Composed by Carson Cooman (1982-). Sacred, Advent, All Saints' Day, Ascension, Christmas, Eastertide, Epiphany, General, Holy Communion, Holy Week, Lent, Missions, New Year, Pentecost, Patriotic, Reformation, Thanksgiving. Lorenz Publishing Company #70/2013L. Published by Lorenz Publishing Company (LO.70-2013L).

Composed by Carson Cooman (1982-). Published by Wayne Leupold Editions (WY.WL600106).

Composed by Carson Cooman (1982-). For organ: 2-staff. Sacred. Moderately easy. Sacred Music Press #70/1953L. Published by Sacred Music Press

Organ

SKU: SU.80101410

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101410. Published by Zimbel Press (SU.80101410).

Fantasy-Variati ons on Two Themes (2017) for organ was written for Heinrich Christensen in celebration of his significant 2017 birthday. The musical material for the work comprises two different themes. The first is a short melody by the Danish composer Carl Nielsen (1865-1931). (It was a sketch originally intended for inclusion in, but ultimately left out of, Nielsen's late organ work 29 Little Preludes.) This theme represents Heinrich's native Denmark. The second theme is the American folk-gospel hymn Angel Band. This theme represents Heinrich's adopted American homeland. It serves also as a remembrance of our dear mutual friend Harry Lyn Huff (1952-2016), for whom the tune was a particular favorite. Both these themes are developed freely in a set of alternating fantasy-variations. The opening variation begins with a dramatic pedal solo before quoting both themes. The second variation is a lyric setting based on the Nielsen melody. The third is a jubilant hornpipe on Angel Band. The fourth is an aria on a transformation of the Nielsen melody. The fifth is a gigue-toccata on Angel Band. The sixth is an atmospheric contemplation: lush chords in the manuals move slowly and hint at Angel Band while the Nielsen melody is heard for the first time in its complete original form on a high pedal stop. The seventh and final variation begins with a brief evocation of the harmonies of the late Daniel Pinkham (a mentor to both Heinrich and me) before going on to return dramatically and jubilantly to the opening music, bringing together both themes again in a bold conclusion. Instrumentation: Organ Duration: 15' Composed: 2017 Published by: Zimbel Press.

Organ

SKU: SU.80101467

For Organ. Composed by Carson Cooman. Keyboard, Organ. Study Score. Zimbel Press #80101467. Published by Zimbel Press (SU.80101467).

Variations on a Theme of Haydn (2017) was written for organist Christoph Hintermuller who asked for a work based on the national anthem of Germany. The anthem's tune was written in 1797 by Joseph Haydn (1732-1809). (In English-speaking countries, Haydn's tune is sung as the hymn AUSTRIAN HYMN, usually with John Newton's text Glorious Things of Thee Are Spoken.) The music consists of five contrasting variations plus a recapitulation of the opening variation. The first variation is broad and festive; the second variation is pastoral in character; the third has a scherzando character; the fourth is marked hypnotic and atmospheric; and the fifth is a quasi-musette. The first variation returns as a finale before a brief coda. Instrumentation: Organ Duration: 8' Composed: 2017 Published by: Zimbel Press.

Organ

SKU: SU.80101481

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101481. Published by Zimbel Press (SU.80101481).

Fantasy on 'The Star-Spangled Banner' (2018) was written for organist Christoph Hintermüller who requested a work based on the national anthem of the United States of America for a concert featuring organ music based on different national anthems. Organ Duration: 4' Composed: 2018 Published by: Zimbel Press.

Composed by Carson Cooman (1982-). Sacred. Lorenz Publishing Company #70/2068L. Published by Lorenz Publishing Company (LO.70-2068L).

Composed by Carson Cooman (1982-). Sacred. Lorenz Publishing Company #70/2012L. Published by Lorenz Publishing Company (LO.70-2012L).

Organ

SKU: SU.80101485

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101485. Published by Zimbel Press (SU.80101485).

As strong as these stones, as fragile as these stones (2020) is dedicated to Axel Ruoff. Two quieter outer sections surround a dramatic and energetic middle. Instrumentation: Organ Duration: 6' Composed: 2020 Published by: Zimbel Press.

Organ

SKU: SU.80101422

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101422. Published by Zimbel Press (SU.80101422).

Suite circulaire (2018) for organ is dedicated to Elisa Williams Bickers. The music takes a free, contemporary approach to the historical genre of circulating (or modulating) compositions, where the basic material moves through a variety of keys before returning home again. The goal is not simply to play a modulation game, but rather to construct a true musical discourse where the varied keys are an essential part of the concept. The first movement, Praeludium, is bright in character. Besides moving through varied keys, the movement is also animated with various looping patterns that provide another link to the circulating concept. The second movement, Ricercare, takes its content very literally from the title, which means to search out. Instead of being a proto-fugue, like many ricercares from the late Renaissance or early Baroque, the music searches through the keys by means of a wandering melody and a modulating accompaniment. The third movement, Toccata, is slightly manic in character. The syncopated theme heard at the start animates the movement as it moves through both tonal, modal, and bitonal/modal harmonies before reaching an excited conclusion. (When the suite is performed on an organ tuned in an unequal, circulating temperament, there is an additional circular effect provided by the quite varied key colors that are heard as the material moves through them.)Organ Duration: 14’ Composed: 2018 Published by: Zimbel Press.

By Carson P. Cooman. For organ. Organ Demonstrator No. 30. Very easy. Published by Wayne Leupold Editions

Composed by Carson Cooman (1982-). Sacred. Lorenz Publishing Company #70/2035L. Published by Lorenz Publishing Company (LO.70-2035L).

Composed by Carson Cooman (1982-). For organ solo. Medium. Published by Wayne Leupold Editions

Composed by Carson Cooman (1982-). Published by Wayne Leupold Editions (WY.WL600291).

By Carson Cooman. For solo organ. Easy to medium. Published by Wayne Leupold Editions

Organ

SKU: SU.80101396

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101396. Published by Zimbel Press (SU.80101396).

Trilogy on B-A-C-H (2017) uses as its musical material a familiar four-note theme: the letters B-A-C-H (the last name of Johann Sebastian Bach) treated as a musical motive: B-flat, A, C, B-natural (H in German note naming). Starting with Bach himself, this theme has been used by a truly enormous number of composers over the centuries. Most B-A-C-H themed works (at least those for organ), tend to be extremely contrapuntal, likely taking their cue from much of Bach's own organ music. This piece explicitly goes in the other direction and use the theme primarily motivically/melodically and as a generating force for the kind of mixed modality that is typical of Cooman's music. The first movement is an energetic march. The second movement is a lyric meditation containing both an arioso and a short quasi-passacaglia, in which the B-A-C-H motive repeats slowly in the pedals. The last movement is a free fantasia: the motive appears both in chorale-like long notes and as a fast, turning figure. Instrumentation: Organ Duration: 12' Composed: 2017 Published by: Zimbel Press.

Organ

SKU: SU.80101449

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101449. Published by Zimbel Press (SU.80101449).

Spire (Mosaic for Organ) is a dramatic work commissioned for a concert celebrating the 50th anniversary of the Walcker organ in Ulm Cathedral (Germany). Ulm Cathedral possesses the world's tallest church spire. The Lighthouses was commissioned for the 12th Sendlinder Orgelnacht in the Himmelfahrtskirche in Munich-Sendling, Germany. It takes its inspiration from the role of lighthouses as an aid to navigation and as a symbol of comfort, security, and stability admist turbulent circumstances. Instrumentation: Organ Duration: 2019 Composed: 18'30 Published by: Zimbel Press.

Organ

SKU: SU.80101187

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101187. Published by Zimbel Press (SU.80101187).

This work is a mystical contemplation based on the early American folk hymn O the Lamb. Highly suitable for Communion, any time in the season of Lent, or as a recital offering. 8 pages Published by: Zimbel Press.

Organ

SKU: SU.80101479

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101479. Published by Zimbel Press (SU.80101479).

The Forest for the Trees (2018) was written for Forest Eimold. It is a dramatic, single-movement fantasia with a focus on complex sonoroties and textures.Organ Duration: 9’ Composed: 2018 Published by: Zimbel Press.

Organ

SKU: SU.80101451

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101451. Published by Zimbel Press (SU.80101451).

Scherzo for the Flutes (2017) was written for Thomas Sheehan for his recording project on the 1957 D. A. Flentrop organ in Adolphus Busch Hall at Harvard University. Instrumentation: Organ Duration: 6'30 Composed: 2017 Published by: Zimbel Press.

Composed by Carsten Klomp. Method. Book with CD. 108 pages. Musikverlag Dr. J. Butz #BUT2990. Published by Musikverlag Dr. J. Butz

Composed by Walker Baylor. Arranged by Carson Cooman. Sacred. Lorenz Publishing Company #70/2214L. Published by Lorenz Publishing Company

Organ

SKU: SU.80101405

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101405. Published by Zimbel Press (SU.80101405).

Organ Symphony No. 3, Portals (2017) was written for organist Philip Hartmann in celebration of the 90th anniversary of the Martin-Luther-Kirche in Ulm, Germany. Over the five entrances of the church appear five Biblical inscriptions. These scripture passages serve as the inspiration for the five contrasting movements of this work: 1) One Teacher (Matthew 23:8b); 2) With Thanksgiving (Psalm 100:4a); 3) Humble Yourselves (James 4:10); 4) Speak, and Do Not Be Silent (Acts 18:9c); 5) Sing Joyfully (Psalm 81:1) Instrumentation: Organ Duration: 24' Composed: 2017 Published by: Zimbel Press.

Organ

SKU: SU.80101506

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101506. Published by Zimbel Press (SU.80101506).

Overture to Uncle Vanya (2022) is an overture to an imaginary opera based on the play of the same name (publ. 1898) by the Russian playwright Anton Chekhov (1860-1904). The music is not directly programmatic but rather, in the typical manner of an overture, ruminates in a compact form on moods, themes, scenes, and characters from the play itself. Actual opera overtures have historically had their own life as independent concert pieces, and thus the attempt here is to present an atmospheric picture, even without an opera or play following it.Organ Duration: 9' Composed: 2022 Published by: Zimbel Press.

Organ

SKU: SU.80101527

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101527. Published by Zimbel Press (SU.80101527).

This volume contains three evocative pieces for organ. They were written as individual works and are not a suite, although there may be contexts where it would be fine to perform more than one of them within the same program. The decision was made to publish them together because they all involve varying degrees of freedom and non-traditional notation.Organ Duration: 20' Composed: 2023 Published by: Zimbel Press.

Organ

SKU: SU.80101409

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101409. Published by Zimbel Press (SU.80101409).

Radegund Variations (2017) was written for and is dedicated to Hartmut Siebmanns, cantor and organist in Possneck, in the Thuringia region of Germany. This work was inspired by the life of Radegund (ca. 520-587), who was a Thuringian princess (and later Frankish queen) most famous for founding the Abbey of the Holy Cross in Poitiers, France. The piece begins with an original theme: its contemporary view of ancient modality represents looking back from the present time into Radegund's era. The theme is followed by six contrasting variations, inspiration for which are drawn from events in Radegund's life: her marriage and joining the Frankish court (1st variation); her flight from the court (after the murder of her brother) to seek protection from the church (2nd variation); her devotion to the needy (3rd variation); her friendship with the poet Venantius Fortunatus and her commissioning of his sacred poem Vexilla Regis (4th variation); her gifts of healing (5th variation); and the building of the abbey (6th variation). Instrumentation: Organ Duration: 11' Composed: 2017 Published by: Zimbel Press.

Organ: 2-staff - Moderately Easy

SKU: LO.70-2475L

Composed by Carson Cooman. Sacred, Christmas, Thanksgiving. Lorenz Publishing Company #70/2475L. Published by Lorenz Publishing Company (LO.70-2475L).

ISBN 9780787789466.

This collection comprises ten diverse and easy organ works, each rooted in a hymn commonly sung in worship services around the American holiday of Thanksgiving. These pieces vary in mood, style, and length, making them perfect choices for preludes, offertories, and postludes. And since thereâ??s no reason to confine our thankfulness to one time of year, all are naturally suitable for general settings as well.

Organ

SKU: SU.80101453

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101453. Published by Zimbel Press (SU.80101453).

Three Sound-Poems after Paintings by Andreas Willscher (2017) are dedicated to organist Philip Hartmann and the art-loving community of the Pauluskirche in Ulm, Germany. The music is inspired by three paintings by German composer (and artist) Andreas Willscher (b. 1955). The pieces take their musical shapes and colors from the specific details of the paintings. The three paintings represent different styles: a landscape, a religious theme, and an abstract. The first movement, Sonnenfeld (Sun Field), is inspired by a bright painting of the sun illuminating the green field behind the composer's small house in Sainte-Radegonde (Dordogne/Perigord, France). A resplendent and majestic section of full sun harmonies surrounds a middle section with more motion. The second movement, Gebet des Hl. Franziskus (Prayer of St. Francis), is inspired by a painting showing St. Francis of Assisi in prayer. Francis has been a frequent theme in Willscher's music since his appointment at a young age as organist of St. Francis Church in Hamburg. The third movement, Laetare (Rejoice), is inspired by an vibrant abstract painting comprised of bold colors. The alternation of the blocks of rich color are mirrored in the block harmonic shifts in the movement, which is a moto perpetuo, building towards the organ's fullest sounds. Instrumentation: Organ Duration: 11' Composed: 2017 Published by: Zimbel Press.