By Paul Manz (1919-). For organ. This edition: commemorative edition. Collection...(+)
By Paul Manz (1919-). For
organ. This edition:
commemorative edition.
Collection. Advent,
General, Lent, Pentecost.
Medium. Organ score. 33
pages. Published by
MorningStar Music
Publishers
Book/Online Audio Electronic Keyboard; Keyboards; Organ SKU: HL.302741 (+)
Book/Online Audio
Electronic Keyboard;
Keyboards; Organ
SKU:
HL.302741
E-Z Play
Today Book A. E-Z
Play Today. Instruction,
Method. Softcover Audio
Online. 48 pages.
Published by Hal Leonard
(HL.302741).
ISBN
9781540065261. UPC:
888680967468.
9.0x12.0x0.182
inches.
Introducing
the E-Z way to reading
music notes, chords, and
learning musical terms!
Keyboards are among the
most versatile of all
musical instruments, and
many electronic keyboards
today have special
automatic features and
automatic rhythms. These
features make making
music even more fun and
versatile! If you've
always wanted to learn
how to play the keyboard,
this book is your first
step to success!
Beginnings Book A
provides
easy-to-understand
instructions with popular
songs and favorite tunes
so you can start playing
music you know and love
while learning to play!
In practically no time,
you'll be performing some
of your favorite
standards, including:
Aura Lee • Danny
Boy • He's Got the
Whole World in His Hands
• Kumbaya •
Lullaby (Cradle Song)
• On Top of Old
Smoky • Simple
Gifts • When the
Saints Go Marching In
• Yankee Doodle
• and more. This
book also includes access
to online recordings of
demonstration and backing
tracks, so you can listen
to the demos to hear how
the piece should sound,
then play along with the
backing tracks to sound
like a pro! Audio is
accessed online using the
unique code inside the
book and can be streamed
or downloaded. The audio
files include PLAYBACK+,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right.
About Hal
Leonard E-Z Play
Today
For
organs, pianos, and
electronic keyboards. E-Z
Play Today is the
shortest distance between
beginning music and
playing fun. Now there
are more than 300 reasons
why you should play E-Z
Play Today. * World's
largest series of music
folios * Full-size books
- large 9 x 12 format
features easy-to-read,
easy-to-play music *
Accurate arrangements...
simple enough for the
beginner, but accurate
chords and melody lines
are maintained *
Eye-catching, full-color
covers * Lyrics... most
arrangements include
words and music * Most
up-to-date registrations
- books in the series
contain a general
registration guide, as
well as individual song
rhythm suggestions *
Guitar Chord Chart - all
songs in the series can
also be played on
guitar.
(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #199).
Composed by Various. For
Organ, Piano/Keyboard,
Electronic Keyboard. E-Z
Play Today. Softcover.
528 pages. Published by
Hal Leonard
Solo Organ SKU: CA.5600300 Vol. II/2. Composed by Giacomo Puccini....(+)
Solo Organ
SKU:
CA.5600300
Vol.
II/2. Composed by
Giacomo Puccini. Edited
by Virgilio Bernardoni.
Complete editions /
Selected works: Edizione
Nazionale delle Opere di
Giacomo Puccini. Free
organ music. Full score
(complete edition /
selected edition). 148
pages. Carus Verlag #CV
56.003/00. Published by
Carus Verlag
(CA.5600300).
ISBN
9790007188047.
The
organ is the instrument
on which the young
Giacomo Puccini began his
career as a musician.
Through the rediscovery
of a considerable number
of hand-written pieces,
which he composed after
1870 as part of his
duties as organist in the
churches of Lucca,
several primary sources
are now available. These
give an insight into the
beginnings of his musical
activities which have
only been known about
from anecdotes from his
first biographers until
now. Puccini's organ
repertoire includes works
which were typical for
liturgical organ music at
that time: sonatas for
the main sections of the
mass, versets which were
substituted for Gregorian
chant, marches, which
were played after the
mass (exceptionally even
waltzes), and even a
pastorale for Christmas
time. This music was
written with the sound of
instruments made in
Tuscany in mind. These
have just one manual, a 8
foot Principale register
and a small pedalboard
always coupled to the
manual. In addition there
were several solo stops
divided into bass and
soprano.Puccini
contributed with
originality to the
renewal of Italian organ
practice, which began in
his day to discard its
operatic style in favor
of a style more suited to
the liturgy.
Organ SKU: FG.55011-448-7 Uuno Klamin savellyksia urkusovituksina....(+)
Organ
SKU:
FG.55011-448-7
Uuno Klamin
savellyksia
urkusovituksina.
Composed by Uuno Klami.
Edited by Esa Ylonen.
Score. Fennica Gehrman
#55011-448-7. Published
by Fennica Gehrman
(FG.55011-448-7).
ISBN
9790550114487.
Uuno
Klami (1900-1961) was
born in Virolahti and
studied in Helsinki,
Paris and Vienna. While
living in the capital
city Helsinki, he always
spent his summers in the
original homestead in
Virolahti. Klami is
most known for his
colourful orchestral
works, but works for
piano frame the different
times of the composer's
life nicely. The piano
works are so joyous that
transcribing from for
organ is firmly based.
Surumarssi
(Trauermarsch) Op. 8 was
composed when Klami was
16 years old, most likely
in memory of his late
mother. Pastoral A-flat
major was composed in
December 1919; I find it
contains the feeling of
Christmas. Barcarole Op.
5 is a French-influenced
work. I often find myself
thinking of a boat
bobbing on waves, while I
play this work. I
believe these organ
transcriptions bring many
joyful moments in
concerts as well as in
other congregational use.
And not only that: they
can be used as pedagogic
material as well.
Organ: 2-staff -
Moderately
Easy
Composed by Nigel
Williams.
Sacred, Advent,
Christmas.
Lorenz Publishing Company
#70/2374L. Published by
Lorenz
Publishing Company
Composed by James Biery, Michael Burkhardt, Charles Callahan, David M. Cherwien,...(+)
Composed by James Biery,
Michael Burkhardt,
Charles Callahan, David
M. Cherwien, Wilbur Held,
Robert A. , Mark Jones,
Kristina Langlois,
Richard Peek, David
Schelat. Hymn Setting.
Lent, Reformation, 21st
Century. Published by
MorningStar Music
Publishers (MN.10-362).
The Eucharist Orgue - Intermédiaire Lorenz Publishing Company
(Practical Organ Music for Communion). By James Southbridge. For organ: 2-staff....(+)
(Practical Organ Music
for Communion). By James
Southbridge. For organ:
2-staff. Sacred, Holy
Communion. Moderately
easy. Published by Lorenz
Publishing Company
(A Fabric of Contemporary and Traditional Wedding Songs for Organ). Composed by ...(+)
(A Fabric of Contemporary
and Traditional Wedding
Songs for Organ).
Composed by Tim Doran.
For organ: 3-staff.
Wedding. Moderate.
Published by Lillenas
Publishing Company
Organ: 3-staff - Intermediate SKU: LO.70-2478L Composed by David Lasky. S...(+)
Organ: 3-staff -
Intermediate
SKU:
LO.70-2478L
Composed
by David Lasky. Sacred.
Lorenz Publishing Company
#70/2478L. Published by
Lorenz Publishing Company
(LO.70-2478L).
ISBN
9780787789480.
This
collection by David Lasky
serves as a sequel to his
previous book with the
same title (70/2455L). In
this volume, you will
find a varied assortment
of characterful pieces in
different styles,
including free
meditations, postludes,
and hymn settings. As
always with Laskyâ??s
work, the practicality of
their use in worship is
paramount. From â??Dance
Toccataâ? to
â??Scherzo Giocoso,â?
and from â??Softly and
Tenderlyâ? to
â??Praise to the Lord,
Almighty,â? these
settings are sure to find
a place in your service
repertoire.
By James Southbridge. For organ. Lent, Holy Week, Eastertide, Ascension, Palm Su...(+)
By James Southbridge. For
organ. Lent, Holy Week,
Eastertide, Ascension,
Palm Sunday. Level:
2-staff. Sacred organ.
Published by Lorenz
Publishing Company.
(70/1548L)
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).
Organ - advanced to difficult SKU: HL.49033297 Organ. Composed by ...(+)
Organ - advanced to
difficult
SKU:
HL.49033297
Organ. Composed by
Jean Guillou. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1974.
Op. 28. 40 pages.
Duration 16'. Schott
Music #ED 9799. Published
by Schott Music
(HL.49033297).
ISBN
9790001137751. UPC:
884088070496.
9.0x12.0x0.158
inches.
Though the
work bearing this title
is a portrait of
childhood, it is a
childhood quite different
from the purely
gameplaying and dreamlike
childhood that is
customarily represented.
The childhood described
here is carrying the
seed, in all its purity,
of all positive and
negative qualities to be
found the fully-grown
men: a childhood both
angelic and diabolical,
and indeed very close to
Henry James' The Turn of
the Screw which was the
direct inspiration for
this monodrama.Its growth
follows the innumerable
sudden changes, turns and
contrasts of the
unsophisticated spirit.
There is hardly any
development at all, as
each idea gives birth to
the next or rejects the
previons one, being
object to every impulse,
every tempest, every
flux, every fear and
delight. After a
dreamlike introduction,
in which two simple
melodies stand out, comes
a sudden awakening,
Allegro, stamped all over
with lavish and forever
regenerating dynamism. A
sudden halt leads a kind
of outburst from the most
simple folklore is
singing, in regular,
repeated notes. Again the
question mark leads us to
another melody,
Tranquillo, of a sweet
tempo, but brilliantly
decorated with
counter-point, its
cursive traits leading
this time to a kind of
roguish march
(Vigoroso).Yet soon there
emerges a melancholic
chant, Largo, in the
Cromorne's timbre, and
then, in the highest
register of the Trumpet
there reappears like a
metamorphosed memory, the
theme of the second
movement. Passing other
episodes, we come to
Tempo giusto, insistent
and glorious, interrupted
by other passionate
figures, cut off by
unsettling silent moments
and taken up again in
always accelerating
volleys.
Organ - intermediate SKU: HL.49045095 For Organ Solo. Composed by ...(+)
Organ - intermediate
SKU: HL.49045095
For Organ Solo.
Composed by Naji Hakim.
This edition: Saddle
stitching. Sheet music.
Organ Collection.
Classical. Softcover. 20
pages. Duration 7'.
Schott Music #ED22391.
Published by Schott Music
(HL.49045095).
ISBN
9790001160308. UPC:
841886027954.
9.0x12.0x0.084
inches.
The dance
is introduced in 6/8
against 2/4 time, before
the exposition of a
festive theme that
alternates bouncing light
passages with percussive
chords. A more lyrical
central episode precedes
the recapitulation. The
Basque fandango ends
always with another dance
step: 'Arin Arin' in 2/4,
which is here
characterized by scales,
continuing the piece's
joyful and vivacious
character.
Organ: 3-staff - Advanced SKU: LO.70-2251S Composed by J. William Greene....(+)
Organ: 3-staff - Advanced
SKU: LO.70-2251S
Composed by J. William
Greene. Sacred, Advent,
Christmas, General, Lent.
Sacred Music Press
#70/2251S. Published by
Sacred Music Press
(LO.70-2251S).
ISBN
9780787771089.
This
collection of hymn
settings by J. William
Greene provides valuable
material for worship and
concert settings. Each
work is in a different
form, ranging from
baroque praeludium to
expressive adagio.
Greene's masterful
craftsmanship and
creativity is always in
evidence.