| Eighteenth Century Pieces
For Manuals Organ: Organ:
Instrumental Album Orgue [ ] Novello & Co Ltd.
Eighteenth Century Pieces For Manuals Organ
15.99 GBP - vendu par Musicroom GB | |
| Arthur Veal: Three
Seventeenth Century
Transcripts: Organ:
Instrumental Work Orgue [Partition] Novello & Co Ltd.
Three Seventeenth Century Transcripts
10.99 GBP - vendu par Musicroom GB | |
| Organ Comp...20th
Century: Organ:
Instrumental Album Orgue Hinshaw Music Inc.
Organ Comp...20th Century
18.99 GBP - vendu par Musicroom GB | |
| Praise And Thanks For
Organ II: Organ:
Instrumental Album Orgue - Facile Barenreiter
Collection of lesser known organ works suitable for all denominationsTried and t...(+)
Collection of lesser known organ works suitable for all denominationsTried and tested free organ compositions and chorale settings from the 19th centuryEasy to medium level of difficultyThis series of anthologies for the church year and important church occasions which is suitable particularly for non-professional church musicians has now been expanded by a second volume in response to frequent demand. The main focus of Praise and Thanks for Organ II lies in the 19th century repertoire. At its centre are chorale settings for the Hymns of Praise and Praise and Thanksgiving from the German Protestant Hymnbook as well as the Praise and Thanks section from the German CatholicHymnbook. Tried and tested freely-composed organ works are also included such as Christian Fink’s Festpostludium op. 63 and chorale fantasias. Already published:Praise and Thanks for Organ IBA 8496Christmas for Organ Volume I: BA 8495Volume II: BA 9258Passiontide and Easter for OrganBA 9210Organ Music for the End of Church YearBA 9266The Organ Funeral AlbumBA 9207Organ Music for CommunionBA 9265The Organ Wedding AlbumBA 8200
31.50 GBP - vendu par Musicroom GB | |
| Martin Herchenröder:
Toccata and Lament For
Organ: Organ:
Instrumental Work Orgue [Partition] Barenreiter
Toccata and Lament was composed on commission in 2008 to inaugurate the large ne...(+)
Toccata and Lament was composed on commission in 2008 to inaugurate the large new organ in the Christ Church Cathedral Rochester NY USA. This instrument is a detailed reconstruction of a late Baroque organ of 1776 from Vilnius in Lithuania. The point of departure a clash of contrasting eras and musical cultures on two continents already bodes excitement. Martin Herchenröder a composer and professor of music theory has incorporated these contrasts in his roughly eight-minute composition. The result is a musical idiom of rare distinction universal in its musical resources and alternating between tonal triads and extremely dissonant clusters. The heart of the pieceis a dirge which using the Baroque doctrine of the affections relates to Eastern European cultural history in and around Vilnius a history marked by the predations of 20th-Century war.Expressive and effective contemporary organ musicAmalgam of musical traditions from the 18th to 21st CenturyExplanatory foreword by the composer (Ger/Eng)
24.80 GBP - vendu par Musicroom GB | |
| Freie Orgelmusik Der
Romantik, Band III Orgue [Partition] Carus Verlag
While organ music of the 19th century was not highly regarded in Germany a few y...(+)
While organ music of the 19th century was not highly regarded in Germany a few years ago [with the exception of a few outstanding works], our understanding of it has grown during recent years. In other countries 19th century organ music has retained its place in the repertoire to a far greater extent. This three-volume collection presents playable organ works of high quality for both liturgical and concert use. Most of the pieces have not yet been available in new editions [at the time of publication], and are made accessible to a wider public for the first time. The first two volumes contain pieces which were composed in, or introduced to, the German-speaking area of Europe between1800 and 1900; some of them point back stylistically to the 18th century. The focus of the third volume is on works by French, British, and American composers. There are also organ pieces from Bohemia, Belgium, Denmark, and even Brazil./ Répertoire / Orgue
41.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Freie Orgelmusik Der
Romantik, Band II Orgue [Partition] Carus Verlag
While organ music of the 19th century was not highly regarded in Germany a few y...(+)
While organ music of the 19th century was not highly regarded in Germany a few years ago [with the exception of a few outstanding works], our understanding of it has grown during recent years. In other countries 19th century organ music has retained its place in the repertoire to a far greater extent. This three-volume collection presents playable organ works of high quality for both liturgical and concert use. Most of the pieces have not yet been available in new editions [at the time of publication], and are made accessible to a wider public for the first time. The first two volumes contain pieces which were composed in, or introduced to, the German-speaking area of Europe between1800 and 1900; some of them point back stylistically to the 18th century. The focus of the third volume is on works by French, British, and American composers. There are also organ pieces from Bohemia, Belgium, Denmark, and even Brazil./ Répertoire / Orgue
41.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Freie Orgelmusik Der
Romantik, Band I Orgue [Partition] Carus Verlag
While organ music of the 19th century was not highly regarded in Germany a few y...(+)
While organ music of the 19th century was not highly regarded in Germany a few years ago [with the exception of a few outstanding works], our understanding of it has grown during recent years. In other countries 19th century organ music has retained its place in the repertoire to a far greater extent. This three-volume collection presents playable organ works of high quality for both liturgical and concert use. Most of the pieces have not yet been available in new editions [at the time of publication], and are made accessible to a wider public for the first time. The first two volumes contain pieces which were composed in, or introduced to, the German-speaking area of Europe between1800 and 1900; some of them point back stylistically to the 18th century. The focus of the third volume is on works by French, British, and American composers. There are also organ pieces from Bohemia, Belgium, Denmark, and even Brazil./ Répertoire / Orgue
41.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Organ Events. Concert
Organ Music From Five
Cent. Orgue Barenreiter
Wide range of stylesConceived by Martin Weyer, this edition ranges in style from...(+)
Wide range of stylesConceived by Martin Weyer, this edition ranges in style from 17th century Portuguese organ music to French and American works of the 19th century. It also contains a selection of German organ music including lesser-known works by Bach and other pieces from Robert Schumann to Ernst Pepping.In addition to the original compositions, organ arrangements have also been included. A detailed Foreword offers information on the music-historical context of each work and suggestions for its performance.- Original pieces and attractive arrangements for organ- Easy to moderately difficult concert music for organ- Includes a broad range of styles / Orgue
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| Sonate Inglesi per Organo
? Vol. 4 (GLADSTONE
FRANCIS EDWARD) Orgue [Partition] Ut Orpheus
Par GLADSTONE FRANCIS EDWARD. The organ sonatas of Francis Edward Gladstone (184...(+)
Par GLADSTONE FRANCIS EDWARD. The organ sonatas of Francis Edward Gladstone (1845-1928) are fine examples of the developing English sonata tradition of the late-nineteenth century and early twentieth century. They exemplify a practical approach to the instrument with consistently moderate technical demands while also allowing the player scope for interpretation with the increasing availability of instruments that were conceived with a symphonic tonal palette in mind. As discussed in The Genesis and Development of an English Organ Sonata (2017), the English sonatas had an important pedagogical role jointly inherited from Mendelssohn?s very practical and popular approach to the instrument and the continued European legacy of the lesson-sonata tradition whereby in learning a piece you also learned the instrument and vice versa. / Date parution : 2022-05-31/ Recueil / Orgue
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| Sämtliche Orgelwerke
Band 8 (BACH JOHANN
SEBASTIAN) Orgue [Partition + CD] Breitkopf & Härtel
Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Bo...(+)
Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans
music text faithful to the sources and reflecting the current status of Bach research
developed for musical practice through the cooperation of scholars and performers
contains all of Bach's keyboard works that require an independent pedal manual
contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty
features comprehensive introductions, extensive source descriptions and text-critical notes
features supplementary material illustrated synoptically on CD-ROM (in printable quality)
brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns
'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review)
Subscription Conditions
A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time.
The subscription obliges the subscriber to purchase the entire collection.
The New Edition of Bach's Complete Organ Works
With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext.
Current Urtext status, historically informed, edited with performers in mind:
More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context.
The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore
The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty.
It offers incerta, early, and alternative versions on CD-ROM
In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes.
Edited by a competent team:
With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes.
Werner Breig (* 1932)
studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition).
Pieter Dirksen (* 1961)
studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003.
Reinmar Emans (* 1953)
studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue
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| LIBER FRATRUM
CRUCIFERORUM LEODIENSIUM Orgue Ut Orpheus
Contents: 54 compositions by William Brown (Wilhelmo Brouno), Christian Erbach(?...(+)
Contents: 54 compositions by William Brown (Wilhelmo Brouno), Christian Erbach(?), Andrea Gabrieli, Claudio Merulo, Vincenzo Pellegrini, Peter Philips, Gerardus Scroncx, Paul Siefert, Jan Pieterszoon Sweelinck and Anonymouses Editor: Jean Ferrard Publication Date: 2008 Description Among the sources of seventeenth century keyboard music, the Book of the Crosiers of Liège occupies an exceptional position since it contains some unica of composers as important as Jan Pieterszoon Sweelinck and Peter Philips. It is also a remarkable manuscript in that this is one of the earliest appearances in organ music of accurate indications regarding registrations. Since its first edition in 1910, as the last volume of Alexandre Guilmant’s Archives des Maîtres de l’Orgue, musicological research has established new concordances, made some new attributions and proposed a few hypotheses which must still be confirmed. In this way, the principal document concerning the organ in Liège and its music will again be accessible as a whole, with editorial remarks and commentaries, that seek to provide the reader with the most recent findings of musicological research as well as a rigorous and practical musical text. [Introductory texts in English and French] / Partitions classique / Piano - instruments à clavier / Orgue / Ut Orpheus
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| Ars Organi Vol. 3
(PEETERS FLOR) Orgue Schott
Complete theoretical and practical method for organ-playing in three parts. Par ...(+)
Complete theoretical and practical method for organ-playing in three parts. Par PEETERS FLOR. Flor Peeters, born in Belgium in 1903, is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen, he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986, Peeters gave concerts all around the world, held numerous master classes and received several awards and prizes for his achievements as a composer, organist and teacher.
In his successful three-volume educational work 'Ars Organi', Peeters combines theoretical knowledge and practical exercises on all aspects of organ playing, starting with basic information on the instrument, manual and pedal exercises and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing, Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation, touch, interpretation, registration and organ specifications - a valuable compendium for every organist. / Méthode / Date parution : 1954-11-20/ Méthode / Orgue
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| Olivier Messiaen: Livre
d'Orgue: Organ:
Instrumental Work Orgue [Partition] Leduc, Alphonse
Livre D'Orgue written by Olivier Messiaen is a set of seven pieces for Organ wh...(+)
Livre D'Orgue written by Olivier Messiaen is a set of seven pieces for Organ which is considered as very difficult. Composed for some Roman Catholic periods the different pieces are therefore tailored for events during the year such as Easter or Whitsun. These seven different pieces are: - Reprise par intervension - Pièce en trio / For the Trinity Sunday - Les mains de l’abîme / For the penitential periods - Chants d’oiseaux / For the Easter Period - Pièce en trio / For the Trinity Sunday - Les Yeux dans les roués / For the Whitsun Sunday Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composer of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on Rhythm Colour and Ornithology' in 7 volumes.
28.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Olivier Messiaen: La
Nativite du Seigneur Vol.
3: Organ: Instrumental
Work Orgue [Partition] Leduc, Alphonse
Neuf méditations pour orgue-La Nativit? Du Seigneur by Olivier Messiaen was wr...(+)
Neuf méditations pour orgue-La Nativit? Du Seigneur by Olivier Messiaen was written in 1935 and depicts his Roman Catholic faith. Written for Organ this piece is considered “one of the great organ works of all time” and as a real masterpiece as said by R. F. Goldman the American composer. Divided into nine movements each portrays a concept related to the birth of Jesus: 1. La vierge et l'enfant (The Virgin and Child) 2. Les bergers (The Shepherds) 3. Desseins ?ternels (Eternal designs) 4. Le verbe (The Word) 5. Les enfants de Dieu (The Children of God) 6. Les anges (The Angels) 7.J?sus accepte la souffrance (Jesus accepts suffering) 8. Les mages (The Magi) 9. Dieu parmi nous (God Among Us) Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composer of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm colour and ornithology' in 7 volumes.
15.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Orgelwerke Band I/1
(BUXTEHUDE DIETERICH) Orgue [Partition]
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is ...(+)
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
42.74 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Artizarra (ROTH DANIEL) Orgue Schott
Fantaisie sur un chant populaire basque. Par ROTH DANIEL. “The pretty Basque s...(+)
Fantaisie sur un chant populaire basque. Par ROTH DANIEL. “The pretty Basque song “Iru erége”, which tells of the three wise men from the Orient travelling to Bethlehem to worship the baby Jesus, gave me the idea for a musical interpretation of this astonishing event (Gospel according to Matthew II, 1-12). In registering the work for the wonderful organ in Santa Maria del Coro I wished to pay homage to the great organ-builder Aristide Cavaillé-Coll, who died a century ago.
The performer should aim to reproduce the wonderful sound qualities of that organ as closely as possible on the instrument available to them, or else find their own solutions in the spirit of this piece.” Daniel Roth/ Répertoire / Orgue
21.65 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Orgelwerke Set Band I
(BUXTEHUDE DIETERICH) Orgue [Partition] Breitkopf & Härtel
Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the r...(+)
Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
75.49 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Expressions (HAKIM NAJI) Orgue Schott
Par HAKIM NAJI. Written in harmonic style of the twentieth century, these Expres...(+)
Par HAKIM NAJI. Written in harmonic style of the twentieth century, these Expressions are contrasted liturgical pieces: prelude, postlude, offertory & communion. The fifteen movements can be linked in a free order, allowing the organist to adapt the duration of his performance to the liturgical service. / Niveau : Facile à Intermédiaire / Répertoire / Orgue
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| Sonate Inglesi per Organo
? Vol. 5 (GRAY ALAN) Orgue [Partition] Ut Orpheus
Par GRAY ALAN. The four organ sonatas of Alan Gray (1855-1935) stand as one of t...(+)
Par GRAY ALAN. The four organ sonatas of Alan Gray (1855-1935) stand as one of the largest contributions to the sonata repertoire by an English composer. Published around 1890, they also mark an advancement in the repertoire of potential concert works. Gray had not studied abroad and his sonatas demonstrate a compelling emergence of a distinctly English style of organ sonata after almost half a century of continental influence. All four sonatas show a strong command of not only writing for the instrument but also the art of registration. Gray?s indications are clear, logical, and practical. He writes for a symphonic organ of at least three manuals but many of the pieces could be played on an instrument of only two manuals. The use of contrasting manual colours between phrases and the incorporation of solo stops is notable for conveying Gray?s views on interpretation and his strong understanding of the instrument. / Date parution : 2022-05-31/ Recueil / Orgue
21.74 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Concerto GeWV 391
(GENZMER HARALD) Orgue Schott
Par GENZMER HARALD. Harald Genzmer, born in 1909, was one of the most significan...(+)
Par GENZMER HARALD. Harald Genzmer, born in 1909, was one of the most significant organ composers of the twentieth Century. He found his own way of writing perfectly structured music that is rewarding to play, with free
tonality and contemporary harmonies.
The Concerto has three movements: Toccata – Meditation – Vivace; it was written at the suggestion of Genzmer’s colleague at the Munich Conservatoire, Franz Lehrndorfer, who gave the work its first performance in Munich Cathedral. An effective piece for concerts and competitions and a
complement to the contemplative chorale partita “Where art thou, Comfort of the World” published in 2001 (ED 9201)./ Répertoire / Orgue
17.21 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Sonate Inglesi per Organo
? Vol. 6 (GRAY ALAN) Orgue [Partition] Ut Orpheus
Par GRAY ALAN. The four organ sonatas of Alan Gray (1855-1935) stand as one of t...(+)
Par GRAY ALAN. The four organ sonatas of Alan Gray (1855-1935) stand as one of the largest contributions to the sonata repertoire by an English composer. Published around 1890, they also mark an advancement in the repertoire of potential concert works. Gray had not studied abroad and his sonatas demonstrate a compelling emergence of a distinctly English style of organ sonata after almost half a century of continental influence. All four sonatas show a strong command of not only writing for the instrument but also the art of registration. Gray?s indications are clear, logical, and practical. He writes for a symphonic organ of at least three manuals but many of the pieces could be played on an instrument of only two manuals. The use of contrasting manual colours between phrases and the incorporation of solo stops is notable for conveying Gray?s views on interpretation and his strong understanding of the instrument. / Date parution : 2022-05-31/ Recueil / Orgue
25.37 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Praxipode - Ensemble De
Trois Suites Pour Le
Travail Du
Pédalier
En Français Orgue Delatour France
Ecrit en 01/01/14 et 01/01/15, Praxipode est constitué d'un ensemble de vingt p...(+)
Ecrit en 01/01/14 et 01/01/15, Praxipode est constitué d'un ensemble de vingt pièces regroupées en trois suites distinctes, Elles ont été écrites dans le but d'aider les organistes à user du pédalier de manière progressive, Le recueil fait suite à Dactylopraxie, destiné au manuel seul, et en adopte exactement la même structure, Si les différentes pièces qui composent chaque suite peuvent être isolées ou regroupées selon les envies des interprètes, elles sont néanmoins reliées entre elles par un propos identique qui en assure la cohérence et apparente les trois ensembles au genre des Partitas, This collection of concise works by Christophe Marchand is an excellent introduction for beginning organ students to develop a good, solid pedal technique and independence for the performance of 21st century music, I highly recommend this superb collection without any reservations,James David Christie Ce nouveau recueil de Christophe Marchand est une musique charmante et inspirante qui prépare à l'écoute de la musique d'aujourd'hui,Bernhard Haas Praxipode est à la fois original, bien construit, et surtout très adapté à l'évolution des jeunes organistes grâce à l'acquisition de réflexes bien ciblés, le tout sous un aspect ludique qui, j'imagine, doit facilement séduire les plus jeunes, Bref, une réussite !Olivier Latry Christophe Marchand réconcilie travail et jeu, ce qui n'est pas un mince défi ! Une oeuvre à mettre entre toutes les mains, et tous les pieds oserait-on dire,Aude Heurtematte et Christophe Mantoux / Orgue
26.07 EUR - vendu par LMI-partitions Délais: Sur commande | |
| 40 Chorale Fughettas Orgue [Partition] Schott
Joseph Haas (1879-1960), a pupil of Max Reger, is regarded as one of the most im...(+)
Joseph Haas (1879-1960), a pupil of Max Reger, is regarded as one of the most important figures of early 20th century German Catholic church music. The forty chorale preludes, all in fughetta form, are published here for the very first time. / Orgue
28.31 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Olivier Messiaen: La
Nativité Du Seigneur
Vol. 2: Organ:
Instrumental Work Orgue [Partition] Leduc, Alphonse
Neuf méditations pour orgue-Written in four volumes ?La Nativit? Du Seigneur b...(+)
Neuf méditations pour orgue-Written in four volumes ?La Nativit? Du Seigneur by Olivier Messiaen was written in 1935 and depicts his Roman Catholic faith. Written for Organ this piece is considered “one of the great Organ works of all time” and as a real masterpiece as said by R. F. Goldman the American composer. Divided into nine movements each of which portrays a concept related to the birth of Jesus: 1. La vierge et l'enfant (The Virgin and Child) 2. Les bergers (The Shepherds) 3. Desseins ?ternels (Eternal designs) 4. Le verbe (The Word) 5. Les enfants de Dieu (The Children of God) 6.Les anges (The Angels) 7. J?sus accepte la souffrance (Jesus accepts suffering) 8. Les mages (The Magi) 9. Dieu parmi nous (God Among Us) This second volume features the meditations 4 and 5. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm colour and ornithology' in 7 volumes.
15.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Das Husumer Orgelbuch Von
1758 Orgue [Partition] Carus Verlag
The Husum Organ Book from 1758 documents in a unique way how north-German organ ...(+)
The Husum Organ Book from 1758 documents in a unique way how north-German organ music developed in the first half of the 18th century in the generations following Dieterich Buxtehude and Vincent Lübeck. It contains 17 original works from northern Germany. Twelve of these works are concertos in three or four movements for unaccompanied organ. The fact that these are original compositions is a novelty in music history. Most known works of this type were arrangements of orchestral works./ Répertoire / Orgue
90.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Sinfonia op. 32 Orgue [Partition] Schott
Par LUTYENS ELISABETH. This new engraved edition of Elizabeth Lutyens? Sinfonia ...(+)
Par LUTYENS ELISABETH. This new engraved edition of Elizabeth Lutyens? Sinfonia continues Schott?s commitment to re-publishing Lutyen?s works which have previously only been available in manuscript. As one of the great 20th century serial composers, in this mature work, Lutyens mixes formal structures of palindromes and canons across a number of short movements. / Date parution : 2023-07-31/ Répertoire / Orgue
8.88 EUR - vendu par LMI-partitions Délais: Sur commande | |
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