By Mike Hannickel. (Score and Parts). Curnow Concert Band Full Set. Published by Curnow Music.

By Mike Hannickel. Score and Parts. Curnow Concert Band Full Set. .5. Softcover with CD

Concert Band Grade .5 Score and Parts. By James Curnow. Curnow Concert Band Full Set. Published by Curnow Music.

Concert Band Grade .5 Score and Parts. By James Curnow. Curnow Concert Band Full Set. Published by Curnow Music.

By Percy Aldridge Grainger (1882-1961). Arranged by Michael Story and Michael Story. Concert Band. Concert Band; Masterworks; Part(s); Score; SmartMusic. Belwin Beginning Band. Form: Transcription. 20th Century; Masterwork Arrangement. Grade 1. 132 pages.

By Amy Adam and Mike Hannickel. Score and Parts. Curnow Concert Band Full Set. Grade 1. Softcover with CD

Band concert band - Grade 1

SKU: KJ.WB367

Composed by David Newell. Beginning Concert BandWorks. Christmas. Score and set of parts. Neil A. Kjos Music Company #WB367. Published by Neil A. Kjos Music Company (KJ.WB367).

UPC: 8402702010.

Flexibl e scoring makes this easy arrangement of the stately (and secular) holiday tune a perfect addition to your holiday concert! Monophonic passages of the complete melody bookend a polyphonic middle section that can be skipped if students are not yet ready for the challenge. Any student or group may also skip this part in order to perform Good King Wenceslas as a solo recital piece (parts for piano accompaniment are available).

Concert Band - Grade 1

SKU: PE.TSGFX001

(Flex Edition). Composed by Tyler S. Grant. 5 or More; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Quartet; Solo Small Ensembles. Tyler S. Grant Music Works. Score and Part(s). Duration 2:15. Edition Peters #98-TSGFX001. Published by Edition Peters (PE.TSGFX001).

UPC: 038081584164.

Devel op your ensemble's tone, phrasing, and overall musicianship with this beautifully lyrical work. This version of Hope Rising by Tyler S. Grant is for flexible ensemble. Only 4 voices required, and playable with winds, strings, or a combination of the two! Percussion is recommended, but not required. Piano accompaniment included! (2:15).

Concert Band (optional solo piano) - intermediate

SKU: AI.AMC-WB-003SSC

Composed by Francis Johnson. Arranged by Kenneth Amis. Music of Black Composers and Artists. Study score only. Amis Musical Circle #AMC-WB-003SSC. Published by Amis Musical Circle (AI.AMC-WB-003SSC).

8.5 x 11 inches.

The 1818 publication of Francis Johnson's A Collection of New Cotillions marks the first known publication of original music by a black composer in the United States. A prolific composer, instrumentalist, teacher and conductor, Johnson led a varied and successful career in an era in U.S. history that was not inviting to black professionals. His musical interests ranged from the contemporary works of Johann Strauss Jr. to traditional, popular dances.

The cotillion is a French country dance that was popular in Europe and America in the 18th century. It was originally danced by four couples in square formation and was an important influence in the development of the square dance in the United States. Francis Johnson composed two sets of six piano accompaniments for this dance. The original 1818 publication even included movement instructions for the eight dancers. The short and charming melodies that he composed are a fitting example of popular dance music of the time.

This transcription may be performed as a piano solo, with the piano as a non-solistic instrument within the ensemble or without piano at all. If it is to be a piano solo, the other instruments should not play the passages marked “opt. tacet (optional tacet). If the piano will not be treated soloistically, the conductor can have some or all of the “opt. tacet passages played at their discretion. When there is no piano involved in the performance ,all instrumentalists should ignore the “opt. tacet instruction and play everything.

Concert Band (optional solo piano) - intermediate

SKU: AI.AMC-WB-003

Composed by Francis Johnson. Arranged by Kenneth Amis. Music of Black Composers and Artists. Score and Parts. Amis Musical Circle #AMC-WB-003. Published by Amis Musical Circle (AI.AMC-WB-003).

The 1818 publication of Francis Johnson's A Collection of New Cotillions marks the first known publication of original music by a black composer in the United States. A prolific composer, instrumentalist, teacher and conductor, Johnson led a varied and successful career in an era in U.S. history that was not inviting to black professionals. His musical interests ranged from the contemporary works of Johann Strauss Jr. to traditional, popular dances.

The cotillion is a French country dance that was popular in Europe and America in the 18th century. It was originally danced by four couples in square formation and was an important influence in the development of the square dance in the United States. Francis Johnson composed two sets of six piano accompaniments for this dance. The original 1818 publication even included movement instructions for the eight dancers. The short and charming melodies that he composed are a fitting example of popular dance music of the time.

This transcription may be performed as a piano solo, with the piano as a non-solistic instrument within the ensemble or without piano at all. If it is to be a piano solo, the other instruments should not play the passages marked “opt. tacet (optional tacet). If the piano will not be treated soloistically, the conductor can have some or all of the “opt. tacet passages played at their discretion. When there is no piano involved in the performance ,all instrumentalists should ignore the “opt. tacet instruction and play everything.

Concert Band (optional solo piano) - intermediate

SKU: AI.AMC-WB-003SCO

Composed by Francis Johnson. Arranged by Kenneth Amis. Music of Black Composers and Artists. Conductor score. Amis Musical Circle #AMC-WB-003SCO. Published by Amis Musical Circle (AI.AMC-WB-003SCO).

11 x 17 inches.

The 1818 publication of Francis Johnson's A Collection of New Cotillions marks the first known publication of original music by a black composer in the United States. A prolific composer, instrumentalist, teacher and conductor, Johnson led a varied and successful career in an era in U.S. history that was not inviting to black professionals. His musical interests ranged from the contemporary works of Johann Strauss Jr. to traditional, popular dances.

The cotillion is a French country dance that was popular in Europe and America in the 18th century. It was originally danced by four couples in square formation and was an important influence in the development of the square dance in the United States. Francis Johnson composed two sets of six piano accompaniments for this dance. The original 1818 publication even included movement instructions for the eight dancers. The short and charming melodies that he composed are a fitting example of popular dance music of the time.

This transcription may be performed as a piano solo, with the piano as a non-solistic instrument within the ensemble or without piano at all. If it is to be a piano solo, the other instruments should not play the passages marked “opt. tacet (optional tacet). If the piano will not be treated soloistically, the conductor can have some or all of the “opt. tacet passages played at their discretion. When there is no piano involved in the performance ,all instrumentalists should ignore the “opt. tacet instruction and play everything.

Score Only Concert Band (Score) - beginning

SKU: HL.4006496

Composed by Francois Dorion. First Concepts (Concert Band). Folk, French. Softcover. 16 pages. Duration 330 seconds. Published by Hal Leonard (HL.4006496).

UPC: 840126908480. 9.0x12.0x0.033 inches.

Featuring snare drum and flutes at the start Farandole (traditional French dance) is sure to be a fun piece for your beginning students. The catchy melody is passed around to each section of the band, and cleverly scored with simple rhythms and very limited ranges. The First Concepts Series features simplified instrumentations, unison bass lines, optional advanced snare drum parts, and optional piano accompaniments.

Concert Band/Harmonie and Marimba Solo - Grade 4

SKU: BT.DHP-1104731-140

Composed by Hayato Hirose. Solo Spectrum. Concert Piece. Score Only. Composed 2010. 72 pages. De Haske Publications #DHP 1104731-140. Published by De Haske Publications (BT.DHP-1104731-140).

9x12 inches.

Fantasy for Marimba was commissioned by the outstanding Japanese marimba player, Fumito Nunoya. Although it is written in concerto style, the piano not only accompanies the solo marimba but also plays an important part in the development of the work. The piece is written in four movements, played without a break: Allegro, Andante misterioso, Tempo rubato and Allegro energico. Also available for Marimbaphone and Piano.

In Fantasy for Marimba neemt de marimbafoon als solo-instrument een centrale plaats in, maar ook de piano speelt een belangrijke rol. Het werk bestaat uit vier samenhangende delen: een Allegro, een Andante misterioso, een Tempo rubato en tot slot als hartstochtelijke finale een Allegro energico. Ook verkrijgbaar voor marimba en piano.

In Fantasy for Marimba wird das Marimbaphon als Soloinstrument gewürdigt, aber auch das Blasorchester spielt eine wichtige Rolle. Das Werk besteht aus vier zusammenhängenden Sätzen: Es beginnt mit einem Allegro, in dem Marimbaphon und Orchester zwei Themen präsentieren, die im darauff olgenden Andante misterioso weiterentwickelt werden. Im dritten Satz, der mit Tempo rubato überschrieben ist, hat das Blasorchester eine Atempause“, während das Marimbaphon ein kadenzartiges Solo vorträgt. Der letzte Satz, ein Allegro energico, führt das Werk mit leidenschaftlicher Intensität zu einem großen Finale.

Bien que la structure de cette fantaisie s’apparente celle d’un concerto, le pianiste n’est absolument pas réduit un rôle d’accompagnateur, mais participe pleinement au développement de l’œuvre. Fantasy for Marimba est divisé en quatre mouvements qui s’enchaînent sans interruption : Allegro - Andante misterioso - Tempo rubato - Allegro energico.

Concert Band/Harmonie and Marimba Solo - Grade 4

SKU: BT.DHP-1104731-010

Composed by Hayato Hirose. Solo Spectrum. Concert Piece. Set (Score & Parts). Composed 2010. De Haske Publications #DHP 1104731-010. Published by De Haske Publications (BT.DHP-1104731-010).

9x12 inches.

Fantasy for Marimba was commissioned by the outstanding Japanese marimba player, Fumito Nunoya. Although it is written in concerto style, the piano not only accompanies the solo marimba but also plays an important part in the development of the work. The piece is written in four movements, played without a break: Allegro, Andante misterioso, Tempo rubato and Allegro energico. Also available for Marimbaphone and Piano.

In Fantasy for Marimba neemt de marimbafoon als solo-instrument een centrale plaats in, maar ook de piano speelt een belangrijke rol. Het werk bestaat uit vier samenhangende delen: een Allegro, een Andante misterioso, een Tempo rubato en tot slot als hartstochtelijke finale een Allegro energico. Ook verkrijgbaar voor marimba en piano.

In Fantasy for Marimba wird das Marimbaphon als Soloinstrument gewürdigt, aber auch das Blasorchester spielt eine wichtige Rolle. Das Werk besteht aus vier zusammenhängenden Sätzen: Es beginnt mit einem Allegro, in dem Marimbaphon und Orchester zwei Themen präsentieren, die im darauff olgenden Andante misterioso weiterentwickelt werden. Im dritten Satz, der mit Tempo rubato überschrieben ist, hat das Blasorchester eine Atempause“, während das Marimbaphon ein kadenzartiges Solo vorträgt. Der letzte Satz, ein Allegro energico, führt das Werk mit leidenschaftlicher Intensität zu einem großen Finale.

Bien que la structure de cette fantaisie s’apparente celle d’un concerto, le pianiste n’est absolument pas réduit un rôle d’accompagnateur, mais participe pleinement au développement de l’œuvre. Fantasy for Marimba est divisé en quatre mouvements qui s’enchaînent sans interruption : Allegro - Andante misterioso - Tempo rubato - Allegro energico.

Trombone solo with Concert Band - Advanced

SKU: CY.CC3027

Composed by David Fetter. Classical. Score and Parts. Cherry Classics #CC3027. Published by Cherry Classics (CY.CC3027).

ISBN 9790530110027. 8.5 x 11 in inches.

David Fetter's brilliant new work Situation Update - Suite for Tenor Trombone and Concert Band is written in three contrasting movements totalling almost 11 minutes in length: 1. Swift 2. Longing 3. Exit Music Swift is marked Intense and is very rhythmic and angular. Longing is a beautiful lyrical movement marked Cantabile and Exit Music is marked Lively mixing chromatic, lyrical and syncopated segments, ending in a giant climax. Both the solo and accompaniment parts are written for advanced performers. The work's premier was performed in 2015 by retired Principal Trombonist of the Boston Symphony, Ronald Barron and accompanied at the Piano by Pianist Larry Wallach. Here is what Mr. Ewazen has said about Situation Update: I had the pleasure of hearing Ron Barron play David Fetter's exciting and virtuosic new work for Trombone and Piano, Situation Update. David's music allows the Trombonist to sing and soar in 3 contrasting movements filled with vivid colors, beautiful and expressive harmonies, and a wonderful flowing rhythmic energy. The outer movements crackle with energy, showcasing the amazing technique of soloist Ron Barron, as the melodic line shifts and changes with playful abandon, while the middle movement is heartfelt and lyrical, with beautiful melodic lines, supported by resonant, gorgeous harmonies. The work is a real tour de force and rightly deserves to take its place as a significant addition to the Trombone repertoire.

Concert Band - Grade 6

SKU: HL.44010749

Grade 6 - Score and Parts. Composed by Philip Sparke. Anglo Music Concert Band. Solo & Concerto. Score Only. Composed 2007. Anglo Music Press #AMP 195. Published by Anglo Music Press (HL.44010749).

UPC: 884088537012. 9x12 inches. English(UK)/Deutsch/Franc ais/Nederlands.

Als o available for trombone and piano (HL44007077) Philip Sparke's Trombone Concerto was written for Olaf Ott, principal trombonist with the Berlin Philharmonic. The concerto is in traditional three-movement form and the whole work could be seen as a dramatic soliloquy for the soloist, who starts in earnest and agitated mood but, as the concerto progresses, is able to take a more optimistic tone before ending the work with what could be called a “symphonic samba.” Movement 1 begins darkly until the solo part introduces a more positive theme - only to be “overruled” by a faster, troubled accompaniment; the movement closes over a sombre drum ostinato. Movement 2 opens with a heartfelt “plea” in the accompaniment that is echoed by the soloist, who then plays a simple chorale melody introducing a delicate central section. A chant-like tune leads to a joyous climax, heralding a return of the opening material. Movement 3 casts all troubles aside in a joyful samba - a jazz-influenced central tune explores the higher ranges of the trombone before the samba rhythms set up a “contest” between trombone and piano. The soloist is the eventual “winner” (of course) and celebrates by reintroducing the samba melody before bringing the work to a virtuosic close.

Concert band - Grade 3

SKU: CL.012-4403-75

Composed by Vittorio Monti. Arranged by Glover. Concert Band. Spotlight Series. Audio recording available separately (item CL.WFR384). Oversized, spiral-bound score. Composed 2015. Duration 4 minutes, 19 seconds. Opus III Wind Orchestra Publications #012-4403-75. Published by Opus III Wind Orchestra Publications (CL.012-4403-75).

This lively Hungarian folk dance, originally set for solo violin and piano by Italian composer Vittorio Monti, has been arranged for solo instrument and concert band for the Barnhouse Spotlight series by Andrew Glover. This rhapsodical work allows the soloist to display great lyrical skills as well as technical virtuosity! Includes solo parts for violin or flute, b-flat clarinet (or any b-flat instrument in similar range), e-flat alto saxophone, or euphonium (bass clef). Band accompaniment parts grade 3; solo part grade 4+. A great way to feature your outstanding soloist or guest artist, and guaranteed to astonish your audience!

About C.L. Barnhouse Spotlight Series

The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments

Grade 3

SKU: CL.CTS-7710-01

Solo with Band Accompaniment. Composed by Claude T. Smith. Concert Band. Extra condensed score. Composed 1967. Claude T. Smith Publications #CTS-7710-01. Published by Claude T. Smith Publications (CL.CTS-7710-01).

The first of two trumpet solos Smith wrote for Carl Doc Severinsen. If you have a trumpet player par excellence, then this piece is for your soloist and band. It begins with a dramatic opening followed by an Allegro. Smith then weaves in the blues for the soloist to play a wonderful lyric melody first, followed by an opportunity to adlib with the chord progression. The accompaniment is a grade 3.5, but the solo is most certainly a grade 6. Also available for trumpet solo and piano.

Grade 3

SKU: CL.CTS-7710-00

Solo with Band Accompaniment. Composed by Claude T. Smith. Concert Band. Score and set of parts. Composed 1967. Claude T. Smith Publications #CTS-7710-00. Published by Claude T. Smith Publications (CL.CTS-7710-00).

The first of two trumpet solos Smith wrote for Carl Doc Severinsen. If you have a trumpet player par excellence, then this piece is for your soloist and band. It begins with a dramatic opening followed by an Allegro. Smith then weaves in the blues for the soloist to play a wonderful lyric melody first, followed by an opportunity to adlib with the chord progression. The accompaniment is a grade 3.5, but the solo is most certainly a grade 6. Also available for trumpet solo and piano.

Concert band

SKU: LO.30-2365H

Composed by Mark Hayes. Conductor's score. Concert. Score and parts. Heritage Music Press #30/2365H. Published by Heritage Music Press (LO.30-2365H).

UPC: 000308120028.

Instr umental Ensemble Score and Parts for The Erie Canal Jazz and swinging big band sounds meet American folk song in this exciting Mark Hayes arrangement. It opens with a big splash in the piano before the vocal parts build to engaging harmonies and a show-stopping finish. Whether you choose to use a live instrumental ensemble or the available accompaniment CD, your singers and audiences will love it! Instrumentation: 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 3 Trumpets, 2 Trombones, Bass Trombone, and Master Rhythm.

Trumpet / Flugel Horn / Cornet / Clarinet - intermediate-adv

SKU: HL.44001233

Play with a real band!. Composed by Fons Van Gorp. De Haske Concert Band. Educational Tool. Book and CD. Composed 2000. De Haske Publications #1002316. Published by De Haske Publications (HL.44001233).

ISBN 9789043112710. UPC: 073999689259. International (more than one language).

This exciting book with CD accompaniment featuring real musicians, covering many styles of light music including swing, country, rumba, slow rock, disco, mambo, cha-cha and rock. This book can be used together with a keyboard or piano (book available separately) for a concert performance or as a short audition item.

Met Master Swop is het 'swoppen' op niveau geblazen voor diegenen die meesterschap nastreven in verschillende swing- en popstijlen. Het is wederom een tegelijkertijd leerzaam en leuk boek vol afwisseling. Zoals alle SWOP-boeken:met een door een live-band ingespeelde cd en een afzonderlijk verkrijgbaar begeleidingsboek voor keyboard/piano, inclusief de akkoorden voor gitaar en basgitaar.

Die zehn abwechslungsreichen Stucke in Master Swop in verschiedenen Unterhaltungsmusik- Stilarten sind ebenso zum Uben wie auch zum Vortragen geeignet. Die Begleitungen sind von einer echten Band auf der beiliegenden CD eingespielt. Wer lieber mit einem Pianisten oder Keyboarder auftritt, kann die Begleitungen in einem separaten Buch erwerben.

L'unione delle parole Swing e Pop ha dato il nome a questo stile musicale dinamico e tonificante: lo Swop. Questa equazione funziona altrettanto bene nel jazz e nel blues, nel rock e nella musica pop. Per scoprire, migliorare e perfezionare questo nuovo genere musicale, la collezione Swop si articola in sette raccolte distinte. Da Very Easy Swop a Work Swop (per creare un vero gruppo), lasciatevi guidare dall'accompagnamento musicale affidato ad un gruppo di professionisti.