Composed by Franklin D. Ashdown, Neil Harmon, Clay Christiansen, Richard Elliott...(+)
Composed by Franklin D.
Ashdown, Neil Harmon,
Clay Christiansen,
Richard Elliott, Andrew
Unsworth, Bonnie , Linda
Margetts, James C. Kasen,
Rulon Christiansen. Hymn
Setting. Memorial, 21st
Century, Children,
Community/Fellowship,
Hope/Assurance, Prayer.
Published by MorningStar
Music Publishers
(MN.10-217).
Organ SKU: HL.14024513 Composed by Percy E. Fletcher. Music Sales America...(+)
Organ
SKU:
HL.14024513
Composed
by Percy E. Fletcher.
Music Sales America.
Post-1900. Book
[Softcover]. 12 pages.
Music Sales #NOV590043.
Published by Music Sales
(HL.14024513).
UPC:
884088488635.
9.0x12.0x0.049
inches.
The
Fountain Reverie features
soft, rippling arpeggios
with a contrasting middle
section. As with the
Festival Toccata,
published at the same
time, the brilliance of
Fountain Reverie
disguises the fact that
one does not need to be a
virtuoso to play it well
and effectively, and it
plays well on many
different Organs.Percy
Fletcher was an English
composer, conductor and
Orchestrator of
prodigious output who
made his career in the
lively world of the
London music theatre of
the years of the late
19th and early 20th
century. He was music
director at many
theatres, including His
Majesty's Theatre for the
last seventeen years of
his life. He was the
Orchestrator and
conductorfor the big
budget spectacular
theatre piece Chu Chin
Chow which ran for five
years, a record that
remained unbroken for
forty years. In addition
to his myriad works of
light music, Fletcher
also wrote a serious
church cantata, The
Passion of Christ, as
well as the delightful
children's work, The
Walrus and the
Carpenter.
SA vocal soli, SATB choir, 2 violins, viola, cello/contrabass, organ SKU: CA....(+)
SA vocal soli, SATB
choir, 2 violins, viola,
cello/contrabass, organ
SKU: CA.3207619
Composed by Wilhelm
Friedemann Bach. Edited
by Peter Wollny. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Wohl dem, der den Herren
furchtet. Sacred vocal
music. Set of Orchestra
Parts. Composed 1752.
BR-WFB F 19. Duration 15
minutes. Carus Verlag #CV
32.076/19. Published by
Carus Verlag
(CA.3207619).
ISBN
9790007138974. Language:
German.
The cantata
is one of the few
surviving vocal works
which Wilhelm Friedemann
Bach composed during the
eighteen years which he
spent as organist and
director of music at the
Marktkirche in Halle
(1746-1764). This
cantata, published here
for the first time in
more than 250 years, was
written to introduce the
autumn sermons in 1752. A
musically and technically
demanding composition, it
consists of two
substantial choral
movements, partly
concertante and partly
polyphonic, based on two
biblical utterances. They
surround a sensitive,
while at the same time
strictly contrapuntal,
duet for soprano and alto
with basso continuo in
which God's sweet
teaching for the soul is
described as the true
manna of the faithful,
forming a link with the
sermons which are to
follow. In the
compactness of the
musical construction and
its intensity of
expression W. F. Bach was
clearly following in the
footsteps of his father
in this work. Score and
parts available
separately - see item
CA.3207600.
Organ (Organ) SKU: HL.48186559 Composed by Thé and odore Dubois. Le...(+)
Organ (Organ)
SKU:
HL.48186559
Composed
by Thé and odore
Dubois. Leduc. Classical.
Softcover. 76 pages.
Alphonse Leduc #AL9150.
Published by Alphonse
Leduc (HL.48186559).
UPC: 888680797324.
8.0x11.5x0.243
inches.
At just 34
years of age, Theodore
Dubois was installed as a
professor of harmony at
the Paris Conservatoire.
Whilst much of his
compositional works have
disappeared from primary
classical repertoire, his
12 New Pieces for Organ
remain prominent. Whilst
being a significant
figure in the field of
teaching, Dubois was also
a revered organist,
occupying the post of
organist at the
Madeleine. Dubois' 12 New
Pieces vary in character,
beginning with a helpful
index of performance
directions. For all
aspiring, advanced
organists, Dubois' 12 New
Pieces ensure variety and
versatility within the
repertoire..
(for Organ). By Cesar Auguste Franck (1822-1890). Edited by Freidemann Winklhofe...(+)
(for Organ). By Cesar
Auguste Franck
(1822-1890). Edited by
Freidemann Winklhofer.
This edition: HN845.
Organ. Henle Music
Folios. Urtext edition
(Paper-bound). 51 pages
Organ SKU: HL.48181400 Composed by Olivier Messiaen. Leduc. Classical. So...(+)
Organ
SKU:
HL.48181400
Composed
by Olivier Messiaen.
Leduc. Classical.
Softcover. 14 pages.
Alphonse Leduc #AL20906.
Published by Alphonse
Leduc (HL.48181400).
UPC: 888680855420.
9.0x12.25x0.13
inches.
“Oliv
ier Messiaen (1908-1992)
is known for his unique
composition style.
Incorporating complex
rhythms, harmony and
melodies, Mass of
Pentecost is no exception
to the composer's
popular, distinctive
style. Composed in
1949-1950, the Organ Mass
is thought to be based on
twenty years of
improvising at Saint
Trinity Church in Paris
where Messiaen was
organist. Mass of
Pentecost is in five
movements; 1) Entrance,
2) Offertory, 3)
Consecration, 4)
Communion, and 5)
Recessional. Influences
of birdsong are depicted
within the piece,
reflecting the composer's
interest in ornithology.
The first movement also
contains the use of Greek
rhythms. Mass of
Pentecost is essential to
all advanced organists
seeking to expand and
vary their
repertoire.â€.
Organ SKU: CA.5027100 Composed by Josef Gabriel Rheinberger. Edited by Ma...(+)
Organ
SKU:
CA.5027100
Composed
by Josef Gabriel
Rheinberger. Edited by
Martin Weyer. Carus
digital: Extra digital
products. Full Score. WoO
25. Carus Verlag
#5027100. Published by
Carus Verlag
(CA.5027100).
ISBN
9790007298357.
As
well as 20 organ sonatas
and seven collections of
stand-alone organ pieces
with opus numbers,
Rheinberger composed a
whole range of smaller
works for organ methods
or organ collections for
his favorite instrument,
mainly at the request of
colleagues and
friends.
The
posthumously compiled
collection of ten smaller
organ pieces WoO 25
brings together a series
of interesting pieces
from the years 1854 to
1896. It includes one of
just two chorale settings
by Rheinberger, the
prelude on “Wenn
ich einmal soll
scheidenâ€. With
short trios, preludes and
fugues in different keys,
the collection is
particularly suitable for
use in worship, but also
for teaching.
Separate edition
from Supplementary Volume
3 of the Rheinberger
Complete Edition
Organ SKU: HL.14043703 For Organ. Composed by Nico Muhly. Music Sa...(+)
Organ
SKU:
HL.14043703
For
Organ. Composed by
Nico Muhly. Music Sales
America. Classical.
Softcover. 12 pages. St.
Rose Music #SRO100116.
Published by St. Rose
Music (HL.14043703).
UPC: 840126953312.
12.0x9.0x0.043
inches.
Prelude On
Lasst Uns Erfreuen is a
work by renowned
contemporary composer
Nico Muhly , for Organ.
Lasting around 6 minutes,
it was composed in 2007.
The composition was
dedicated to Alison
Shafer, commemorating 25
years of service for
Christian Lane and the
Evangelical Reformed
United Church of Christ,
Frederick, Maryland. In
the September/October
2015 issue of Choir &
Organ, Stephen Farr
writes that this work
applies a variety of
motivic treatments, and a
corresponding variety of
rhythmic twists, to the
well-known melody...would
be effective in either
concert or liturgical
contexts.
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: ST.EC66 Composed by Various. Edited by John Caldwell. This edi...(+)
Organ
SKU: ST.EC66
Composed by Various.
Edited by John Caldwell.
This edition: Collected
Editions. Library
Volumes. Early Tudor
Organ Music. Collection.
Stainer and Bell Ltd.
#EC66. Published by
Stainer and Bell Ltd.
(ST.EC66).
ISBN
9780852499726.
EECM
65 and EECM66 revisit the
repertoire of the
ground-breaking volumes 6
and 10 in the series,
Early Tudor Organ Music,
in the light of 60 years
of continuing research
and deeper understanding
of the surviving corpus.
Some 109 works are
brought together here, in
the order in which they
appear in each manuscript
â?? British Library
Additional MS 29996
accounting for
three-quarters of the
content, plus 22 works
from other sources. There
are settings for the
Office (antiphons, hymns,
the Te Deum and
Magnificat) and Mass
ordinary and propers
(particularly the
Offertory).
The
format is of the same
dimensions as other EECM
volumes, although
presented in landscape
for more practical use.
EECM66 contains Advent,
Christmas, Epiphany and
Lenten hymns from Add. MS
29996, and 22 pieces from
other sources. Three
appendices include
intabulated pieces,
plainchant melodies, and
hymns and
faburdens.
In
addition to numerous
anonymous titles,
composers found in these
volumes include Avery
Burnett, Robert Coxsun,
William Kyrton, Thomas
Preston, John Redford,
Philip ap Rhys, Edmund
Strowger, Thomas Tallis,
John Thorne, Robert White
and Richard Wynslate.
Organ SKU: SU.80101448 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101448
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101448.
Published by Zimbel Press
(SU.80101448).
This is a
collection of 17 short
organ pieces of varied
characters that were
composed over a period of
years. Some works are
contemporary views of
early music styles and
forms, and a number can
be played on a positive
organ or with manuals
only. All are useful as
service voluntaries or as
recital selections.
Contains: Bryn Mawr
Voluntary, Cornet
Voluntary, Partita
semplice, Pastorella
acustica, Canto e Fugato,
Canto quieto, Deux petits
preludes, Lighthouse
Song, Passacaglia
semplice, Kleine
Spielmusik, Diapason
Voluntary, Preludio,
Rondelet, Roundelay,
Paulus-Praeludium,
Tambourin, and Three
Enigmas. Instrumentation:
Organ Duration: 2012-19
Composed: 75' Published
by: Zimbel Press.
Organ SKU: CA.5280400 Composed by Max Reger. Edited by Alexander Becker, ...(+)
Organ
SKU:
CA.5280400
Composed
by Max Reger. Edited by
Alexander Becker,
Christopher Grafschmidt,
Stefan Konig, and
Stefanie Steiner-Grage.
This edition: Complete
edition. Hymns by Martin
Luther: Ausgaben mit
mehreren Luther-Liedern;
Complete editions /
Selected works: Max
Reger. Hybrid Edition of
works. With DVD. Organ
music based on hymns.
Full score (complete
edition / selected
edition). 224 pages.
Carus Verlag #CV
52.804/00. Published by
Carus Verlag
(CA.5280400).
ISBN
9790007139384.
The
fourth volume of the
section of the Reger
Edition devoted to his
organ works comprises, in
chronological order, the
chorale preludes composed
between October 1893 and
November 1914 in
Wiesbaden, Weiden,
Munich, Leipzig, and
Meiningen. The
composition of chorale
preludes accompanied
Reger throughout his
entire career, even
though they were composed
primarily in the years
from 1900 to 1902 and
1914 (Opus 135a). As
almost no other composer
at the turn of the
century, he dedicated
himself to the chorale
prelude, composing around
100 works in this genre.
Since January 2008, the
first scholarly, critical
edition of the works of
Max Reger (RWA) is being
produced at the
Max-Reger-Institute,
Karlsruhe. Its design as
a hybrid edition breaks
new ground in the methods
of editorial practice. It
comprises three areas of
Reger's compositional
output: Organ works,
Lieder and choruses and,
for the first time, Max
Reger's arrangements of
works by other composers.
To begin the series, the
first seven volumes have
been published and
contain the organ works,
which have been eagerly
awaited by many.
Organ Solo SKU: AP.36-W723091 Composed by Camille Saint Saens. Organ. Wel...(+)
Organ Solo
SKU:
AP.36-W723091
Composed by Camille Saint
Saens. Organ. Well
Tempered Press. Book.
LudwigMasters
Publications #36-W723091.
Published by
LudwigMasters
Publications
(AP.36-W723091).
ISBN
9798892705776. UPC:
676737997298.
English.
Camille
Saint-Saëns (1835-1921),
while most well-known for
his chamber and
orchestral works, also
composed much for the
organ, having himself
been appointed organist
at both Saint Merri
(1853-1857) and Madeleine
(1857-1877), the latter
post he held for 20
years. He is one of the
19th century's most
important composers and
performers for the organ,
counted together with
other greats such as
Gigout, Guilmant, and
Widor. Saint-Saëns wrote
this FANTAISIE No. 2, Op.
101 in D-flat Major for
organ in 1895. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Mark Hayes. Arranged by Marvin Gaspard. Sacred, Contemporary Wors...(+)
Composed by Mark Hayes.
Arranged by Marvin
Gaspard.
Sacred, Contemporary
Worship, General. Lorenz
Publishing Company
#70/2093L. Published by
Lorenz Publishing Company
Alto Saxophone & Organ SKU: AP.1-ADV7064 For Alto Saxophone and Organ<...(+)
Alto Saxophone & Organ
SKU: AP.1-ADV7064
For Alto Saxophone and
Organ. Arranged by
Friedemann Graef. Series;
Solo; Solo Small
Ensembles; Woodwind -
Alto Saxophone Solo.
Advance Music: Spirituals
for Saxophone. Sacred;
Spiritual; Traditional.
Score and Part(s).
Advance Music
#01-ADV7064. Published by
Advance Music
(AP.1-ADV7064).
UPC:
805095070644. English.
Traditional.
This
collection of pieces for
saxophone and organ or
piano, Spirituals for
Saxophone arranged by
Friedemann Graef, is
designed for use in
concert performances as
well as for church
services and other
ceremonies. This
traditional American
spiritual, Swing Low,
Sweet Chariot, has been
extended by composed
introductions and
endings, or interludes
and written solos. The
notated solos here are
the results of more than
ten years of the
arranger's personal
experience with these
tunes and chord changes.
The organ part may also
be played on acoustic
piano if the bass voice
is played one octave
lower in respective
passages---these passages
are marked. There is a
transposed part for
B-flat and E-flat
saxophones. Due to the
different register of the
tenor and alto saxophone,
a few notes of the alto
saxophone parts have been
changed for a more
effective sound.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Violin 1. Sacred
vocal music, Cantatas,
Advent. Single Part,
Violin 1. Composed
1868/1869. Op. 29. 8
pages. Duration 14
minutes. Carus Verlag #CV
10.364/11. Published by
Carus Verlag
(CA.1036411).
ISBN
9790007190385. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
part available separately
- see item
CA.1036400.
Chamber Music Solo Organ SKU: PR.UE034698 Composed by Joseph Marx. Full s...(+)
Chamber Music Solo Organ
SKU: PR.UE034698
Composed by Joseph Marx.
Full score. With Standard
notation. Universal
Edition #UE034698.
Published by Universal
Edition (PR.UE034698).
ISBN 9783702472467.
UPC:
803452069584.
Marx
was one of Austria's
most-loved and
most-performed composers
in the first half of the
20th century, but almost
completely disappeared
with the rise of more
modern contemporary
music. Even so, it is of
interest that Universal
Edition today publishes
the first edition of two
volumes of his Organ
Works, 50 years after his
death, in cooperation
with the Joseph Marx
Society.
Organ SKU: FG.55011-448-7 Uuno Klamin savellyksia urkusovituksina....(+)
Organ
SKU:
FG.55011-448-7
Uuno Klamin
savellyksia
urkusovituksina.
Composed by Uuno Klami.
Edited by Esa Ylonen.
Score. Fennica Gehrman
#55011-448-7. Published
by Fennica Gehrman
(FG.55011-448-7).
ISBN
9790550114487.
Uuno
Klami (1900-1961) was
born in Virolahti and
studied in Helsinki,
Paris and Vienna. While
living in the capital
city Helsinki, he always
spent his summers in the
original homestead in
Virolahti. Klami is
most known for his
colourful orchestral
works, but works for
piano frame the different
times of the composer's
life nicely. The piano
works are so joyous that
transcribing from for
organ is firmly based.
Surumarssi
(Trauermarsch) Op. 8 was
composed when Klami was
16 years old, most likely
in memory of his late
mother. Pastoral A-flat
major was composed in
December 1919; I find it
contains the feeling of
Christmas. Barcarole Op.
5 is a French-influenced
work. I often find myself
thinking of a boat
bobbing on waves, while I
play this work. I
believe these organ
transcriptions bring many
joyful moments in
concerts as well as in
other congregational use.
And not only that: they
can be used as pedagogic
material as well.
Organ SKU: FG.55011-575-0 Composed by Olli Kortekangas. Fennica Gehrman #...(+)
Organ
SKU:
FG.55011-575-0
Composed by Olli
Kortekangas. Fennica
Gehrman #55011-575-0.
Published by Fennica
Gehrman (FG.55011-575-0).
Olli
Kortekangas (b. 1955)
spent some time looking
for a suitable chorale or
theme after receiving a
commission from Tomi
Satomaa to compose a
variation work for organ.
It was foundsurprisingly
close at hand, on his
very own desk: The
Partita is based on a
chorale melody
Kortekangas composed some
years ago. The Partita
has six movements
performed without a
break. The first presents
the chorale melody
itself, and the other
five could be described
as character pieces each
based on some part of it
or characteristic. The
work was premiered at the
Turku Organ Festival in
July 2019.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Sacred vocal
music, Cantatas, Advent.
Choral Score. Composed
1868/1869. Op. 29. 12
pages. Duration 14
minutes. Carus Verlag #CV
10.364/05. Published by
Carus Verlag
(CA.1036405).
ISBN
9790007166540. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score
available separately -
see item CA.1036400.
Organ Solo SKU: AP.36-M241991 Composed by Camille Saint-Saens. Master Org...(+)
Organ Solo
SKU:
AP.36-M241991
Composed by Camille
Saint-Saens. Master Organ
Series. Book.
LudwigMasters
Publications #36-M241991.
Published by
LudwigMasters
Publications
(AP.36-M241991).
ISBN
9798892703802. UPC:
659359546006.
English.
Camille
Saint-Saëns (1835-1921),
while most well-known for
his chamber and
orchestral works, also
composed much for the
organ, having himself
been appointed organist
at both Saint Merri
(1853-1857) and Madeleine
(1857-1877), the latter
post he held for 20
years. He is one of the
19th century's most
important composers and
performers for the organ,
counted together with
other greats such as
Gigout, Guilmant, and
Widor. Saint-Saëns wrote
the FANTAISIE No. 3 in C,
Op. 157 for organ in
1919.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced
SKU:
HL.49045437
For
Organ. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Classical. Softcover.
Composed 2016. 48 pages.
Duration 24'. Schott
Music #ED 22668.
Published by Schott Music
(HL.49045437).
ISBN
9790001162715. UPC:
841886029088.
9.0x12.0x0.168
inches.
On the
occasion of the
quincentenary of
Reformation Day in 2017,
the composer Enjott
Schneider thoroughly
studied Martin Luther the
individual and all his
contradictions. The
result is a brilliant,
demanding organ symphony
which is perfect for
concerts on the subject
of Reformation and Martin
Luther.The composer
describes the five
movements of the symphony
as follows:'1st
movement:Wir glauben all
an einen Gott with its
quintuplet-like beginning
is very Gregorian in
style, outlining the
range of Lutheran
emotionalism between the
Middle Ages and the
modern era. The
irrationality of faith
ultimately has priority
over any thought and
evidence. At the
beginning of the
movement, sounds of
knocking on wood remind
of the nailing of the
Ninety-Five Theses to the
doors of churches in
Wittenberg. The chorale
melody sometimes hides
with an almost rough
medieval saltarello,
referring to Luther's
robustness and vitality
with which he knew to
carry away even common
people.2nd movement:In
1530, the electoral
prince of Saxony
presented to Luther at
Coburg Castle the golden
signet ring with the
Luther rose which became
the symbol of his
theology of grace. A
white heart with black
cross is fixed on a
five-petalled rose. To
him, white is the colour
of angels and ghosts,
black stands for the pain
of crucification: The
just shall live by faith,
but by faith in the
Crucified. But the fact
that the rose and the
heart are the dominating
symbols shows how
Catholic Marian piety
remained an ingredient of
Luther's spirituality
throughout his life. In
line with the dominant
five-petal structure of
the rose, this movement
was composed, to a large
extent, in accordance
with the floating,
lyrical rhythm in 5/8
time.3rd movement:The
omnipresence of death and
dying - from the plague
and war to the
never-ending dangers of
daily life - was an
essential part of the
world view of that time.
Fears ensued that might
heighten into the
grotesque, e.g. in the
pictures of Hieronymus
Bosch. The Danse macabre
was a popular motif in
those years. Luther's
chorale Mitten wir im
Leben sind / mit dem Tod
umfangen from 1524
(Enchiridion from Erfurt)
is based on the Gregorian
chant Media vita in morte
sumus created in France
around 750 and, with its
idea of transience,
inspired a simplistic
air.4th movement:The
famous confession
delivered at the Diet of
Worms in 1521, I stand
here and can say no more.
God help me. Amen, are
not Luther's words but
the version later used as
text for a pamphlet.
However, it represents
quite plainly the
straightforwardness and
inevitability of his
mission. Musically, it
was made into a perpetuum
mobile, i.e. a dogged,
ostinato and never-ending
musical air.5th
movement:The Mighty
Fortress, on the other
hand, is one of the great
symbols of Martin Luther
which, with its shining C
major key, embodies the
Protestant ideology and
willful nature of the
Reformation unlike any
other song. Heinrich
Heine called it the
Marseille anthem of the
Reformation, Friedrich
Engels the Marseillaise
of the Peasants' Wars.
This disputability is not
thought through to the
end but rather
interrupted: With a
jubilant birdcall version
of the melody, the finale
shows a rather
chamber-music-like side
of the ideals of freedom
of Christians.'.