Organ SKU: HL.14035728 Composed by Guy Weitz. Music Sales America. Classi...(+)
Organ
SKU:
HL.14035728
Composed
by Guy Weitz. Music Sales
America. Classical. Sheet
Music, Instrumental Work.
With Text language:
English. Chester Music
#CT03044. Published by
Chester Music
(HL.14035728).
UPC:
884088816018.
8.5x11.0x0.417
inches.
Music from
the acclaimed organist
and composer Guy
Weitz.
Organ - advanced SKU: HL.49018083 In Memoriam. Composed by Enjott ...(+)
Organ - advanced
SKU:
HL.49018083
In
Memoriam. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Collection. Enjott
Schneider knupft in
seiner Orgelsinfonie Nr.
8 In Memoriam an Anton
Bruckner an, verarbeitet
variativ Themen aus
dessen Sinfonie Nr. 8 und
stellt diese aber dem
Choral Wachet auf, ruft
uns die Stimme gegenuber.
Eine spannende und
aufwuhlende Musik.
Composed 2009. 62 pages.
Duration 32'. Schott
Music #ED20669. Published
by Schott Music
(HL.49018083).
ISBN
9790001168670.
9.0x12.0x0.24
inches.
In his
Organ Symphony No. 8 'In
Memoriam', following an
idea of the cathedral
organist Silvius von
Kessel from Erfurt (and
dedicatee of the work),
Enjott Schneider carries
on where Anton Bruckner
left off, processes
themes from the latter's
Symphony No. 8
variatively and contrasts
it to 'Haus-Choral des
Erfurter Doms', 'Wachet
auf, ruft uns die
Stimme'. Bruckner's
material is used as a
starting point and
further developed by
Schneider in four
movements: typically
enough, the initial
movement is called
'Metamorphosen' before an
almost eerie atmosphere
is created in a 'Scherzo
sinistro'. The
twelve-note series (in
the third movement),
embedded in a
transcendental mood,
eventually develops into
the chorale which, now as
main theme of the finale,
amalgamates with
Bruckner's stylistic
moments and leads to a
magnificent end - an
exciting and rousing
piece of music.
Organ SKU: HL.50562625 Organ Solo. Composed by Augustin Bari&eacut...(+)
Organ
SKU:
HL.50562625
Organ
Solo. Composed by
Augustin Barié.
This edition: DF0808400.
Editions Durand.
Classical. 36 pages.
Editions Durand
#DF0808400. Published by
Editions Durand
(HL.50562625).
Organ - advanced SKU: HL.49018839 Luna. Composed by Enjott Schneid...(+)
Organ - advanced
SKU:
HL.49018839
Luna. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Collection.
Composed 2011. 36 pages.
Duration 22'. Schott
Music #ED21227. Published
by Schott Music
(HL.49018839).
ISBN
9790001179584. UPC:
884088674892.
9.0x12.0x0.121
inches.
In allen
Kulturen der Erde steht
der veranderliche Mond
fur das Ratselhafte,
Dunkle, Weibliche,
Flussige, Magische,
Unfassbare, Irrationale.
Er beeinflusst die Launen
von Mensch, Tier,
Pflanzen und Wetter wie
kein anderer
Himmelskorper. Ihm sind
die sperrigen Zahlen 7
und 13 zugeordnet.In der
aus vier enigmatischen
Satzen bestehenden 13.
Orgelsinfonie werden
einige dieser Facetten
thematisiert: Satz 1
'Neumond' spinnt von
einem Zentralklang
ausgehend musikalische
Faden, die sich
farbenreich immer wieder
ins Nichts verlieren und
sich jeder thematischen
Logik sperren. Satz 2
uber die 'Mondgottinnen'
ist ein vitaler Tanz im
13/8-Takt, der stets neue
Anordnungen der
3+3+3+2+2-Gruppierungen
prasentiert. Eine Hommage
an Robert Schumann stellt
der 3. Satz uber die
'Mondnacht', eines der
schonsten Lieder der
Romantik und Vorwegnahme
des zustandlichen
Impressionismus der
franzosischen Moderne,
dar. Mit einer 'Ciacona
lunatica' wird im letzten
Satz dem Wachsen und
majestatischen Erscheinen
des 'Vollmondes'
gehuldigt - mit
Variationen uber ein
geheimnisvolles Bass- und
Harmoniemodell. (Enjott
Schneider).
Organ SKU: HL.49044122 Composed by Bertold Hummel. This edition: Saddle s...(+)
Organ
SKU:
HL.49044122
Composed
by Bertold Hummel. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Softcover. Composed 1989.
Op. 91a. 48 pages.
Duration 26'. Schott
Music #ED21546. Published
by Schott Music
(HL.49044122).
ISBN
9790001191234.
12.0x8.75x0.42
inches.
The
three-movement piece
refers to Bruckner's
music in different ways:
in the first movement,
Hummel used the initials
A-B and the beginning of
the main theme from
Symphony No. 8; in the
second movement, the
first four tones of the
'Adagio' from Symphony
No. 9 play a major role,
and the third movement, a
toccata-like finale, gets
its life from further
tone sequences and motifs
of Bruckner. The work
ends in a majestic
climax. This piece is a
rather demanding, yet
rewarding piece for any
interpreter, and its
performance in the church
is extremely
effective.
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced
SKU:
HL.49045437
For
Organ. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Classical. Softcover.
Composed 2016. 48 pages.
Duration 24'. Schott
Music #ED 22668.
Published by Schott Music
(HL.49045437).
ISBN
9790001162715. UPC:
841886029088.
9.0x12.0x0.168
inches.
On the
occasion of the
quincentenary of
Reformation Day in 2017,
the composer Enjott
Schneider thoroughly
studied Martin Luther the
individual and all his
contradictions. The
result is a brilliant,
demanding organ symphony
which is perfect for
concerts on the subject
of Reformation and Martin
Luther.The composer
describes the five
movements of the symphony
as follows:'1st
movement:Wir glauben all
an einen Gott with its
quintuplet-like beginning
is very Gregorian in
style, outlining the
range of Lutheran
emotionalism between the
Middle Ages and the
modern era. The
irrationality of faith
ultimately has priority
over any thought and
evidence. At the
beginning of the
movement, sounds of
knocking on wood remind
of the nailing of the
Ninety-Five Theses to the
doors of churches in
Wittenberg. The chorale
melody sometimes hides
with an almost rough
medieval saltarello,
referring to Luther's
robustness and vitality
with which he knew to
carry away even common
people.2nd movement:In
1530, the electoral
prince of Saxony
presented to Luther at
Coburg Castle the golden
signet ring with the
Luther rose which became
the symbol of his
theology of grace. A
white heart with black
cross is fixed on a
five-petalled rose. To
him, white is the colour
of angels and ghosts,
black stands for the pain
of crucification: The
just shall live by faith,
but by faith in the
Crucified. But the fact
that the rose and the
heart are the dominating
symbols shows how
Catholic Marian piety
remained an ingredient of
Luther's spirituality
throughout his life. In
line with the dominant
five-petal structure of
the rose, this movement
was composed, to a large
extent, in accordance
with the floating,
lyrical rhythm in 5/8
time.3rd movement:The
omnipresence of death and
dying - from the plague
and war to the
never-ending dangers of
daily life - was an
essential part of the
world view of that time.
Fears ensued that might
heighten into the
grotesque, e.g. in the
pictures of Hieronymus
Bosch. The Danse macabre
was a popular motif in
those years. Luther's
chorale Mitten wir im
Leben sind / mit dem Tod
umfangen from 1524
(Enchiridion from Erfurt)
is based on the Gregorian
chant Media vita in morte
sumus created in France
around 750 and, with its
idea of transience,
inspired a simplistic
air.4th movement:The
famous confession
delivered at the Diet of
Worms in 1521, I stand
here and can say no more.
God help me. Amen, are
not Luther's words but
the version later used as
text for a pamphlet.
However, it represents
quite plainly the
straightforwardness and
inevitability of his
mission. Musically, it
was made into a perpetuum
mobile, i.e. a dogged,
ostinato and never-ending
musical air.5th
movement:The Mighty
Fortress, on the other
hand, is one of the great
symbols of Martin Luther
which, with its shining C
major key, embodies the
Protestant ideology and
willful nature of the
Reformation unlike any
other song. Heinrich
Heine called it the
Marseille anthem of the
Reformation, Friedrich
Engels the Marseillaise
of the Peasants' Wars.
This disputability is not
thought through to the
end but rather
interrupted: With a
jubilant birdcall version
of the melody, the finale
shows a rather
chamber-music-like side
of the ideals of freedom
of Christians.'.
Organ SKU: HL.48180073 [Twelve Pieces for Organ, Op. 7]. Composed ...(+)
Organ
SKU:
HL.48180073
[Twelve Pieces for
Organ, Op. 7].
Composed by Joseph
Bonnet. Leduc. Classical,
Post-1900. Softcover. 72
pages. Alphonse Leduc
#AL14539. Published by
Alphonse Leduc
(HL.48180073).
UPC:
888680797294.
8.0x11.5x0.219
inches.
Composed by
Joseph Bonnet, Twelve
Pieces, Op. 7 is a set of
organ studies for upper
intermediate players. An
index at the beginning
gives an English
translation of the terms
used in the book. It
features: 1. Dedicace 2.
Etude de concert 3. Clair
de lune 4. Stella
matutina 5. Songe
d?enfant 6. Chant de
Printemps 7. Prelude au
Salve Regina 8. Romance
sans Paroles 9. Pastorale
10. Deuxieme legende 11.
Elfes 12. Caprice
heroique. Joseph Jongen
was a Belgian organist,
composer and professor of
harmony and counterpoint.
He won the Belgian Prix
de Rome and composed
numerous pieces including
music chamber works,
symphonies, concertos and
songs. His most famous
piece is the Symphonie
Concertante (1926).
Organ (Organ) SKU: HL.14005770 Composed by Charles Villiers Stanford. Mus...(+)
Organ (Organ)
SKU:
HL.14005770
Composed
by Charles Villiers
Stanford. Music Sales
America. Folk British
Isles. Book [Softcover].
8 pages. Music Sales
#NOV590094. Published by
Music Sales
(HL.14005770).
9.0x12.0x0.047
inches.
Char
les Villiers
Stanford was an
Irish composer, music
teacher, and conductor.
Stanford
composed a substantial
number of concert works,
including seven
symphonies, but his
best-remembered pieces
are his choral works for
church performance,
chiefly composed in the
Anglican tradition.
Admitted to Queens
College, Cambridge with
an Organ scholarship
Stanford had
written a substantial
number of compositions,
including vocal music,
both sacred and secular,
and orchestral works
before getting involved
with the university's
Musical Society. While
still an undergraduate,
Stanford was
appointed organist of
Trinity College,
Cambridge.
Part of
the'Four Intermezzi Op.
189' Intermezzo
On An Irish Air
for Organ is based on the
melody of the well-known
'Londonderry Air'. The
traditional Irish tune
was first collected in
the mid 19th century by
Jane Ross, and is
recognised all around the
world by the Irish
Diaspora. Duration ca.
6:20.