(from Symphony No. 35, 'Haffner'). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Jeff Bright. Concert band. Concert Band Series. Audio recording available separately (item CL.WFR367). Grade 3. Score and parts. Composed 2010. Duration 3 minutes, 17 seconds. Published by C.L. Barnhouse

By Jeff Jordan. Band. For concert band. Bandworks. Grade 3. Score. Published by Neil A. Kjos Music Company

By Jeff Jordan. Concert Band. Bandworks. Level: Grade 4. Score and set of parts. Published by Neil A. Kjos Music Company.

Composed by Jeff Jordan. For concert band. Bandworks. Grade 4. Score. Published by Neil A. Kjos Music Company

Composed by Jeff Smallman. Score & parts. Duration 4:50. Published by Lighthouse Music Publications (LH.LMP-B1401S-P).

Composed by Jef Penders. For concert band. Real Big Band Sound/Original Works: Light Music Repertoire/Summer Concert. Real Big Band Sound. Grade 3. Full set. Published by Molenaar Edition

Composed by Jef Penders. For concert band. Rock/Countries/Original Works: Light Music Repertoire/Real Big Band Sound. Real Big Band Sound. Grade 3. Score only. Published by Molenaar Edition

Composed by Glenn Miller. Arranged by Jef Penders. For concert band. Novelties/The 40s/Original Works: Light Music Repertoire/Summer Concert/Slow Fox/Catalogue Real Big Band Sound Vol. 2. Real Big Band Sound. Recorded on Adios Nonino (ML.311070720). Grade 3. Full set. Duration 2 minutes, 51 seconds. Published by Molenaar Edition

For Trumpet or Flugelhorn and Band. Composed by Jef Penders. Little Solo concerts/Slow Fox/Trumpet/Cornet/Flugel Horn Solo and Band/Slow Movements/Original Works: Light Music Repertoire. Solo and Band Series. Recorded on Super Nova (ML.311067720). Score only. Duration 3 minutes, 56 seconds. Published by Molenaar Edition (ML.011959060-S).

Band Concert Band

SKU: PR.46500013L

For Wind Ensemble. Composed by Dan Welcher. Contemporary. Large Score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013L. Published by Theodore Presser Company (PR.46500013L).

UPC: 680160600151. 11 x 14 inches.

I n 1803, President Thomas Jefferson sent Meriwether Lewis and William Clarks Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies. I have been a student of the Lewis and Clark expedition, which Thomas Jefferson called the Voyage of Discovery, for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes. I have written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesnt try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jeffersons vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III . The music includes several quoted melodies, one of which is familiar to everyone as the ultimate river song, and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzattes fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), Vla bon vent, Soldiers Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune Beech Spring) and Fishers Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jeffersons Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny.

Band Concert Band

SKU: PR.465000130

For Large Wind Ensemble. Composed by Dan Welcher. Sws. Contemporary. Full score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013. Published by Theodore Presser Company (PR.465000130).

ISBN 9781598064070. UPC: 680160600144. 9x12 inches.

Following a celebrated series of wind ensemble tone poems about national parks in the American West, Dan Welcher’s Upriver celebrates the Lewis & Clark Expedition from the Missouri River to Oregon’s Columbia Gorge, following the Louisiana Purchase of 1803. Welcher’s imaginative textures and inventiveness are freshly modern, evoking our American heritage, including references to Shenandoah and other folk songs known to have been sung on the expedition. For advanced players. Duration: 14’.
In 1803, President Thomas Jefferson sent Meriwether Lewis and William Clark’s Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies.Ihave been a student of the Lewis and Clark expedition, which Thomas Jefferson called the “Voyage of Discovery,” for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri — and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs — hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing — and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes.Ihave written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesn’t try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jefferson’s vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III .The music includes several quoted melodies, one of which is familiar to everyone as the ultimate “river song,” and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzatte’s fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis’ journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), V’la bon vent, Soldier’s Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune “Beech Spring”) and Fisher’s Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jefferson’s Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny.

Concert band

SKU: GI.G-M523

Full Score with MP3s. Composed by James Froseth. This edition: Teacher's Resource edition for Book 2. Band Method. Do It! Music Education. Book. GIA Publications #M523. Published by GIA Publications (GI.G-M523).

ISBN 9781579992378. English.

This major band method by James O. Froseth has it all: Artist performers set musical standards in sound with more than 80 great performances on CD for every instrument, and one CD lasts for the entire book! Performers include: Michael Henoch (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser (Cleveland State University), Brian Bowman (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs (Plymouth Symphony Orchestra). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times includes 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. A 550+ page Teacher's Resource edition and musical score provides options galore, including a double CD with listen and play exercises for group instruction, supplementary exercises for technical development, and resource material for improvisation and composition. All the resources needed for teaching to the National Standards for Music are provided (coordinates with rhythm flashcards). Book 2 features innovative, but optional use of world percussion instruments, as developed by percussion educator Steve Houghton. Click here to download the audio recordings for the Book 2 Teacher's Edition.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1074230-010

Composed by Jeff Steinberg. Arranged by Lorenzo Bocci. Applause Series. Pop & Rock. Set (Score & Parts). Composed 2007. De Haske Publications #DHP 1074230-010. Published by De Haske Publications (BT.DHP-1074230-010).

9x12 inches. English-German-French-Dut ch.

The powerful, dynamic number Gospel John, by the versatile Americancomposer, producer and music educator Jeff Steinberg, is known inparticular through performances by Maynard Ferguson. In his versionit seemed as if a typical Afro-American preacher ascended the pulpitand impassioned an enthusiastic congregation with his fiery plea.This exciting arrangement by Lorenzo Bocci has the same compellingtemperament and adds an energetic touch to any concert.

Het stevige, dynamische nummer Gospel John van de veelzijdige Amerikaanse componist, producer en muziekdocent Jeff Steinberg is vooral bekend in de uitvoering van de in 2006 overleden Maynard Ferguson. In zijn versie lijkthet alsof een typisch Afro-Amerikaanse predikant de kansel bestijgt en een enthousiaste gemeente in vervoering brengt met zijn vurige betoog. Dit spetterende arrangement van Lorenzo Bocci heeft hetzelfde meeslepende temperament enzorgt voor een energieke noot in elk concert.

Gospel John, die dynamische Nummer aus der Feder des amerikanischen Komponisten und Musiklehrers Jeff Steinberg, wurde besonders durch Maynard Ferguson bekannt. In dessen Interpretation sah man förmlich einen afroamerikanischen Prediger, der die Gemeinde begeisterte und mit sich riss. Diese spannende Bearbeitung von Lorenzo Bocci versprüht das gleiche Temperament und verleiht jedem Konzert einen Schub Energie.

Gospel John est une de ces compositions dynamiques et puissantes qui ont fait la notoriété de Jeff Steinberg, compositeur, producteur et pédagogue américain aux multiples talents. Elle a fait le tour du monde gr ce l’interprétatio n légendaire du jazzman canadien Maynard Ferguson, qui nous a quittés en 2006. Sa version donnait littéralement vie un pasteur afro-américain qui, du haut de sa chaire, tenait un discours enflammé une assistance enthousiaste.Cet arrangement passionnant, signé Lorenzo Bocci, restitue le caractère fascinant de l’original et apporte une touche de fraîcheur et de pétillant tout programme de concert.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1074230-140

Composed by Jeff Steinberg. Arranged by Lorenzo Bocci. Applause Series. Pop & Rock. Score Only. Composed 2007. 24 pages. De Haske Publications #DHP 1074230-140. Published by De Haske Publications (BT.DHP-1074230-140).

9x12 inches. English-German-French-Dut ch.

The powerful, dynamic number Gospel John, by the versatile Americancomposer, producer and music educator Jeff Steinberg, is known inparticular through performances by Maynard Ferguson. In his versionit seemed as if a typical Afro-American preacher ascended the pulpitand impassioned an enthusiastic congregation with his fiery plea.This exciting arrangement by Lorenzo Bocci has the same compellingtemperament and adds an energetic touch to any concert.

Het stevige, dynamische nummer Gospel John van de veelzijdige Amerikaanse componist, producer en muziekdocent Jeff Steinberg is vooral bekend in de uitvoering van de in 2006 overleden Maynard Ferguson. In zijn versie lijkthet alsof een typisch Afro-Amerikaanse predikant de kansel bestijgt en een enthousiaste gemeente in vervoering brengt met zijn vurige betoog. Dit spetterende arrangement van Lorenzo Bocci heeft hetzelfde meeslepende temperament enzorgt voor een energieke noot in elk concert.

Gospel John, die dynamische Nummer aus der Feder des amerikanischen Komponisten und Musiklehrers Jeff Steinberg, wurde besonders durch Maynard Ferguson bekannt. In dessen Interpretation sah man förmlich einen afroamerikanischen Prediger, der die Gemeinde begeisterte und mit sich riss. Diese spannende Bearbeitung von Lorenzo Bocci versprüht das gleiche Temperament und verleiht jedem Konzert einen Schub Energie.

Gospel John est une de ces compositions dynamiques et puissantes qui ont fait la notoriété de Jeff Steinberg, compositeur, producteur et pédagogue américain aux multiples talents. Elle a fait le tour du monde gr ce l’interprétatio n légendaire du jazzman canadien Maynard Ferguson, qui nous a quittés en 2006. Sa version donnait littéralement vie un pasteur afro-américain qui, du haut de sa chaire, tenait un discours enflammé une assistance enthousiaste.Cet arrangement passionnant, signé Lorenzo Bocci, restitue le caractère fascinant de l’original et apporte une touche de fraîcheur et de pétillant tout programme de concert.

Concert band - Grade 5

SKU: CL.012-4197-75

Composed by LaBounty. Concert Band. Opus III series. Oversized, spiral-bound score. Composed 2013. Duration 9 minutes, 36 seconds. Opus III Wind Orchestra Publications #012-4197-75. Published by Opus III Wind Orchestra Publications (CL.012-4197-75).

Written for an icon in the band world, Favor And Treasure honors Col. John Bourgeois, Director Emeritus of the United States Marine Band, past president of the American Bandmasters Association, president of the John Philip Sousa Foundation, American vice president of the International Military Music Society, mentor and friend. Favor And Treasure is based on John's Theme, a bold, original theme conveying inspirational imagery of excellence, artistry and duty congruous with Col. Bourgeois' distinguished career at the helm of the band to which President Thomas Jefferson gave the title The President's Own. To honor Bourgeois' affinity for Cajun folk music, the old Cajun waltz, J'ai Passe Devant Ta Porte is also used, most prominently in the quasi-zydeco section of the work. Musicians and audience members of all ages will be assuredly affected by the spirit and essence of this extraordinary composition.

Concert band - Grade 5

SKU: CL.012-4197-01

Composed by LaBounty. Concert Band. Opus III series. Extra full score. Composed 2013. Duration 9 minutes, 36 seconds. Opus III Wind Orchestra Publications #012-4197-01. Published by Opus III Wind Orchestra Publications (CL.012-4197-01).

Written for an icon in the band world, Favor And Treasure honors Col. John Bourgeois, Director Emeritus of the United States Marine Band, past president of the American Bandmasters Association, president of the John Philip Sousa Foundation, American vice president of the International Military Music Society, mentor and friend. Favor And Treasure is based on John’s Theme, a bold, original theme conveying inspirational imagery of excellence, artistry and duty congruous with Col. Bourgeois’ distinguished career at the helm of the band to which President Thomas Jefferson gave the title The President’s Own. To honor Bourgeois’ affinity for Cajun folk music, the old Cajun waltz, J’ai Passe Devant Ta Porte is also used, most prominently in the quasi-zydeco section of the work. Musicians and audience members of all ages will be assuredly affected by the spirit and essence of this extraordinary composition.

Composed by Anthony LaBounty. Opus III series. Score and set of parts. Composed 2013. Duration 9 minutes, 36 seconds. Published by Opus III Wind Orchestra Publications

Band concert band - Grade 4.5

SKU: CF.SPS75

Composed by Brant Karrick. SWS FS. Carl Fischer Symphonic Performance Series. Set of Score and Parts. With Standard notation. 3+12+12+6+12+12+12+6+6+6+ 6+6+6+9+9+9+6+6+9+9+9+9+6 +12+6+9+3+9+9+40 pages. Duration 6 minutes, 44 seconds. Carl Fischer Music #SPS75. Published by Carl Fischer Music (CF.SPS75).

ISBN 9781491147702. UPC: 680160905201. 9 x 12 inches. Key: F major.

When Hearts Tremble is an emotion packed piece dedicated to musician friends lost all to soon. This beautiful composition by Brant Karrick reflects on the fragility of human existence, joyous memories of loved ones and their effect on everyone around them, and maintaining hope for what the future will hold when all feels lost. This tour de force piece perfectly displays Karrick's polished compositional craft with impeccable scoring, beautiful melodic writing, and exceptional orchestrational color.
While the day-to-day grind of our lives can be filled with overwhelming obligations, goals and commitments, it is sometimes very easy to forget just how precious and fragile life is . It is so easy to get caught up in our own personal feelings and worries that we sometimes don’t realize and appreciate the many blessings we have, especially friendships . On Wednesday, November 18, 2015 the Jefferson High School Band in Jefferson, Georgia lost two of its members to a fatal car accident . The victims were brothers . Music was a constant part of their lives, and the boys were talented percussionists in the marching band . To help with the grieving process the school and community commissioned this piece to celebrate the lives of William and Alex Trimble .As a father, I cannot imagine losing a child, let alone two, and beginning this piece was very difficult as I felt extreme anguish, especially for the parents . But it was decided the piece should primarily reflect the enthusiasm, youthful spirits and positive influence these two young men demonstrated as they were deeply loved by their band mates, community and family . There are four main themes, each representing the feelings and emotions that are certain to occur after a loss of loved ones . The first theme is a short, introductory fanfare, strong and bold, to stand for courage . A second dance-like melody features a liltingly mixed meter to portray a youthful and carefree innocence . This soon changes into a third more song-like, and stately theme intended to provide encouragement as we move forward through life .The middle of the piece includes a soft transition as two snare drummers give voice to the boys, allowing them to thank their friends and assuring them that it will be okay . This moves directly into a slow melody introduced by the saxophones (Alex, the younger brother was also a saxophonist) and is a time for reflection and allows for feelings of sadness at losing beloved friends . However, a second statement of the same theme, now at full volume with a strong percussion cadence, intends to lift the spirits and allows all friends to unite in joyous celebration of life . Both the enthusiastic dance theme and stately lyrical theme return, now in different keys, and work their way toward the highly energetic burst of glorious sound in the short and wild coda . When Hearts Tremble was written to celebrate the joys of youth and life, and should remind us that our friends and loved ones are precious, and we should live each day to bring more joy into the world and into the lives of others .

Concert Band (Score & Parts) - Grade 3.5

SKU: HL.4004715

Composed by Michael Oare. MusicWorks Grade 3. Festival. Softcover. Published by Hal Leonard (HL.4004715).

UPC: 888680617233. 9x12 inches.

Commissione d by the Virginia Band and Orchestra Directors Association to commemorate its 75th anniversary, Presidential Suite recognizes the rich historical heritage of Virginia, particularly as the birthplace of eight United States presidents. Using a suite format, the work focuses on three of the founding fathers. The first movement, Mount Vernon, is a serene musical impression of the home of George Washington. Monticello is the second movement and portrays the stately style of music typical of Thomas Jefferson's time. The suite concludes with Montpelier, the home of James Madison, and uses bold and majestic motifs to portray the broad and magnificent landscape of Madison's estate. Duration: c 5:30.

Grade 4

SKU: CL.012-4572-00

Composed by Wilson. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR394). Score and set of parts. Composed 2018. Duration 6 minutes, 6 seconds. Opus III Wind Orchestra Publications #012-4572-00. Published by Opus III Wind Orchestra Publications (CL.012-4572-00).

In the American Declaration of Independence, Thomas Jefferson wrote, If there's something wrong, those who have the ability to take action have the responsibility to take action... Chandler Wilson’s Conversations is based on the idea of conversations that are needed for society to progressively move forward, most profoundly in the areas of racial issues and equality. The music eloquently expresses the importance of considering and respecting the points of view of other’s. A musical work which is truly thought-provoking.

Grade 4

SKU: CL.012-4572-01

Composed by Wilson. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR394). Extra full score. Composed 2018. Duration 6 minutes, 6 seconds. Opus III Wind Orchestra Publications #012-4572-01. Published by Opus III Wind Orchestra Publications (CL.012-4572-01).

In the American Declaration of Independence, Thomas Jefferson wrote, If there's something wrong, those who have the ability to take action have the responsibility to take action... Chandler Wilson’s Conversations is based on the idea of conversations that are needed for society to progressively move forward, most profoundly in the areas of racial issues and equality. The music eloquently expresses the importance of considering and respecting the points of view of other’s. A musical work which is truly thought-provoking.

Concert Band - Grade 4

SKU: PE.EP68708

Arranged for Concert Band. Composed by Simon Jeffes. Arranged by Phillip Littlemore. Concert Band; Performance Music Ensemble. Edition Peters. Living Composer. Score. 24 pages. Duration 4:55. Edition Peters #98-EP68708. Published by Edition Peters (PE.EP68708).

ISBN 9790300761640. 303x232 inches.

The Penguin Cafe Orchestra, founded by composer Simon Jeffes, knew better than anyone how to create an incredibly catchy hook. This brilliant arrangement for concert band by Phillip Littlemore of Perpetuum Mobile will have audiences tapping in 15/8 all the way home.

Concert Band - Grade 2.5

SKU: AP.44922

As Recorded by Echosmith. Composed by Graham Sierota, James Sierota, Jeffery Sierota, Maureen McDonald, Noah Sierota, and Sydney Sierota. Arranged by Jerry Davis. Concert Band; Performance Music Ensemble; Single Titles. Pop Young Band. Pop/Rock. Score and Part(s). 126 pages. Duration 2:00. Alfred Music #00-44922. Published by Alfred Music (AP.44922).

UPC: 038081518749. English.

The indie pop band Echosmith has done it again with the catchy Bright. With a reinforced syncopated foundation in a laid-back cut-time, the delightful melody is introduced initially in flutes and then throughout the ensemble. The folksy and easy feel will bring a nice contrasting moment for your pop program. (2:00).

Concert Band - Grade 2.5

SKU: AP.44922S

As Recorded by Echosmith. Composed by Graham Sierota, James Sierota, Jeffery Sierota, Maureen McDonald, Noah Sierota, and Sydney Sierota. Arranged by Jerry Davis. Concert Band; Performance Music Ensemble; Single Titles. Pop Young Band. Pop/Rock. Score. 20 pages. Duration 2:00. Alfred Music #00-44922S. Published by Alfred Music (AP.44922S).

UPC: 038081518756. English.

The indie pop band Echosmith has done it again with the catchy Bright. With a reinforced syncopated foundation in a laid-back cut-time, the delightful melody is introduced initially in flutes and then throughout the ensemble. The folksy and easy feel will bring a nice contrasting moment for your pop program. (2:00).

Concert Band - Grade 1.5

SKU: AP.2435

Composed by John O'Reilly. Concert Band; Performance Music Ensemble; Single Titles. Contempo Series. Form: Overture. Score and Part(s). 98 pages. Alfred Music #00-2435. Published by Alfred Music (AP.2435).

UPC: 038081011035. English.

If you've had success with 'Jefferson County Overture' or 'Overture Galactica' you're sure to love this exciting new O'Reilly overture. Great for contests or festivals. (Grade 1 1/2).

Concert Band - Grade 2.5

SKU: AP.37818S

Composed by Jeffrey E. Turner. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Form: Ballade. Score. 12 pages. Alfred Music #00-37818S. Published by Alfred Music (AP.37818S).

UPC: 038081436364. English.

Imagine finding yourself stumbling alone in a darkened cave. It's so quiet, the only thing you can hear is your own heartbeat. Lost, you pray for guidance, and suddenly, sound paints a picture of what your eyes can't see. Met with a shimmering mirror of sparkling percussion, you follow a pinpoint of light shining off a solo trumpet. The darkness filling with heaven's light, you are no longer Lost in the Crystal Cave. You've found a way out by following footprints left for you in the music.