By H. Walford Davies. Arranged by Douglas E. Wagner. Concert Band. Concert Band;...(+)
By H. Walford Davies.
Arranged by Douglas E.
Wagner. Concert Band.
Concert Band; SmartMusic.
Belwin Symphonic Band.
Form: Transcription.
Grade 4. Conductor Score
and Parts. 120 pages.
Published by Belwin
Publishing
Ave Verum Corpus Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Wolfgang Amadeus Mozart. Arranged by Mark Williams. By Wolfgang Amadeus Moza...(+)
By Wolfgang Amadeus
Mozart. Arranged by Mark
Williams. By Wolfgang
Amadeus Mozart / arr.
Mark Williams. For
Concert Band. Concert
Band. Accent on
Achievement. Level: Grade
1. Conductor Score &
Parts. Duration 3:00:00.
Published by Alfred
Publishing.
Tollite hostias Orchestre d'harmonie [Conducteur] - Facile Baton Music
(from Oratorio de Noel). By Camille Saint-Saens (1835-1921). Arranged by Jos van...(+)
(from Oratorio de Noel).
By Camille Saint-Saens
(1835-1921). Arranged by
Jos van de Braak. For
Choir ad Lib and Concert
Band. Christmas. Grade 2.
Score. Duration 2:00
Keyboard (Piano/Synthesizer/Organ - Guitar Chords included). Arranged by James C...(+)
Keyboard
(Piano/Synthesizer/Organ
- Guitar Chords
included). Arranged by
James Curnow. This
edition: CMP125208.
Curnow Concert Band Full
Set. 28 pages. Published
by Curnow Music.
Orchestra Concert Band SKU: PR.416413660 For Violin and Orchestra....(+)
Orchestra Concert Band
SKU: PR.416413660
For Violin and
Orchestra. Composed
by Behzad Ranjbaran.
Perfect. Contemporary.
Full score. With Standard
notation. Composed 1994.
144 pages. Duration 31
minutes. Theodore Presser
Company #416-41366.
Published by Theodore
Presser Company
(PR.416413660).
ISBN
9781598063578. UPC:
680160601899. 9x12
inches.
Trained as
a violinist in his native
Tehran, composer Behzad
Ranjbaran eagerly drew
inspiration from the
traditional Persian
kamancheh and its
delicate, lyrical sound
when creating his
profoundly luscious and
brilliant Concerto for
Violin and Orchestra.
This work was completed
in 1994 and premiered in
England by Joshua Bell,
who also gave the first
American and Canadian
performances. The
Concerto for Violin and
Orchestra is the
recipient of the Rudolf
Nissim Award from ASCAP,
and it was supported in
part by a grant from The
National Endowment for
the Arts. The solo part
with a piano reduction as
well as a large score are
available on custom
print. For advanced
players. Duration:
31'. From my early
years studying violin at
the Tehran Music
Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notionof
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures.The notes of the
violin’s open
strings (G, D, A, E) also
influenced many of the
melodic and harmonic
elements of my violin
concerto. The opening
tutti is mostly based on
intervals of a perfect
4th and 5th. The primary
material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes:1 st
movement: A-D-A2nd
movement: D-G-D3rd
movement: E-A-EThe
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement’s
primary theme. While the
movements share similar
musical materials, each
one is definedby
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and
unforgivingferocity. The
second movement is
haunting, mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
fromthe previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell.