Par OGDEN NIGEL. Lewis Carroll from 'Alice in Wonderland' and inspiration for this lively and fun piece of light organ music. '. . . suddenly a White Rabbit with pink eyes ran close by her. There was nothing so very remarkable in that; nor did Alice think it so very much out of the way to hear the Rabbit say to itself, 'Oh dear! Oh dear! I shall be too late!' (when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it seemed quite natural); but when the Rabbit actually took a watch out of its waistcoat pocket, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never beforeseen a rabbit with either a waistcoat pocket or a watch to take out of it, and burning with curiosity, she ran across the field after it, and was just in time to see it pop down a large rabbit-hole under the hedge. ' Lewis Carroll from 'Alice in Wonderland' and inspiration for this lively and fun piece of light organ music. '. . . suddenly a White Rabbit with pink eyes ran close by her. There was nothing so very remarkable in that; nor did Alice think it so very much out of the way to hear the Rabbit say to itself, 'Oh dear! Oh dear! I shall be too late!' (when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it seemed quite natural); but when the Rabbit actually took a watch out of its waistcoat pocket, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never beforeseen a rabbit with either a waistcoat pocket or a watch to take out of it, and burning with curiosity, she ran across the field after it, and was just in time to see it pop down a large rabbit-hole under the hedge. '/ Répertoire / Orgue

Little Organ Book / Six Chorales 'Von Verschiedener Art' (Schübler-Chorales) / Chorale-Partitas. Par BACH JOHANN SEBASTIAN. Replaces BA 5171 Volume 1 of Bach' s organ music presents some of the most frequently played organ pieces altogether. Here they appear in a new engraving based on the New Bach Edition (NBA). This updated edition takes into account the latest findings of Bach scholarship: Thus, for example, a newly-discovered copy of the first edition containing inscriptions in Bach' s own hand could be incorporated into the musical text of the Schübler Chorales. For the Orgel-Büchlein, Bach' s autograph manuscript remains the principal source. Yet a glance at its early dissemination among his pupils reveals an abundance of readings that give interested organists insights into how perhaps Bach' s most famous collection was played at that time. Unfortunately no autograph manuscripts survive regarding the early chorale partitas. However the Foreword helps to solve the 'riddle' of how these partitas were handed down. Links to major sources have been provided in collaboration with the Bach Archive Leipzig and its Bach digital database. The relevant page of the source in question can be accessed quickly and conveniently via shortlinks at http://links.baerenreiter.com. These links are checked for their validity on a regular basis. - Complete new engraving - New detailed Foreword by Christine Blanken (Ger/Eng) - Links to relevant sources in Bach digital/ Répertoire / Orgue

d'après The Turn of the Screw d'Henry James. Par GUILLOU JEAN. Though the work bearing this title is a portrait of childhood, it is a childhood quite different from the purely gameplaying and dreamlike childhood that is customarily represented. The childhood described here is carrying the seed, in all its purity, of all positive and negative qualities to be found the fully-grown men: a childhood both angelic and diabolical, and indeed very close to Henry James' 'The Turn of the Screw' which was the direct inspiration for this monodrama. Its growth follows the innumerable sudden changes, turns and contrasts of the unsophisticated spirit. There is hardly any development at all, as each idea gives birth to the next or rejects the previons one, being object to every impulse, every tempest, every flux, every fear and delight. After a dreamlike introduction, in which two simple melodies stand out, comes a sudden awakening, Allegro, stamped all over with lavish and forever regenerating dynamism. A sudden halt leads a kind of outburst from the most simple folklore is singing, in regular, repeated notes. Again the question mark leads us to another melody, Tranquillo, of a sweet tempo, but brilliantly decorated with counter-point, its cursive traits leading this time to a kind of roguish march (Vigoroso). Yet soon there emerges a melancholic chant, Largo, in the Cromorne's timbre, and then, in the highest register of the Trumpet there reappears like a metamorphosed memory, the theme of the second movement. Passing other episodes, we come to Tempo giusto, insistent and glorious, interrupted by other passionate figures, cut off by unsettling silent moments and taken up again in always accelerating volleys./ Répertoire / Orgue

This handbook contains everything required for the London College of Music grade 3 & 4 Electronic Organ exams: scales & arpeggios, studies, pieces, performance notes, sample discussion questions, and sample chord sequence, accompanying & aural tests. Features original compositions and arrangements of well-known pieces. The series provides a solid foundation of musical education for any organ student, whether they are intending to take an exam or not. / Exams / Etude / Orgue Electronique

This handbook contains everything required for the London College of Music grade 7 & 8 Electronic Organ exams: scales & arpeggios, studies, pieces, performance notes, sample discussion questions, and sample chord sequence, accompanying & aural tests. Features original compositions and arrangements of well-known pieces. The series provides a solid foundation of musical education for any organ student, whether they are intending to take an exam or not. / Exams / Etude / Orgue Electronique

Par BINGHAM JUDITH. A ten-minute suite consisting of four short pieces aimed at providing aspiring organists with new and progressive repertoire. These pieces celebrate different aspects of a child’s Christmas as seen from an adult perspective and takes influence from the text ‘A Box of Delights’ by John Masefield, with its magical and pagan overtones. In the music there are quotations from other Bingham pieces, and from Christmas carols. Christmas Past Christmas Present is also available for piano (https://www.musicroom.com/judith-bingham-christmas-past-christmas-present-piano-musnov100324). / Date parution : 2023-07-31/ Répertoire / Orgue

Par SENFTER JOHANNA. Johanna Senfter (1879–1961) is one of the most interesting composers of the late Romantic period. She studied piano and composition at the Frankfurt Conservatoire 1895–1903 and thereafter in Leipzig with Max Reger 1908/9. Her most significant legacy is her organ music, which takes up the contrapuntal, highly chromatic composition techniques used by her teacher. These ten chorale preludes Op. 73 were written in 1930 and are suitable for concert or liturgical performance./ Répertoire / Orgue

Atos Convention March. Par BLACKMORE GEORGE. This stirring all-American march-medley aptly takes its name from the unofficial title for the United States' flag. Old Glory is published as a tribute to George Blackmore, a fine player and composer who did much to encourage a revival of interest in the 20th-century theatre organ./ Répertoire / Orgue

Par BLOW JOHN. Selected from Musica Britannica Volume 69. Edited by Barry Cooper. This collection of sixteen pieces by John Blow (1649-1708), taken from the complete organ music published in Volume 69 of Musica Britannica, is an authoritative introduction to the work of the leading Restoration English composer of organ music. More organ music from this period is ascribed to Blow than to all his English contemporaries put together, including Henry Purcell. In compiling this anthology, the editor has incorporated both the best examples from the corpus, and those that were most popular in the composer's lifetime, while illustrating the variety of styles he used. Most of the pieces may be played ona single manual, but there are also 'double voluntaries' (for two manuals) and 'cornet voluntaries' (for two or three manuals). The collection includes advice on ornamentation and a comprehensive editorial note./ Répertoire / Orgue

'Mors et vita' - death and life. This antithesis opens a stanza of the ancient 11th-century Easter sequence 'Victimae paschali laudes', where life and death are locked in mutual struggle. Zsigmond Szathmary's 12-minute composition of 2015, commissioned for the Freiburg Minster, interprets this primal human experience with mighty explosions of sound. Here the organ can show what it's capable of: its grandeur and strength are fully exploited, but not at the expense of soft and gentle contrasts. Typical of Szathmary's compositional style is the alternation of seemingly improvised, recitative-like writing and passages in strict rhythm. Time and again the composer takes up elements from the church hymn 'Christ ist erstanden von der Marter alle' (Christ the Lord is risen again). / Orgue

Une clinique de créatifs pour tous-organe technique sur les accords, enregistrement, effets spéciaux, en développement effectuant des compétences et organiser. Comprend une variété de pièces. / Orgue / Partition