Par BACH JOHANN SEBASTIAN. In this volume with the Toccatas (and Fugues) as well...(+)
Par BACH JOHANN SEBASTIAN. In this volume with the Toccatas (and Fugues) as well as individual works the Swiss organist Jean-Claude Zehnder has amply proven his mettle as a Bach specialist here. Of particular interest in this book is the Canzona in d BWV 588. Written before 1707, this early work is found in a contemporary copy by Johann Gottlieb Preller with embellishments, fingerings and a closing cadenza - this version is printed in the Appendix. Similarly, the print of the early version of the Passacaglia BWV 582 is likely to meet with great interest.
Online you will find early versions, further ornamented versions, and pieces that can no longer be attributed to Bach as the Kleines harmonisches Labyrinth BWV 591 and the Prelude in G BWV 568./ Recueil / Orgue
Bach était considéré comme le maître de musique chorale qui composent plus d...(+)
Bach était considéré comme le maître de musique chorale qui composent plus de 200 cantates. Cet arrangement somptueux de Jesu, Joy de l'homme désirant pour orgue donne aux joueurs la chance de vivre la joie de Bach à son meilleur. / Orgue / 8 pages / Partition
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...(+)
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition BACH POUR JEUNES ET ANCIENS / arr. Gregg Sewell - pour Orgue qui a été écrite pourOrgue. Les éditions De Haske Publications qui ont éditées cette oeuvre l'ont répertoriée sour la référence DHP 0970913-401. / Orgue / 24 pages / Partition
Six oeuvres connues de JS Bach arrangé pour orgue avec des pièces de pédales ...(+)
Six oeuvres connues de JS Bach arrangé pour orgue avec des pièces de pédales faciles. Idéal pour le pianiste qui doivent effectuer sur les organes églises. / Orgue / Partition
Cet ' Air ' vient Suite pour orchestre #3 de Bach en ré majeur. Son titre popul...(+)
Cet ' Air ' vient Suite pour orchestre #3 de Bach en ré majeur. Son titre populaire 'Air sur la chaîne G' est par un arrangement pour violon et piano par le grand violoniste allemande août Wilhelmj qui a joué la plupart de la mélodie des notes sur le 'G' chaîne du violon. Cet arrangement pour orgue sera une pièce idéale pour utilisation au cours des services de mariage. / Orgue / Partition
Editée il y a moins de 10 ans par les éditions Henle sous la référence 976, ...(+)
Editée il y a moins de 10 ans par les éditions Henle sous la référence 976, cette partition de musique Prelude and Fugue on BACH for Organ du compositeur Liszt Franz a été composée pour Orgue. Elle fait partie intégrante des partitions musicales de la catégorie Classique. / Orgue / Chanson En Séparée
Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Bo...(+)
Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans
music text faithful to the sources and reflecting the current status of Bach research
developed for musical practice through the cooperation of scholars and performers
contains all of Bach's keyboard works that require an independent pedal manual
contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty
features comprehensive introductions, extensive source descriptions and text-critical notes
features supplementary material illustrated synoptically on CD-ROM (in printable quality)
brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns
'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review)
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The New Edition of Bach's Complete Organ Works
With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext.
Current Urtext status, historically informed, edited with performers in mind:
More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context.
The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore
The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty.
It offers incerta, early, and alternative versions on CD-ROM
In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes.
Edited by a competent team:
With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes.
Werner Breig (* 1932)
studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition).
Pieter Dirksen (* 1961)
studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003.
Reinmar Emans (* 1953)
studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue
Par BACH JOHANN SEBASTIAN. Although the ?fantasia? was already considered as old...(+)
Par BACH JOHANN SEBASTIAN. Although the ?fantasia? was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach ? he had since relocated to Köthen ? and theexperienced composer as well.Volume 3, the latest installment in the Complete Organ Works, gathers together all transmitted organ fantasias by Bach, the fragments of the fugues belonging to them and all individual fugues as well.They include, for instance, the Fantasia in C BWV 570, undoubtedly the master?s oldest free organ work.The most notable works in this edition are the celebrated Fantasia in g minor BWV 542/1 and the Fuga in g BWV 542/2.DidBach actually intend a combination of the two pieces as a joint composition' This and other intriguing questions concerning versions, sources and genre history are examined by editor Pieter Dirksen in the introduction andcomments, which contain a synopsis and a wealth of transposed and ornamented versions of the works which supplement the edition on the enclosed CD-ROM. / Date parution : 2021-11-25/ Recueil / Orgue
Fantasien und Fugen/Einzelwerke - mit CD-ROM-Although the “fantasia”...(+)
Fantasien und Fugen/Einzelwerke - mit CD-ROM-Although the “fantasia” was already considered as old-fashioned around 1700 this genre exerted a particular fascination on the very young Bach – he had since relocated to Köthen – and the experienced composer as well.Volume 3 the latest installment in the Complete Organ Works gathers together all transmitted organ fantasias by Bach the fragments of the fugues belonging to them and all individual fugues as well. They include for instance the Fantasia in C BWV 570 undoubtedly the master’s oldest free organ work.The most notable works in this edition are the celebrated Fantasia in g minor BWV 542/1 and the Fuga in g BWV 542/2. DidBach actually intend a combination of the two pieces as a joint composition? This and other intriguing questions concerning versions sources and genre history are examined by editor Pieter Dirksen in the introduction and comments which contain a synopsis and a wealth of transposed and ornamented versions of the works which supplement the edition on the enclosed CD-ROM.
?For me Sebastian Bach is the be-all and end-all of music; true progress lies a...(+)
?For me Sebastian Bach is the be-all and end-all of music; true progress lies and resides in him alone.? It was with these programmatic words that Max Reger prefaced his answer to a survey ?What does Johann SebastianBach mean to me and what is his significance for our time?? posed by the editors of a magazine in 1905. Reger had already proven his adoration of Bach with his magnificent homage to the composer written and publishedin 1900 and probably the best-known of his works for Organ. It is an established work in the concert repertoire of well-known virtuosi but is also increasingly being performed by ambitious church musicians. Henle has nowpublished this sea of notes and performance directions in an edition with a particularly clear and readable text.
Sous le titre de 'Kleinere Werke' [Small Works], le second volume des oeuvres po...(+)
Sous le titre de 'Kleinere Werke' [Small Works], le second volume des oeuvres pour orgue par Carl Philipp Emanuel Bach dans l'édition Wiener Urtext contient toutes les oeuvres écrites par le compositeur à l'exception des sonates plusieurs mouvements pour orgue: préludes, fugues, trio, choral arrangements et des pièces pour horloge musicale. Les fugues, en particulier, prouver que C. Ph. E. Bach était un élève attentif de son père. La musique théoricien Friedrich Wilhelm Marpurg apprécié ces fugues tant qu'il a inclus certains d'entre eux à titre d'exemples dans ses écrits théoriques. Les pièces pour horloge musicale sont une sélection variée de pièces dans le style galant qui ont été initialement écrits pour instruments mécaniques et qui sont les meilleurs pour être exécutée sur l'orgue. En collaboration avec les Sonates pour orgue publiés dans le vol. 1, c'est probablement la collection la plus complète des oeuvres de Bach, fils aîné de seconde qui peut être effectué sur l'orgue. / Orgue
Composée à partir d'un célèbre thème de J,S, Bach extrait de la cantate 'Wa...(+)
Composée à partir d'un célèbre thème de J,S, Bach extrait de la cantate 'Wachet auf, ruft uns die Stimme?, 'Turning Bach? est une des très rares pièces de jazz écrites pour l'orgue, Son interprétation, bien qu'idéale à l'orgue de jazz (orgue Hammond B3 avec cabine Leslie), est néanmoins parfaitement réalisable sur l'orgue à tuyaux, donnant ainsi aux organistes de musique classique l'opportunité de jouer du jazz sur leur instrument, / Orgue
Eight Little Preludes And Fugues BWV 553-560 formerly ascribed to Johann Sebasti...(+)
Eight Little Preludes And Fugues BWV 553-560 formerly ascribed to Johann Sebastian Bach. Although it has not been possible to identify the composer of the 'Eight Little Preludes And Fugues' Alfred Dürr writes in his preface to this edition 'Since the value of a musical work is in no way dependent pm whether the composer is known or not the hope remains that the delightful and appealing music of the Eight will find enthusiasts in the future despite the fact that they no longer fulfil their former task namely to introduce 'typically Bachian' elements to the future organists. The Eight definitely have their own value'.
Le ' petit livre d'orgue ', peut-être la plus célèbre collection jamais des p...(+)
Le ' petit livre d'orgue ', peut-être la plus célèbre collection jamais des préludes chorals, doit son titre à l'application de J.S. Bach pour le poste de Cantor à l'église Saint-Thomas de Leipzig. N'ayant pas un diplôme universitaire, Bach voulait démontrer ses qualités comme enseignant à travers ses compositions - y compris ses Inventions, Sinfonias et le ' bien tempérée Klavier '. Cela aussi amené à ajouter un titre trompeur au projet plus ambitieux de son temps à Weimar : il a appelé de cette collection de pièces de chorale preludes - initialement destinés à numéro 164 pièces - pour un ' organiste aspirant '. En fait les 44 terminé les compositions de la ' petit livre d'orgue 'exigent des chefs-d'oeuvre qui donnent un impressionnant étalage de la gamme complète de la soi-disant court chorale prelude. Cette nouvelle édition critique renvoie au format des principales sources datant de l'époque de Bach, pour la première fois que la plupart des pièces est reproduite sur les deux systèmes, plutôt que de trois. / Orgue / Partition
In 1739 Bach's Third Part of the Clavier Übung was published on 80 pages closel...(+)
In 1739 Bach's Third Part of the Clavier Übung was published on 80 pages closely printed. Ever since then the collection has been regarded as a high point in the history of organ composition as it offers an impressive cross section of Bach's artistry.This present volume is an updated edition of Volume 4, Series IV, of the New Bach Edition, presented by Manfred Tessmer in 1969. A fully revised edition proved unnecessary, as there were relatively few corrections affecting the musical text. However, the volume now includes a detailed Preface by Christoph Wolff which discusses not only the work's genesis but also offers an up-to-date description of the sources. For the new engraving of the musical text page-turns were reviewed and improved.Bach's autograph is considered lost and so the main source is the original print of the collection from 1739. In collaboration with the Leipzig Bach Archive and its database Bach digital this new edition includes links to two important copies of the original print which contain hand-written entries by Bach himself.Any complete scholarly-critical edition of the works of Johann Sebastian Bach must, in the interest of its use by researchers and performers, incorporate intervening new discoveries wherever possible. With this in mind, Bärenreiter has entered an agreement with the Leipzig Bach Archive to reissue particular volumes as applicable, either in updated performing editions based on the New Bach Edition or in thoroughly revised editions based on the New Bach Edition - revised. In this way, each new performing edition will represent the cutting edge of research.Further hallmarks of this new generation of Urtext editions will be detailed, up-to-date Prefaces and newly engraved musical texts with optimum page turns. Each volume will list incipits with links to the relevant manuscripts in Bach digital thereby enabling the user to gain quick access to the sources.-With altered readings integrated into the musical text taking into account new musicological evidence-With a new Preface (Ger/Eng) discussing this work and its sources by Christoph Wolff-With links to the relevant sources in Bach digital via http://links.baerenreiter.com-Newly engraved and with improved page turns-Format: 24cm x 30.5cm / Orgue
'Au-delà de Bach - Une aventure musicale' se concentre sur les oeuvres dites ap...(+)
'Au-delà de Bach - Une aventure musicale' se concentre sur les oeuvres dites apocryphes de Jean-Sébastien Bach. Le terme se réfère à des oeuvres ayant fait partie de la bibliothèque du compositeur. Qu'il les ait lui-meme interprétées ou exécutées est avéré- elles ont trouvé place dans le catalogue BWV alors que Bach n'en était probablement ou meme certainement pas l'auteur. La série débute avec la cantate 'Mein Odem ist schwach' (BWV 222) sans aucun doute une oeuvre de Johann Ernst Bach, le fils d'un cousin de J.-S. Bach. / Orgue
Jubilatoire, tel est le caractère de cette transcription d'Olivier Trachier du ...(+)
Jubilatoire, tel est le caractère de cette transcription d'Olivier Trachier du concerto en Ré Majeur de J.S Bach à partir des numéros BWV 1042 et 1054. Transcris pour un orgue à deux claviers et pédalier, les trois mouvements - Allegro, Adagio e piano sempre, Allegro - s'enchaînent en privilégiant la clarté de l'écriture violonistique d'origine. Cette transcription d'une oeuvre maîtresse de Bach, pleine de joie et d'un caractère dansant, vient enrichir le répertoire des organistes pour les instruments d'esthétique baroque. / Orgue
La référence AL25353 de l'éditeur Leduc dont l'auteur célèbre est Bach Joha...(+)
La référence AL25353 de l'éditeur Leduc dont l'auteur célèbre est Bach Johann Sebastian/Spiers P., qui a pour titre Dear Johann Sebastian Volume 2 Orgue Electronique, a été écrite et composée pour Orgue et plus particulièrement pour Orgue Electronique. Cette partition musicale appartient à la catégorie Classique. / Orgue Electronique / Partition
Aus Der Kunst Der Fuge. Par BACH JOHANN SEBASTIAN. In 1991 an astonishing discov...(+)
Aus Der Kunst Der Fuge. Par BACH JOHANN SEBASTIAN. In 1991 an astonishing discovery was published by Zoltán Göncz answering the question with fairly great certainty how Bach planned the appearance of the fourth subject, the main subject of the cycle: One of the striking features of Contrapunctus 14 is that in this movement Bach applied the stretto of whole expositions. In the exposition of the first three subjects he “programmed” the later permutational stretti, then applied the expositions as “programs”, “algorithms”. However paradoxical, it follows from the logic of composing a quadruple fugue that the combinations joining all four subjects and rendered the latest when performing the work were already completed in the very firststage of composition because the possibility of overlapping the four subjects [1+2+3+4] is the sine qua non of writing a quadruple fugue. The discovery of the permutational matrix was one of the most essential conditions to achieve that the reconstruction of Contrapunctus XIV could come near to the original form planned by Bach./ Répertoire / Orgue
La partition Fantaisie Et Fugue Sur Le Nom De Bach Orgue a été composée pour ...(+)
La partition Fantaisie Et Fugue Sur Le Nom De Bach Orgue a été composée pour Orgue. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Orgue / Partition
Johann Sebastian Bach is regarded as one of the greatest composers of all time. ...(+)
Johann Sebastian Bach is regarded as one of the greatest composers of all time. His music is revered for its technical command artistic beauty and intellectual depth. However during his lifetime Bach wasbest known throughout Europe as an organist Organ consultant and composer of Organ works in both the traditional German free genres?such as preludes fantasias and toccatas?and stricter forms such as chorale preludes andfugues. During his most productive period (1708 14) he composed about a dozen pairs of preludes and fugues five toccatas and fugues and the Little Organ Book an unfinished collection of forty-six short chorale preludes thatdemonstrates compositional techniques in the setting of chorale tunes.Essential Organ Works Of Bach includes Toccata And Fugue In D Minor BWV 565 Passacaglia And Fugue In C Minor BWV 582 Concerto in A minor 'after Vivaldi' BWV 593 Fantasia in G 'Piéce d'Orgue' BWV 572 In dulci jubilo BWV 729 Liebster Jesu wir sind hier BWV 731 Prelude and Fugue in Eb BWV 552 Prelude and Fugue in G BWV 541 Vater unser im Himmelreich BWV 683 and Watchet auf ruft uns die Stimme BWV 645. A must-have collection for any organist!
Par BACH JOHANN SEBASTIAN. The now-published volumes 9 and 10 have presented a s...(+)
Par BACH JOHANN SEBASTIAN. The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. This ties in with the crucial question of Bach?s authorship, which has been the subject of much controversy in the past. There were heated discussions about it even just prior to our edition, and editors and publisher are aware that the present selection is a thoroughly debatable snapshot. More on this in the volumes? text sections. The situation of the chorale partitas is not quite so dramatic, whereby these holdings also had to be subdivided for reasons of transmission into mainsection, appendix, and online presentation. The so called ?Neumeister-Choräle? are incorporated in the group of the separately transmitted chorale settings in alphabetical order, because the compilation of the pieces does not follow any collection idea of Bach (such as, for example, his larger late collections). The indication ?Neumeister-Sammlung? should facilitate the attribution. Those works requiring further research, besides of some versions, are presented online, since their profile reveals less evidence of the true author. / Date parution : 2021-11-25/ Recueil / Orgue
SÄMTLICHE ORGELWERKE, BAND 10. Par BACH JOHANN SEBASTIAN. The now-published vol...(+)
SÄMTLICHE ORGELWERKE, BAND 10. Par BACH JOHANN SEBASTIAN. The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. This ties in with the crucial question of Bach?s authorship, which has been the subject of much controversy in the past. There were heated discussions about it even just prior to our edition, and editors and publisher are aware that the present selection is a thoroughly debatable snapshot. More on this in the volumes? text sections. The so called ?Neumeister-Choräle? are incorporated in the group of the separately transmitted chorale settings in alphabetical order, because thecompilation of the pieces does not follow any collection idea of Bach (such as, for example, his larger late collections). The indication ?Neumeister-Sammlung? should facilitate the attribution. Those works requiring further research, besides of some versions, are presented online, since their profile reveals less evidence of the true author. / Date parution : 2021-11-25/ Recueil / Orgue
Par BACH JOHANN CHRISTOPH / BACH JOHANN MICHAEL / ERIC. choralgebundene Orgelmus...(+)
Par BACH JOHANN CHRISTOPH / BACH JOHANN MICHAEL / ERIC. choralgebundene Orgelmusik - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit -/ Répertoire / Orgue
25 Perfect Pieces for Perfect Days. Par . Wedding Music for Manuals is a stunnin...(+)
25 Perfect Pieces for Perfect Days. Par . Wedding Music for Manuals is a stunning and player-friendly collection of 25 of the most requested and timeless classical organ pieces for wedding ceremonies. From the timeless elegance of Pachelbel's 'Canon in D' to the majestic triumph of Wagner's 'Bridal March', this book is a must-have for any organist looking to add a touch of sophistication to their wedding repertoire. Each piece has been carefully selected and arranged for manuals, with an emphasis on capturing the emotional power and joy of the wedding day. Featuring compositions by renowned masters such as Mozart, Bach, and Handel, Wedding Music for Manuals is the perfect musical companion for any unforgettable wedding day. / Date parution : 2023-06-01/ Recueil / Orgue