Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band
SKU:
PR.465000130
For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130).
ISBN
9781598064070. UPC:
680160600144. 9x12
inches.
Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Concert Band (Score) - Grade 4 SKU: HL.4003893 Composed by James Curnow. ...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.4003893
Composed
by James Curnow.
MusicWorks Grade 4.
Concert. 32 pages.
Published by Hal Leonard
(HL.4003893).
UPC:
888680010225. 9x12
inches.
A powerful
work for the symphonic
band, Ode to the
Spirit of Man is
based on thematic
material taken from the
fourth movement of
Beethoven's Symphony
No. 9 and developed
into a fantasy of
kaleidoscopic nature. The
opening is a joyful
expression of the spirit
of freedom and is based
on the composer's own
themes derived from
Beethoven's music.
Throughout the work,
various themes from the
symphony are interwoven,
including Alla Marcia,
Scherzo, Andante
maestoso and finally
the uplifting Ode to
Joy. Duration:
5:15.
Concert Band (Score & Parts) - Grade 4 SKU: HL.48024054 Composed by Gusta...(+)
Concert Band (Score &
Parts) - Grade 4
SKU:
HL.48024054
Composed
by Gustav Holst. Arranged
by Jon Mitchell.
Windependence Master
Level. Classical,
Concert. Softcover.
Boosey & Hawkes
#M051663637. Published by
Boosey & Hawkes
(HL.48024054).
UPC:
888680678678. 9x12
inches.
A century
ago, James Causley
Windram, then band
director of the 5th
Northumberland Fusiliers
(and later the Coldstream
Guards) asked Gustav
Holst if he would
transcribe some of the
composer's Hymns from
the Rig Veda for
military band. Always a
band advocate, Holst
readily agreed. In this
thoroughly characteristic
suite, two of Windram's
settings (Hymn of the
Travellers and
Battle Hymn) have
been edited for modern
instrumentation, while a
third (Hymn to
Manas) has been
arranged by Jon Ceander
Mitchell from Holst's
original choral
setting.
Hymns from the Rig Veda Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Boosey and Hawkes
Score Only Concert Band (Score) - Grade 4 SKU: HL.48024055 Composed by Gu...(+)
Score Only Concert Band
(Score) - Grade 4
SKU:
HL.48024055
Composed
by Gustav Holst. Arranged
by Jon Mitchell.
Windependence Master
Level. Softcover. 24
pages. Boosey & Hawkes
#M051663644. Published by
Boosey & Hawkes
(HL.48024055).
UPC:
888680678685.
9.0x12.0x0.079
inches.
A century
ago James Causley
Windram, then band
director of the 5th
Northumberland Fusiliers
and, later, the
Coldstream Guards, asked
Gustav Holst if he could
transcribe some of the
composer's Hymns from the
Rig Veda for military
band.Always a band
advocate,Holst readily
agreed. Two of Windram's
settings, Hymn of the
Travellersand Battle Hymn
have been edited for
modern instrumentation
while a third, Hymn to
Manas, has been arranged
from Holst's original
choral settingby Jon
Ceander Mitchell for
inclusion in this
thoroughly
characteristicsuite.
Score Only Concert Band (Score) - Grade 4 SKU: HL.4006123 Composed by Chr...(+)
Score Only Concert Band
(Score) - Grade 4
SKU:
HL.4006123
Composed
by Christopher Tin.
Edited by Matt Conaway.
MusicWorks Grade 4. Video
Games. Softcover. 20
pages. Duration 405
seconds. Published by Hal
Leonard (HL.4006123).
UPC: 888680961473.
9.0x12.0x0.063 inches.
Christopher Tin/trans.
Matt
Conaway.
Although
composed for a video
game, this
African-flavored modern
masterpiece has taken on
a life of its own in pop
culture as well as on the
concert stage. This
transcription by Matt
Conaway matches the
original orchestration
and is compatible with
the composer's own
version for chorus.
Performed with or without
chorus, the effect is
dramatic and moving.
(MusicWorks).
Band Concert Band SKU: PR.11540239L I. from Mythology Suite. Compo...(+)
Band Concert Band
SKU:
PR.11540239L
I.
from Mythology Suite.
Composed by Stacy Garrop.
Large Score. Duration
5:30. Theodore Presser
Company #115-40239L.
Published by Theodore
Presser Company
(PR.11540239L).
UPC:
680160680221.
The
Sirens were sea nymphs,
usually pictured as part
woman and part bird, who
lived on a secluded
island surrounded by
rocks. Their enchanting
song was irresistible to
passing sailors, who were
lured to their deaths as
their ships were
destroyed upon the rocks.
The Lovely Sirens
presents three ideas: the
Sirens' beautiful song,
an unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their
demise. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.
Band Concert Band SKU: PR.11540239S I. from Mythology Suite. Compo...(+)
Band Concert Band
SKU:
PR.11540239S
I.
from Mythology Suite.
Composed by Stacy Garrop.
Full score. Duration
5:30. Theodore Presser
Company #115-40239S.
Published by Theodore
Presser Company
(PR.11540239S).
UPC:
680160680214.
The
Sirens were sea nymphs,
usually pictured as part
woman and part bird, who
lived on a secluded
island surrounded by
rocks. Their enchanting
song was irresistible to
passing sailors, who were
lured to their deaths as
their ships were
destroyed upon the rocks.
The Lovely Sirens
presents three ideas: the
Sirens' beautiful song,
an unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their
demise. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.
Score Only Concert Band (Score) - Grade 3 SKU: HL.4006544 Composed by Joh...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4006544
Composed
by John Williams.
Arranged by Johnnie
Vinson. Flex-Band Grade
3. Disney, Movies.
Softcover. 24 pages.
Published by Hal Leonard
(HL.4006544).
UPC:
840126912449.
9.0x12.0x0.046
inches.
The final
installment of the
storied Star Wars saga
brings us another
masterful score from John
Williams. Here's a
terrific medley scored
for flexible
instrumentation that
features favorite themes
from the earlier films
along with dramatic new
material.
Concert Band (Score & Parts) - Grade 5 SKU: HL.50600222 G. Schirmer Au...(+)
Concert Band (Score &
Parts) - Grade 5
SKU:
HL.50600222
G.
Schirmer Autograph
Edition. By
Thelonious Monk. By John
Harbison. Edited by Peter
Stanley Martin. G.
Schirmer Band/Orchestra.
Festival. Published by G.
Schirmer (HL.50600222).
ISBN 9781495019944.
UPC: 888680066260.
10.5x14
inches.
Composer
John Harbison writes:
“Rubies is a
version of Thelonious
Monk's Ruby, My
Dear, which he
composed while still in
his teens. When I was
invited by the Seattle
Symphony to make a short
piece reflecting my first
musical passions, my
thoughts were of Bach and
Monk. Since I had
recently made some
Bach-like chorale
preludes, I chose to make
a version of Monk's tune,
first in a
chamber-musical,
contrapuntal manner, then
in the grand orchestral
style I had always heard
lurking there.”
Duration:
5:30
(Recorded
live by the Rutgers
Symphony Band –
Peter Stanley Martin,
guest conductor).
Score Only Concert Band (Full Score) - Grade 5 SKU: HL.50600223 G. Sch...(+)
Score Only Concert Band
(Full Score) - Grade 5
SKU: HL.50600223
G. Schirmer Autograph
Edition. By
Thelonious Monk. By John
Harbison. Edited by Peter
Stanley Martin. G.
Schirmer Band/Orchestra.
Festival. 16 pages.
Duration 330 seconds.
Published by G. Schirmer
(HL.50600223).
ISBN
9781495019951. UPC:
888680066277.
10.5x14.0x0.062
inches.
Composer
John Harbison writes:
“Rubies is a
version of Thelonious
Monk's Ruby, My Dear,
which he composed while
still in his teens. When
I was invited by the
Seattle Symphony to make
a short piece reflecting
my first musical
passions, my thoughts
were of Bach and Monk.
Since I had recently made
some Bach-like chorale
preludes, I chose to make
a version of Monk's tune,
first in a
chamber-musical,
contrapuntal manner, then
in the grand orchestral
style I had always heard
lurking there.â€
Dur: 5:30.
Theme from Schindler's List Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Score and Parts. Concert Band Professional. Score and full set of parts.. Publis...(+)
Score and Parts. Concert
Band Professional. Score
and full set of parts..
Published by Hal Leonard
(HL.4002772).
Composer: John Williams
Arranger: John Moss
Released in 1993, this
monumental Oscar!-winning
film from director Steven
Spielberg ranks as one of
the most highly regarded
movies of all time. The
touching and poignant
theme remains Mr.
Spielberg's favorite of
all of John Williams'
famous themes. This
edition for band is an
authentic transcription
in the original key and
features the violin solo
as performed by Itzhak
Perlman for the movie's
soundtrack.
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-377-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-377-010
Composed by Philip
Sparke. Debut Series
(Anglo). Concert Piece.
Set (Score and Parts).
Composed 2013. Anglo
Music Press #AMP 377-010.
Published by Anglo Music
Press (BT.AMP-377-010).
9x12 inches.
English-German-French-Dut
ch.
England enjoys
a rich folk song
tradition. Composers such
as Cecil Sharp and
Vaughan Williams
rekindled an interest in
this heritage at the
beginning of the 20th
century by arranging
numerous songs, some of
which were transcribed
for the _x001F_first
time. Philip Sparke
selected three songs from
the 18th and 19 century
for his Three Folk
Song Miniatures: the
_x001F_shermanâ??s song
Dance to Your
Daddy, the love song
O Waly, Waly and
Bobby Shafto, a
song from the northwest
of
England.
Engeland
heeft een rijke traditie
op het gebied van
volksmuziek die door de
jaren heen een beetje in
de vergetelheid raakte.
Componisten als Cecil
Sharp en Vaughan Williams
brachten hierin
verandering door voor het
eerst talloze liederen
bundelen en soms zelfs
voor het eerst tenoteren
in modern notenschrift.
Philip Sparke koos voor
dit werk drie liederen
uit de 18e en 19e eeuw:
het visserslied Dance
to Your Daddy, het
liefdeslied O Waly,
Waly en Bobby
Shafto, een lied uit
het Noord-Westen van
Engeland.
England
kann auf eine lange
Volkslied-Tradition
zuru?ckblicken.
Komponisten wie Cecil
Sharp und Vaughan
Williams weckten Anfang
des 20. Jahrhunderts
erneut das Interesse an
diesem Erbe, indem sie
zahlreiche Lieder
sammelten und teilweise
erstmals notierten.
Philip Sparke wählte
fu?r seine drei
Volkslied-Miniaturenâ??
drei Lieder aus dem 18.
und 19. Jahrhundert: das
Fischerlied Dance to
Your Daddy, das
Liebeslied O Waly,
Waly und Bobby
Shafto, ein Lied aus
dem Nordwesten
Englands.
L
??Inghilterra è una
nazione ricca di canti
popolari. Allâ??inizio
del XX secolo,
compositori quali Cecil
Sharp e Vaughan Williams
risvegliarono
lâ??interesse verso
questa preziosa eredit
raccogliendo e in parte
arrangiando numerosi
canti. Philip Sparke ha
scelto per le sue â??tre
miniatureâ?,
altrettanti canti del
XIII e XIX secolo: la
canzone dei pescatori
Dance to Your Daddy, O
Waly, Waly, una
canzone dâ??amore e
Bobby Shafto, un
canto proveniente dalla
parte nord-occidentale
del paese.
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-377-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-377-140
Composed by Philip
Sparke. Debut Series
(Anglo). Concert Piece.
Score Only. Composed
2013. 40 pages. Anglo
Music Press #AMP 377-140.
Published by Anglo Music
Press (BT.AMP-377-140).
9x12 inches.
English-German-French-Dut
ch.
England enjoys
a rich folk song
tradition. Composers such
as Cecil Sharp and
Vaughan Williams
rekindled an interest in
this heritage at the
beginning of the 20th
century by arranging
numerous songs, some of
which were transcribed
for the _x001F_first
time. Philip Sparke
selected three songs from
the 18th and 19 century
for his Three Folk
Song Miniatures: the
_x001F_shermanâ??s song
Dance to Your
Daddy, the love song
O Waly, Waly and
Bobby Shafto, a
song from the northwest
of
England.
Engeland
heeft een rijke traditie
op het gebied van
volksmuziek die door de
jaren heen een beetje in
de vergetelheid raakte.
Componisten als Cecil
Sharp en Vaughan Williams
brachten hierin
verandering door voor het
eerst talloze liederen
bundelen en soms zelfs
voor het eerst tenoteren
in modern notenschrift.
Philip Sparke koos voor
dit werk drie liederen
uit de 18e en 19e eeuw:
het visserslied Dance
to Your Daddy, het
liefdeslied O Waly,
Waly en Bobby
Shafto, een lied uit
het Noord-Westen van
Engeland.
England
kann auf eine lange
Volkslied-Tradition
zuru?ckblicken.
Komponisten wie Cecil
Sharp und Vaughan
Williams weckten Anfang
des 20. Jahrhunderts
erneut das Interesse an
diesem Erbe, indem sie
zahlreiche Lieder
sammelten und teilweise
erstmals notierten.
Philip Sparke wählte
fu?r seine drei
Volkslied-Miniaturenâ??
drei Lieder aus dem 18.
und 19. Jahrhundert: das
Fischerlied Dance to
Your Daddy, das
Liebeslied O Waly,
Waly und Bobby
Shafto, ein Lied aus
dem Nordwesten
Englands.
L
??Inghilterra è una
nazione ricca di canti
popolari. Allâ??inizio
del XX secolo,
compositori quali Cecil
Sharp e Vaughan Williams
risvegliarono
lâ??interesse verso
questa preziosa eredit
raccogliendo e in parte
arrangiando numerosi
canti. Philip Sparke ha
scelto per le sue â??tre
miniatureâ?,
altrettanti canti del
XIII e XIX secolo: la
canzone dei pescatori
Dance to Your Daddy, O
Waly, Waly, una
canzone dâ??amore e
Bobby Shafto, un
canto proveniente dalla
parte nord-occidentale
del paese.
Siorai September Orchestre d'harmonie - Intermédiaire/avancé Hal Leonard
Concert Band (Score & Parts) - Grade 4 SKU: HL.4003043 Composed by Samuel...(+)
Concert Band (Score &
Parts) - Grade 4
SKU:
HL.4003043
Composed
by Samuel R. Hazo.
MusicWorks Grade 4.
Contest, Festival. Score
and parts. Published by
Hal Leonard (HL.4003043).
UPC: 884088562199.
10.5x14
inches.
Translated
from Gaelic as
“Eternal
September,” this
marvelous setting for
band is designed to take
each listener back to
their own vivid fall
memories on a college
campus. Commissioned by
the University of Notre
Dame and premiered at
their Carnegie Hall
performance in 2010, this
work is also dedicated to
the composer's father,
Dr. Samuel J. Hazo, a
1949 graduate of Notre
Dame. Additionally, Dr.
Hazo's poem “Home
Are the Sailors” is
incorporated in the
middle of the piece. Rich
in musical references and
varied textures, this is
a dramatic and rewarding
work for mature
ensembles. Duration: c.
5:30.
Score. Composed by
Ennio Morricone. Arranged
by Lorenzo Bocci. De
Haske Concert Band.
TV-Film-Musical-Show.
Softcover. Composed 2011.
16 pages. De Haske
Publications
#1114972-140. Published
by De Haske Publications
(HL.44012426).
9x12
inches.
The Ecstasy
of Gold is the famous
theme from the movie The
Good, The Bad and The
Ugly that leads up to and
is heard during the
movie's climax, the
showdown! The complete
soundtrack to The Good,
the Bad and the Ugly was
released in 1966 and sold
millions of copies. Since
1983, heavy-metal band
Metallica have been
opening concerts with
Morricone's dramatic and
exciting song, The
Ecstasy of Gold. Lorenzo
Bocci has created an
equally exciting
arrangement for concert
band.
The Ecstasy
of Gold is het beroemde
lied uit de muziek van de
film The Good, The Bad
and The Ugly en leidt
naar het hoogtepunt van
de film. Ennio Morricone
componeerde de soundtrack
voor deze
spaghettiwestern van
Sergio Leone. Ookde
eerste twee delen van de
filmtrilogie, A Fistfull
of Dollars en For a Few
Dollars More, voorzag hij
van filmmuziek. De
hardrockband Metallica
opent sinds 1983 haar
rockconcerten met dit
dramatische en pakkende
lied. Lorenzo Boccimaakte
er een versie voor
blaasorkest van. Spannend
en
meeslepend..!
The
Ecstasy of Gold ist das
beruhmte Lied aus der
Filmmusik zu The Good,
The Bad and The Ugly
(Zwei glorreiche
Halunken), welches den
Showdown und zugleich
Hohepunkt des Films
einleitet. Komponiert
wurde der Soundtrack zu
Sergio Leones klassischem
Italo-Wester von Ennio
Morricone, der auch schon
die beiden ersten Filme
der Trilogie - Fur eine
Handvoll Dollar und Fur
ein paar Doller mehr -
vertont hatte. Die
Metal-Band Metallica
eroffnet seit 1983 ihre
Konzerte stets mit diesem
dramatischen und
packenden Lied, das
Lorenzo Bocci fur
Blasorchester
arrangierte.
La
legendaire melodie The
Ecstasy of Gold vient
aureoler le point
culminant du film Le Bon,
la brute et le truand. Ce
film cloture la celebre
Trilogie de l'homme sans
nom dont les precedents
films sont Pour une
poignee de dollars, Et
pour quelques dollars de
plus. A la demande du
realisateur Sergio Leone,
Ennio Morricone composa
la bande originale des
trois films. Depuis 1983,
le groupe Metallica ouvre
ses concerts avec ce
theme dont Lorenzo Bocci
a realise un
epoustouflant arrangement
pour orchestre
d'harmonie.
Film
del 1966 diretto da
Sergio Leone, Il Buono,
Il Brutto, Il Cattivo e
uno tra i piu celebri
western della storia del
cinema. L'Estasi dell'Oro
(The Ecstasy of Gold) e
una canzone composta da
Ennio Morricone per il
film, ricordata in
particolare per essere il
sottofondo musicale della
scena in cui Tuco cerca
freneticamente il
cimitero con la tomba
dove si trovano 200.000
dollari in oro.
The Ecstasy of Gold Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1114972-140 From The Good,...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1114972-140
From The Good, The Bad
and The Ugly.
Composed by Ennio
Morricone. Arranged by
Lorenzo Bocci. DHP Pop,
Film and Show.
TV-Film-Musical-Show.
Score Only. Composed
2011. 16 pages. De Haske
Publications #DHP
1114972-140. Published by
De Haske Publications
(BT.DHP-1114972-140).
9x12 inches.
The
Ecstasy of Gold is the
famous theme from the
movie The Good, The Bad
and The Ugly that leads
up to and is heard during
the movieâ??s climax,
the showdown! The
complete soundtrack to
The Good, the Bad and the
Ugly was released in 1966
and sold millions of
copies. Since 1983,
heavy-metal band
Metallica have been
opening concerts with
Morriconeâ??s dramatic
and exciting song, The
Ecstasy of Gold. Lorenzo
Bocci has created an
equally exciting
arrangement for concert
band.
The Ecstasy
of Gold is het beroemde
lied uit de muziek van de
film The Good, The Bad
and The Ugly en leidt
naar het hoogtepunt van
de film. Ennio Morricone
componeerde de soundtrack
voor deze
spaghettiwestern van
Sergio Leone. Ookde
eerste twee delen van de
filmtrilogie, A Fistfull
of Dollars en For a Few
Dollars More, voorzag hij
van filmmuziek. De
hardrockband Metallica
opent sinds 1983 haar
rockconcerten met dit
dramatische en pakkende
lied. Lorenzo Boccimaakte
er een versie voor
blaasorkest van. Spannend
en
meeslepend..!
The
Ecstasy of Gold ist das
berühmte Lied aus der
Filmmusik zu The Good,
The Bad and The Ugly
(Zwei glorreiche
Halunken), welches den
Showdown und zugleich
Höhepunkt des Films
einleitet. Komponiert
wurde der Soundtrack zu
Sergio Leones klassischem
Italo-Wester von Ennio
Morricone, der auch schon
die beiden ersten Filme
der Trilogie - Für
eine Handvoll Dollar und
Für ein paar Doller
mehr - vertont hatte. Die
Metal-Band Metallica
eröffnet seit 1983
ihre Konzerte stets mit
diesem dramatischen und
packenden Lied, das
Lorenzo Bocci für
Blasorchester
arrangierte.
Fil
m del 1966 diretto da
Sergio Leone, Il Buono,
Il Brutto, Il Cattivo
è uno tra i più
celebri western della
storia del cinema.
Lâ??Estasi dellâ??Oro
(The Ecstasy of Gold)
è una canzone composta
da Ennio Morricone per il
film, ricordata in
particolare per essere il
sottofondo musicale della
scena in cui Tuco cerca
freneticamente il
cimitero con la tomba
dove si trovano 200.000
dollari in oro.
Odysseia Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-140 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-140
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2008. 52
pages. De Haske
Publications #DHP
1084443-140. Published by
De Haske Publications
(BT.DHP-1084443-140).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
Odysseia Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-010 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-010
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2008.
De Haske Publications
#DHP 1084443-010.
Published by De Haske
Publications
(BT.DHP-1084443-010).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
The Godfather Saga Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Molenaar Edition
(The Godfather Walz/Godfather II (Theme)/The Godfather Mazurka/Michael's Theme/V...(+)
(The Godfather
Walz/Godfather II
(Theme)/The Godfather
Mazurka/Michael's
Theme/Vincent's Theme/The
Godfather Tarantella/Love
Theme From The
Godfather). Composed by
Nino Rota/Coppola.
Arranged by Marcel
Peeters. For concert
band. Catalogue Movie and
Musical. Movie and
Musical. Recorded on New
Compositions for
Concertband
(ML.311023720). Grade 4.
Full set. Duration 12
minutes, 56 seconds.
Published by Molenaar
Edition
Score Only Concert Band (Score) - Grade 2 SKU: HL.4006658 Composed by Edv...(+)
Score Only Concert Band
(Score) - Grade 2
SKU:
HL.4006658
Composed
by Edvard Grieg. Arranged
by Johnnie Vinson.
MusicWorks Grade 2.
Contest, Festival.
Softcover. 12 pages.
Duration 850 seconds.
Published by Hal Leonard
(HL.4006658).
UPC:
840126927054.
9.0x12.0x0.043
inches.
Composed by
Edvard Grieg in 1875,
music from Peer Gynt was
originally incidental
music for Henrik Ibsen's
five-act play. The
beautiful Solveig's Song
is from the second
orchestral suite later
extracted by Grieg.
Johnnie's tender setting
opens with a lyric theme
scored for the trumpet
section. A brief andante
section features the
woodwinds before
returning to the opening
melody this time richly
scored for full band. A
beautiful work for
teaching lyric style
playing.
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-454-140 A Suite of British...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.AMP-454-140
A
Suite of British and
Irish Folk Songs.
Composed by Philip
Sparke. Elite Series.
Concert Piece. Score
Only. Composed 2017. 32
pages. Anglo Music Press
#AMP 454-140. Published
by Anglo Music Press
(BT.AMP-454-140).
English-German-French-
Dutch.
Songs
from Across the Water
was commissioned by
Pennsylvania Symphonic
Winds - Phil Evans,
Founder and Director.
Phil Evans hails from the
UK and served for 25
years in the Band of HM
Royal Marines. Now
resident in the USA he
founded Pennsylvania
Symphonic Winds in 2008,
giving them the tag line
‘An American Band
with a British
Accent’, as he
wanted to combine the
best of both
countries’ band
traditions. With this in
mind, composer Philip
Sparke decided to create
a suite of British folk
songs, scored with an
American influence to
fulfil the philosophy of
the band’s tag
line. The three
movements, which are
played without a break,
are based on the
following folk
songs,which come from all
corners of the British
Isles: The Three
Ravens & The Cruiskeen
Lawn, The Lark in
the Clear Air and
The Piper o’
Dundee & Men of
Harlech.
Songs from
Across the Water werd
geschreven in opdracht
van de Pennsylvania
Symphonic Winds, waarvan
Phil Evans de oprichter
en tevens de dirigent is.
Phil Evans is geboren en
getogen in het Verenigd
Koninkrijk, hij was 25
jaar lang lid van de Band
of HM Royal Marines.
Tegenwoordig woont hij in
de VS, waar hij in 2008
de Pennsylvania Symphonic
Winds oprichtte, met als
motto ‘An American
band with a British
Accent’ (Een
Amerikaans blaasorkest
met een Brits accent),
aangezien hij de
blaasmuziektradities uit
beide landen wilde
combineren. Met dit
gegeven in zijn
achterhoofd creëerde
componist Philip Sparke
een suite van Britse
folksongs, georkestreerd
met een Amerikaanse
invloedom de filosofie
achter het eerdergenoemde
motto eer aan te doen. De
drie delen, die zonder
onderbreking worden
gespeeld, zijn gebaseerd
op de volgende folksongs,
die afkomstig zijn uit
alle hoeken van de Britse
Eilanden: The Three
Ravens & The Cruiskeen
Lawn, The Lark in
the Clear Air en
The Piper o’
Dundee & Men of
Harlech.
Songs from
Across the Water
wurde von den
Pennsylvania Symphonic
Winds in Auftrag gegeben,
deren Gründer und
Leiter Phil Evans ist.
Phil Evans stammt aus dem
Vereinigten Königreich
und spielte 25 Jahre lang
im Blasorchester der HM
Royal Marines. Inzwischen
lebt er in den USA und
gründete 2008 die
Pennsylvania Symphonic
Winds, denen er den
Beinamen An American band
with a British
Accent“ (Ein
amerikanisches
Blasorchester mit einem
britischen Akzent“)
gab, da er das Beste aus
der
Blasorchester-Tradition
beider Länder
miteinander vereinen
wollte. Aus diesem Grund
hat der Komponist Philip
Sparke eine Suite aus
britischen Volksliedern
komponiert, wobei
dieInstrumentierung einen
amerikanischen Einfluss
hat, um so die
Philosophie des
Orchesterbeinamens zu
verwirklichen. Die drei
Sätze, die ohne Pause
gespielt werden, basieren
auf den folgenden
Volksliedern, die aus
allen Gegenden der
britischen Inseln
stammen: The Three
Ravens & The Cruiskeen
Lawn, The Lark in
the Clear Air sowie
The Piper o’
Dundee & Men of
Harlech.
Beyond the Stars Orchestre d'harmonie - Intermédiaire/avancé Hal Leonard
Concert Band (Score) - Grade 4 SKU: HL.4005540 Composed by James Curnow. ...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.4005540
Composed
by James Curnow.
MusicWorks Grade 4.
Concert. Softcover.
Duration 380 seconds.
Published by Hal Leonard
(HL.4005540).
UPC:
888680748173.
9.0x12.0x0.096
inches.
Based on
the traditional American
shaped-note melody The
Promised Land (first
published in the 1800's),
Beyond the Stars captures
the spirit of the early
American church musicians
who voiced their
enthusiasm for life and
the freedom of worship
through both vocal and
instrumental music. The
music features several
mini-variations wrapped
up in four large
variations (Fast, Fast,
Slow,
Fast-recapitulation). The
composer has created new
thematic material for
each variation by
excerpting motifs from
three separate phrases of
the original shaped-note
melody. A stunning and
powerful work for winds.
Dur: c. 6:20.
Song of David Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135481-010 Based on Dies ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135481-010
Based on Dies
Irae. Arranged by Jan
de Haan. Musica Sacra.
Festive and Solemn Music.
Set (Score & Parts).
Composed 2013. De Haske
Publications #DHP
1135481-010. Published by
De Haske Publications
(BT.DHP-1135481-010).
9x12 inches.
English-German-French-Dut
ch.
This work is
based on the 13th Century
Dies Irae (Day of
Wrath) attributed to
Thomas von Celano. Many
famous composers have
already employed this
originally Gregorian
chant in their works,
including Berlioz,
Saint-Saëns, Mahler
and Lizst. In Jan de
Haan’s Song of
David - the title of
which is taken from the
third line of the Dies
Irae text - the theme
is presented in unison
initially and then
reappears in various
guises.
Dit werk
is gebaseerd op het 13e
eeuwse Gregoriaanse
Dies Irae zoals we
dit ook kennen uit werken
van Berlioz,
Saint-Saëns, Mahler en
Liszt. Voor de titel van
dit werk waarin hij het
thema verschillende
gedaantes meegeeft,
haalde Jan de Haan zijn
inspiratie in de derde
zin van het Dies
Irae, waarin verwezen
wordt naar David.
Dieses Werk
basiert auf dem Dies
Irae (Tag des Zorns)
aus dem 13. Jahrhundert,
das Thomas von Celano
zugeschrieben wird.
Bereits mehrere
berühmte
Komponisten, wie Berlioz,
Saint-Saëns, Mahler
und Liszt, haben den
ursprünglichen
gregorianischen Choral in
ihren Werken verwendet.
In Jan de Haan
David’s Song,
dessen Titel auf die
dritte Textzeile von
Dies Irae
verweist, wird das Thema
zunächst einstimmig
präsentiert und
erscheint dann in
verschiedenen
Gewändern.
Ques
to brano si ispira a
Dies Irae
attribuito a Tommaso da
Celano, considerato
l’autore della
versione definitiva di
questo poema scritto nel
XIII secolo. Numerosi
celebri compositori quali
Berlioz, Saint-Saëns,
Mahler e Liszt hanno
integrato passaggi di
questo canto gregoriano
nelle loro opere. In
Song Of David (il
titolo fa riferimento
alla terza strofa del
testo originale), Jan de
Haan presenta un tema
all’unisono
ripreso in seguito con
diverse dinamiche.