Par NILLES ANIKA. If you
don’t have access to your
drums regularly, travel a
lot…(+)
Par NILLES ANIKA. If you
don’t have access to your
drums regularly, travel a
lot, or have neighbors
with sensitive ears, you
will already have a
PRACTICE PAD. But
practicing without a drum
kit is special! To keep
your hands agile and dive
deeper into EFFECTIVE
METHODS that really
improve your pad
technique, ANIKA NILLES‘
PAD BOOK is JUST THE
THING!
Anika gives plenty of
options WHAT AND HOW to
practice on a pad.
Practice pads are
particularly well suited
because they reduce
drumming to one basic
sound source. This way
you follow a process of
continuous progression in
terms of stickings and
rudiments, phrasings and
rhythm concepts.
The FUNDAMENTAL WORKOUTS
are allocated to four
chapters: Subdivision
Studies, Mixed Meters,
Hand Independence, and
Polyrhythms. The result
is a complete system with
triplets, 16th notes,
quintuplets, sextuplets
and septuplets, which are
broken down into
individual steps starting
with a very basic layout
before moving to more
complex rhythms. The
focus is on building up
and consolidating
fundamentals across all
note values, raising
awareness on a feel for
time and rhythm, and
presentation of many
possibilities on how you
can expand acquired
skills.
Anika also puts together
a collection of WARM-UPS
which suggest ideas on
how you create your own
rhythm patterns out of
the technical features in
this book.
The deeper meaning
underpinning Anika’s
ideas is always how to be
MORE CREATIVE. It is
about working on your
weaknesses, developing
new ideas and rhythms for
yourself, or simply
looking at familiar
things from a different
perspective.
Back on the DRUM KIT you
will find that you can
focus on more specific,
musically relevant topics
such as sound,
orchestration, and
dynamics, since the
hands, body, and mind
have already internalized
the basics practiced on
the pad. JUST FUNDAMENTAL
/ Methods & Tutors /
Etude / Percussions