By Robert Fuchs (1847-1927). For organ. This edition: paperbound. Works for Orga...(+)
By Robert Fuchs
(1847-1927). For organ.
This edition: paperbound.
Works for Organ and
Choir. Score. Language:
all languages. Composed
1911. 91. 16 pages.
Published by Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Arran...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger.
Arranged by Ulrich
Leisinger. Baroque. Full
score. With Standard
notation. 112 pages.
Wiener Urtext/Vienna
Urtext #UT50147.
Published by Wiener
Urtext/Vienna Urtext
Baritone, mixed choir and piano or organ SKU: HL.49017447 Composed by Pet...(+)
Baritone, mixed choir and
piano or organ
SKU:
HL.49017447
Composed
by Petr Eben. Edited by
Veroslav Nemec. Sheet
music. PANTON. 52 pages.
Schott Music #P5046.
Published by Schott Music
(HL.49017447).
9.25x12.25x0.185
inches.
The Bitter
Earth (Horka hlina)
cantata was written in
1960 and it was
originally conceived for
a mixed choir and organ.
The composer soon found,
however, that this
instrumental
accompaniment limited the
performance possibilities
of the piece to a certain
extent and he therefore
created a piano
transcription of the
organ part for a later
edition which was printed
in 1987.The composition
sets to music the verses
of Jaroslav Seifert from
the collection Turn Out
the Lights (Zhasnete
svetla) which was written
in the period of the
nation's peril prior to
the Second World War. The
genuine and totally
non-cliched patriotism
expressed in these texts
has long outgrown the
historical connection to
the moment of their
inception and it
continues to bear wtness
to Seivert's fervent love
for this country.
By Michael Burkhardt. For organ. Collection. Organ. Advent, Lent, General, Easte...(+)
By Michael Burkhardt. For
organ. Collection. Organ.
Advent, Lent, General,
Easter, Pentecost,
Christmas. Easy. Organ
score. 59 pages.
Published by MorningStar
Music Publishers
Organ SKU: BA.BA10130-67 Cantata for the Feast of St. Michael. Com...(+)
Organ
SKU:
BA.BA10130-67
Cantata for the Feast
of St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Marianne Helms. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
130. 20 pages.
Baerenreiter Verlag
#BA10130_67. Published by
Baerenreiter Verlag
(BA.BA10130-67).
ISBN
9790006490936. 32.5 x
25.5 cm
inches.
Study score
= TP 1130.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
SATB choir (unison
children's choir), 2
english horns, 2
bassoons, 2 trumpets, 2
trombones, timpani, 2
violins, viola,
cello/contrabass, organ
SKU: CA.9193303
Weihnachtslieder-Messe
. Composed by Max
Eham. Missa Carminum.
Orchesterfassung. Sacred
vocal music, Masses,
Latin, Christmas. Full
score. Composed 1984. 16
pages. Carus Verlag #CV
91.933/03. Published by
Carus Verlag
(CA.9193303).
ISBN
9790007129477. Key: F
major. Language:
Latin/German.
The
Mass with Christmas
hymns, Missa carminum is
available from Carus in a
orchestra version and in
a version for choir and
organ. The unique feature
of this work is that each
movement of the Ordinary
employs a well-known
Christmas hymn as an
instrumental cantus
firmus. In the score the
text of each hymn has
been included in the
appropriate passage, so
that the Christmas
signature tune may be
performed vocally, for
example, by a one-part
children's choir. Score
available separately -
see item CA.9193300.
SATB choir (unison
children's choir), 2
english horns, 2
bassoons, 2 trumpets, 2
trombones, timpani, 2
violins, viola,
cello/contrabass, organ
SKU: CA.9193305
Weihnachtslieder-Messe
. Composed by Max
Eham. Missa Carminum.
Orchesterfassung. Sacred
vocal music, Masses,
Latin, Christmas. Choral
Score. Composed 1984. 8
pages. Carus Verlag #CV
91.933/05. Published by
Carus Verlag
(CA.9193305).
ISBN
9790007130176. Key: F
major. Language:
Latin/German.
The
Mass with Christmas
hymns, Missa carminum is
available from Carus in a
orchestra version and in
a version for choir and
organ. The unique feature
of this work is that each
movement of the Ordinary
employs a well-known
Christmas hymn as an
instrumental cantus
firmus. In the score the
text of each hymn has
been included in the
appropriate passage, so
that the Christmas
signature tune may be
performed vocally, for
example, by a one-part
children's choir. Score
available separately -
see item CA.9193300.
Organ SKU: BA.BA10259-67 Coronation Anthem. Composed by George Fri...(+)
Organ
SKU:
BA.BA10259-67
Coronation Anthem.
Composed by George
Frideric Handel. Edited
by Stephan Blaut. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. HWV
260. 10 pages.
Baerenreiter Verlag
#BA10259_67. Published by
Baerenreiter Verlag
(BA.BA10259-67).
ISBN
9790006562244. 32.5 x
25.5 cm inches. Language
of work: English, Text
language: German,
English. Continuo
arranged by Andreas
Kohs.
Continuo
realization: Andreas
Kohs.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Organ - Level 3 SKU: BA.BA11264 Composed by Margaretha Christina de Jong....(+)
Organ - Level 3
SKU:
BA.BA11264
Composed
by Margaretha Christina
de Jong. Stapled.
Performance score. Opus
109. Baerenreiter Verlag
#BA11264_00. Published by
Baerenreiter Verlag
(BA.BA11264).
ISBN
9790006569724. 30 x 23 cm
inches. Preface: Clement,
Albert.
This
fantasia for organ was
composed in 2019. The
composition is based on a
melody attributed to the
French composer Louis
Bourgeois (approx.
1510–1560) which
is one of the most
well-known melodies in
the Christian musical
tradition. It has also
been sung to various
other texts, such as
Lutheran chorales. In
Bach’s work, the
melody appears in the
cantata “Lord God,
we praise Thee all of
us†BWV
130.
The composer
has retained the style of
French Romanticism. The
character of the work
corresponds to the
content of the text and
culminates in a festive
finale. This music is
suitable for many church
music occasions.
SATB choir (unison
children's choir), 2
english horns, 2
bassoons, 2 trumpets, 2
trombones, timpani, 2
violins, viola,
cello/contrabass, organ
SKU: CA.9193309
Weihnachtslieder-Messe
. Composed by Max
Eham. 1x 91.933/21
English horn 1, 1x
91.933/22 English horn 2,
1x 91.933/23 bassoon 1,
1x 91.933/24 bassoon 2,
2x 91.933/31 2 trumpets,
2x 91.933/31 2 trumpets,
2x 91.933/31 2 trumpets,
2x 91.933/31 2 trumpets,
2x 91.933/32 2 trombones,
1x 91.933/41 timpani.
Missa Carminum.
Orchesterfassung. Sacred
vocal music, Masses,
Latin, Christmas. Set of
Orchestra Parts. Composed
1984. 34 pages. Carus
Verlag #CV 91.933/09.
Published by Carus Verlag
(CA.9193309).
ISBN
9790007236120. Key: F
major. Language:
Latin/German.
The
Mass with Christmas
hymns, Missa carminum is
available from Carus in a
orchestra version and in
a version for choir and
organ. The unique feature
of this work is that each
movement of the Ordinary
employs a well-known
Christmas hymn as an
instrumental cantus
firmus. In the score the
text of each hymn has
been included in the
appropriate passage, so
that the Christmas
signature tune may be
performed vocally, for
example, by a one-part
children's choir. Score
and parts available
separately - see item
CA.9193300.
Weihnachtslieder-Messe
. Composed by Max
Eham. Missa Carminum.
Orchesterfassung. Sacred
vocal music, Masses,
Latin, Christmas. Set of
Orchestra Parts. Composed
1984. Carus Verlag #CV
91.933/19. Published by
Carus Verlag
(CA.9193319).
ISBN
9790007236175. Key: F
major. Text language:
Latin/German.
The
Mass with Christmas
hymns, Missa carminum is
available from Carus in a
orchestra version and in
a version for choir and
organ. The unique feature
of this work is that each
movement of the Ordinary
employs a well-known
Christmas hymn as an
instrumental cantus
firmus. In the score the
text of each hymn has
been included in the
appropriate passage, so
that the Christmas
signature tune may be
performed vocally, for
example, by a one-part
children's choir. Score
and parts available
separately - see item
CA.9193300.
SATB choir (unison
children's choir), 2
english horns, 2
bassoons, 2 trumpets, 2
trombones, timpani, 2
violins, viola,
cello/contrabass, organ
SKU: CA.9193311
Weihnachtslieder-Messe
. Composed by Max
Eham. Missa Carminum.
Orchesterfassung. Sacred
vocal music, Masses,
Latin, Christmas. Single
Part, Violin 1. Composed
1984. 4 pages. Carus
Verlag #CV 91.933/11.
Published by Carus Verlag
(CA.9193311).
ISBN
9790007236137. Key: F
major. Language:
Latin/German.
The
Mass with Christmas
hymns, Missa carminum is
available from Carus in a
orchestra version and in
a version for choir and
organ. The unique feature
of this work is that each
movement of the Ordinary
employs a well-known
Christmas hymn as an
instrumental cantus
firmus. In the score the
text of each hymn has
been included in the
appropriate passage, so
that the Christmas
signature tune may be
performed vocally, for
example, by a one-part
children's choir. Score
and part available
separately - see item
CA.9193300.
SATB choir (unison
children's choir), 2
english horns, 2
bassoons, 2 trumpets, 2
trombones, timpani, 2
violins, viola,
cello/contrabass, organ
SKU: CA.9193312
Weihnachtslieder-Messe
. Composed by Max
Eham. Missa Carminum.
Orchesterfassung. Sacred
vocal music, Masses,
Latin, Christmas. Single
Part, Violin 2. Composed
1984. 4 pages. Carus
Verlag #CV 91.933/12.
Published by Carus Verlag
(CA.9193312).
ISBN
9790007236144. Key: F
major. Language:
Latin/German.
The
Mass with Christmas
hymns, Missa carminum is
available from Carus in a
orchestra version and in
a version for choir and
organ. The unique feature
of this work is that each
movement of the Ordinary
employs a well-known
Christmas hymn as an
instrumental cantus
firmus. In the score the
text of each hymn has
been included in the
appropriate passage, so
that the Christmas
signature tune may be
performed vocally, for
example, by a one-part
children's choir. Score
and part available
separately - see item
CA.9193300.
SATB choir (unison
children's choir), 2
english horns, 2
bassoons, 2 trumpets, 2
trombones, timpani, 2
violins, viola,
cello/contrabass, organ
SKU: CA.9193313
Weihnachtslieder-Messe
. Composed by Max
Eham. Missa Carminum.
Orchesterfassung. Sacred
vocal music, Masses,
Latin, Christmas. Single
Part, Viola. Composed
1984. 4 pages. Carus
Verlag #CV 91.933/13.
Published by Carus Verlag
(CA.9193313).
ISBN
9790007236151. Key: F
major. Language:
Latin/German.
The
Mass with Christmas
hymns, Missa carminum is
available from Carus in a
orchestra version and in
a version for choir and
organ. The unique feature
of this work is that each
movement of the Ordinary
employs a well-known
Christmas hymn as an
instrumental cantus
firmus. In the score the
text of each hymn has
been included in the
appropriate passage, so
that the Christmas
signature tune may be
performed vocally, for
example, by a one-part
children's choir. Score
and part available
separately - see item
CA.9193300.
SATB choir (unison
children's choir), 2
english horns, 2
bassoons, 2 trumpets, 2
trombones, timpani, 2
violins, viola,
cello/contrabass, organ
SKU: CA.9193314
Weihnachtslieder-Messe
. Composed by Max
Eham. Missa Carminum.
Orchesterfassung. Sacred
vocal music, Masses,
Latin, Christmas. Single
Part, Cello/Double Bass.
Composed 1984. 4 pages.
Carus Verlag #CV
91.933/14. Published by
Carus Verlag
(CA.9193314).
ISBN
9790007236168. Key: F
major. Language:
Latin/German.
The
Mass with Christmas
hymns, Missa carminum is
available from Carus in a
orchestra version and in
a version for choir and
organ. The unique feature
of this work is that each
movement of the Ordinary
employs a well-known
Christmas hymn as an
instrumental cantus
firmus. In the score the
text of each hymn has
been included in the
appropriate passage, so
that the Christmas
signature tune may be
performed vocally, for
example, by a one-part
children's choir. Score
and part available
separately - see item
CA.9193300.
Organ SKU: BA.BA10172-67 Cantata for Whitsunday. Composed by Johan...(+)
Organ
SKU:
BA.BA10172-67
Cantata for
Whitsunday. Composed
by Johann Sebastian Bach.
Edited by Dietrich
Kilian. This edition:
urtext edition. Stapled.
Barenreiter Urtext. C
major version. Single
part. BWV 172. 20 pages.
Baerenreiter Verlag
#BA10172_67. Published by
Baerenreiter Verlag
(BA.BA10172-67).
ISBN
9790006491445. 23 x 29.7
cm inches. Key: C
major.
For the
study score, see item
BA.TP1172.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Organ SKU: BA.BA10018-67 Cantata for Sunday Sexagesimae. Composed ...(+)
Organ
SKU:
BA.BA10018-67
Cantata for Sunday
Sexagesimae. Composed
by Johann Sebastian Bach.
Edited by Werner Neumann.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Leipzig Version. Single
part. BWV 18.
Baerenreiter Verlag
#BA10018_67. Published by
Baerenreiter Verlag
(BA.BA10018-67).
ISBN
9790006489954. 24 x 32.5
cm inches.
For the
study score, see item
BA.TP1018.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Organ SKU: BA.BA10175-67 Cantata for Whit Tuesday. Composed by Joh...(+)
Organ
SKU:
BA.BA10175-67
Cantata for Whit
Tuesday. Composed by
Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. BWV 175.
Baerenreiter Verlag
#BA10175_67. Published by
Baerenreiter Verlag
(BA.BA10175-67).
ISBN
9790006491537. 32.5 x
25.5 cm
inches.
Study score
= TP 1175.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
(Short Pieces). By Carl Philipp Emanuel Bach (1714-1788). Edited by Jochen Reutt...(+)
(Short Pieces). By Carl
Philipp Emanuel Bach
(1714-1788). Edited by
Jochen Reutter. For
organ. Study score. 116
pages. Published by
Wiener Urtext/Vienna
Urtext
Organ SKU: UT.HS-334 Edited by Iain Quinn. Classical. Score. Ut Orpheus #...(+)
Organ
SKU:
UT.HS-334
Edited by
Iain Quinn. Classical.
Score. Ut Orpheus #HS
334. Published by Ut
Orpheus (UT.HS-334).
ISBN 9790215328525. 9
x 12
inches.
Bertr
am Luard-Selby
(1853-1918): First
Sonata Charles
Harford Lloyd
(1849-1919): Sonata
in D minor
The
first sonata of Bertram
Luard-Selby and the
sonata of Charles Harford
Lloyd are examples of
works that demonstrate
the transitional nature
of the maturing English
organ sonata. The
portfolio approach
towards compositions
under one title, a
sonata, that included
sometimes significantly
contrasting movements was
common during the second
half of the nineteenth
century. It allowed
composers to demonstrate
their own compositional
skill as well as
highlight the tonal
capabilities of the
developing symphonic
organ in England. The
sonatas are playable on
both small and large
instruments and allow for
creativity in
registration. The
technical difficulty
varies between movements.
As discussed in The
Genesis and Development
of an English Organ
Sonata (2017), the
English sonatas had an
important pedagogical
role jointly inherited
from Mendelssohn’s very
practical and popular
approach to the
instrument and the
continued European legacy
of the lesson-sonata
tradition whereby in
learning a piece you also
learned the instrument
and vice versa.
Organ SKU: SU.80101404 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101404
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101404.
Published by Zimbel Press
(SU.80101404).
Organ Symphony
No. 2 (2017) was written
for and is dedicated to
German organist Philip
Hartmann. In all of my
works that employ
larger-scale forms (not
just organ compositions),
I am continually looking
for different ways of
providing the form and
structure. My first organ
symphony (2013) comprised
three larger movements
that charted a
progression from dark to
light. By contrast, this
second organ symphony
comprises 12 shorter
movements that together
build a larger structure
out of varied emotional
states. Although the
movements are different
in character, there are
connections of harmony
and motive across them.
One goal behind this work
is that it be suitable
for effective performance
on almost any organ,
small or large. Most
organ symphonies require
a large instrument. By
contrast, this piece can
be played effectively on
even a small organ with a
limited number of stops
(even a one manual organ
with an octave pedal
board). It can also be
very effective on a large
symphonic organ with many
different colors and a
huge tutti. Registration
is left to the
performer's discretion,
and the organist is
strongly encouraged to
use the full extent of
whatever resources are
available.
Instrumentation: Organ
Duration: 34' Composed:
2017 Published by: Zimbel
Press.
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ
SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018.
Organ SKU: UT.HS-335 Edited by Iain Quinn. Classical. Score. Ut Orpheus #...(+)
Organ
SKU:
UT.HS-335
Edited by
Iain Quinn. Classical.
Score. Ut Orpheus #HS
335. Published by Ut
Orpheus (UT.HS-335).
ISBN 9790215328532. 9
x 12
inches.
Walte
r Battison Haynes
(1859-1900): Sonata
in D minor Hugh
Blair (1864-1932):
Short Sonata in G
major
The
organ sonatas of Walter
Battison Haynes and Hugh
Blair demonstrate a
notable peak in the
development of the
English organ sonata as a
work that is musically
cohesive. As discussed in
The Genesis and
Development of an English
Organ Sonata (2017), the
portfolio approach
towards compositions
under one title, a
sonata, that included
sometimes significantly
contrasting movements of
varying technical
difficulty was common
during the second half of
the nineteenth century
not least as a published
example of the
compositional skill of
composers. Whereas these
two sonatas join the
tradition of works that
could be convincingly
played on both medium and
large instruments and
allow for creativity in
registration they are
also cohesive pieces that
could serve in a concert
programme. These works
join the legacy of
English organ sonatas
that had an important
pedagogical role jointly
inherited from
Mendelssohn’s very
practical and popular
approach to the
instrument and the
continued European legacy
of the lesson-sonata
tradition whereby in
learning a piece you also
learned the instrument
and vice versa. They are
both idiomatically
written and musically
rewarding pieces that are
imbued with the
undeniably English
harmonic language of the
era that was to remain
popular for several
decades to come.
Composed
by Johann Sebastian Bach.
Edited by Hans Grischkat.
Sacred vocal music,
Cantatas, Praise and
thanks. Study score.
Composed 1728/1731. BWV
117. 52 pages. Duration
26 minutes. Carus Verlag
#CV 31.117/07. Published
by Carus Verlag
(CA.3111707).
ISBN
9790007091651. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score available
separately - see item
CA.3111700.
Organ SKU: BR.EB-8809 New Edition in 10 Volumes - Urtext. Composed...(+)
Organ
SKU:
BR.EB-8809
New
Edition in 10 Volumes -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Werner Breig.
Solo instruments;
Softbound. Edition
Breitkopf.
You will
find supplementary
material online
Baroque period. Score.
184 pages. Breitkopf and
Haertel #EB 8809.
Published by Breitkopf
and Haertel (BR.EB-8809).
ISBN 9790004183786.
12.5 x 10
inches.
The
now-published volumes 9
and 10 have presented a
special challenge, for
particularly in the field
of the chorale
arrangements the
transmissions are more
complex than in any other
group of works. This ties
in with the crucial
question of Bach's
authorship, which has
been the subject of much
controversy in the past.
There were heated
discussions about it even
just prior to our
edition, and editors and
publisher are aware that
the present selection is
a thoroughly debatable
snapshot. More on this in
the volumes' text
sections. The situation
of the chorale partitas
is not quite so dramatic,
whereby these holdings
also had to be subdivided
for reasons of
transmission into main
section, appendix, and
online presentation. The
so called
,,Neumeister-Chorale are
incorporated in the group
of the separately
transmitted chorale
settings in alphabetical
order, because the
compilation of the pieces
does not follow any
collection idea of Bach
(such as, for example,
his larger late
collections). The
indication
,,Neumeister-Sammlung
should facilitate the
attribution. Those works
requiring further
research, besides of some
versions, are presented
online, since their
profile reveals less
evidence of the true
author. Breitkopf has
given the world a
splendid edition of the
organ works of Bach.
These final two volumes
offer a wealth of
chorale-based music
benefiting from the very
latest research. Aside
from the edition's
obvious scholarly merit,
a practicing church
organist will love the
convenience and variety
of these volumes.
Recommended without
hesitation.(Jonathan B.
Hall, The American
Organist).
Organ SKU: ST.H491 Composed by Samuel Coleridge-Taylor. Organ music. With...(+)
Organ
SKU: ST.H491
Composed by Samuel
Coleridge-Taylor. Organ
music. With an
introduction by Richard
Hills. Score. Stainer &
Bell Ltd. #H491.
Published by Stainer &
Bell Ltd. (ST.H491).
ISBN
9790220224874.
Orga
nist Richard Hills
introduces this reissue
of a neglected Edwardian
classic with a timely
note on
performance-style, the
composer and his works.
Varied in colour and
mood, and written with an
idiomatic command of the
instrument, these
Three Impromptus
reinforce the impression
of Coleridge-Taylor not
only as a versatile
presence on the Edwardian
scene, but also as a
composer whose music is
an enduring part of our
British musical
heritage.
Stylistically
, the Three
Impromptus bear a
closer resemblance to the
composer's theatrical
works than to those
intended for the church
or concert hall. This
light-hearted approach to
organ composition is all
the more striking when
one compares these pieces
with others written
during the same period by
Coleridge-Taylor's
colleagues and teachers,
many of whom were heavily
influenced by the German
Romantic tradition of
Josef Rheinberger and Max
Reger. As original
compositions (as opposed
to transcriptions) the
Three Impromptus
should prove an
invaluable addition to
the repertoire for
recitalists wishing to
programme sophisticated
lighter fare that has
immediate appeal.
Organ - Level 3 SKU: BA.BA05897-67 Chorale Setting. Composed by Ge...(+)
Organ - Level 3
SKU:
BA.BA05897-67
Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 13 pages. Baerenreiter
Verlag #BA05897_67.
Published by Baerenreiter
Verlag (BA.BA05897-67).
ISBN 9790006563104.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Chamber Music Solo Organ SKU: PR.113400490 Composed by Adolphus Hailstork...(+)
Chamber Music Solo Organ
SKU: PR.113400490
Composed by Adolphus
Hailstork. Sws.
Performance Score.
Theodore Presser Company
#113-40049. Published by
Theodore Presser Company
(PR.113400490).
ISBN
9781491138205. UPC:
680160693658. Key: D
major.
Describing
this work that is less
technically demanding
than his other organ
music, Adolphus Hailstork
has written: “The
Prelude on Duke Street
represents my love for
the pipe organ and for
the music of J.S. Bach.
My hope is that this
piece can find a place as
a church prelude (or
postlude) or as a recital
piece, especially for
students.”. This
prelude on the hymn tune
Duke Street (commonly
associated with Isaac
Watts’ Jesus Shall
Reign Where’er the Sun)
represents my love for
the pipe organ, and for
the music of J.S. Bach.
My hope is that this
piece might find a place
as a church prelude or
postlude, and as a
recital piece, especially
for students. .