Organ SKU: HL.14016411 Composed by Francis Jackson. Music Sales America. ...(+)
Organ
SKU:
HL.14016411
Composed
by Francis Jackson. Music
Sales America. Post-1900.
Book [Softcover]. 20
pages. Music Sales
#NOV570004. Published by
Music Sales
(HL.14016411).
8.25x11.75x0.156
inches.
Composer
's Note:
In
writing these pieces I
had in mind certain
difficulties which worry
most organists from time
to time; and in order to
combine, as it were,
business with pleasure I
thought it worthwhile to
concentrate upon one
aspect of organ technique
in each piece, even at
the risk of making them a
little more difficult
than others in this
series.
In
Procession the
main difficulty lies in
the pedals
Arabesque, on
the other hand could
hardly have had a simpler
pedal part: its object is
to exercise the left hand
in producing a smooth,
running semi-quaver
pattern Pageant
with its cross-rhythms,
is designed to produce
well-disciplinedhands and
feet that can, when
required, work in
conflicting rhythms.
I have kept the
registration schemes as
simple and
straightforward as
possible.
Organ (Organ) SKU: HL.50577275 Faszination Orgel. By Gunter Kaluza...(+)
Organ (Organ)
SKU:
HL.50577275
Faszination Orgel.
By Gunter Kaluza. Ricordi
Germany. Book Only.
Composed 2012. Forberg
Edition #F95045.
Published by Forberg
Edition (HL.50577275).
Faszination
Orgel is a series
especially designed for
liturgical use. The first
two volumes are dedicated
to the parts of liturgy,
whilst other volumes
cover events and
festivals during the
church year. All volumes
can be played by lesser
skilled organists or
sight-read by advanced
musicians. This volume
contains entrance and
procession pieces by J.
G. Walther, J.S. Bach, J.
K. Kuchar, W. A. Mozart,
L. Boellmann, E. Batiste,
F. A. Guilmant, F. C. Th.
Dubois, S. Karg-Elert, H.
Schubert and G.
Kaluza.
Faszina
tion Orgel is a
series especially
designed for liturgical
use. The first two
volumes are dedicated to
the parts of liturgy,
whilst other volumes
cover events and
festivals during the
church year. All volumes
can be playedby lesser
skilled organists or
sight-read by advanced
musicians. This volume
contains entrance and
procession pieces by J.
G. Walther, J.S. Bach, J.
K. Kuchar, W. A. Mozart,
L. Boellmann, E. Batiste,
F. A. Guilmant, F. C.
Th.Dubois, S. Karg-Elert,
H. Schubert and G.
Kaluza.
Faszina
tion Orgel ist eine
speziell fur den
Kirchengebrauch (ev. und
kath.) konzipierte Reihe.
Die ersten beiden Bande
widmen sich den vom
Organisten zu
gestaltenden Teilen des
Gottesdienstes, die
weiteren Bande Themen und
Festen des Kirchenjahres
sowie jahreszeitlich
nicht gebundenen
Anlassen. Alle Werke sind
im Schwierigkeitsgrad
auch von weniger geubten
Organisten machbar und
fur Geubte vom Blatt zu
spielen.
Selbstverstandlich eignen
sich die meisten Werke
auch fur den Vortrag
ausserhalb des
Gottesdienstes. Der erste
Band enthalt Werke fur
Ein- und Auszug.
Organ SKU: SU.80101453 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101453
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101453.
Published by Zimbel Press
(SU.80101453).
Three
Sound-Poems after
Paintings by Andreas
Willscher (2017) are
dedicated to organist
Philip Hartmann and the
art-loving community of
the Pauluskirche in Ulm,
Germany. The music is
inspired by three
paintings by German
composer (and artist)
Andreas Willscher (b.
1955). The pieces take
their musical shapes and
colors from the specific
details of the paintings.
The three paintings
represent different
styles: a landscape, a
religious theme, and an
abstract. The first
movement, Sonnenfeld (Sun
Field), is inspired by a
bright painting of the
sun illuminating the
green field behind the
composer's small house in
Sainte-Radegonde
(Dordogne/Perigord,
France). A resplendent
and majestic section of
full sun harmonies
surrounds a middle
section with more motion.
The second movement,
Gebet des Hl. Franziskus
(Prayer of St. Francis),
is inspired by a painting
showing St. Francis of
Assisi in prayer. Francis
has been a frequent theme
in Willscher's music
since his appointment at
a young age as organist
of St. Francis Church in
Hamburg. The third
movement, Laetare
(Rejoice), is inspired by
an vibrant abstract
painting comprised of
bold colors. The
alternation of the blocks
of rich color are
mirrored in the block
harmonic shifts in the
movement, which is a moto
perpetuo, building
towards the organ's
fullest sounds.
Instrumentation: Organ
Duration: 11' Composed:
2017 Published by: Zimbel
Press.
Organ SKU: SU.80101383 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101383
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101383.
Published by Zimbel Press
(SU.80101383).
The three
pieces in this
publication are
multi-movement works that
are designed to be
effective on even a
small, one manual chamber
organ. Varied
registrations, multiple
manuals, and optional
pedal may be used as
desired on larger organs.
They are highly suitable
for recital or service
use. Instrumentation:
Organ Duration: 23'30
Composed: 2017 Published
by: Zimbel Press.
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Zsigmond Szathmary....(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Zsigmond Szathmary. Free
organ music. German
title: 17 Kirchensonaten
fur Orgel solo. Free
organ music. Compact
Disc. Composed 1844. 700
pages. Carus Verlag #CV
18.067/99. Published by
Carus Verlag
(CA.1806799).
Tenor Saxophone & Organ SKU: AP.1-ADV7068 For Tenor Saxophone and Orga...(+)
Tenor Saxophone & Organ
SKU: AP.1-ADV7068
For Tenor Saxophone
and Organ. Arranged
by Friedemann Graef.
Series; Solo; Solo Small
Ensembles; Woodwind -
Tenor Saxophone Solo.
Advance Music: Spirituals
for Saxophone. Sacred;
Spiritual; Traditional.
Score and Part(s).
Advance Music
#01-ADV7068. Published by
Advance Music
(AP.1-ADV7068).
UPC:
805095070682. English.
Traditional.
This
collection of pieces for
saxophone and organ or
piano, Spirituals for
Saxophone arranged by
Friedemann Graef, is
designed for use in
concert performances as
well as for church
services and other
ceremonies. This
traditional American
spiritual, Oh Freedom,
has been extended by
composed introductions
and endings, or
interludes and written
solos. The notated solos
here are the results of
more than ten years of
the arranger's personal
experience with these
tunes and chord changes.
The organ part may also
be played on acoustic
piano if the bass voice
is played one octave
lower in respective
passages---these passages
are marked. There is a
transposed part for
B-flat and E-flat
saxophones. Due to the
different register of the
tenor and alto saxophone,
a few notes of the alto
saxophone parts have been
changed for a more
effective sound.
Alto Saxophone & Organ SKU: AP.1-ADV7063 For Alto Saxophone and Organ<...(+)
Alto Saxophone & Organ
SKU: AP.1-ADV7063
For Alto Saxophone and
Organ. Arranged by
Friedemann Graef. Series;
Solo; Solo Small
Ensembles; Woodwind -
Alto Saxophone Solo.
Advance Music: Spirituals
for Saxophone. Sacred;
Spiritual; Traditional.
Score and Part(s).
Advance Music
#01-ADV7063. Published by
Advance Music
(AP.1-ADV7063).
UPC:
805095070637. English.
Traditional.
This
collection of pieces for
saxophone and organ or
piano, Spirituals for
Saxophone arranged by
Friedemann Graef, is
designed for use in
concert performances as
well as for church
services and other
ceremonies. This
traditional American
spiritual, Oh Freedom,
has been extended by
composed introductions
and endings, or
interludes and written
solos. The notated solos
here are the results of
more than ten years of
the arranger's personal
experience with these
tunes and chord changes.
The organ part may also
be played on acoustic
piano if the bass voice
is played one octave
lower in respective
passages---these passages
are marked. There is a
transposed part for
B-flat and E-flat
saxophones. Due to the
different register of the
tenor and alto saxophone,
a few notes of the alto
saxophone parts have been
changed for a more
effective sound.
Chamber Music Solo Organ SKU: PR.113400490 Composed by Adolphus Hailstork...(+)
Chamber Music Solo Organ
SKU: PR.113400490
Composed by Adolphus
Hailstork. Sws.
Performance Score.
Theodore Presser Company
#113-40049. Published by
Theodore Presser Company
(PR.113400490).
ISBN
9781491138205. UPC:
680160693658. Key: D
major.
Describing
this work that is less
technically demanding
than his other organ
music, Adolphus Hailstork
has written: “The
Prelude on Duke Street
represents my love for
the pipe organ and for
the music of J.S. Bach.
My hope is that this
piece can find a place as
a church prelude (or
postlude) or as a recital
piece, especially for
students.”. This
prelude on the hymn tune
Duke Street (commonly
associated with Isaac
Watts’ Jesus Shall
Reign Where’er the Sun)
represents my love for
the pipe organ, and for
the music of J.S. Bach.
My hope is that this
piece might find a place
as a church prelude or
postlude, and as a
recital piece, especially
for students. .
(Grades 2-5). Composed by Johann Sebastian Bach (1685-1750). Edited by Anne Mars...(+)
(Grades 2-5). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Anne Marsden Thomas. For
organ. Oxford Bach Books
for Organ. Pieces and
Studies. Level B (easy).
56 pages. Published by
Oxford University Press
Organ SKU: M7.DOHR-26368 Drei kurze Orgelstücke zum Choral des Peac...(+)
Organ
SKU:
M7.DOHR-26368
Drei
kurze Orgelstücke zum
Choral des Peachum.
Composed by Christoph
Weinhart. Sheet music.
Composed 1991. 13 pages.
MDS (Music Distribution
Services) #DOHR 26368.
Published by MDS (Music
Distribution Services)
(M7.DOHR-26368).
Organ solo SKU: CA.1805000 Composed by Friedrich Reimerdes. This edition:...(+)
Organ solo
SKU:
CA.1805000
Composed
by Friedrich Reimerdes.
This edition: Paperbound.
Organ music based on
hymns, free organ music.
German title: Praeludien
Und Fugen Fur Orgel.
Organ music based on
hymns, Free organ music.
Collection. 114 pages.
Carus Verlag #CV
18.050/00. Published by
Carus Verlag
(CA.1805000).
Organ SKU: AY.FRD106 Composed by Paul J. Sifler. Keyboards - Organ. Fredo...(+)
Organ
SKU:
AY.FRD106
Composed by
Paul J. Sifler. Keyboards
- Organ. Fredonia Press
#FRD106. Published by
Fredonia Press
(AY.FRD106).
ISBN
9790302117506.
Paul
J. Sifler, born in
Ljubljana, Slovenia,
immigrated to the United
States at the age of 11,
and following his studies
at the Chicago
Conservatory as music,
led a long and prolific
career as a composer and
organist. The Despair and
Agony of Dachau has been
performed at the National
Cathedral in Washington
D.C. and in Sifler's
native Ljubljana,
performances which were
preceded by a reading of
Psalm 22. Phrases from
the Psalm beginning My
God, my God, why has Thou
forsaken me? are used to
depict the tragedy of the
concentration camp at
Dachau. Among the traumas
represented are the
furnaces, described by a
mighty roar, the
scurrying of rats and
barking of dogs. This
work was composed to
provide a history lesson
for the future, and to
offer the fervent prayer
that mankind will never
again be involved in such
an atrocity.
Narrator and organ - intermediate SKU: HL.49019842 For Narrator and Or...(+)
Narrator and organ -
intermediate
SKU:
HL.49019842
For
Narrator and Organ.
Composed by Enjott
Schneider. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Softcover. Composed 2012.
40 pages. Duration 24'.
Schott Music #ED 21722.
Published by Schott Music
(HL.49019842).
ISBN
9790001195058.
9.25x12.0x0.183 inches.
German -
English.
Der fur
seine Soundtracks fur
Film und Fernsehen
bekannte Komponist Enjott
Schneider (*1950) fuhrt
hier durch drei biblische
Geschichten. Die Arche
Noah, Die Auferweckung
des Lazarus und David und
Goliath werden
eindringlich von einem
Erzahler deklamiert und
von der Orgel farbenreich
illustriert. Eine
wirkungsvolle Erganzung
der zeitgenossischen
Orgel-Literatur, die mit
diesen drei biblischen
Geschichten zum
dramatischen Storytelling
avanciert.
By Lynn Trapp. For organ. Advent, Christmas, Epiphany, Lent, Holy Week/Three Day...(+)
By Lynn Trapp. For organ.
Advent, Christmas,
Epiphany, Lent, Holy
Week/Three Days, Easter,
Ascension, General.
Moderately Easy.
Published by MorningStar
Music Publishers
Organ SKU: HL.48184602 Composed by Johann Sebastian Bach. Leduc. Baroque....(+)
Organ
SKU:
HL.48184602
Composed
by Johann Sebastian Bach.
Leduc. Baroque.
Softcover. 64 pages.
Alphonse Leduc #AL27724.
Published by Alphonse
Leduc (HL.48184602).
UPC: 888680853921.
9.0x12.0x0.204
inches.
Part of the
Organ collection by J. S.
Bach, this first book of
the Volume X Three
Chorals Transcriptions,
Three partitas and
canonical variations,
book 1 (BWV 645, 646,
647, 766, 767, 768)
contains six pieces and
is completed by the
second book. The six
pieces that feature in
this book are three
choral-transcriptions and
three chorals with
variations: 1. Awake, The
Watchmen ery out 2.
Whither shall I flee 3.
He that suffereth God to
guide him 4. Partite on
?Christ, Thou who Art the
light of the day? 5.
Partite on ?O God, Thou
Holy God? 6. Partite on
?Hail to Thee merciful
Jesus? This volume is
translated in English and
French and features the
annotation of Marcel
Dupre, a French Organist,
to help the performer get
the most our of the sheet
music. The preface is
also well written, with
explanations of the
comments and descriptions
of the techniques to use
for an accomplished
interpretation of this
work. .
Organ SKU: SU.80101247 For Organ. Composed by Frederick Frahm. Key...(+)
Organ
SKU:
SU.80101247
For
Organ. Composed by
Frederick Frahm.
Keyboard, Organ. Score.
Zimbel Press #80101247.
Published by Zimbel Press
(SU.80101247).
This set of
voluntaries for organ
manuals forms a triptych
for liturgical use. They
may be played as a set in
order, or individually
per the
performer’s
discretion. They were
composed for a modest two
manual organ. The
voluntaries, reminiscent
of the Vierne or Litaize
‘liturgical
preludes’, are not
based on any pre-existing
tunes. Published by:
Zimbel Press.
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).