Larsen's fantasia on the familiar hymn-tune boasts richly atmospheric organ writing and is well-suited to weddings or services focussing on fellowship or reconciliation.

Larsen writes '. . . I have loosely transcribed bell patterns from a field recording of Russian bells . . . the Communist persecution of the Russian Orthodox Church included the removal and destruction of Russian bells many of which were melted down into ammunition.' The piece is a fantasy memorializing the peals of the bells of Moscow square.