This show has guts! proclaimed Richard Zoglin of Time magazine about this 2012 revival, which won the Off-Broadway Alliance Award for Best Musical Revival. It features music by Michael Gore, lyrics by Dean Pitchford, and book by Lawrence D. Cohen (based on the novel by Stephen King). Our folio features 18 songs from that revival, including: Alma Mater · And Eve Was Weak · Carrie · Carrie (Reprise) · Do Me a Favor · Dreamer in Disguise · Epilogue · Evening Prayers · I Remember How Those Boys Could Dance · In · A Night We'll Never Forget · Once You See · Open Your Heart · Unsuspecting Hearts · When There's No One · Why Not Me? · The World According to Chris · You Shine. / Piano/Vocal/Guitare (PVG)

39 songs, including: Camelot £ September Song £ The Impossible Dream £ Ol' Man River £ Some Enchanted Evening £ and more. / Répertoire d'Examen / Recueil / Chant et Piano

Vocal Score / Softcover. Par VERDI GIUSEPPE. In a letter of 2 January 1851, Verdi suggested for the first time Antonio Garcia Gutierrez play El Trovador as a possible subject for his new Opera: 'It seems to me very beautiful, imaginative, and full of strong situations'. Once he had settled on the subject, the composer immediately began looking for a theater in which to produce the Opera and after protracted negotiations he decided to stage Il Trovatore in Rome. The premiere occurred on 19 January 1853 at the Teatro Apollo and was an enormous success. The appreciation of the new work increased from performance to performance. The third performance was the last the composer was contractuallyobliged to attend: at the end of the evening the audience presented Verdi with two laurel wreaths. Verdi 's account of the performances, contained in a letter to his friend Clarina Maffei, was eloquent: 'They say that this Opera is too sad and that there are too many deaths. But ultimetley in life everything is death! What exists?. . . ' Notwithstanding Verdi 's pessimism, Il Trovatore circulated rapidly. In fact, no other Opera of Verdi except 'Ernani' enjoyed such instant and widespread success./ Répertoire / Chant et Piano

60 songs, with extensive historical introductory notes. Includes all art songs originally composed for voice and piano published by Boosey and Hawkes. Available for for High Voice as well as for Medium/Low Voice, with newly published transpositions as necessary. / Voix Et Piano

Le grand 2013 Broadway production de Cendrillon a insufflé une nouvelle vie dans la Rodgers and Hammerstein classique musical de 1957.Cendrillon de Rodgers and Hammerstein On Broadway caractéristiques musical pour 16 sélections en piano / voix Format avec la mélodie dans la partie de piano, y compris des classiques comme Cendrillon Mars, Do You Love Je Parce que tu es belle?, La complainte de Stepsisters et plus encore. / Piano Et Voix

Une sélection de paramètres et légers décidément pince-sans-rire par Jeremiah Clarke, toutes écrites pour voix avec accompagnement de piano et présentées dans les clés originales. / Chant Et Piano / niveau : Intermédiaire / Partition

Folksongs especially arranged for a child's solo voice (including a unchanged boy's treble voice), with a limited range, designed to encourage lyric singing, and easy piano accompaniments. / Voix