Organ SKU: HL.50605486 For Organ (1923). Composed by Bela Bartok. ...(+)
Organ
SKU:
HL.50605486
For
Organ (1923).
Composed by Bela Bartok.
EMB. Classical,
Hungarian. Softcover. 40
pages. Editio Musica
Budapest #Z20104.
Published by Editio
Musica Budapest
(HL.50605486).
ISBN
9781705190500. UPC:
196288126539.
Bela
Bartok composed Dance
Suite in 1923 for the
50th anniversary of the
foundation of Hungary's
capital through the
unification of Buda,
Obuda, and Pest. It soon
became one of his most
popular orchestral works,
and in 1925 he arranged
it for piano solo. Adam
Tabajdi completed the
organ version of Dance
Suite in 2019/20, and
recorded it on the Kern
organ of Sapporo's Kitara
Concert Hall later that
year. His transcription
was inspired by the
composer's own version
for piano, exploiting the
alternative solutions
offered by the
''orchestral'' timbres of
the organ, with its
manuals and pedals. The
ideal instrument for the
present version is an
expansive, eclectic style
organ with at least three
manuals. This flamboyant
arrangement requires
great virtuosity,
stamina, and creativity
from the performer. Adam
Tabajdi (b. 1993) is an
outstanding young
Hungarian organist.
Alongside the music of J.
S. Bach, his repertoire
includes Liszt,and
Franck, as well as
twentieth-century works,
with a special focus on
Messiaen, Ligeti, and
Florentz. He is a
committed performer of
contemporary music, but
he also feels a close
connection with the works
of old masters such as
Sweelinck, Weckmann, and
Couperin. In 2021 he won
first prize in the
Toulouse International
Organ Competition, and in
2022 he was awarded the
Junior Prima Award.
Composed by Luke Mayernik. Sacred, All Saints' Day, Christmas, General, Holy ...(+)
Composed by Luke
Mayernik.
Sacred, All Saints' Day,
Christmas, General, Holy
Communion, Thanksgiving.
Lorenz Publishing Company
#70/2110L. Published by
Lorenz Publishing Company
SATB Choir and Organ SKU: BT.MUSSRO100172 Composed by Rachel Portman. Cla...(+)
SATB Choir and Organ
SKU:
BT.MUSSRO100172
Composed by Rachel
Portman. Classical.
Choral Score. 16 pages.
St. Rose Music
#MUSSRO100172. Published
by St. Rose Music
(BT.MUSSRO100172).
English.
Rachel
Portman's Magnificat And
Nunc Dimittis for
SATB choir and Organ
accompaniment. Born in
west Sussex, England,
Rachel Portman began
composing at age 14 and
read music at Oxford
University. She gained
experience writing music
for drama in BBC and
Channel 4 films including
Mike Leigh's Four Days In
July and Jim Henson's
Storyteller series. Her
extensive film work
includes scores for Never
Let me Go, The Joy Luck
Club, Benny and June, and
the Manchurian Candidate.
She won an Academy award
for her score for Emma
and Academy nominations
for Chocolat and The
Cider House Rules. She
has written a musical of
Little House on the
Prairie as well as an
opera of Saint
Exupery'sThe Little
Prince for Houston Grand
Opera and The Water
Diviner, a dramatic
choral symphony
commissioned for the BBC
Proms concerts. She was
appointed Officer of the
Order of the British
Empire (OBE) in the 2010
New Year Honours.
Organ Solos. Composed by Joel Peters. Fred Bock Publications. Concert, Con...(+)
Organ Solos. Composed by
Joel Peters. Fred Bock
Publications. Concert,
Contest, Sacred.
Softcover.
6 pages. Fred Bock Music
Company #F0681. Published
by
Fred Bock Music Company
Organ - Grade 5 SKU: HL.14042705 Composed by Pelle Gudmundsen-holmgreen. ...(+)
Organ - Grade 5
SKU:
HL.14042705
Composed
by Pelle
Gudmundsen-holmgreen.
Music Sales America.
Classical. Softcover.
Composed 2013. Edition
Wilhelm Hansen #WH31853.
Published by Edition
Wilhelm Hansen
(HL.14042705).
ISBN
9788759828328.
English.
Octopus
has been beautifully
composed by Pelle
Gudmundsen-Holmgreen for
Organ, two Players and
assistant(s). Pelle
Gudmundsen-Holmgreen is
most famously known for
his award winning
composition from the
Nordic Council in 1980
Symphony, Antiphony.
Alba is one of Bennett's serialism-tinged works that also touches on medieval rh...(+)
Alba is one of Bennett's
serialism-tinged works
that also touches on
medieval rhythmic modes.
He based the work on the
Tema Seriale from Cantata
Academica by Benjamin
Britten, to whom Alba is
dedicated. It is a
demanding and rewarding
piece for performer and
listener.Composer,
performer and arranger
Richard Rodney Bennett
was internationally
respected for his serious
music and many
award-winning film scores
(Murder on the Orient
Express, Nicholas and
Alexandra) as well as his
works for children and
his religious pieces. In
addition, this markedly
versatile musician
frequently performed as a
jazz pianist. On his move
to the United States, the
two sponsors for his
green card(work permit)
were Leonard Bernstein
and Stephen Sondheim
Winner of the 2018 AGO/Marilyn Mason Award in Organ Composition. Composed ...(+)
Winner of the 2018
AGO/Marilyn Mason Award
in
Organ Composition.
Composed
by Mark Kurtz. H.T.
Fitzsimons Co. Concert.
Softcover. 28 pages. H.T.
FitzSimons Company
#F0675.
Published by H.T.
FitzSimons
Company
Organ SKU: BR.SON-411 Complete Works. Composed by Felix Bartholdy ...(+)
Organ
SKU:
BR.SON-411
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt. Linen.
Complete Works.
Awarded the German
Music Edition
Prize 2006 (SON
411-413)
Romantic period. Complete
Works. 292 pages.
Breitkopf and Haertel
#SON 411. Published by
Breitkopf and Haertel
(BR.SON-411).
ISBN
9790004802380. 9 x 12
inches.
The
Leipziger Ausgabe der
Werke von Felix
Mendelssohn Bartholdy
pursues the goal of
making accessible to the
public in an adequately
scholarly form all of
Mendelssohn's accessible
compositions, letters and
writings, along with all
other documents of his
artistic oeuvre. A
considerable number of
Mendelssohn's works are
still waiting to be
published; many others
have been published in an
unsatisfactory
manner.Though the new
Mendelssohn Complete
Edition follows the ten
volumes of the Leipziger
Mendelssohn Ausgabe (LMA)
published by the
Deutscher Verlag fur
Musik (DVfM) in Leipzig
since 1961, it sees
itself as a fundamentally
new conception which
reflects the present-day
standard of scholarly
editions.The first
volumes of the new
Complete Edition were
presented in Leipzig on 3
November 1997 at
Mendelssohn Festtage in
Leipzig.SON 411 - 413
have been awarded the
German Music Edition
Prize
2006.
Editorial
Board: Christian Martin
Schmidt (chairman), Peter
Ward Jones, Friedhelm
Krummacher, R. Larry
Todd, Ralf Wehner;
research associates: Ralf
Wehner, Clemens Harasim,
Birgit Muller.
Organ SKU: BR.SON-413 Complete Works. Composed by Felix Bartholdy ...(+)
Organ
SKU:
BR.SON-413
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt. Linen.
Complete Works.
Awarded the German
Music Edition
Prize 2006 (SON
411-413)
Romantic period. Complete
Works. 268 pages.
Breitkopf and Haertel
#SON 413. Published by
Breitkopf and Haertel
(BR.SON-413).
ISBN
9790004802519. 9 x 12
inches.
The
Leipziger Ausgabe der
Werke von Felix
Mendelssohn Bartholdy
pursues the goal of
making accessible to the
public in an adequately
scholarly form all of
Mendelssohn's accessible
compositions, letters and
writings, along with all
other documents of his
artistic oeuvre. A
considerable number of
Mendelssohn's works are
still waiting to be
published; many others
have been published in an
unsatisfactory
manner.Though the new
Mendelssohn Complete
Edition follows the ten
volumes of the Leipziger
Mendelssohn Ausgabe (LMA)
published by the
Deutscher Verlag fur
Musik (DVfM) in Leipzig
since 1961, it sees
itself as a fundamentally
new conception which
reflects the present-day
standard of scholarly
editions.The first
volumes of the new
Complete Edition were
presented in Leipzig on 3
November 1997 at
Mendelssohn Festtage in
Leipzig.SON 411 - 413
have been awarded the
German Music Edition
Prize
2006.
Editorial
Board: Christian Martin
Schmidt (chairman), Peter
Ward Jones, Friedhelm
Krummacher, R. Larry
Todd, Ralf Wehner;
research associates: Ralf
Wehner, Clemens Harasim,
Birgit Muller.
Organ SKU: BR.EB-8574 Chorale Preludes from 5 Centuries to the Evang. ...(+)
Organ
SKU:
BR.EB-8574
Chorale
Preludes from 5 Centuries
to the Evang.
Gesangbuch. Composed
by Gardonyi / Ludwig /
Schweizer (Hrsg.). Edited
by Ludwig/ Gardonyi/
Schweizer. Solo
instruments; Softbound.
Edition Breitkopf.
in
Ewigkeit dich loben
features preludes for all
the hymns contained in
the new Protestant
Hymnbook (Evangelisches
Gesangbuch, EG).
Music pedagogy. Score.
152 pages. Breitkopf and
Haertel #EB 8574.
Published by Breitkopf
and Haertel (BR.EB-8574).
ISBN 9790004178614. 9
x 12 inches.
The
four-volume collection
consists of new
compositions, important
rediscoveries of
out-of-print-pieces, and
some well-known chorale
preludes which have been
transposed into the
Hymnbook's new keys. By
providing two or three
preludes for each of the
particularly well-loved
and frequently used
hymns, in Ewigkeit dich
loben offers a rewarding,
multifaceted treasury of
pieces from the
Renaissance to our day.
In addition to its
usefulness in the church
service, the collection
also gives the organ
teacher a chance to
explore a colourful
diversity of styles with
his students. Volume 1
has been awarded the
German Music Edition
Prize 1993. ... One has
to give the editors
credit for their
comprehensive knowledge
of the organ literature
of all periods and
nations! It makes you
want to play the
collection right through
from beginning to end. It
should not be missing
from any organist's
library! Happy is the
hymnal which is
introduced by these organ
preludes.
(Wurttembergische Blatter
fur
Kirchenmusik)
in
Ewigkeit dich loben
features preludes for all
the hymns contained in
the new Protestant
Hymnbook (Evangelisches
Gesangbuch, EG).
Organ SKU: BR.EB-8628 Chorale Preludes of the Romantic to Songs of the...(+)
Organ
SKU:
BR.EB-8628
Chorale
Preludes of the Romantic
to Songs of the Ev.
Gesangbuches.
Composed by Klaus Uwe
Ludwig. Edited by Klaus
Uwe Ludwig. Solo
instruments; Softbound.
Edition Breitkopf.
hier preisen auf der
Erd offers a selection of
some of the multi-faceted
and highly original forms
found among the chorale
prelude of the romantic
era.
Romantic period.
Score. 104 pages.
Breitkopf and Haertel #EB
8628. Published by
Breitkopf and Haertel
(BR.EB-8628).
ISBN
9790004180433. 9 x 12
inches.
The
spotlight is not on
Brahms, Reger and
Karg-Elert, but on the
romantic organ composers
Otto Dienel, Theophil
Forchhammer, Max Gulbins,
Otto Heinermann, Karl
Hoyer, Wilhelm Kienzl,
Emil Magnus, Karl Piutti
and many others whose
works have recently begun
to attract greater
attention. The idea of
romanticism is extended
into the 20th century by
the inclusion of certain
other composers as well.
hier preisen auf der Erd
illustrates a
particularly fruitful
period in the history of
organ music while also
expanding the four-volume
collection in Ewigkeit
dich loben, which was
unable to take certain
interesting rediscoveries
into account at the time
of
compilation.
hier
preisen auf der Erd
offers a selection of
some of the multi-faceted
and highly original forms
found among the chorale
prelude of the romantic
era. Awarded the German
Music Edition Prize
1998.
Organ SKU: BA.BA11045 Composed by Dominik Susteck. Edited by Zsigmond Sza...(+)
Organ
SKU:
BA.BA11045
Composed
by Dominik Susteck.
Edited by Zsigmond
Szathmary. Stapled.
Organova, Volume 10.
Performance score.
Composed 2011. 14 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA11045_00. Published by
Baerenreiter Verlag
(BA.BA11045).
ISBN
9790006543243. 30 x 23 cm
inches. Language:
German/English. Preface:
Dominik
Susteck.
Thoughts
on the composition
“Zwischenklänge
€ with regard to the
subject of “home
and abroadâ€: -
Music that never rests,
that is in constant
motion and mutation, its
tones almost trembling,
on the run, in constant
tension. - Music that
unfolds its beauty in the
“in betweenâ€,
in the appoggiatura, in
the flash-like emergence
and disappearance of
harmonic colors. -
Music as an evolvement of
time, waiting, bustling,
erupting, or
withdrawing.
The
composition
“Zwischenklänge
€ was awarded tje
11th Composition Prize of
Contemporary Sacred Music
of the European Church
Music Festival
Schwäbisch Gmünd.
– The premiere was
given on 27 August 2012
by Roman Summereder
(Vienna).
Organ SKU: BR.EB-8629 Chorale Preludes of the Romantic to Songs of the...(+)
Organ
SKU:
BR.EB-8629
Chorale
Preludes of the Romantic
to Songs of the Ev.
Gesangbuches.
Composed by Klaus Uwe
Ludwig. Edited by Klaus
Uwe Ludwig. Solo
instruments; Softbound.
Edition Breitkopf.
hier preisen auf der
Erd offers a selection of
some of the multi-faceted
and highly original forms
found among the chorale
prelude of the romantic
era.
Romantic period.
Score. 96 pages.
Breitkopf and Haertel #EB
8629. Published by
Breitkopf and Haertel
(BR.EB-8629).
ISBN
9790004180518. 9 x 12
inches.
The
spotlight is not on
Brahms, Reger and
Karg-Elert, but on the
romantic organ composers
Otto Dienel, Theophil
Forchhammer, Max Gulbins,
Otto Heinermann, Karl
Hoyer, Wilhelm Kienzl,
Emil Magnus, Karl Piutti
and many others whose
works have recently begun
to attract greater
attention. The idea of
romanticism is extended
into the 20th century by
the inclusion of certain
other composers as well.
hier preisen auf der Erd
illustrates a
particularly fruitful
period in the history of
organ music while also
expanding the four-volume
collection in Ewigkeit
dich loben, which was
unable to take certain
interesting rediscoveries
into account at the time
of
compilation.
hier
preisen auf der Erd
offers a selection of
some of the multi-faceted
and highly original forms
found among the chorale
prelude of the romantic
era. Awarded the German
Music Edition Prize
1998.
Organ SKU: BR.EB-8573 Chorale Preludes from 5 Centuries to the Evang. ...(+)
Organ
SKU:
BR.EB-8573
Chorale
Preludes from 5 Centuries
to the Evang.
Gesangbuch. Composed
by Gardonyi / Ludwig /
Schweizer (Hrsg.). Edited
by Ludwig/ Gardonyi/
Schweizer. Solo
instruments; Softbound.
Edition Breitkopf.
in
Ewigkeit dich loben
features preludes for all
the hymns contained in
the new Protestant
Hymnbook (Evangelisches
Gesangbuch, EG).
Music pedagogy. Score.
160 pages. Breitkopf and
Haertel #EB 8573.
Published by Breitkopf
and Haertel (BR.EB-8573).
ISBN 9790004178607. 9
x 12 inches.
The
four-volume collection
consists of new
compositions, important
rediscoveries of
out-of-print-pieces, and
some well-known chorale
preludes which have been
transposed into the
Hymnbook's new keys. By
providing two or three
preludes for each of the
particularly well-loved
and frequently used
hymns, in Ewigkeit dich
loben offers a rewarding,
multifaceted treasury of
pieces from the
Renaissance to our day.
In addition to its
usefulness in the church
service, the collection
also gives the organ
teacher a chance to
explore a colourful
diversity of styles with
his students. Volume 1
has been awarded the
German Music Edition
Prize 1993. ... One has
to give the editors
credit for their
comprehensive knowledge
of the organ literature
of all periods and
nations! It makes you
want to play the
collection right through
from beginning to end. It
should not be missing
from any organist's
library! Happy is the
hymnal which is
introduced by these organ
preludes.
(Wurttembergische Blatter
fur
Kirchenmusik)
in
Ewigkeit dich loben
features preludes for all
the hymns contained in
the new Protestant
Hymnbook (Evangelisches
Gesangbuch, EG).
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Complete theoretical and practical method for organ-playing in three parts. Comp...(+)
Complete theoretical and
practical method for
organ-playing in three
parts. Composed by Flor
Peeters. This edition:
Paperback/Soft Cover.
Sheet music. Organ
Collection. 100 pages.
Schott Music #SF 8978.
Published by Schott Music
Solo Organ SKU: PR.443410020 Composed by Ronald Caltabiano. With Standard...(+)
Solo Organ
SKU:
PR.443410020
Composed
by Ronald Caltabiano.
With Standard notation.
16 pages. Theodore
Presser Company
#443-41002. Published by
Theodore Presser Company
(PR.443410020).
UPC:
680160094936. 11 X 8.5
inches.
In writing
with an individual voice
clearly of the present,
yet equally clearly
displaying a respect for
and continuity with the
past, Caltabiano
demonstrates the skills
which have won his rising
talent much recognition
and many awards. This is
a modern work which many
organists will find
attractive. For college,
conservatory,
professional, churches.
Medium-dif.
Organ - very easy to easy SKU: HL.49018182 Complete theoretical and pr...(+)
Organ - very easy to easy
SKU: HL.49018182
Complete theoretical
and practical method for
organ-playing in three
parts. Composed by
Flor Peeters. This
edition: Paperback/Soft
Cover. Sheet music. Organ
Collection. Das
Standardwerk fur den
Orgelunterricht - jetzt
in der Edition Schott
lieferbar. 112 pages.
Schott Music #SF8976.
Published by Schott Music
(HL.49018182).
ISBN
9790543505025. UPC:
841886032613.
12.0x8.75x0.32 inches.
German - English - French
- Dutch - Spanish -
Portuguese -
Italian.
Flor
Peeters, born in Belgium
in 1903, is one of the
most important organists
and organ composers of
the 20th century. After
completing his studies at
the famous Lemmens
Institute in Mechelen, he
worked there as a teacher
of organ and
improvisation before
becoming professor at and
director of the Royal
Flemish Conservatoire of
Antwerp. Until his death
in 1986, Peeters gave
concerts all around the
world, held numerous
master classes and
received several awards
and prizes for his
achievements as a
composer, organist and
teacher.In his successful
three-volume educational
work 'Ars Organi',
Peeters combines
theoretical knowledge and
practical exercises on
all aspects of organ
playing, starting with
basic information on the
instrument, manual and
pedal exercises, and
two-part manual and pedal
playing. While Vol. 2
contains exercises on
three-part playing, Vol.
3 contains exercises on
four and five-part
playing as well as
studies on demanding trio
playing. Each learning
stage is accompanied by
pedal exercises and tips
on articulation, touch,
interpretation,
registration and organ
specifications - a
valuable compendium for
every organist.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).