Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-027-010 (The Trumpet Vol...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-027-010
(The Trumpet
Voluntary). Composed
by Jeremiah Clarke.
Arranged by Philip
Sparke. Debut Series
(Anglo). Set (Score &
Parts). Composed 2001.
Anglo Music Press #AMP
027-010. Published by
Anglo Music Press
(BT.AMP-027-010).
Jeremiah Clarke
(c. 1674-1707) belongs to
the generation of English
composers following that
of Henry Purcell. Not
much is known about his
early life, but by 1685
he was a chorister of the
Chapel Royal, a group of
liturgical musicians
attached to the court. He
held the post of organist
at Winchester College
from 1692 but later
returned to London as
Master of the Choristers
at St Paul’s
Cathedral. The Prince of
Denmark’s March is
perhaps his best-known
work and was originally
written for harpsichord,
although Clarke later
included it in a
collection of pieces for
wind
instruments.
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-027-140 (The Trumpet Vol...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-027-140
(The Trumpet
Voluntary). Composed
by Jeremiah Clarke.
Arranged by Philip
Sparke. Debut Series
(Anglo). Score Only.
Composed 2001. 20 pages.
Anglo Music Press #AMP
027-140. Published by
Anglo Music Press
(BT.AMP-027-140).
Jeremiah Clarke
(c. 1674-1707) belongs to
the generation of English
composers following that
of Henry Purcell. Not
much is known about his
early life, but by 1685
he was a chorister of the
Chapel Royal, a group of
liturgical musicians
attached to the court. He
held the post of organist
at Winchester College
from 1692 but later
returned to London as
Master of the Choristers
at St Paul’s
Cathedral. The Prince of
Denmark’s March is
perhaps his best-known
work and was originally
written for harpsichord,
although Clarke later
included it in a
collection of pieces for
wind
instruments.
Old Hundredth Orchestre d'harmonie - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-238-140 Composed by Louis Bou...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-238-140
Composed by Louis
Bourgeois. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Hymns & Chorals. Score
Only. Composed 2007. 16
pages. Anglo Music Press
#AMP 238-140. Published
by Anglo Music Press
(BT.AMP-238-140).
9x12
inches.
English-German-French-Dut
ch.
The tune Old
Hundredth is one of
the best-known melodies
in all Christian musical
traditions and first
appeared in the 1551
psalter Pseaumes Octante
Trois de David, where it
is used as a setting for
a version of Psalm 134;
it is usually attributed
to the French composer
Louis Bourgeois (c.1510 -
c.1560). The melody was
then used in 1561 by the
Scots clergyman, William
Kethe in Sternhold and
Hopkins’ Psalter
for his paraphrase of
Psalm 100 - All People
that on Earth do
Dwell<(I>, which is still
the most familiar hymn
sung to this noble tune.
When Tate and
Brady’s New
Version of the Psalms was
published in 1696, the
melody became know as the
‘old’
version - henceits
current title. This
arrangement presents
three contrasting verses
and is effective as a
concert piece as well as
an instrumental interlude
as part of a church
service or wedding.
De melodie van
Old Hundredth is
een van de bekendste in
alle christelijke
muziektradities, ze
verscheen voor het eerst
in Pseaumes Octante
Trois de David uit
1551. De muziek wordt
meestal toegeschreven aan
de Fransecomponist Louis
Bourgeois
(ca.1510-ca.1560). In
1561werd de melodie
gebruikt door de Schotse
geestelijke William Kethe
voor zijn parafrase van
psalm 100. Later werd de
melodie in Engeland
bekend als de
‘oude’
versie - daar komt ookde
huidige titel vandaan.
Dit arrangement, met drie
contrasterende
coupletten, is geschikt
als concertwerk of als
instrumentaal tussenspel
tijdens een kerkdienst of
huwelijksceremonie. Old Hundtredth
ist eine der bekanntesten
Melodien aller
christlichen
Musiküberlieferunge
n. Es erschien erstmals
in dem Psalter
Pseaumes Octante Trois
de David von 1551, wo
es als Satz für
zwei Psalmen verwendet
wurde. Diese Bearbeitung
präsentiert drei
kontrastierende Strophen
und kann sehr
wirkungsvoll sowohl als
Konzertwerk als auch als
instrumentales
Zwischenspiel in einem
Gottesdienst oder
während einer
Hochzeitszeremonie
eingesetzt
werden.
Guardians of Peace Orchestre d'harmonie - Intermédiaire/avancé Curnow Music
Concert Band/Harmonie - Grade 4 SKU: BT.CMP-0259-99-010 Composed by James...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.CMP-0259-99-010
Composed by James Hosay.
Prestige Series. Set
(Score & Parts). Composed
1999. Curnow Music #CMP
0259-99-010. Published by
Curnow Music
(BT.CMP-0259-99-010).
GUARDIANS OF
PEACE is dedicated to the
United States Atlantic
Fleet. From their
homeport of Norfolk,
Virginia, they are ready
and able to deploy to any
region of the world at a
moment’s notice,
to help maintain peace
and stability throughout
the world. They have a
long, proud history of
service and dedication,
and played a major role
in the success of
Operations Desert Shield
and Desert Storm. The
level of dedication and
self-sacrifice required
by this type of service
is the highest in all the
military, as individuals
must be separated from
families and loved ones
for long periods of time,
while placing their lives
and well-being in grave
danger.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-145-140 From Cantata No 20...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-145-140
From Cantata No 208
'The Hunt Cantata'.
Composed by Johann
Sebastian Bach. Arranged
by Philip Sparke. Anglo
Music Midway Series.
Sacred. Score Only.
Composed 2005. 16 pages.
Anglo Music Press #AMP
145-140. Published by
Anglo Music Press
(BT.AMP-145-140).
9x12
inches.
English-German-French-Dut
ch.
There are just
over twenty secular
cantatas in Bach's
prolific output, which
include The Coffee
Cantata (No 211), The
Wedding Cantata (No 202),
Phoebus and Pan (No 201)
and the Hunt Cantata (No
208) which contains the
famous aria Sheep May
Safely Graze. Written for
four vocal soloists it
was originally scored for
a relatively large
orchestra (including
flutes (recorders), oboes
and horns) and mixed
choir. Although secular
in character, the words
describe how well a
faithful shepherd keeps
watch over his flock and
hence has obvious
allusions to the
teachings of the
Christian church. Bring a
bit of the Baroque era to
your concert with this
first class arrangement
by Philip
Sparke.
Bach
schreef zijn Jachtcantate
(BWV 208) - met daarin de
aria Schafe können
sicher weiden
(Sheep May Safely
Graze) - in 1713, ter
gelegenheid van de
verjaardag van hertog
Christian van
Sachsen-Weißenfels.
Later volgdenbewerkingen
voor vergelijkbare
verjaardagsfeesten en
naamdagen. De cantate is
geschreven voor vier
solisten (Diana, Pales,
Endymion en Pan), een
relatief groot orkest
(met (blok)fluiten,
hobo’s en hoorns)
en koor. Sheep
MaySafely Graze wordt
gezongen door Pales, de
godin van kudden en
weiden, begeleid door een
paar blokfluiten of
dwarsfluiten. Deze
bewerking van Philip
Sparke betekent een
verrijking voor elk
repertoire.
Bachs
produktives Schaffen
brachte nur etwa zwanzig
weltliche Kantaten
hervor, darunter auch die
Jagd-Kantate (BWV
208),welche die
berühmte Arie
Schafe können
sicher weiden
enthält. Geschrieben
für vier Solisten, ist
die Kantate für ein
relativ großes
Orchester instrumentiert,
das neben Flöten,
Oboen und Hörnern auch
einen gemischten Chor
vorsieht. Bringen Sie mit
dieser gelungenen
Bearbeitung etwas barocke
Atmosphäre in Ihr
Konzert!
L’immenso
lavoro di Johann
Sebastian Bach contiene
una ventina di cantate
profane tra le quali la
Cantata della
Caccia (BWV 208)
dalla quale è estratta
Sheep May Safely
Graze (Schafe
können sicher weiden).
Accompagnata da due
flauti dolci, Pales, Dea
dei greggi e dei pastori,
intona l’aria
Sheep May Safely
Graze. Pur se di
carattere profano, il
testo utilizza
l’immagine del
pastore come
l’immagine della
grazia riportata ad una
parola fondamentale di
Gesù.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-145-010 From Cantata No 20...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-145-010
From Cantata No 208
'The Hunt Cantata'.
Composed by Johann
Sebastian Bach. Arranged
by Philip Sparke. Anglo
Music Midway Series.
Sacred. Set (Score &
Parts). Composed 2005.
Anglo Music Press #AMP
145-010. Published by
Anglo Music Press
(BT.AMP-145-010).
9x12
inches.
English-German-French-Dut
ch.
There are just
over twenty secular
cantatas in Bach's
prolific output, which
include The Coffee
Cantata (No 211), The
Wedding Cantata (No 202),
Phoebus and Pan (No 201)
and the Hunt Cantata (No
208) which contains the
famous aria Sheep May
Safely Graze. Written for
four vocal soloists it
was originally scored for
a relatively large
orchestra (including
flutes (recorders), oboes
and horns) and mixed
choir. Although secular
in character, the words
describe how well a
faithful shepherd keeps
watch over his flock and
hence has obvious
allusions to the
teachings of the
Christian church. Bring a
bit of the Baroque era to
your concert with this
first class arrangement
by Philip
Sparke.
Bach
schreef zijn Jachtcantate
(BWV 208) - met daarin de
aria Schafe können
sicher weiden
(Sheep May Safely
Graze) - in 1713, ter
gelegenheid van de
verjaardag van hertog
Christian van
Sachsen-Weißenfels.
Later volgdenbewerkingen
voor vergelijkbare
verjaardagsfeesten en
naamdagen. De cantate is
geschreven voor vier
solisten (Diana, Pales,
Endymion en Pan), een
relatief groot orkest
(met (blok)fluiten,
hobo’s en hoorns)
en koor. Sheep
MaySafely Graze wordt
gezongen door Pales, de
godin van kudden en
weiden, begeleid door een
paar blokfluiten of
dwarsfluiten. Deze
bewerking van Philip
Sparke betekent een
verrijking voor elk
repertoire.
Bachs
produktives Schaffen
brachte nur etwa zwanzig
weltliche Kantaten
hervor, darunter auch die
Jagd-Kantate (BWV 208),
welche die berühmte
Arie Schafe können
sicher weiden
enthält. Geschrieben
für vier Solisten, ist
die Kantate für ein
relativ großes
Orchester instrumentiert,
das neben Flöten,
Oboen und Hörnern auch
einen gemischten Chor
vorsieht. Bringen Sie mit
dieser gelungenen
Bearbeitung etwas barocke
Atmosphäre in Ihr
Konzert!
L’immenso
lavoro di Johann
Sebastian Bach contiene
una ventina di cantate
profane tra le quali la
Cantata della
Caccia (BWV 208)
dalla quale è estratta
Sheep May Safely
Graze (Schafe
können sicher weiden).
Accompagnata da due
flauti dolci, Pales, Dea
dei greggi e dei pastori,
intona l’aria
Sheep May Safely
Graze. Pur se di
carattere profano, il
testo utilizza
l’immagine del
pastore come
l’immagine della
grazia riportata ad una
parola fondamentale di
Gesù.
Old Hundredth Orchestre d'harmonie - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-238-010 Composed by Louis Bou...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-238-010
Composed by Louis
Bourgeois. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Hymns & Chorals. Set
(Score & Parts). Composed
2007. Anglo Music Press
#AMP 238-010. Published
by Anglo Music Press
(BT.AMP-238-010).
9x12
inches.
English-German-French-Dut
ch.
The tune Old
Hundredth is one of
the best-known melodies
in all Christian musical
traditions and first
appeared in the 1551
psalter Pseaumes Octante
Trois de David, where it
is used as a setting for
a version of Psalm 134;
it is usually attributed
to the French composer
Louis Bourgeois (c.1510 -
c.1560). The melody was
then used in 1561 by the
Scots clergyman, William
Kethe in Sternhold and
Hopkins’ Psalter
for his paraphrase of
Psalm 100 - All People
that on Earth do
Dwell<(I>, which is still
the most familiar hymn
sung to this noble tune.
When Tate and
Brady’s New
Version of the Psalms was
published in 1696, the
melody became know as the
‘old’
version - henceits
current title. This
arrangement presents
three contrasting verses
and is effective as a
concert piece as well as
an instrumental interlude
as part of a church
service or wedding.
De melodie van
Old Hundredth is
een van de bekendste in
alle christelijke
muziektradities, ze
verscheen voor het eerst
in Pseaumes Octante
Trois de David uit
1551. De muziek wordt
meestal toegeschreven aan
de Fransecomponist Louis
Bourgeois
(ca.1510-ca.1560). In
1561werd de melodie
gebruikt door de Schotse
geestelijke William Kethe
voor zijn parafrase van
psalm 100. Later werd de
melodie in Engeland
bekend als de
‘oude’
versie - daar komt ookde
huidige titel vandaan.
Dit arrangement, met drie
contrasterende
coupletten, is geschikt
als concertwerk of als
instrumentaal tussenspel
tijdens een kerkdienst of
huwelijksceremonie. Old Hundtredth
ist eine der bekanntesten
Melodien aller
christlichen
Musiküberlieferunge
n. Es erschien erstmals
in dem Psalter
Pseaumes Octante Trois
de David von 1551, wo
es als Satz für
zwei Psalmen verwendet
wurde. Diese Bearbeitung
präsentiert drei
kontrastierende Strophen
und kann sehr
wirkungsvoll sowohl als
Konzertwerk als auch als
instrumentales
Zwischenspiel in einem
Gottesdienst oder
während einer
Hochzeitszeremonie
eingesetzt
werden.
Invictus Orchestre d'harmonie - Avancé Anglo Music
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-021-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.AMP-021-010
Composed by Philip
Sparke. Elite Series.
Concert Piece. Set (Score
& Parts). Composed 2001.
Anglo Music Press #AMP
021-010. Published by
Anglo Music Press
(BT.AMP-021-010).
Invictus was
commissioned by the
United States Army Ground
Forces Bands commander
and conductor, Major Otis
C. French, and is
dedicated to various
units of the Forces
Command, including the
Active Army, Army
National Guard, Army
Reserve, Combat Forces,
Combat Support Forces,
Combat Service Support
Forces and the Civilian
Forces. This work is
passionate, powerful and
turbulent with a real
victorious feel!
Concert Band SKU: BT.NNS9790065176291 Suite in 3 Movements. Compos...(+)
Concert Band
SKU:
BT.NNS9790065176291
Suite in 3
Movements. Composed
by Roar Minde Fagerli.
Set (Score & Parts).
Composed 2024. Norsk
Noteservice
#NNS9790065176291.
Published by Norsk
Noteservice
(BT.NNS9790065176291).
Band concert band - Level 5 SKU: KJ.WB443F Composed by Mark Camphouse. Sc...(+)
Band concert band - Level
5
SKU: KJ.WB443F
Composed by Mark
Camphouse. Score only.
Neil A. Kjos Music
Company #WB443F.
Published by Neil A. Kjos
Music Company
(KJ.WB443F).
UPC:
084027042373.
Commi
ssioned by the Twin Ports
Wind Orchestra of Duluth,
Minnesota, this work
honors the life and
legacy of one if its own
members, James
Stellmaker, who enjoyed a
long and distinguished
career as a public school
music educator in Duluth.
In contrast to a typical
elegy, Twin Ports
Overture has a
celebratory feel,
sparkling and colorful.
Brass is prominent in
many parts of the work,
especially featuring Mr.
Stellmaker's instrument,
the trombone. The
well-known hymn Praise Ye
the Lord, The Almighty,
which was played at his
memorial service, is
featured prominently
throughout the work.
Grade 2.5 - Score
Only. Arranged by
Philip Sparke. Anglo
Music Concert Band. Hymns
& Chorals. Score Only.
Composed 2007. 16 pages.
Anglo Music Press
#AMP237. Published by
Anglo Music Press
(HL.44007467).
This
arrangement presents
three contrasting verses
of the ancient hymn tune
“Lasst uns
erfreuen,” which in
the English-speaking
world is usually sung to
the hymn “All
Creatures of our God and
King.” It is
effective as a concert
piece as well as an
instrumental interlude
during a church service,
particularly at Easter or
Pentecost. Duration:
3:00.
Band concert band - Grade 3 SKU: KJ.B334 Composed by Theron W. Kirk. Scor...(+)
Band concert band - Grade
3
SKU: KJ.B334
Composed by Theron W.
Kirk. Score and set of
parts. Neil A. Kjos Music
Company #B334. Published
by Neil A. Kjos Music
Company (KJ.B334).
This flexibly
scored arrangement of
Rejoice In The Lord can
be performed by band and
chorus or band, strings
and chorus. Perfect for a
ceremonial occasion, a
festive church service,
or as a finale to a
combined choir/band
concert. Coronation
Festival adds a
ceremonial flair to any
concert program.
Concert Band - Grade 3 SKU: AP.20690S Composed by Gary Fagan. Concert Ban...(+)
Concert Band - Grade 3
SKU: AP.20690S
Composed by Gary Fagan.
Concert Band; Performance
Music Ensemble; Single
Titles. Alfred Concert
Band. Score. 24 pages.
Alfred Music #00-20690S.
Published by Alfred Music
(AP.20690S).
UPC:
038081204888.
English.
This new
work by Gary Fagan is
sure to produce shivers
up and down your spine!
Introduced by a haunting
woodwind motif that plays
during the majestic
trumpet opening, the mood
quickly changes to that
of joy and celebration.
The mood changes in the
middle section,
introducing a beautiful
melody in the woodwinds,
which is then shared by
the brass, with a
stirring countermelody in
the horns. An abbreviated
A section returns
followed by a restatement
of the opening trumpet
theme which brings this
piece to an exciting
conclusion.
Band concert band - Grade 3 SKU: KJ.B334F Composed by Theron W. Kirk. Sco...(+)
Band concert band - Grade
3
SKU: KJ.B334F
Composed by Theron W.
Kirk. Score. Neil A. Kjos
Music Company #B334F.
Published by Neil A. Kjos
Music Company (KJ.B334F).
This flexibly
scored arrangement of
Rejoice In The Lord can
be performed by band and
chorus or band, strings
and chorus. Perfect for a
ceremonial occasion, a
festive church service,
or as a finale to a
combined choir/band
concert. Coronation
Festival adds a
ceremonial flair to any
concert program.
Concert Band - Grade 2 SKU: HL.44000814 Grade 2 - Score and Parts....(+)
Concert Band - Grade 2
SKU: HL.44000814
Grade 2 - Score and
Parts. Composed by
James Hosay. Curnow Music
Concert Band. Concert.
Duration 240 seconds.
Curnow Music #31299040.
Published by Curnow Music
(HL.44000814).
UPC:
073999339284. 9x12
inches.
The Last
Parade pays tribute to
the many servicemen and
women that serve in our
fine military bands. It
is a simple yet powerful
tone poem, full of grand
military pomp.
The Marines' Hymn Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Arranged by Jerry Brubaker. Concert Band. Concert Band; Score. Belwin Young Band...(+)
Arranged by Jerry
Brubaker. Concert Band.
Concert Band; Score.
Belwin Young Band. Form:
March. Patriotic. Grade
2. 16 pages. Published by
Alfred Music Publishing
The Marines' Hymn Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
Arranged by Jerry Brubaker. Concert Band. Concert Band; Part(s); Score. Belwin Y...(+)
Arranged by Jerry
Brubaker. Concert Band.
Concert Band; Part(s);
Score. Belwin Young Band.
Form: March. Patriotic.
Grade 2. 120 pages.
Published by Alfred Music
Publishing
Intermezzo from Cavalleria Rusticana by Pietro Mascagni (1863-1945). Arranged by...(+)
Intermezzo from
Cavalleria Rusticana by
Pietro Mascagni
(1863-1945). Arranged by
Harry I. Phillips.
Concert Band. Concert
Band; Masterworks. Alfred
Concert Band. Easter;
Masterwork Arrangement;
Romantic; Spring. Grade
3. Conductor Score and
Parts. 132 pages.
Published by Alfred Music
Publishing
Concert Band - Grade 5 SKU: ML.013780090 Composed by Valdemar Gomes. Full...(+)
Concert Band - Grade 5
SKU: ML.013780090
Composed by Valdemar
Gomes. Full set. Molenaar
Edition #013780090.
Published by Molenaar
Edition (ML.013780090).
The Spanish war
galleon with 64 cannons,
built in Cuba between
1770 and 1771 for an
English shipowner in the
service of the King of
Spain left Peru for Cadiz
in 1784 with a huge cargo
of copper, gold, silver
and other valuables on
board. There were also
more than 400 people on
board, including
passengers, crew and Inca
prisoners after a revolt.
The Atlantic crossing
went smoothly, passing
Portugal to take
advantage of favourable
winds. The shipwreck off
Peniche was the result of
human error, apparently
due to French maps with
dramatic errors in the
position of the islands
of Berlengas and
neighbouring islets. On 2
February 1786, the sea
was calm and the night
clear, but they hit the
rock formation Papoa and
the hull immediately
broke in two. The bottom
sank quickly, while the
deck remained afloat for
some time. 128 people
lost their lives,
including many Indians
who were trapped in the
basement. This shipwreck
is considered one of the
most important in
maritime
history.
What the
composer wants to convey,
and what can be felt as
one listens, is first of
all the sound of power,
of hope, of the glory of
conquest, of the
splendour of wealth. This
is followed by the
perception of the
maritime environment, the
harmony with the softness
of the ocean, the gliding
of the hull in the foam
of the sea on sunny, blue
days. But along with this
tranquillity, you soon
hear a rhythmic chain
that makes you feel a
representation of the
hustle and bustle, of the
busy crew, of the hard
work of a sailor, of the
desperation of an exotic
people imprisoned in a
dark, damp cellar. A
distinct rhythm that
reminds us of the salero
of Andalusia, with its
Arab influences and its
people, the soothing of
the resignation of others
who are forced to submit.
Then we clearly hear a
crescendo that makes us
imagine the agony of the
collision that precedes
the shipwreck. The
breaking of the hull, the
water flooding
everything, the despair,
the clash of bodies on
the rocks, the tragedy to
come. Before the grand
finale, in which the
return of musical
softness reminds us that
the story is over. The
supremacy of nature over
human greed. The waves,
though gentle, sweep the
wreckage, the lives and
the treasures of the New
World to the bottom of
the sea.
Het
Spaans oorlogsgaljoen met
64 kanonnen, gebouwd in
Cuba tussen 1770 en 1771
voor een Engelse reder in
dienst van de koning van
Spanje vertrok in 1784
vanuit Peru naar Cádiz
met een enorme lading
koper, goud, zilver en
andere kostbaarheden aan
boord. Er waren ook meer
dan 400 mensen aan boord,
waaronder passagiers,
bemanning en Inca
gevangenen na een
opstand. De oversteek van
de Atlantische Oceaan
verliep vlot, waarbij
Portugal werd gepasseerd
om te profiteren van
gunstige winden. De
schipbreuk bij Peniche
was het resultaat van een
menselijke fout,
blijkbaar te wijten aan
Franse kaarten met
dramatische fouten in de
positie van de eilanden
Berlengas en naburige
eilandjes. Op 2 februari
1786 was de zee kalm en
de nacht helder, maar ze
raakten de rotsformatie
Papoa en de romp brak
onmiddellijk in tweeën.
De bodem zonk snel,
terwijl het dek nog enige
tijd bleef drijven. 128
mensen verloren het
leven, waaronder veel
indianen die vastzaten in
de kelder. Dit
scheepswrak wordt
beschouwd als een van de
belangrijkste in de
maritieme
geschiedenis.
Wat
de componist wil
overbrengen, en wat men
kan voelen als men
luistert, is allereerst
het geluid van macht, van
hoop, van de glorie van
verovering, van de pracht
van rijkdom. Dit wordt
gevolgd door de perceptie
van de maritieme
omgeving, de harmonie met
de zachtheid van de
oceaan, het glijden van
de romp in het schuim van
de zee op zonnige, blauwe
dagen. Maar samen met
deze rust hoor je al snel
een ritmische ketting die
je een voorstelling geeft
van de drukte, van de
drukke bemanning, van het
harde werk van een
zeeman, van de wanhoop
van een exotisch volk dat
gevangen zit in een
donkere, vochtige kelder.
Een duidelijk ritme dat
ons doet denken aan de
salero van Andalusië,
met zijn Arabische
invloeden en zijn mensen,
het sussen van de
berusting van anderen die
gedwongen worden zich te
onderwerpen. Dan horen we
duidelijk een crescendo
dat ons de lijdensweg
doet voorstellen van de
aanvaring die voorafgaat
aan de schipbreuk. Het
breken van de romp, het
water dat alles
overspoelt, de wanhoop,
het botsen van lichamen
op de rotsen, de tragedie
die komen gaat. Vóór de
grote finale, waarin de
terugkeer van de muzikale
zachtheid ons eraan
herinnert dat het verhaal
voorbij is. De overmacht
van de natuur over de
hebzucht van de mens. De
golven, hoewel zacht,
vegen het wrak, de levens
en de schatten van de
Nieuwe Wereld naar de
bodem van de
zee.
Le galion de
guerre espagnol de 64
canons, construit à Cuba
entre 1770 et 1771 pour
un armateur anglais au
service du roi d'Espagne,
a quitté le Pérou pour
Cadix en 1784 avec à son
bord une énorme
cargaison de cuivre,
d'or, d'argent et
d'autres objets de
valeur. Il y avait
également plus de 400
personnes à bord, dont
des passagers, des
membres d'équipage et
des prisonniers incas à
la suite d'une révolte.
La traversée de
l'Atlantique s'est
déroulée sans encombre,
en passant par le
Portugal pour profiter
des vents favorables. Le
naufrage au large de
Peniche est le résultat
d'une erreur humaine,
apparemment due à des
cartes françaises
comportant des erreurs
dramatiques dans la
position des îles de
Berlengas et des îlots
voisins. Le 2 février
1786, alors que la mer
est calme et la nuit
claire, le navire heurte
la formation rocheuse de
Papoa et la coque se
brise immédiatement en
deux. Le fond coule
rapidement, tandis que le
pont reste à flot
pendant un certain temps.
128 personnes ont perdu
la vie, dont de nombreux
Indiens qui étaient
coincés dans les
sous-sols. Ce naufrage
est considéré comme
l'un des plus importants
de l'histoire
maritime.
Ce que
le compositeur veut
transmettre, et ce que
l'on ressent à
l'écoute, c'est d'abord
le son de la puissance,
de l'espoir, de la gloire
de la conquête, de la
splendeur de la richesse.
C'est ensuite la
perception de
l'environnement maritime,
l'harmonie avec la
douceur de l'océan, le
glissement de la coque
dans l'écume de la mer
par des journées bleues
et ensoleillées. Mais à
côté de cette
tranquillité, on entend
bientôt une chaîne
rythmique qui nous fait
ressentir une
représentation de
l'agitation, de
l'équipage affairé, du
dur labeur d'un marin, du
désespoir d'un peuple
exotique emprisonné dans
une cave sombre et
humide. Un rythme
distinct qui nous
rappelle le salero
d'Andalousie, avec ses
influences arabes et son
peuple, l'apaisement de
la résignation des
autres qui sont obligés
de se soumettre. Puis on
entend clairement un
crescendo qui nous fait
imaginer l'agonie de la
collision qui précède
le naufrage. La rupture
de la coque, l'eau qui
envahit tout, le
désespoir, le choc des
corps sur les rochers, la
tragédie à venir. Avant
le grand final, où le
retour de la douceur
musicale nous rappelle
que l'histoire est
terminée. La suprématie
de la nature sur la
cupidité humaine. Les
vagues, bien que douces,
emportent les épaves,
les vies et les trésors
du Nouveau Monde au fond
de la mer.
Die
spanische Kriegsgaleone
mit 64 Kanonen, die
zwischen 1770 und 1771
auf Kuba für einen
englischen Reeder im
Dienste des spanischen
Königs gebaut wurde,
verließ Peru 1784 in
Richtung Cádiz mit einer
riesigen Ladung Kupfer,
Gold, Silber und anderen
Wertgegenständen an
Bord. An Bord befanden
sich auch mehr als 400
Menschen, darunter
Passagiere,
Besatzungsmitglieder und
Inka-Gefangene nach einem
Aufstand. Die
Atlantiküberquerung
verlief reibungslos,
wobei Portugal passiert
wurde, um die günstigen
Winde zu nutzen. Der
Schiffbruch vor Peniche
war das Ergebnis
menschlichen Versagens,
das offenbar auf
französische Karten
zurückzuführen war, die
in Bezug auf die Position
der Inseln Berlengas und
der benachbarten Eilande
dramatische Fehler
enthielten. Am 2. Februar
1786 stießen sie bei
ruhiger See und klarer
Nacht auf die
Felsformation Papoa und
der Rumpf brach sofort
entzwei. Der Boden sank
schnell, während das
Deck noch einige Zeit
über Wasser blieb. 128
Menschen kamen ums Leben,
darunter viele Indianer,
die im Keller
eingeschlossen waren.
Dieses Schiffswrack gilt
als eines der
bedeutendsten
Was
der Komponist vermitteln
will und was man beim
Zuhören spürt, ist
zunächst der Klang der
Macht, der Hoffnung, des
Ruhms der Eroberung, des
Glanzes des Reichtums. Es
folgt die Wahrnehmung der
maritimen Umgebung, die
Harmonie mit der
Sanftheit des Meeres, das
Gleiten des
Schiffsrumpfes im Schaum
des Meeres an sonnigen,
blauen Tagen. Doch neben
dieser Ruhe hört man
bald eine rhythmische
Kette, die die Hektik,
die geschäftige
Mannschaft, die harte
Arbeit eines Seemanns,
die Verzweiflung eines
exotischen Volkes, das in
einem dunklen, feuchten
Keller gefangen ist,
wiedergibt. Ein
ausgeprägter Rhythmus,
der an den Salero
Andalusiens erinnert, mit
seinen arabischen
Einflüssen und seinen
Menschen, der die
Resignation der anderen
besänftigt, die
gezwungen sind, sich zu
fügen. Dann hören wir
deutlich ein Crescendo,
das uns die Qualen des
Zusammenstoßes, der dem
Schiffbruch vorausgeht,
erahnen lässt. Das
Zerbrechen des Rumpfes,
das Wasser, das alles
überflutet, die
Verzweiflung, das
Aufeinanderprallen der
Körper auf den Felsen,
die bevorstehende
Tragödie. Vor dem
großen Finale, in dem
die Rückkehr der
musikalischen Sanftheit
uns daran erinnert, dass
die Geschichte zu Ende
ist. Die Vorherrschaft
der Natur über die
menschliche Gier. Die
Wellen, so sanft sie auch
sein mögen, spülen die
Trümmer, das Leben und
die Schätze der Neuen
Welt auf den Grund des
Meeres.
Allegro Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Clarinet Solo - Grade 4-5 SKU: BT.DHP-1053790-010(+)
Concert Band/Harmonie and
Clarinet Solo - Grade 4-5
SKU:
BT.DHP-1053790-010
From the Clarinet
Concerto in Eb Major, Op.
36. Composed by Franz
Krommer. Arranged by
Timothy Topolewski. Solo
Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2005. De
Haske Publications #DHP
1053790-010. Published by
De Haske Publications
(BT.DHP-1053790-010).
9x12 inches.
English-German-French-Dut
ch.
Der erste Satz
des Klarinettenkonzerts,
das Allegro, ist
kühn und brilliant in
seinen technischen
Anforderungen in den
schnellen Passagen und
flüssig und
ausdrucksvoll in den
lyrischen Abschnitten. Er
ist eine spannende
Herausforderung für
Klarinettisten von heut
und war sehr
wahrscheinlich ein
virtuoses Stück für
Klarinettisten im
frühen 19.
Jahrhundert.Wie so viele
Komponisten der Klassik,
beschrieb Krommer die
Aritkulation von kaum
mehr als ein paar Phrasen
seiner Soli für
Bläser. Infolgedessen
nahmen sich die einzelnen
Spieler viel Freiheiten,
wo und wann sie
angestoßen oder
gebunden spielten.
Artikulation für
Bläser, genau wie
Bogenbewegung für
Streicher, mussflexibel
in ihrer Auslegung und
Durchführung sein. Die
richtige Spielweise
ergibt aus dem
technischen Können und
der Ausdrucksstärke
des jeweiligen Spielers.
Der Dirigent sollte dies
zusammen mit seinem
Solisten erarbeiten.
Allegro Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053790-140 From the Clari...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1053790-140
From the Clarinet
Concerto in Eb Major, Op.
36. Solo Spectrum.
Solo & Concerto. Score
Only. Composed 2005. 64
pages. De Haske
Publications #DHP
1053790-140. Published by
De Haske Publications
(BT.DHP-1053790-140).
9x12 inches.
English-German-French-Dut
ch.
Der erste Satz
des Klarinettenkonzerts,
das Allegro, ist
kühn und brilliant in
seinen technischen
Anforderungen in den
schnellen Passagen und
flüssig und
ausdrucksvoll in den
lyrischen Abschnitten. Er
ist eine spannende
Herausforderung für
Klarinettisten von heut
und war sehr
wahrscheinlich ein
virtuoses Stück für
Klarinettisten im
frühen 19.
Jahrhundert.Wie so viele
Komponisten der Klassik,
beschrieb Krommer die
Aritkulation von kaum
mehr als ein paar Phrasen
seiner Soli für
Bläser. Infolgedessen
nahmen sich die einzelnen
Spieler viel Freiheiten,
wo und wann sie
angestoßen oder
gebunden spielten.
Artikulation für
Bläser, genau wie
Bogenbewegung für
Streicher, mussflexibel
in ihrer Auslegung und
Durchführung sein. Die
richtige Spielweise
ergibt aus dem
technischen Können und
der Ausdrucksstärke
des jeweiligen Spielers.
Der Dirigent sollte dies
zusammen mit seinem
Solisten erarbeiten.
Allegro Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band and Clarinet Solo - Grade 4-5 SKU: BT.DHP-1053790-040 Fro...(+)
Concert Band and Clarinet
Solo - Grade 4-5
SKU:
BT.DHP-1053790-040
From the Clarinet
Concerto in Eb Major, Op.
36. Composed by Franz
Krommer. Arranged by
Timothy Topolewski. Solo
Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2005. De
Haske Publications #DHP
1053790-040. Published by
De Haske Publications
(BT.DHP-1053790-040).
My Lord, What A
Mornin' - Full Score.
Composed by Carl
Strommen. Arranged by
Carl Strommen. Carl
Fischer Concert
Performance Series. Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #CPS13F.
Published by Carl Fischer
Music (CF.CPS13F).
ISBN 9780825843617.
UPC: 798408043612. 9 X 12
inches.
Commissione
d by the South Carolina
Chapter of Phi Beta Mu
Band Fraternity in honor
of Lorraine Paris, Band
Director for 47 years at
Newberry High School,
Newberry, SC. Lorraine
Paris is a native of
Greenville, South
Carolina, where she
graduated from Parker
High School. She received
her B.S. in Music
Education from Winthrop
College and her M.A. from
Furman University. She
began her teaching career
in 1948 in Newberry,
South Carolina, where she
taught for the next 47
years until her
retirement in 1995. A
member of numerous
musical organizations,
including Phi Beta Mu and
the Theta chapter of
Alpha Delta Kappa, she
served as the first
president of the South
Carolina Band Directors
Association and currently
serves as their first
Executive
Secretary-Treasurer. She
has been named
Outstanding Bandmaster
and Outstanding
Contributor by the South
Carolina Chapter of Phi
Beta Mu, and was also
named to that
organization's Hall of
Fame. Other honors
include the South
Carolina Career Service
Award from ASBDA, the
Silver Baton and Scroll
of Excellence Awards from
WBDNA, and the Band World
Legion of Honor. In 1993,
she was presented the Key
to the City of Newberry,
and at her retirement,
was awarded the Order of
the Palmetto from the
State of South Carolina.
It is to this legacy that
the Phi Beta Mu
fraternity commissions
Prelude to an American
Spiritual and it is
Lorraine Paris' love of
the hymn song that
prompted this arrangement
of My Lord, What a
Momin'. Commissioned
by the South Carolina
Chapter of Phi Beta Mu
Band Fraternity in honor
of Lorraine Paris, Band
Director for 47 years at
Newberry High School,
Newberry, SC.Lorraine
Paris is a native of
Greenville, South
Carolina, where she
graduated from Parker
High School. She received
her B.S. in Music
Education from Winthrop
College and her M.A. from
Furman University. She
began her teaching career
in 1948 in Newberry,
South Carolina, where she
taught for the next 47
years until her
retirement in 1995. A
member of numerous
musical organizations,
including Phi Beta Mu and
the Theta chapter of
Alpha Delta Kappa, she
served as the first
president of the South
Carolina Band Directors
Association and currently
serves as their first
Executive
Secretary-Treasurer.She
has been named
Outstanding Bandmaster
and Outstanding
Contributor by the South
Carolina Chapter of Phi
Beta Mu, and was also
named to that
organization’s
Hall of Fame. Other
honors include the South
Carolina Career Service
Award from ASBDA, the
Silver Baton and Scroll
of Excellence Awards from
WBDNA, and the Band World
Legion of Honor. In 1993,
she was presented the Key
to the City of Newberry,
and at her retirement,
was awarded the Order of
the Palmetto from the
State of South
Carolina.It is to this
legacy that the Phi Beta
Mu fraternity commissions
Prelude to an American
Spiritual and it is
Lorraine Paris’
love of the hymn song
that prompted this
arrangement of My Lord,
What a Momin’.
Concert Band/Harmonie - Grade 4 SKU: HL.44001680 Composed by George Fride...(+)
Concert Band/Harmonie -
Grade 4
SKU:
HL.44001680
Composed
by George Frideric
Handel. Arranged by Frans
E. Hendrikx. De Haske
Concert Band. Opening
Pieces. Score Only.
Composed 1991. De Haske
Publications #910268.
Published by De Haske
Publications
(HL.44001680).
UPC:
073999361414. 6.75x10.5
inches.
Im April
2009 jahrt sich der
Todestag von Georg
Friedrich Handel zum 250.
Mal. Ein guter Grund,
seinen Werken in diesem
Jahr besondere
Aufmerksamkeit zu
schenken. Zum Beispiel
mit einem thematischen
Konzertprogramm, das mit
dieser Bearbeitung der
Ouverture in
d-Moll beginnen
konnte.
De 1717 a
1720, Haendel est au
service du duc de Chandos
a Cannons. De cette
epoque datent les
magnifiques Chandos
Anthems (grands
motets pour choeur, voix
de solistes, orgue et
orchestre) qui refletent
merveilleusement la
capacite du compositeur a
creer des sonorites
magnifiques avec une
formation musicale
modeste. L'Ouverture
en Re mineur est
extraite du Chandos
Anthem ndeg 2 (HWV
247) In the Lord put I
my trust qui
constitue une des plus
belles pages de musique
religieuse du
compositeur.