(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #199).
Composed by Various. For
Organ, Piano/Keyboard,
Electronic Keyboard. E-Z
Play Today. Softcover.
528 pages. Published by
Hal Leonard
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding ...(+)
Arranged by Hal H.
Hopson. Church-Worship,
Funeral, Funeral &
Memorial, Wedding and
Sacred. Print Music
Collection (Book). 407
pages. Published by Hope
Publishing Company.
Level: (Moderate).
Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, In...(+)
Arranged by Brent
Jorgensen.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music
Corporation #01965.
Published
by Jackman Music
Corporation
Composed by Various. Arranged by Brent Jorgensen. Difficulty Medium, Organ Chain...(+)
Composed by Various.
Arranged by Brent
Jorgensen. Difficulty
Medium, Organ Chains,
Organ Postludes, Organ
Preludes, Organ Solos,
Seasonal Music Christmas,
Christmas. Christmas.
Jackman Music Corporation
#01176. Published by
Jackman Music Corporation
For Guitar. Religious. Sheet Music. 48 pages. Published by Music Sales. Thirty...(+)
For Guitar. Religious.
Sheet Music. 48 pages.
Published by Music Sales.
Thirty-one of the best
known hymns, with
suggested registrations
for each song and a
keyboard chord chart.
Carols A to Z Orgue - Intermédiaire Lorenz Publishing Company
(38 Organ Settings for Worship or Recital). Composed by Douglas E. Wagner. For o...(+)
(38 Organ Settings for
Worship or Recital).
Composed by Douglas E.
Wagner. For organ:
3-staff. Christmas.
Intermediate. Published
by Lorenz Publishing
Company
For organ. General, Thanksgiving, Advent, Christmas, Epiphany, Sacred. Level: 3-...(+)
For organ. General,
Thanksgiving, Advent,
Christmas, Epiphany,
Sacred. Level: 3-staff.
Sacred organ. Published
by Lorenz Publishing
Company. (70/1657L)
For All Organs. By Carrie Jacobs-Bond, Charles W. Cadman, Edvard Grieg, Camille ...(+)
For All Organs. By Carrie
Jacobs-Bond, Charles W.
Cadman, Edvard Grieg,
Camille Saint-Saens.
Arranged by Mark Laub.
Text: Charles Cory;
Clement Scott; D.F.
Blomfield; Edward
Teschemacher; Hans
Christian Andersen; Nelle
Richmond Eberhardt. For
Organ. Solo part. 34
pages. Published by
Theodore Presser Company.
Composed by Douglas E. Wagner. For organ: 2-staff. Sacred, Advent, Christmas. Mo...(+)
Composed by Douglas E.
Wagner. For organ:
2-staff. Sacred, Advent,
Christmas. Moderately
easy. Lorenz Publishing
Company #70/1925L.
Published by Lorenz
Publishing Company
Organ - Advanced SKU: MN.12-128 Composed by Harold Stover. Non Hymn-Based...(+)
Organ - Advanced
SKU:
MN.12-128
Composed by
Harold Stover. Non
Hymn-Based, Recital
Music. General.
Instrumental part.
MorningStar Music
Publishers #12-128.
Published by MorningStar
Music Publishers
(MN.12-128).
UPC:
688670121289.
The
three movements that make
up Nocturnes, Book I are
programmatic pieces that
take as their points of
departure a painting, the
rhythms of a great city,
and a poem. 1. The Starry
Night is a written down
improvisation based on
Vincent van Goghs famous
picture of the same name.
The tonal material is a
quite literal
transformation of the
visual elements of the
painting: the melismatic
cadenzas mirror van Goghs
swirling starlight, and
the powerful chords were
suggested by the sinister
trees that shoot upward
to puncture the skys
patterns. 2. Stovers Rag
is a product of the
ragtime revival of the
early 1970s, when many
composers tried their
hand at writing concert
rags. The New York night,
which was not without its
sinister element in those
days, is expressed in an
updating of the classic
ragtime format. The piece
looks backward as well,
with the old French
Baroque basse de
trompette making an
appearance in the trio
section. 3. The Song of
Shadows taps the
nostalgic mood typical of
the poetry of Walter de
la Mare. The poem of the
same name pictures a lone
musician on a winter
night, an dog sleeping
before a sinking fire,
and, at the end, the
spirits that are summoned
by music. The opening
melody, played on an 8
flute with tremulant,
suggests the blues-tinged
sound of an alto
saxophone, and throughout
the movement the organs
capacity for sustained
tone is used to suggest
and atmosphere of dreamy
timelessness. The pieces
were written in 1971 and
first performed on July
2, 1972 at the National
Shrine of the Immaculate
Conception in Washington,
DC, with the composer at
the console.