Das zweite Buch der Toccaten, Canzonen usw von 1637. 11 Toccaten, 1 Madrigal, 6 ...(+)
Das zweite Buch der
Toccaten, Canzonen usw
von 1637. 11 Toccaten, 1
Madrigal, 6 Canzonen, 3
Hymnen und 17 weitere
kurze Kompostionen. By
Frescobaldi, Girolamo.
Edited by Pierre Pidoux.
For Organ/ Piano/
Harpsichord. Playing
Score (paperbound).
Published by
Baerenreiter-Ausgaben
(German import).
By Girolamo Frescobaldi (1583-1643). Edited by Christopher Stembridge / Kenneth ...(+)
By Girolamo Frescobaldi
(1583-1643). Edited by
Christopher Stembridge /
Kenneth Gilbert. For
organ/keyboard.
Paperback. Score. Text:
German, English.
Published by Baerenreiter
Verlag
Madrigale
spirituale. Composed
by Heinrich Schutz.
Edited by Gunter
Graulich. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Schutz. German
title: Ach Herr, du
Schopfer aller Ding.
Sacred vocal music,
Hymns, Christmas. Full
score. Composed 1620. SWV
450. Duration 2 minutes.
Carus Verlag #CV
20.450/05. Published by
Carus Verlag
(CA.2045005).
ISBN
9790007036515. Key: E
phrygian. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Madrigale
spirituale. Composed
by Heinrich Schutz.
Edited by Gunter
Graulich. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Schutz. German
title: Ach Herr, du
Schopfer aller Ding.
Sacred vocal music,
Hymns, Christmas. Full
score. Composed 1620. SWV
450. Duration 2 minutes.
Carus Verlag #CV
20.450/00. Published by
Carus Verlag
(CA.2045000).
ISBN
9790007036508. Key: E
phrygian. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Concertante and Character Pieces 2. By Felix Alexandre Guilmant. Edited by Wolf ...(+)
Concertante and Character
Pieces 2. By Felix
Alexandre Guilmant.
Edited by Wolf Kalipp.
For Organ. This edition:
Urtext Edition;
Paperbound. Collection.
74 pages. Published by
Baerenreiter Verlag
(German import).
Organ SKU: LM.25176 Composed by Jean-Pierre Leguay. Classical: 20th Centu...(+)
Organ
SKU:
LM.25176
Composed by
Jean-Pierre Leguay.
Classical: 20th Century
(Contemporary). Score.
Editions Henry Lemoine
#25176. Published by
Editions Henry Lemoine
(LM.25176).
Organ SKU: SU.80101452 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101452
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101452.
Published by Zimbel Press
(SU.80101452).
Two Contrasts
(2018) is dedicated to
Timothy Miller. The two
movements (which may be
performed together or
separately) form
contrasts to each other
in a number of musical
ways. However, in
addition to the
differences, there are
also connections of
motivic material that
link the two movements
together. Sharagan refers
to a style of monodic
hymn in the Armenian
Orthodox Church. Madrigal
alternates between
declamatory, expressive
music and buoyant,
dance-like music.
Instrumentation: Organ
Duration: 8' Composed:
2018 Published by: Zimbel
Press.
Organ SKU: LM.24816 Composed by Jean-Pierre Leguay. Classical: 20th Centu...(+)
Organ
SKU:
LM.24816
Composed by
Jean-Pierre Leguay.
Classical: 20th Century
(Contemporary). Score.
Editions Henry Lemoine
#24816. Published by
Editions Henry Lemoine
(LM.24816).
Organ SKU: BR.EB-8042 Fantasia grande in sette stazioni. Composed ...(+)
Organ
SKU:
BR.EB-8042
Fantasia grande in
sette stazioni.
Composed by Jurg Baur.
Solo instruments;
Softcover. Edition
Breitkopf.
World
premiere Dusseldorf,
September 26, 1978
Music post-1945. Score.
Composed 1977. 32 pages.
Duration 8'. Breitkopf
and Haertel #EB 8042.
Published by Breitkopf
and Haertel (BR.EB-8042).
ISBN 9790004174418. 9
x 12 inches.
Diese
weitausgesponnene,
vielteilige Fantasie
folgt den Spuren eines
der eigenwilligsten
Spatrenaissancemeister,
der durch ungewohnliche
chromatische
Fortschreitungen und
kuhne Harmonik den Stil
und den Ausdruck jener
Zeit zu Ende gepragt hat.
Die sieben Stationen in
dieser Komposition sind
charakteristische Zitate
aus Madrigalen Don Carlo
Gesualos, des Principe de
Venosa (um 1560 - 1613).
Aus den vertonbaren
Buchstaben seines Namens
(g-e-es-a-d) entsteht
eine pragnante
Intervallfolge, die als
Leitmotiv in. variierter
Gestalt haufig
wiederkehrt. Das letzte
Zitat ist identisch mit
dem ersten; so schliesst
sich die Folge der
Stationen zu einem Ring.
Der Text des Kernzitats
lautet: Moro lasso al mio
duolo (Ich sterbe, ach an
meiner Qual), Die sieben
Stationen gliedern als
formale und inhaltliche
Schwer- und Ruhepunkte
den Verlauf des gesamten
Stucks; der Beginn eines
jeden neuen Zitats wird
durch eine vorangehende
Pause oder eine
Klangfermate
verdeutlicht. Dagegen
bilden die sechs
Intermezzi (die
eigentlichen
Meditationen) in ihrem
verschiedenartigen
Bewegungsablauf wirksame
Kontrastflachen, die sich
entweder aus den ruhigen
Stationen unmerklich
entwickeln (z. B.: A, B
und E) oder in schroffem
Gegensatz zu dem
vorhergehenden oder
nachfolgenden Abschnitt
stehen. Eine Introduzione
(Entwicklung des
Leitmotivs) und eine
Reduzione umrahmen das
Werk. Anstelle eines
Ausklangs im Pianissimo
kann der Interpret eine
jah auffahrende
Schlusswendung im
Fortissimo wahlen. Alte
und neue Ausdrucksmittel
sollen in dieser
Meditation als These und
Antithese
gegenubergestellt und zur
Synthese gefuhrt werden.
(Jurg Baur) CD: Martin
Herchenroder CD Koch
3-1846-3 H1 Bibliography
: Abels , Robert: Studien
zur Gesualdo-Rezeption
durch Komponisten des 20.
Jahrhunderts (= Studien
zur Musik 20), Leiden u.
a.: Wilhelm Fink 2017,
pp. 277-345, 485-489.
Richter , Reinhold:
Zwischen Tradition und
Avantgarde zwischen
Zweifel und Hoffnung.
Einige Notizen zur Chor-
und Orgelmusik von Jurg
Baur anlasslich des 85.
Geburtstages im
vergangenen November, in:
Forum Kirchenmusik 54
(2003), Heft 6, pp.
23-31. Voigt , Michael:
Man steht in einer
Tradition, die man
fortsetzt: Zum Orgelwerk
von Jurg Baur, in: Forum
Kirchenmusik 61 (2010),
Heft 3, p.
35.
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ
SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018.