| The Legend Of Spirit Island Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie and Euphonium Solo - Grade 4 SKU: BT.AMP-449-010 (+)
Concert Band/Harmonie and
Euphonium Solo - Grade 4
SKU:
BT.AMP-449-010 For
Euphonium and Band.
Composed by Philip
Sparke. Anglo Music
Midway Series. Solo &
Concerto. Set (Score &
Parts). Composed 2017.
Anglo Music Press #AMP
449-010. Published by
Anglo Music Press
(BT.AMP-449-010).
English-German-French-
Dutch. The
Legend of Spirit
Island was
commissioned by the Twin
Ports Wind Orchestra,
Duluth, Minnesota (Mark
Whitlock, conductor), to
honour the euphonium
player, Dick Carlson. The
piece takes its title
from a local legend about
Spirit Island, which lies
in a gap of the St. Louis
River called Spirit Lake.
The legend tells the
story of Chaska, the son
of a Dakota Chief, and
Wetona, the daughter of
Ojibwe Chief Buckado. He
was handsome and she was
beautiful; it
wasn’t long before
they fell in love. This
is a challenging
euphonium solo in which
the versatile soloist can
explore very expressive
melodic sequences, as
well as energetic,
technical
sections.
The
Legend of Spirit
Island werd
geschreven in opdracht
van de het Twin Ports
Wind Orchestra uit
Duluth, Minnesota
(dirigent Mark Whitlock)
als eerbetoon aan
euphoniumspeler Dick
Carlson. De titel van het
werk is afkomstig van een
lokale legende over
Spirit Island, dat dicht
bij Duluth in een
verbreding van de St.
Louis River Spirit Lake
¬ligt. Deze legende
gaat over Chaska, de zoon
van een
Dakota-opperhoofd, en
Wetona, de dochter van
Ojibwe-opperhoofd
Buckado. Hij was knap en
zij was mooi; het duurde
niet lang of de twee
waren verliefd op elkaar.
De uitdagende
euphoniumsolo biedt de
solist de mogelijkheid om
expressieve melodieën
te verkennen en zijn of
haarspeelvaardigheid te
demonstreren.
The Legend of
Spirit Island wurde
vom Twin Ports Wind
Orchestra aus Duluth,
Minnesota (Dirigent: Mark
Whitlock), in Auftrag
gegeben, um den
Euphoniumspieler Dick
Carlson zu ehren. Der
Titel des Stückes
leitet sich von einer
Legende über die Insel
Spirit Island ab, die in
einem Bereich des St.
Louis River liegt, der
Spirit Lake genannt wird.
Die Legende handelt von
Chaska, dem Sohn eines
Dakota-Häuptlings, und
Wetona, der Tochter des
Ojibwe-Häuptlings
Buckado. Er war gut
aussehend und sie war
schön, und so dauerte
es nicht lange, bis sie
sich ineinander
verliebten. In diesem
anspruchsvollen Stück
kann der Euphonium-Solist
sehr ausdrucksvolle
melodische Sequenzen,
aber auchenergiegeladene,
technische Abschnitte
erkunden.
The
Legend of Spirit
Island est une
commande du Twin Ports
Wind Orchestra de Duluth,
Minnesota (dirigé par
Mark Whitlock), en
l’honneur de son
joueur
d’euphonium, Dick
Carlson.
L’œuvre prend
son titre d’une
légende locale
concernant Spirit Island,
une île qui se trouve
dans un élargissement
du fleuve St. Louis
appelé Spirit Lake. La
légende raconte
l’histoire de
Chaska, fils d’un
chef des Dakotas, et de
Wetona, la fille du chef
des Ojibwés, Buckado.
Il était beau et elle
était magnifique, et
il n’a pas fallu
longtemps pour
qu’ils tombent
amoureux. Ce solo
exigeant pour euphonium
solo permet au soliste
polyvalent
d’explorer des
séquences
mélodiques très
expressives,ainsi que des
sections énergiques et
techniques.
The Legend of
Spirit Island è
stata commissionata dalla
Twin Ports Wind
Orchestra, Duluth,
Minnesota (Mark Whitlock,
direttore), per onorare
il suonatore di eufonio
Dick Carlson. Il titolo
si ispira da una leggenda
locale sullo spirito
dell’isola, che si
troverebbe in un punto
del fiume St.Louis
chiamato Spirit Lake. La
leggenda racconta la
storia di Chaska, il
figlio di Dakota Chief, e
Wetona,la figlia di
Ojibwe Chief Buckado. Lui
era bello e lei era
bellissima; non passò
molto tempo prima che si
innamorassero. Un brano
per eufonio solista molto
impegnativo nel quale un
solista con versatilit
può esplorare sequenze
melodiche molto
espressive, oltre a
sezioni
tecnicheenergiche. $201.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Shaker Gift Song Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Grade 2. Conductor
score and set of parts.
Duration 2:15. Published
by Manhattan Beach Music
$125.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Simple Gifts: Four Shaker Songs Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 9:00. Published
by Manhattan Beach Music.
$250.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| March Of The Aliens - Score Orchestre d'harmonie [Conducteur] - Débutant Kjos Music Company
By Barrie Gott. Edited by Bruce Pearson. For concert band. Concert Band. Standar...(+)
By Barrie Gott. Edited by
Bruce Pearson. For
concert band. Concert
Band. Standard of
Excellence - in Concert.
Score. Published by Neil
A. Kjos Music Company.
Level: Grade 1.5.
$5.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Loch Lomond Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
(1)$135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Simple Gifts: Four Shaker Songs Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Grade
3. Conductor Full Score.
Duration 9:00
$50.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Four Earth Songs Sc/pts Orchestre d'harmonie - Avancé Hal Leonard
Concert Band and Vocal Soloist (Score & Parts) - Grade 5 SKU: HL.44011762 ...(+)
Concert Band and Vocal
Soloist (Score & Parts) -
Grade 5 SKU:
HL.44011762 Poems
by Graeme King.
Composed by Marco Putz.
De Haske Concert Band.
Concert Piece. Score
Only. Composed 2010. Hal
Leonard #1094768.
Published by Hal Leonard
(HL.44011762). UPC:
884088896591. 9x12
inches.
English(US)/Deutsch/Franc
ais/Nederlands. The
hymn Nun ruhen alle
Walder (Now All Forests
Rest), arranged by J.S.
Bach (No. 6, So sei nun,
Seele, deine, from
Cantata BWV 13), is a
guiding light throughout
this four-movement
composition. Pütz
wrote this work as a
musical outcry against
the wilful, profit-driven
destruction of our
environment. When Bach
used the word ruhen (to
rest) over 350 years ago,
it probably had a
different nuance from the
meaning it has today. At
the beginning of the 21st
century - the so-called
age of progress - nun
ruhen alle Walder should
mean now all forests die
. Massive
industrialization and
globalization, coupled
with pure greed,
corruption, political
scandals, an
ever-wideninggap between
the rich and poor, and
other such senseless
human actions, are
pushing our blue planet
closer and closer to the
point of no return. This
work is not intended to
be a ranting accusation.
It should remind us of
the beauty and harmony
that can exist all around
us in nature, if we take
care of it. Pütz
hopes that this will, one
day, help put a greater
emphasis on humanity's
survival, and coexistence
with nature rather than
the exploitation
described earlier. All
four texts were created
by Australian poet Graeme
King, whose works were
discovered by Pütz,
by chance on the
internet. Pütz was
especially captivated by
King's clarity, and
intrigued by the
possibilities of adapting
and melding the strong
rhythmical structure of
King's writing with his
own musical language. The
four movements are as
follows: 1. Tears of
Nature 2. Grrrevolution
3. Stand up! 4. Tomorrow
The world premiere of
Four Earth Songs took
place on 7 July 2009 at
the 14th WASBE-Conference
in Cincinnati (USA). This
work is dedicated in
friendship to Jouke
Hoekstra, conductor, and
the Frysk Fanfare Orkest
(the Frisian
Fanfare-Orchestra).
De hymne Nun
ruhen alle Walder,
gearrangeerd door J.S.
Bach (nr. 6, So sei nun,
Seele, deine, uit cantate
BWV 13), is de leidraad
in deze vierdelige
compositie. Putz schreef
het werk als een muzikaal
protest tegen de
moedwillige,op winstbejag
gebaseerde vernietiging
van ons milieu. Toen Bach
het woord 'ruhen'
(rusten) meer dan 350
jaar geleden gebruikte,
lag er waarschijnlijk een
andere nuance in dan
tegenwoordig. Aan het
begin van de 21e eeuw -
dezogenaamde eeuw van de
vooruitgang - zou 'nun
ruhen alle Walder' zelfs
kunnen betekenen: 'nu
sterven alle bossen'. De
grootschalige
industrialisatie en
globalisering, in
combinatie met pure
hebzucht, corruptie,
politieke schandalen,een
groeiende kloof tussen
arm en rijk, en andere
dwaze menselijke
verrichtingen, brengen
onze blauwe planeet
steeds verder in de
problemen, tot er
misschien geen weg terug
meer is. Dit werk is niet
bedoeld als een
beschuldigendetirade. Het
moet ons wijzen op de
schoonheid en harmonie
die in de natuur om ons
heen kan bestaan, als we
er goed voor zorgen. Putz
hoopt dat er op een dag
meer nadruk gelegd zal
worden op het overleven
van de mensheid
invreedzame co-existentie
met de natuur, zonder de
eerdergenoemde
uitbuiting. Alle vier de
teksten zijn geschreven
door de Australische
dichter Graeme King,
wiens werk Putz bij
toeval tegenkwam op het
internet. Hij werd
getroffendoor Kings
helderheid en raakte
geintrigeerd door de
mogelijkheid de sterke
ritmische structuur van
Kings teksten om te
zetten in zijn eigen
muzikale taal. De vier
delen zijn de volgende:
1. Tears of Nature 2.
Grrrevolution 3.Stand up!
4. Tomorrow De
wereldpremiere van Four
Earth Songs vond plaats
op 7 juli 2009 tijdens de
14e WASBE Conference in
Cincinnati (VS). Dit werk
is in vriendschap
opgedragen aan dirigent
Jouke Hoekstra en zijn
Fryskt Fanfare
Der
Choral Nun ruhen alle
Walder, hier in einer
Bearbeitung von J.S. Bach
(Nr. 6 So sei nun, Seele,
deine aus der Kantate BWV
13), zieht sich wie ein
roter Faden durch diese
viersatzige Komposition,
die als musikalischer
Aufschrei (Anfang!) gegen
die mutwillige,
profitgesteuerte
Zerstorung unserer Umwelt
gedacht ist. Sicher hatte
das Wort ruhen vor
über 350 Jahren,
als der Liedtext
entstand, eine andere
Bedeutung als heute. Zu
Beginn des 21.
Jahrhunderts, im
sogenannten Zeitalter des
Fortschritts,
müsste es leider
wohl eher heissen: Nun
sterben alle Walder...
Massive
Industrialisierung,
Globalisierung, aber auch
Profitgier, Korruption,
politische
Unfahigkeit,krasse
Unterschiede zwischen arm
und reich, und
schlussendlich die
Uneinsichtigkeit des
einzelnen Menschen haben
dazu geführt, dass
der Blaue Planet heute
kurz vor dem Kollaps
steht. Dieses Werk soll
jedoch nicht nur
anklagen, es soll auch
die verbliebenen
Schonheiten unserer Natur
aufzeigen, in der
Hoffnung, dass es einmal
gelingen wird, die
Rettung der Natur und den
Schutz der Umwelt
über die oben
genannten Interessen zu
stellen. Alle vier Texte
stammen aus der Feder des
australischen Dichters
Graeme King, dessen Werk
der Komponist durch einen
glücklichen Zufall
im Internet entdeckte.
Besonders inspirierend
war die Direktheit von
Graemes Aussagen, aber
auch die kraftvolle
Rhythmik seiner Verse mit
den daraus resultierenden
Moglichkeiten der
musikalischen Umsetzung.
Die vier Satze sind wie
folgt
überschrieben: 1.
Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow Die
offizielle
Uraufführung von
Four Earth Songs fand am
7. Juli 2009 statt,
anlasslich der 14.
WASBE-Konferenz in
Cincinnati (USA). Das
Werk ist dem Dirigenten
Jouke Hoekstra und dem
Frysk Fanfare Orkest
(Friesischen
Fanfareorchester) in
aller Freundschaft
gewidmet.
Le
cantique Nun ruhen alle
Walder, dont la ligne
melodique fut reprise par
Jean-Sebastien Bach pour
son choral So sein nun,
Seele, deine (Choral
ndeg6 - Cantate BWV 13),
est le fil conducteur de
cette oeuvre en quatre
mouvements concue comme
un cri contre la
destruction volontaire de
la nature pour le profit.
Plus de trois siecles
nous separent du temps de
Bach. Si les mots sont
restes les memes, leur
sens primitif connait
cependant quelques
nuances. Ainsi, au XXIe
siecle - considere comme
le << siecle du progres
>>, il conviendrait de
traduire Nun ruhen alle
Walder (les forets se
reposent ) par Les forets
se meurent. La
mondialisation et
l'industrialisation
massiveassociees a
l'avidite predatrice, a
la corruption politique,
aux actions humaines
irrationnelles et au
fosse grandissant entre
riches et pauvres
conduisent notre planete
bleue a se rapprocher
chaque jour un peu plus
du point de non retour.
Cette composition n'est
pas une accusation
acerbe, mais plutot une
exhortation a prendre
soin de cette beaute si
harmonieuse que nous
offre la nature. Et
peut-etre, prendrons-nous
enfin conscience de
l'importance d'une
situation de coexistence
avec la nature,
necessaire pour la survie
de l'espece humaine, et
non d'exploitation qui
conduit a la destruction.
Un jour, alors qu'il
naviguait sur Internet,
Marco Pütz
decouvrit l'oeuvre du
poete australien Graeme
King. Fascine par la
clarte de l'ecriture et
le rythme des vers, Marco
Pütz imagina les
multiples possibilites
d'adaptation et de mise
en musique qu'offrent les
poemes de King. Il
choisit quatre poemes sur
la nature pour creer son
oeuvre Four Earth Songs
(Quatre chants de la
terre). 1. Tears of
Nature (Les larmes de la
Nature) 2. Grrrevolution
3. Stand up! (Levez-vous
!) 4. Tomorrow (Demain)
Four Earth Songs est
dedie amicalement a
l'Orchestre de Fanfare de
Frise (Frysk Fanfare
Orkest) et a son chef,
Jouke Hoekstra. L'oeuvre
a ete donnee en creation
mondiale par l'orchestre
dedicataire a l'occasion
de la 14eme Convention de
la WASBE a Cincinnati
aux. $478.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Legend of Spirit Island Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Score and Parts Concert Band (Score & Parts) - Grade 4 SKU: HL.44013338 <...(+)
Score and Parts Concert
Band (Score & Parts) -
Grade 4 SKU:
HL.44013338
Euphonium and Concert
Band Score and Parts.
Composed by Philip
Sparke. Anglo Music
Concert Band. Classical.
Softcover. Duration 480
seconds. Anglo Music
Press #AMP449010.
Published by Anglo Music
Press (HL.44013338).
The Legend of
Spirit Island was
commissioned by the Twin
Ports Wind Orchestra,
Duluth, Minnesota (Mark
Whitlock, conductor), to
honour the euphonium
player, Dick Carlson. The
piece takes its title
from a local legend about
Spirit Island, which lies
in a gap ofthe St. Louis
River called Spirit Lake.
The legend tells the
story of Chaska, the son
of a Dakota Chief, and
Wetona, the daughter
ofOjibwe Chief Buckado.
He was handsome and she
was beautiful; it wasn't
long before they fell in
love. This is a
challenging euphonium
solo in which the
versatile soloist can
explore very expressive
melodic sequences, as
well as energetic,
technical sections. $168.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| March of the Aliens Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Kjos Music Company
By Barrie Gott. Edited by Bruce Pearson. For concert band. Standard of Excellenc...(+)
By Barrie Gott. Edited by
Bruce Pearson. For
concert band. Standard of
Excellence in Concert.
Grade 1.5. Score and set
of parts. Published by
Neil A. Kjos Music
Company
$50.00 $47.5 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Legend of Spirit Island Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band (Score) - Grade 4 SKU: HL.44013339 Euphonium and Concert ...(+)
Concert Band (Score) -
Grade 4 SKU:
HL.44013339
Euphonium and Concert
Band Score. Composed
by Philip Sparke. Anglo
Music Concert Band.
Classical. Softcover. 20
pages. Duration 480
seconds. Anglo Music
Press #AMP449140.
Published by Anglo Music
Press (HL.44013339).
UPC:
888680922955. The
Legend of Spirit Island
was commissioned by the
Twin Ports Wind
Orchestra, Duluth,
Minnesota (Mark Whitlock,
conductor), to honour the
euphonium player, Dick
Carlson. The piece takes
its title from a local
legend about Spirit
Island, which lies in a
gap ofthe St. Louis River
called Spirit Lake. The
legend tells the story of
Chaska, the son of a
Dakota Chief, and Wetona,
the daughter ofOjibwe
Chief Buckado. He was
handsome and she was
beautiful; it wasn't long
before they fell in love.
This is a challenging
euphonium solo in which
the versatile soloist can
explore very expressive
melodic sequences, as
well as energetic,
technical sections. $33.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Festival March Orchestre d'harmonie - Avancé Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Triangle,
Trombone 1 and more. -
Grade 5 SKU:
CF.SPS78 Composed by
Victor Herbert. Symphonic
Band (SPS). Set of Score
and Parts. With Standard
notation.
3+12+12+6+6+3+12+24+24+6+
6+8+8+6+6+9+18+18+27+8+8+
8+8+9+9+9+9+12+3+6+6+40+6
pages. Duration 7:37.
Carl Fischer Music
#SPS78. Published by Carl
Fischer Music (CF.SPS78).
ISBN 9781491152553.
UPC: 680160910052. Key:
Bb major. Festival
March is presented in a
new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. Festival
March by Victor Herbert
was written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 . $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Festival March Orchestre d'harmonie - Avancé Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Triangle,
Trombone 1 and more. -
Grade 5 SKU:
CF.SPS78F Composed by
Victor Herbert. Symphonic
Band (SPS). Full score.
With Standard notation.
40 pages. Carl Fischer
Music #SPS78F. Published
by Carl Fischer Music
(CF.SPS78F). ISBN
9781491153239. UPC:
680160910731. Festi
val March is presented in
a new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. About the
CompositionFestival March
by Victor Herbert was
written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 . $15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Winds of Poseidon (from The Odyssey (Symphony No. 2)) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Alfred Publishing
By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin S...(+)
By Robert W. Smith. By
Robert W. Smith. For
Concert Band. Concert
Band. Belwin Symphonic
Band. Level: 4 (Medium)
(grade 4). Conductor
Score and Parts. 320
pages. Duration 7:33.
Published by Alfred
Publishing.
$100.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Winds of Poseidon (from The Odyssey (Symphony No. 2)) Orchestre d'harmonie [Conducteur] - Intermédiaire Alfred Publishing
By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin S...(+)
By Robert W. Smith. By
Robert W. Smith. For
Concert Band. Concert
Band. Belwin Symphonic
Band. Level: grade IV.
Conductor Score. 44
pages. Published by
Alfred Publishing.
(1)$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Loch Lomond Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
$22.50 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Excerpts from Appalachian Spring Orchestre d'harmonie - Intermédiaire/avancé Boosey and Hawkes
Composed by Aaron Copland (1900-1990). Arranged by Robert Longfield. For Concert...(+)
Composed by Aaron Copland
(1900-1990). Arranged by
Robert Longfield. For
Concert Band (Score and
Parts). Boosey and Hawkes
Concert Band. Grade 4.
Published by Boosey and
Hawkes
$105.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ireland: Of Legend and Lore Orchestre d'harmonie [Conducteur et Parties séparées] Alfred Publishing
By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin S...(+)
By Robert W. Smith. By
Robert W. Smith. For
Concert Band. Concert
Band. Belwin Symphonic
Band. Level: Medium
(grade IV). Conductor
Score and Parts. 318
pages. Duration 6:59.
Published by Alfred
Publishing.
(5)$87.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pioneers Orchestre d'harmonie - Facile Kjos Music Company
Band concert band - Grade 2 SKU: KJ.WB237 Composed by Ralph Hultgren. Sta...(+)
Band concert band - Grade
2 SKU: KJ.WB237
Composed by Ralph
Hultgren. Standard of
Excellence in Concert.
Score and set of parts.
Neil A. Kjos Music
Company #WB237. Published
by Neil A. Kjos Music
Company (KJ.WB237).
UPC:
8402700015. Pioneer
s...the ones who lead
into the unknown.
Pioneers..the explorers
of new worlds and new
ideas. Young musicians
will enjoy exploring
their talent, venturing
into the sounds of a new
work from a composer from
a distant land. With this
exciting new piece from
one of Australia's
shining stars, students
will discover things
about themselves, about
the composer, and about
each other.
About Standard
of Excellence in
Concert Th
e Standard of Excellence
In Concert series
presents exceptional
arrangements,
transcriptions, and
original concert and
festival pieces for
beginning and
intermediate band. Each
selection is correlated
to a specific page in the
Standard of Excellence
Band Method, reinforcing
and expanding skills and
concepts introduced in
the method up to that
point. Exciting parts
with extensive
cross-cueing are
presented for every
player. Accessible
ranges, appropriate
rhythmic challenges, and
creative percussion
section writing enhance
the pedagogical value of
the series.
Sold
individually, each In
Concert selection
includes a full Conductor
Score and enough student
parts for large symphonic
bands. Each student part
also includes correlated
Warm-Up Studies. The
Conductor Score comes
complete with rehearsal
suggestions, a composer
biography, program notes,
a rehearsal piano part,
several
ready-to-duplicate
worksheets and a
duplicable written
quiz. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Elves R Us (Based on Toyland) Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Victor Herbert (1859-1924). Arranged by Michael Story and Michael Story. Conc...(+)
By Victor Herbert
(1859-1924). Arranged by
Michael Story and Michael
Story. Concert Band.
Concert Band. Belwin
Beginning Band.
Christmas; Winter. Grade
1. Conductor Score and
Parts. 136 pages.
Published by Alfred Music
Publishing
$45.00 $42.75 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tartan Tapestries Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2,...(+)
Band Bagpipes, Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals, Double
Bass, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS225 Composed by
Larry Clark. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
12+12+6+12+24+24+6+4+6+6+
6+6+8+8+8+4+4+6+6+6+8+2+1
+6+2+4+10+32+4 pages.
Duration 6 minutes, 9
seconds. Carl Fischer
Music #CPS225. Published
by Carl Fischer Music
(CF.CPS225). ISBN
9781491152515. UPC:
680160910014. Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tartan Tapestries Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2,...(+)
Band Bagpipes, Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals, Double
Bass, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS225F Composed
by Larry Clark. Concert
Band (CPS). Full score.
With Standard notation.
32 pages. Carl Fischer
Music #CPS225F. Published
by Carl Fischer Music
(CF.CPS225F). ISBN
9781491153192. UPC:
680160910694. Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Jamestown Trilogy Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
By Gary Fagan. Concert Band. Concert Band. Young Symphonic. Grade 2.5. Conductor...(+)
By Gary Fagan. Concert
Band. Concert Band. Young
Symphonic. Grade 2.5.
Conductor Score and
Parts. 260 pages.
Published by Alfred Music
Publishing
(1)$55.00 $52.25 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Festival At Camelot Orchestre d'harmonie - Débutant Kjos Music Company
Band Wind Band - Grade 2 SKU: KJ.JB106 Composed by David Bobrowitz. Conce...(+)
Band Wind Band - Grade 2
SKU: KJ.JB106
Composed by David
Bobrowitz. Concert and
Contest. Tradition of
Excellence, Excellence In
Performance. Score and
parts. Neil A. Kjos Music
Company #JB106. Published
by Neil A. Kjos Music
Company (KJ.JB106).
UPC:
8402704846. The
music captures the energy
and activity of a
festival in the fictional
land of King Arthur's
Camelot, from the legends
in Great Britain.
Staccato eighths and
quick sixteenth note
gures provide the feeling
of movement, and
traditional yet
interesting harmonies
provide the feeling of
the time period and
location. e piece is in
ABA form, and although
there are two distinct
sections, the feeling of
energy never ceases. ere
is plenty of interest in
all of the band parts,
and it's a wonderful
change of pace for your
audience to enjoy!
About
Tradition of Excellence:
Excellence in
Performance <
p>Excellence in
performance is a concert
band repertoire series
correlated with the
Tradition of Excellence
Comprehensive Band Method
by Bruce Pearson and Ryan
Nowlin. The compositions
in the series correlate
to a specific page in
Tradition of Excellence
Books 1, 2, or 3 and
reinforce and expand on
skills and concepts
introduced in the
method. /Selecti
ons include exciting
parts for every player,
grade-appropriate
cross-cueing, accessible
ranges and rhythms,
creative percussion
writing, electric bass
and rehearsal piano
parts, and full conductor
scores with rehearsal
suggestions, program
notes and composer
biographies. In addition,
the Grade 1 works provide
an Advanced Snare Drum
part for percussionists
who have achieved a
higher level of ability,
playable simultaneously
with the more basic Snare
Drum part to facilitate
differentiated
learning. $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Festival At Camelot Orchestre d'harmonie - Débutant Kjos Music Company
Band Wind Band - Grade 2 SKU: KJ.JB106F Composed by David Bobrowitz. Conc...(+)
Band Wind Band - Grade 2
SKU: KJ.JB106F
Composed by David
Bobrowitz. Concert and
Contest. Tradition of
Excellence, Excellence In
Performance. Score. Neil
A. Kjos Music Company
#JB106F. Published by
Neil A. Kjos Music
Company (KJ.JB106F).
UPC:
8402704847. The
music captures the energy
and activity of a
festival in the fictional
land of King Arthur's
Camelot, from the legends
in Great Britain.
Staccato eighths and
quick sixteenth note
gures provide the feeling
of movement, and
traditional yet
interesting harmonies
provide the feeling of
the time period and
location. e piece is in
ABA form, and although
there are two distinct
sections, the feeling of
energy never ceases. ere
is plenty of interest in
all of the band parts,
and it's a wonderful
change of pace for your
audience to enjoy!
About
Tradition of Excellence:
Excellence in
Performance <
p>Excellence in
performance is a concert
band repertoire series
correlated with the
Tradition of Excellence
Comprehensive Band Method
by Bruce Pearson and Ryan
Nowlin. The compositions
in the series correlate
to a specific page in
Tradition of Excellence
Books 1, 2, or 3 and
reinforce and expand on
skills and concepts
introduced in the
method. /Selecti
ons include exciting
parts for every player,
grade-appropriate
cross-cueing, accessible
ranges and rhythms,
creative percussion
writing, electric bass
and rehearsal piano
parts, and full conductor
scores with rehearsal
suggestions, program
notes and composer
biographies. In addition,
the Grade 1 works provide
an Advanced Snare Drum
part for percussionists
who have achieved a
higher level of ability,
playable simultaneously
with the more basic Snare
Drum part to facilitate
differentiated
learning. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| European Journey Orchestre d'harmonie - Facile EMB (Editio Musica Budapest)
Concert Band - Grade 2 SKU: BT.EMBZ14769SET EMB Concert Band Series. Conc...(+)
Concert Band - Grade 2
SKU:
BT.EMBZ14769SET EMB
Concert Band Series.
Concert Piece. Set (Score
& Parts). Composed 2012.
416 pages. Editio Musica
Budapest #EMBZ14769SET.
Published by Editio
Musica Budapest
(BT.EMBZ14769SET).
9x12
inches. LászlÃ
Zempléni, the author
or reviser of a large
number of pedagogical
volumes published by EMB,
has this time arranged
European folk songs for
young band. The following
songs feature in the
volume: Laß' doch
meine Jugend (German), My
native land (Irish), Ah
mon beau ch teau
(French), Kom, skal i
klippe (Norwegian), Moj
llokumja me sheqer
(Albanian), Ma come balli
bella bimba (Italian) and
Az oláhok, az
oláhok (Hungarian).
The pieces can be
performed as a coherent
series or separately, and
conductors can select
from them to form 2-, 3-
or 4-movement
groups.
LászlÃ
³ Zempléni, der Autor
und Ãœberarbeiter von
vielen beim EMB
erschienenen
pädagogischen
Bänden, meldet sich
diesmal mit der
Ãœberarbeitung von
europäischen
Volksliedern für
Bläserorchester
zurück. Die Lieder im
Band sind: Laß' doch
meine Jugend (deutsch),
My native land (irisch),
Ah mon beau chateau
(französisch), Kom,
skal i klippe
(norvegisch), Moj
llokumja me sheqer
(albanisch), Ma come
balli bella bimba
(italienisch), Az
oláhok, az oláhok
(ungarisch). Die
Stückke lassen als
zusammenhängende Serie
oder aber auch einzeln
aufführen. Ebenso
können die
Chordirigenten aus ihnen
kurze Blöcke mit zwei,
drei oder vier Sätzen
zusammenstellen. $159.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Promenade Music Band Set Orchestre d'harmonie - Avancé Schott
Concert band (ST KPL) - advanced SKU: HL.49012048 Composed by Hans G&aacu...(+)
Concert band (ST KPL) -
advanced SKU:
HL.49012048 Composed
by Hans Gá and l.
This edition: Folding.
Sheet music. Schott
Harmonie Serie (Concert
Band). Classical. Set of
Parts. Op. 1007. 214
pages. Duration 11'.
Schott Music #SHS1007-70.
Published by Schott Music
(HL.49012048). ISBN
9790001100816. UPC:
884088158811.
8.25x11.75x0.634
inches. This work
was written for the
Donaueschingen Musiktage
of 1926 and given its
first performance there
together with Paul
Hindemith's
'Konzertmusik' and Ernst
Toch's 'Spiel' for wind
band. Until a few years
ago the score was thought
to be lost. This first
edition reproduces the
original Version but it
has been carefully
extended so that it can
be played by the usual
combination of
Instruments now found in
a wind band. The work is
suitable for advanced
wind bands and those at
the highest level, and is
one of the first original
compositions for this
form of ensemble.Hans Gal
was born in Vienna where
he studied composition
and musicology and then
taught at the university.
From 1929 until 1933 he
was Director of the
Musikhochschule in Mainz.
He then had to return to
Vienna and he emigrated
to Edinburgh where he was
a university lecturer and
conductor. Together with
Eusebius Mandyczewski he
published the collected
works of Brahms
1
Piccolo-Flote, 2 Floten,
1 Oboe ad lib., 1 Fagott
ad lib., 1 Klarinette in
Es, 3 Klarinetten in B, 1
Bass-Klarinette in B ad
lib., 2 Alt-Saxophone in
Es ad lib., 1
Tenor-Saxophon in B ad
lib., 1 Bariton-Saxophon
in es ad lib., 3 Horner
in F, 2 Trompeten in B, 3
Posaunen, 2 Flugelhorner
in B, 2 Tenorhorner in B,
1 Bariton, 2 Tuben,
Pauken, Schlagzeug:
kleine Trommel, grosse
Trommel, Tamburin,
Triangel, Becken). $133.00 - Voir plus => Acheter | | |
| The Night Before Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Alfred Publishing
By Randol Alan Bass. Concert Band. Concert Band; SmartMusic. Alfred Concert Band...(+)
By Randol Alan Bass.
Concert Band. Concert
Band; SmartMusic. Alfred
Concert Band. Christmas;
Winter. Grade 5.
Conductor Score and
Parts. 246 pages.
Published by Alfred Music
Publishing
$90.00 $85.5 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Night Before Christmas Orchestre d'harmonie [Conducteur] - Intermédiaire Alfred Publishing
By Randol Alan Bass. Concert Band. Concert Band. Alfred Concert Band. Christmas;...(+)
By Randol Alan Bass.
Concert Band. Concert
Band. Alfred Concert
Band. Christmas; Winter.
Grade 5. Conductor Score.
32 pages. Published by
Alfred Music Publishing
$10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Suite on Canadian Folk Songs Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Eighth Note Publications
By Morley Calvert. For Concert Band. Music Fest Canada List. 20th Century. Level...(+)
By Morley Calvert. For
Concert Band. Music Fest
Canada List. 20th
Century. Level: Grade 4.
Conductor Score and
Parts. Duration 00:08:20.
Published by Eighth Note
Publications.
$105.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cyrano Sc/pts Gr 5 Full Recording On Cd 44007019 21:30 Orchestre d'harmonie - Avancé Hal Leonard
Concert Band/Harmonie - Grade 5 SKU: HL.44007582 Composed by Piet Swerts....(+)
Concert Band/Harmonie -
Grade 5 SKU:
HL.44007582 Composed
by Piet Swerts. De Haske
Concert Band. Concert
Piece. Score Only.
Composed 2005. Hal
Leonard #1053776.
Published by Hal Leonard
(HL.44007582). UPC:
884088264086.
9.75x13.25x2.25 inches.
English(US)/Deutsch/Franc
ais/Nederlands. Thi
s delightful new
composition takes its
inspiration from the
classic French swash
buckling tale of Cyrano
de Bergerac and his fight
to win the love of the
beautiful maiden Roxane.
The subject was a perfect
departure point for
composing a symphonic
poem with a variety of
musical aspects
reflecting the story.
Lyricism (the theme of
Roxane), dramatic
episodes, as well as
Debussy-inspired
impressionist moments are
some of the elements that
give the band and its
conductor the chance to
expose themselves as a
versatile ensemble being
able to create colour, to
sing and to play like
virtuosi. This work is
sure to become a standard
item in the concert band
repertoire.
In
Cyrano verklankt
de componist Piet Swerts
het romantische en
tragische verhaal van de
briljante dichter en
zwaardkunstenaar Cyrano
de Bergerac en zijn
mooie, intellectuele
nicht Roxane, op wie hij
tot over zijn oren
verliefdis. Zijn
uiterlijk, met name zijn
buitengewoon grote neus,
belet hem om zijn
gevoelens tegenover haar
te uiten. De vele
verwikkelingen die uit
deze situatie voortkomen
zijn te herkennen in deze
programmatische
compositie.
Piet
Swerts erzahlt hier
musikalisch die
tragisch-romantische
Geschichte von Cyrano de
Bergerac, der einem
verliebten Freund hilft,
seine Liebe zu erobern
und sich dann selbst
unglucklich in dessen
Angebetete verliebt.
Diese Komposition
spiegelt die Geschichte
mit einer Vielfalt an
musikalischen Aspekten
eindrucksvoll wider.
Lyrik, dramatische
Episoden sowie von
Debussy inspirierte,
impressionistische
Momente sind einige der
Elemente, die dem
Blasorchester und seinem
Dirigenten die Chance
bieten, sich als
vielseitiges Ensemble,
das zugleich Farben
entfalten, singen und
virtuos spielen kann, zu
prasentieren.
La
comedie heroique
Cyrano de Bergerac
(1897) valut a son auteur
une gloire immediate.
Cyrano, heros tragique et
attachant, est entre dans
le patrimoine universel,
sans doute parce qu'il
incarne superbement un
mythe bien ancien : celui
de l'amour et du bonheur
impossibles. Ce delicieux
chef-d'œuvre
theatral d'Edmond Rostand
a inspire ce poeme
symphonique de Piet
Swerts qui s'articule
autour d'une grande
diversite musicale
exprimant differentes
scenes de la piece.
Passages lyriques,
episodes dramatiques et
moments impressionnistes,
Cyrano comprend de
nombreux ingredients qui
permettent au chef et a
sa formation d'exploiter
leur polyvalence a
travers lacouleur, le
chant et le jeu virtuose.
La commedia
Cyrano de Bergerac (1897)
valse al suo autore
gloria immediata. Cyrano,
eroe tragico e
commovente, e entrato nel
patrimonio universale
senza dubbio perche
incarna a meraviglia un
mito molto antico: quello
dell'amore e della
felicita impossibili.
Questo delizioso
capolavoro teatrale di
Edmond Rostand ha
ispirato il poema
sinfonico che si articola
attorno ad una grande
diversita musicale
esprimendo diverse scene
dell'opera teatrale.
Passaggi lirici, episodi
drammatici e momenti
impressionanti, Cyrano
comprende numerosi
ingredienti che
permettono al maestro di
sfruttare la polivalenza
attraverso il colore, il
canto e il suono
virtuoso. $442.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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