(Hymn Meditations for Piano or Electronic Keyboard). By John Turner. For piano. Sacred. Intermediate. Published by Lorenz Publishing Company

By Hugh Livingston. Piano. Level: Medium. Sacred Piano. Published by Lorenz Publishing Company.

Studies in Moods for Piano. By Paul Sheftel. Solo piano. For Piano Solo. Level: Intermediate. Solo part. 31 pages. Published by Carl Fischer.

By Jeanine Yeager. For piano. Piano. Level: Early Intermediate. Music Book. Published by Neil A. Kjos Music Company.

Keyboard (Masterworks Book). Level: Late Elementary/Intermediate (2/3/4/5). Published by Alfred Publishing.

Edited by Ann Farmer. For solo piano. Popular. Level: Intermediate. Instrumental solo book. 96 pages. Published by Chester Music.

10 Expressive Piano Pieces in a Variety of Styles. Composed by Mike Springer. Book; Piano Collection; Piano Supplemental. Lyrical Landscapes. Recital. 24 pages. Published by Alfred Music

Hal Leonard Student Piano Library. By Barbara Kreader, Fred Kern, Phillip Keveren, and Mona Rejino. The Hal Leonard Student Piano Library. Book only. Size 9x12 inches. 40 pages. Published by Hal Leonard.

By Bj Rosco. Edited by James King/Gail Lew. Arranged by Bj Rosco. Piano method/supplement (late-elementary piano). Level: late elementary piano solos. 28 pages. Published by Belwin.

Piano - Advanced

SKU: LO.70-2367L

Composed by Faye Lopez. Sacred. Lorenz Publishing Company #70/2367L. Published by Lorenz Publishing Company (LO.70-2367L).

ISBN 9780787775513.

Faye López's new piano collection is absolutely full of the sounds of faith. This gifted arranger applies her keen creative powers to a wide variety of hymns, including such favorites as Holy, Holy, Holy, It Is Well With My Soul, and His Eye Is On the Sparrow. Suitable for public worship, or quiet moments at home, this is a collection that is sure to inspire you and your listeners.

Expressive Piano Pieces in a Variety of Styles. Composed by Mike Springer. Piano Supplemental; Promotional Packet. Lyrical Landscapes. Recital. Book. Alfred Music #00-106942. Published by Alfred Music (AP.106942).

Composed by John Turner. Sacred. Lorenz Publishing Company #70/1987L. Published by Lorenz Publishing Company (LO.70-1987L).

By Mary Mcdonald. For piano. Level 3. Sacred piano. Published by Lorenz Publishing Company

(Book/USB Flash Drive Play-Along Pack). By Various. For C Instruments. Real Book Play-Along. USB Flash Drive. 462 pages. Published by Hal Leonard

By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Dave Brubeck. For Piano. Piano - Personality Book. Jazz. Level: Intermediate / Advanced. Book. Published by Alfred Publishing

Performed by Tim Janis. Piano Solo Composer Collection. Size 9x12 inches. 128 pages. Published by Hal Leonard.

A Kind of Miniatures / Panta Rhei. By Lutz Gerlach. For Piano. Solos. AMA Verlag. Contemporary. Level: Beginning-Intermediate. Book. Size 9x12. 144 pages. Published by AMA Verlag. ISBN 3899220102.

For the Later Beginner. By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco. For Piano. Piano Method. Alfred's Basic Piano Library. Book. 48 pages. Published by Alfred Publishing.

Composed by Various. Arranged by Hey Rim Jeon, Robert Christopherson, Ross Ramsay, and Tim Ray. Berklee Guide. Softcover Audio Online. 64 pages. Published by Berklee Press

Piano Solo

SKU: HL.14043165

Piano Solo. Composed by Patrick Hawes. Music Sales America. Classical. Softcover. 12 pages. Novello & Co Ltd. #NOV294712. Published by Novello & Co Ltd. (HL.14043165).

9.0x12.0x0.082 inches.

Patrick Hawes' Two Angel Preludes , scored for solo Piano. ' Cherubim : This piano prelude aims to create a sense of weightlessness and tranquillity whilst at the same time having momentum and energy. Like the Seraphim, the Cherubim are ceaseless in prayer, and the repeated note figurations are designed to enhance this image.' ' Seraphim : The triple meter and lilting melody in this piece for solo piano combine to create a sense of quiet joy as the Seraphim perpetually pray to the heavenly Father.' - Patrick Hawes.

The World's Great Classical Music. By Various. Piano Solo Mixed Folio (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 232 pages. Published by Hal Leonard.

Piano - Grade 5

SKU: FA.MFCD017B

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017B. Published by Musik Fabrik (FA.MFCD017B).

8.27 x 11.69 inches.

Contains Le Roi Lear: Prelude,Premiere Fanfare, and La Mort de Cordelia,Toomai des elephants, Rodrigue et Chimene: Prelude a l'acte 1p. Le Martyre de Saint Sebastien: La Passion , and No-ja-li ou Le Palais du Silence

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelleas et Melisande in 1893-1902 and the ballet Jeux for Diaghilev's Ballets Russes in 1912-13). Of the rest, many were never started musically (like Siddartha and Orphee-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902-03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908-17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912-13; or Le Martyre de Saint Sebastien and La Boite a joujoux by his 'angel of corrections' ['l'ange des Corrections'] Andre Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy's 'compulsive achievement' could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure's 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to 'write a ballet for him that he would sign' on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andre Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy's lost potential masterpieces from his existing sketches and drafts--then orchestrating them in Debussy's style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

Composed by Heather Sorenson. Sacred. Lillenas Publishing Company #9780787767648. Published by Lillenas Publishing Company

By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017A. Published by Musik Fabrik

Carols for Solo Piano. Arranged by Chris De Silva. Christmastide. Sacred. GIA Publications #10511. Published by GIA Publications