiten zum
Trotz durchhält?
Home Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
(As performed in London at the 2012 Summer Olympics). By Drew Pearson and Greg H...(+)
(As performed in London
at the 2012 Summer
Olympics). By Drew
Pearson and Greg Holdon.
Arranged by Victor Lopez.
Concert Band. Concert
Band; Part(s); Score. Pop
Beginning Band. Form:
Ballade. Pop. Grade 1.
132 pages. Published by
Alfred Music
SKU: GI.G-10580 Philosopher and Practitioner in Dialogue. Composed...(+)
SKU: GI.G-10580
Philosopher and
Practitioner in
Dialogue. Composed by
William Perrine. Music
Education. 430 pages. GIA
Publications #10580.
Published by GIA
Publications
(GI.G-10580).
ISBN
9781622776375.
Cont
ributors: Travis J. Cross
(University of
California–Los
Angeles) • David J.
Elliott (New York
University) •
Marissa Silverman
(Montclair State
University) • Jacob
Wallace (South Dakota
State University) •
Randall Everett Allsup
(Teachers College,
Columbia University)
• Cynthia Johnston
Turner (Wilfrid Laurier
University) •
Carolyn Barber
(University of
Nebraska-Lincoln) •
John Kratus (Independent
Scholar) • Vincent
C. Bates (Weber State
University) •
Thomas G. Warner, Jr.
(North Carolina
Agricultural and
Technical State
University) • Ben
Hawkins (Transylvania
University) •
Thomas A. Regelski (SUNY
Fredonia School of Music,
Helsinki University of
Finland) • Paul
Woodford (Western
University) •
Charles Peltz (New
England Conservatory of
Music) In the wind band
profession—as in
every great
discipline—it is
critical to take stock in
the big questions about
where we are heading, and
why, as we move through
the twenty-first century.
This thought-provoking
book contains seven
high-level exchanges
between a leading wind
band practitioner and a
music education
philosopher. Each section
of The Future of the Wind
Band grapples with the
most profound issues
facing the music
education profession and
the path of instrumental
music education in our
schools: Relevance: What
relevance, if any, does
the wind band have both
to today’s
students and to culture
more broadly in the
twenty-first century?
What relevance does the
band experience hold for
students’ everyday
life? Repertoire: What is
the relationship between
the repertoire performed
by wind ensembles and the
larger musical world?
Pedagogy: What
constitutes best practice
in terms of musical
pedagogy and rehearsal
technique within the
large-ensemble
experience? Creativity:
Can the wind band
function as a vehicle for
enhancing the individual
creativity of its
members? Economic
Justice: How do issues of
social class and the
distribution of wealth
relate to broader
questions of social
justice within the
context of instrumental
music education?
Professional Ethics: What
are the primary ethical
responsibilities of the
wind band conductor?
Democratic Citizenship:
What relationship, if
any, can be drawn between
membership in the wind
band and citizen
participation in
democracy? Such exchanges
can only strengthen our
profession and pay rich
dividends in our musical
and educational work with
the students we serve.
Editor of this book,
William (Bill) M. Perrine
is Associate Professor of
Music and Director of
Instrumental Activities
at Concordia University
in Ann Arbor, Michigan,
where he directs the wind
ensemble, marching band,
and community
orchestra.
Three Celtic Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire FJH
By Brian Balmages. Concert Band. FJH Symphonic Band. Full set (score and parts)....(+)
By Brian Balmages.
Concert Band. FJH
Symphonic Band. Full set
(score and parts). Score
only also available: S.
Concert Band. Level:
Grade 4. Score and set of
parts. Composed 2008.
Published by The FJH
Music Company Inc.
(Score) - Grade 3 SKU: HL.4002390 Composed by Samuel R. Hazo. MusicWorks ...(+)
(Score) - Grade 3
SKU:
HL.4002390
Composed
by Samuel R. Hazo.
MusicWorks Grade 3.
Concert Band. 20 pages.
Published by Hal Leonard
(HL.4002390).
UPC:
073999979886.
9.0x12.0x0.08
inches.
Our sky is
never the same –
from day to day or even
hour to hour. It holds
the brightest and darkest
things we will ever see,
and in addition is
capable of displaying
every imaginable color
and mood. Through this
expressive work, Samuel
Hazo has translated the
many qualities of the sky
into musical moods. The
opening section features
flowing melodies
beautifully developed
between soloistic and
full ensemble playing.
The
“sinisterâ€
fast section features
driving rhythms, mixed
meters and a crescendo
that evolves into a
powerful setting of the
original melody. Sam's
sense of timing and
emotional pacing is
strongly evident in this
effective work.
(5:45).
All I Ask Of You Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1033362-010 From The Pha...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1033362-010
From The Phantom of
the Opera. Composed
by Andrew Lloyd Webber.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Festive and
Solemn Music. Set (Score
and Parts). Composed
2003. De Haske
Publications #DHP
1033362-010. Published by
De Haske Publications
(BT.DHP-1033362-010).
Andrew Lloyd
Webber was born in
London, England in 1948
and has become probably
the most well respected
of all composers of
musicals, with many of
his works being household
names. All I Ask of You
is one of the main songs
from his award winning
musical Phantom of the
Opera.
Andrew
Lloyd Webber komponierte
die Musik zu einer Reihe
weltberühmter
Musicals. All I Ask Of
You ist ein Lied aus
dem Phantom der
Oper, dem Musical,
das auf die längste
Spielzeit von allen am
Broadway zurückblicken
kann. All I Ask of
You wurde aus gutem
Grund von zahlreichen
bekannten Stars gesungen
und mehrfach bearbeitet -
es spricht einfach jedes
Publikum unmittelbar an.
Peter Kleine Schaars
schrieb diese
gefühlvolle
Bearbeitung für
Blasorchester.
For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L).
UPC:
680160039531. 11 x 17
inches.
Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland.
The Best Moment Of The Day Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4935-00 Composed by Romeyn. Young Concert Band. Score...(+)
Grade 2
SKU:
CL.011-4935-00
Composed by Romeyn. Young
Concert Band. Score and
set of parts. C.L.
Barnhouse #011-4935-00.
Published by C.L.
Barnhouse
(CL.011-4935-00).
Look no further
for the quintessential
concert opener for your
young band! A powerful
opening fanfare leads to
a warm and flowing theme
introduced by the
clarinets. As the music
develops, a secondary
theme is introduced,
proud and heroic in
nature. This theme is
fully explored amid
varied harmonic
structures and driving
rhythms. Finally, the
music ends as it began,
with the powerful fanfare
presented even stronger
this time. Varied
textures, memorable
themes, and fresh,
contemporary harmonies
hold the interest of the
listener, while providing
some valuable teaching
opportunities. A strong
choice for concert or
festival performance!
Grade 2 SKU: CL.011-4935-01 Composed by Romeyn. Young Concert Band. Extra...(+)
Grade 2
SKU:
CL.011-4935-01
Composed by Romeyn. Young
Concert Band. Extra full
score. C.L. Barnhouse
#011-4935-01. Published
by C.L. Barnhouse
(CL.011-4935-01).
Look no further
for the quintessential
concert opener for your
young band! A powerful
opening fanfare leads to
a warm and flowing theme
introduced by the
clarinets. As the music
develops, a secondary
theme is introduced,
proud and heroic in
nature. This theme is
fully explored amid
varied harmonic
structures and driving
rhythms. Finally, the
music ends as it began,
with the powerful fanfare
presented even stronger
this time. Varied
textures, memorable
themes, and fresh,
contemporary harmonies
hold the interest of the
listener, while providing
some valuable teaching
opportunities. A strong
choice for concert or
festival performance!
The Meeting Place Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4992-00 Composed by Kristofferson. Concert Band. Scor...(+)
Grade 3
SKU:
CL.012-4992-00
Composed by
Kristofferson. Concert
Band. Score and set of
parts. Composed 2023.
Opus III Wind Orchestra
Publications
#012-4992-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4992-00).
Canadian
composer Kenley
Kristofferson was
commissioned to write The
Meeting Place, a work
depicting the connection
between people and the
warmth and security of a
shared space – in
this case, the band room.
The music celebrates
these places which can
feel like home, welcome
all kinds of people, make
them feel like a part of
something bigger than
themselves, and hold
special power for us to
feel safe and connected.
With lush harmonies and
song-like melodies, this
ballad gives everyone in
the band a chance to
shine and contribute to a
shared story about, for
some of them, one of
their most cherished
spaces. Performers and
audiences alike are sure
to love this piece.
Moving music!
The Meeting Place Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4992-01 Composed by Kristofferson. Concert Band. Extr...(+)
Grade 3
SKU:
CL.012-4992-01
Composed by
Kristofferson. Concert
Band. Extra full score.
Composed 2023. Opus III
Wind Orchestra
Publications
#012-4992-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4992-01).
Canadian
composer Kenley
Kristofferson was
commissioned to write The
Meeting Place, a work
depicting the connection
between people and the
warmth and security of a
shared space â?? in this
case, the band room. The
music celebrates these
places which can feel
like home, welcome all
kinds of people, make
them feel like a part of
something bigger than
themselves, and hold
special power for us to
feel safe and connected.
With lush harmonies and
song-like melodies, this
ballad gives everyone in
the band a chance to
shine and contribute to a
shared story about, for
some of them, one of
their most cherished
spaces. Performers and
audiences alike are sure
to love this piece.
Moving music!
By James Swearingen. Young Band. FJH Young Band. Full set (score and parts). Sco...(+)
By James Swearingen.
Young Band. FJH Young
Band. Full set (score and
parts). Score only also
available: S. Concert
Band. Level: Grade 2.
Score and Set of Parts.
Composed 2006. Published
by The FJH Music Company
Inc.
Atlas Rising Orchestre d'harmonie - Intermédiaire Carl Fischer
Band concert band - Grade 4 SKU: CF.SPS77 Composed by Carl Strommen. SWS ...(+)
Band concert band - Grade
4
SKU: CF.SPS77
Composed by Carl
Strommen. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
2+8+8+4+8+16+16+4+4+4+4+4
+4+6+12+12+4+4+4+4+6+6+6+
6+4+8+2+2+4+4+28 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #SPS77. Published
by Carl Fischer Music
(CF.SPS77).
ISBN
9781491147726. UPC:
680160905225. 9 x 12
inches. Key: Bb
major.
In Atlas
Rising, composer Carl
Strommen derives
inspiration from the
statue of Titan Atlas
lifting the universe on
his shoulders. Unlike
Sisyphus (of perpetual
rolling stone fame) the
monumental effort of
Atlas was successful.
This piece takes this
idea and models it into
an exceptional piece for
contest/festival
performance. Atlas
Rising was commissioned
by WorldStrides OnStage
and is dedicated to the
thousands of directors
who have traveled to a
WorldStrides event over
the past thirty-five
years . WorldStrides
OnStage offers
performance experiences
that fuel the passion of
performing artists of all
ages with breathtaking
productions, prestigious
events and premier venues
. They provide
performance opportunities
all over the world where
debuts are made, mentors
are met, co-stars become
lifelong friends and
inspirations build bright
futures .Directly across
the street from St .
Patricks Cathedral on 5th
avenue and in front of
Rockefeller Center in
NYC, is the Lee Lawrie
sculpture of Atlas
holding up the heavens .
Titles are always a
problem - so after
listening to a few
playbacks, this very
imposing statue of the
Titan Atlas lifting the
Universe on his shoulders
came to mind - starting
slowly with the low
brass,
“Risingâ€
moves steadily with
determination and
intensity to a powerful
and
“muscularâ€
conclusion . Unlike
Sisyphus (of perpetual
rolling stone fame) the
monumental effort of
Atlas was successful . As
with all performing
pieces, attention to
dynamics and articulation
are critical - In
“Atlas
Rising†- the
conductor has many
opportunities to
interpretive discretion,
particularly in the
opening slower sections
and after measure 109 on
to the conclusion .
Atlantic Avenue Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Curnow Music
Concert Band/Harmonie - Grade 3 SKU: BT.CMP-0076-96-010 Composed by James...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.CMP-0076-96-010
Composed by James Hosay.
Concert Band. Set (Score
& Parts). Composed 1996.
Curnow Music #CMP
0076-96-010. Published by
Curnow Music
(BT.CMP-0076-96-010).
On hot summer
nights all along the east
coast of America thebeach
front strip comes alive
with the sights and
sounds ofsummer as
nightclubs and bands
crack out their sizzling
music.Incorporating the
funky-rock sounds of east
coast beachmusic of the
60s and 70s, Atlantic
Avenue takes a
nostalgicstep into the
past whilst keeping a
solid foothold in the
present.With elements of
doo-wop, soul and swing
this piece is
burstingwith surf, sand
and sunshine.
Old Hundredth Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-238-010 Composed by Louis Bou...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-238-010
Composed by Louis
Bourgeois. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Hymns & Chorals. Set
(Score & Parts). Composed
2007. Anglo Music Press
#AMP 238-010. Published
by Anglo Music Press
(BT.AMP-238-010).
9x12
inches.
English-German-French-Dut
ch.
The tune Old
Hundredth is one of
the best-known melodies
in all Christian musical
traditions and first
appeared in the 1551
psalter Pseaumes Octante
Trois de David, where it
is used as a setting for
a version of Psalm 134;
it is usually attributed
to the French composer
Louis Bourgeois (c.1510 -
c.1560). The melody was
then used in 1561 by the
Scots clergyman, William
Kethe in Sternhold and
Hopkins’ Psalter
for his paraphrase of
Psalm 100 - All People
that on Earth do
Dwell<(I>, which is still
the most familiar hymn
sung to this noble tune.
When Tate and
Brady’s New
Version of the Psalms was
published in 1696, the
melody became know as the
‘old’
version - henceits
current title. This
arrangement presents
three contrasting verses
and is effective as a
concert piece as well as
an instrumental interlude
as part of a church
service or wedding.
De melodie van
Old Hundredth is
een van de bekendste in
alle christelijke
muziektradities, ze
verscheen voor het eerst
in Pseaumes Octante
Trois de David uit
1551. De muziek wordt
meestal toegeschreven aan
de Fransecomponist Louis
Bourgeois
(ca.1510-ca.1560). In
1561werd de melodie
gebruikt door de Schotse
geestelijke William Kethe
voor zijn parafrase van
psalm 100. Later werd de
melodie in Engeland
bekend als de
‘oude’
versie - daar komt ookde
huidige titel vandaan.
Dit arrangement, met drie
contrasterende
coupletten, is geschikt
als concertwerk of als
instrumentaal tussenspel
tijdens een kerkdienst of
huwelijksceremonie. Old Hundtredth
ist eine der bekanntesten
Melodien aller
christlichen
Musiküberlieferunge
n. Es erschien erstmals
in dem Psalter
Pseaumes Octante Trois
de David von 1551, wo
es als Satz für
zwei Psalmen verwendet
wurde. Diese Bearbeitung
präsentiert drei
kontrastierende Strophen
und kann sehr
wirkungsvoll sowohl als
Konzertwerk als auch als
instrumentales
Zwischenspiel in einem
Gottesdienst oder
während einer
Hochzeitszeremonie
eingesetzt
werden.
Liberty Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115070-010 Composed by Jan d...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115070-010
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2011. De
Haske Publications #DHP
1115070-010. Published by
De Haske Publications
(BT.DHP-1115070-010).
Threshold Orchestre d'harmonie - Débutant Excelcia Music Publishing
Concert Band Concert Band - Grade 1 SKU: XC.DCB2006 Composed by Tyler Arc...(+)
Concert Band Concert Band
- Grade 1
SKU:
XC.DCB2006
Composed
by Tyler Arcari. Da Capo
Band Series. Concert and
Contest. Concert and
contest. Set of parts.
Excelcia Music Publishing
#DCB2006. Published by
Excelcia Music Publishing
(XC.DCB2006).
UPC:
812598033151. 9 x 12
inches.
Exciting
and Intense from start to
finish, Threshold
doesn’t hold back!
Your percussion section
will be fully engaged
with color and impact
points while each section
in the band has a moment
to carry the melody.
Driving and fun the work
also has moments of
lyrical expressiveness
making it not only fun to
play, but a great piece
to teach!